Lawn

History

Fig. 1, Alexander Jackson Davis, Design for University of Michigan (elevation and plan of building and grounds), c. 1838.

Fig. 2, Archibald L. Dick, "Elysian Fields, Hoboken (New York in the distance)," in Views in New-York and its Environs (1831-34).

Throughout the eighteenth and nineteenth centuries, the lawn was an essential element of the American designed landscape. It was a stretch of grass turf occasionally referred to as grass-ground or greensward. Samuel Johnson defined “greensword” as “the turf on which grass grows.” These terms, however, were rarer in American usage than the term “lawn.” Although descriptions exist of public spaces having lawns, such as the former bowling green in New York, described by John Lambert (1816), and the University of Virginia in Charlottesville, described by Margaret Bayard Smith (1828), other terms (such as square, park, green or bowling green, common, or mall) were more commonly used for public sites. The term “lawn” was used more often in descriptions of residential landscapes.

Fig. 3, Batty Langley, "Variety of Lawns, or Openings, before a grand Front of a Building, into a Park, Forest, Common, &c." in New Principles of Gardening (1728), pl. XVI.

Fig. 4, Charles Fraser, The Seat of John Julius Pringle, Esquire, on the Ashley River, 1800.

The scale of lawns ranged from modest to grand. Small dwelling yards contrasted with broad swaths of turf in settings as diverse as landscape parks at country homes, campuses [Fig. 1], hospitals, resorts, and public spaces that included greens and commons. Where rainfall, climate, and soil allowed, imported English grasses and cultivars, such as clover, were planted in lawns, and native meadow grasses were scythed to similar effect. George Washington mentions planting his lawn with “English grass Seeds” in 1785. Correspondence between Charles Carroll (of Annapolis) and his son reveals the planning and labor involved in planting a lawn: “Severall Small Boys & Girls Have been employed . . . in picking English grass & white Clover seed. Ye 1st was allmost all shed, of ye latter I think I shall send you enough. . . . In levelling yr ground I hope you have been Carefull to preserve ye top Soil & to lay it on again, Sowe yr Clover seed when ye Soil is moist, Rake it & when pretty dry Role it with yr Garden Roler is not too Heavy.”

Fig. 5, William Russell Birch, Montebello – The Seat of General Smith, c. 1808.

Fig. 6, Benjamin Henry Latrobe, Sedgeley, c. 1799.

While turf was most likely cultivated in some fashion during colonial times, it was not until the last quarter of the eighteenth century that garden descriptions and other landscape writing registered the common practice of planting lawns, particularly among the larger gardens of the colonial elite. Lawns continued to grow in popularity in America, and by the mid-nineteenth century they were firmly established as a signature of the prosperous American homeowner’s landscape. These lawns became a stage for the social dramas of leisure and sport, depicted at White Sulphur Springs in Virginia, Elysian Fields in Hoboken, N.J. [Fig. 2], and New Haven Green in Connecticut.

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Fig. 7, Karl Bodmer, Point Breeze, 1832.

Fig. 8, Benjamin Henry Latrobe, View to the North from the Lawn at Mount Vernon, 1796.

Praising the merits of turf had a long tradition in treatise writing. Batty Langley (1728) included several unadorned “parterres of grass” in his designs, noting that “the Grandeur of those beautiful Carpets consists in their native Plainness” [Fig. 3]. Treatises for American audiences continued to offer instructions for maintaining lush, green lawns and recommended frequent scything or mowing, sweeping, and rolling, while acknowledging the limitations of the often hotter and dryer American climate.

Fig. 9, James Smillie (artist), "View from Battle Hill," in Nehemiah Cleaveland, Green-wood Illustrated (1847), opp. p. 79.

Fig. 10, Anonymous, Friends Almshouse, Walnut Street, Philadelphia, c. 1848.

The qualities praised in the didactic sources in terms of color and texture were reflected in representations of the American lawn in both verbal and visual descriptions. The smooth, green plane provided a pleasing setting for views of a house, as suggested by Margaret Bayard Smith’s 1828 description of James Madison’s Montpelier in Virginia, and by house portraits by such artists as Charles Fraser [Fig. 4], William Russell Birch [Fig. 5], and Benjamin Henry Latrobe [Fig. 6]. Distant views, such as Karl Bodmer’s painting of Point Breeze [Fig. 7], capitalized upon the effect of a house surrounded by an unobstructed lawn—the centerpiece of the estate presented like a jewel mounted on a swath of green velvet. In a similar manner, the unbroken plane of a green lawn provided a foreground for views from a main house. This idea was exemplified by several descriptions of Monticello, Mount Vernon, and William Hamilton’s seat, the Woodlands, near Philadelphia, and was depicted in paintings, such as Benjamin Henry Latrobe’s view from Mount Vernon [Fig. 8] and a view of the picturesque Greenwood Cemetery in Brooklyn, N.Y., by James Smillie [Fig. 9]. This foreground effect of the lawn was further enhanced by planting trees at its edge in a diverging or undulating pattern, drawing the viewer’s attention outward, thus enhancing the distant view and accentuating the size of the lawn.

Fig. 11, Anonymous, 1774 the South West Prospect of the Seat of Colonel George Boyd of Portsmouth, New Hampshire, 1774.

Fig. 12, Rebecca Couch, Connecticut House, c. 1805.

The appearance of an open lawn, freely blending with the landscape beyond, was an essential aspect of the “modern style” of English parks and of their American emulations. This effect was to be achieved, where possible, with the appearance of minimal human intervention. One technique was the use of the ha-ha, or, later, the wire fence, which provided a measure of protection against wildlife without interrupting the effect of a continuous transition from the house and lawn to the surrounding countryside. Writers and artists alike admired the contrast of the lawn, “smooth as velvet,” with the irregular, shadowy outline of trees, which helped to create the contrast and diversity espoused by advocates of the natural and picturesque styles. The disposition of groups of trees and shrubs suggested by John Abercrombie (1817) presented the lawn as a space through which one wandered, over which one’s gaze was carried to distant vistas, and on which animals grazed. The principle was one that A. J. Downing espoused in A Treatise on the Theory and Practice of Landscape Gardening (1849) in his designs for residential gardens. Despite the emphasis in treatise texts on the use of broad, sweeping lawns in large-scale plantation and estate gardens, lawns were also important design elements in small, enclosed spaces, such as the Friends Almshouse in Philadelphia [Fig. 10]. In numerous examples dating from the eighteenth and nineteenth centuries, lawns were enclosed with either a screen of trees or a barrier of fencing, walls, or hedges. Sometimes these enclosures were necessitated by space constraints, as seen, for example, in the anonymous painting of Col. George Boyd’s seat in Portsmouth, N.H. [Fig. 11], and, at times, by the desire to separate the lawn from other parts of the garden or work areas, as in Rebecca Couch’s painting of a Connecticut house [Fig. 12] (see Yard). Even in small lots, however, garden periodicals and treatises encouraged the juxtaposition of lawn and trees, beds, or shrubs to give the illusion of greater depth and to diversify the space [Fig. 13].

Fig. 13, Benjamin Henry Latrobe, Garden plan with outbuildings, from "Buildings Erected or Proposed to be Built in Virginia," 1795-99.

Fig. 14, William Clarke, Levin Winder, 1793.

While the pursuit of the picturesque landscape continued through the mid-nineteenth century (with proponents such as Bernard M’Mahon and Downing), another current of garden design was less concerned with mimicking the irregularity of nature than with the “clean unbroken line.” Promoted by British writers, such as Humphry Repton (1803) and J. C. Loudon (1826), and by American writers, such as Thomas Bridgeman (1832) and James E. Teschemacher (1835), the lawn was praised as a setting for variety within the garden, whether its carpet-like surface was cut into by the regular forms of walks and flower beds, or embellished with furniture, benches, arbors, and statuary. In contrast to qualities of diversity and irregularity, the frequent use of adjectives such as “polish,” “neatness,” and “precision” conveyed the effect of the lawn as a kind of canvas into which regular elements were cut or placed. In addition to their visual significance in American landscape design, lawns held social and symbolic significance. In both the eighteenth and nineteenth centuries, the lawn was perceived to be a sign of improved or “cultivated” space. For example, John Lambert in his 1816 account of the Hudson River area, found pleasure in the contrast between uncultivated woods and copses and cultivated lawns and meadows. In domestic residences, the green lushness sought after by admirers of the lawn was a mark of competence, investment, and, as Downing phrased it, “a universal passport to admiration.” Visitors often took note of a lawn’s color as a sign of its condition and a reflection of its owner’s care: Margaret Bayard Smith (1828) reported that the lawn at Montpelier was “green as in spring,” while David Bailie Warden (1816) admired the “beautiful verdure” of Analostan Island, Gen. John Mason’s summer house in Washington, D.C. Turfing one’s grounds not only indicated an investment in the labor of planting and maintaining a lawn, but also signaled that one had the luxury of devoting time and space to something other than utilitarian kitchen gardens or orchards. Numerous portraits, such as that of Levin Winder [Fig. 14], depicted the sitter’s properties, including lawns expressive of status and wealth.

In addition to the lawn’s role as a marker of status, descriptions, such as that by Frederick Douglass of Col. Edward Lloyd’s Wye House in Talbot County, Md. (1825), as a scene of “Eden-like beauty,” reflected the broader rhetoric of America as the new paradise with its bountiful, limitless space untainted by the crowding and evils of the Old World. In seeming contradiction, the lawn was also read as a sign of having an affinity with the vast estates and pleasure parks of civilized Europe. Several writers describing American residences noted that lawn and tree groupings, even in modest scale, alluded to the great landscape gardens of English manor houses that were known through the descriptions and tours in such works as Thomas Whately’s Observations on Modern Gardening (1770). Both Douglass at Wye House and C. M. Hovey (1841) at William Demming’s residence, Presque Isle, in Fishkill, N.Y., described in Downing’s Magazine of Horticulture, linked the American lawn to English parks.

In addition, in the second half of the eighteenth century the lawn referred to the agrarian roots of the new republic and to the classical villas, on which many of the planter gentry modeled their estates. In short, the lawn was equated with the land itself. Even a small patch of green in a muddy, smelly town alluded to a plantation or country house, presumed or real. Granted, the rhetoric of the lawn as the vestigial rural seat of the natural legislator was one shared by an elite few, but it was a symbol of an ideology that shaped much of the political philosophy of the revolutionary and early national period. Jefferson, in Notes on the State of Virginia (1784), echoed French Physiocratic philosophers in his presentation of the land as the only true and moral source of wealth. J.-P. Brissot de Warville wrote upon visiting Mount Vernon in 1788 that George Washington had often been “compared to Cincinnatus: the comparison is doubtless just. This celebrated General is nothing more at present than a good farmer.” America’s eighteenth-century landed gentry was not only versed in the arts of botany, geometry, astronomy, classics, and music, but also in farming their own land. The smooth spread of lawn, even at a modest scale surrounding an urban dwelling, could be read as a badge of allegiance to that agrarian ideal.

-- Elizabeth Kryder-Reid

Texts

Usage

• Gordon, Lord Adam, May 1765, describing a house in Annapolis, Md. (quoted in Mereness 1916: 408)

“a house which was built for a Governour...but never was finished . . . the Situation of it most Elegant, Standing on an agreeable rising ground, in a beautiful Lawn, commanding the view of the Town.”

Fig. #, Edward Savage, The East Front of Mount Vernon, c. 1787-92.

• Washington, George, 6 October 1785, describing Mount Vernon, plantation of George Washington, Fairfax County, Va. (Jackson and Twohig, eds., 1978: 4:202)

“The appearances of the day, and the impracticability of giving, on acct. of the clammyness of the Earth, an even face to any more of my lawn, until the grd. should get dryer, of which there is no immediate prospect, I sowed what was levelled & smoothed of it, with English grass Seeds; and as soon as the top was so dry, as not to stick to the Roller, I rolled & cross rolled it; first with a light wooden roller; and then with a heavy wooden roller; with a view of compressing the Ground— smoothing the Surfice of it & to bury the Seeds.” [Fig. #]

• Anonymous, 21 January 1790, describing in the Virginia Herald and Fredericksburg Advertiser a property for sale in Orange County, Va. (Colonial Williamsburg Foundation)

“To be sold, The place where I reside in Orange County, lying on the great mountain road, 30 miles from Fredericksburg . . . a lawn of 10 acres surrounding the dwelling houses.”

• Bartram, William, 1791, describing Marshall Plantation, on the San Juan River, Fla. (1928: 84)

“The house was situated on an eminence, about one hundred and fifty yards from the river. . . . On the other side was a spacious garden, occupying a regular slope of ground down to the water; and a pleasant lawn lay between.”

• Bentley, William, 21 April 1791, describing a house and garden in Newbury, Mass. (1962: 1:249)

“[74] 21. . . . Hon. Mr Jackson shewed me his elegant mansion House. It is situate in the upper Street above the Church towards Amsbury ferry. It has a spacious lawn behind it with a gradual descent, & is near the house of John Tracey. The banks slope from the House.”

• Tucker, Saint George, 1793, describing a passage of landscape in his “Almanack” (quoted in Martin 1991: 222 fn. 39)

“How sweet is the landscape before us!—the distant mountains mingle with the azure, and all between is the finest penciling of nature. The verdant lawn, the tufted grove, the dusky tower, the hanging wood, the winding stream and tumbling water fall, compose the lovely picture before you.”

• Brown, Charles Brockden, 1798, describing a fictional character’s home (pp. 58–59)

“One sunny afternoon, I was standing in the door of my house, when I marked a person passing close to the edge of the bank that was in front. . . .

“such figures were seldom seen by me, except on the road or field. This lawn was only traversed by men whose views were directed to the pleasures of the walk, or the grandeur of the scenery.”

Fig. 15, Mutual Assurance Society, Richmond, Declaration for Assurance Book, vol. 26, policy no. 2049, Insurance policy drawings for Mount Vernon, March 13, 1803.

• Weld, Isaac, 1799, describing Mount Vernon, plantation of George Washington, Fairfax County, Va. (p. 53)

“In front, the breadth of the whole building, is a lawn with a gravel walk round it, planted with trees, and separated by hedges on either side from the farm yard and garden. As for the garden, it wears exactly the appearance of a nursery, and with every thing about the place indicates that more attention is paid to profit than to pleasure. The ground in the rear of the house is also laid out in a lawn, and the declivity of the Mount, towards the water, in a deer park.” [Fig. 15]

• Codman, Dr. John, 18 July 1800, in a letter to Sarah Codman, describing the Grange, estate of Dr. John and Sarah Codman, Lincoln, Mass. (Society for the Preservation of New England Antiquities, Codman Family Manuscript Collection, box 118, folder 1,923)

“Mrs. Gore and myself have been planning improvements at Lincoln, she says it is the handsomest place in America and might be made a l’anglaise with ease. I like her plan that the fore-yard should be thrown down into a lawn that carriages may drive to the front door.”

• Cutler, Rev. Manasseh, 2 January 1802, in a letter to his daughter, Mrs. Torrey, describing the Woodlands, seat of William Hamilton, near Philadelphia, Pa. (1987: 2:145)

“We then walked over the pleasure grounds in front and a little back of the house. It is formed into walks, in every direction, with borders of flowering shrubs and trees. Between are lawns of green grass, frequently mowed to make them convenient for walking, and at different distances numerous copse of native trees, interspersed with artificial groves, which are set with trees collected from all parts of the world.”

Fig. #, Thomas Jefferson, Plan of the grounds at Monticello, 1806.

• Jefferson, Thomas, c. 1804, describing improvements for Monticello, plantation of Thomas Jefferson, Charlottesville, Va. (quoted in Nichols and Griswold 1978: 111)

“The ground between the upper and lower roundabouts to be laid out in lawns & clumps of trees, the lawns opening so as to give advantageous catches of prospect to the upper roundabout.” [Fig. #]

Fig. #, William Russell Birch, "Woodlands the Seat of M.^r W.^m Hamilton Pennsylv.^a," in The Country Seats of the United States (1808), pl. 14.

• Drayton, Charles, November 2, 1806, describing the Woodlands, seat of William Hamilton, near Philadelphia, Pa. (1806: 54–58)

“The Approach, its road, woods, lawn & clumps, are laid out with much taste & ingenuity. Also the location of the Stables; with a Yard between the house, stables, lawn of approach or park, & the pleasure ground or garden.

"The Fences separating the Park-lawn from the Garden on one hand, & the office yard on the other, are 4 ft. 6 high. . . . The park lawn is not in good order, for lack of being fed upon. . . .

"The Garden consists of a large verdant lawn surrounded by a belt of walk, & shrubbery for some distance. . . .

"The Stable Yard, tho contiguous to the house, is perfectly concealed from it, the Lawn, & the Garden. . . . This sloping passage being a segment of a circle, & its two outer walls concealed by loose hedges, & by the projection of the flat roofed Screen of masonry, keeps the yard, & I believe the whole passage out of sight from the house—but certainly from the garden & park lawn.” [Fig. #]

• Ticknor, George, 1815, describing Monticello, plantation of Thomas Jefferson, Charlottesville, Va. (quoted in Jones 1957: 3–4)

“He [Thomas Jefferson] lives on a mountain. . . .We were obliged to wind two thirds round its sides before we reached the artificial lawn on which the house stands. . . . The lawn on the top, as I hinted, was artificially formed by cutting down the peak of the height. In its centre, and facing the southeast, Mr. Jefferson has placed his house.”

• Lambert, John, 1816, describing the Hudson River Valley, N.Y. (2:45)

“The cultivated parts are intersected with small woods, coppices, and clumps of trees, which add much to the diversity of the scenery, and form a pleasing contrast to lawns, meadows, and cornfields.”

• Lambert, John, 1816, describing New York, N.Y. (2:57)

“At the commencement of the Broadway, near the Battery, stands the old Government-house, now converted into offices for the customs. Before it is a small lawn railed in, and in the centre is a stone pedestal, upon which formerly stood a leaden statue of George the Third.”

• Paulding, James Kirke, 1816, describing Berkeley Springs, Va. (later W.Va.) (1817: 1:196)

“The visiters live in cabins built of square logs, whitewashed, and disposed in a range just on the skirts of a little lawn, so that they have all the air of a rural village.”

Fig. #, Robert King, Detail of Analostan Island from A Map of the City of Washington, 1818.

• Warden, David Bailie, 1816, describing Analostan Island, seat of Gen. John Mason, Washington, D.C. (quoted in Junior League of Washington 1977: 106)

“The garden, the sides of which are washed by the waters of the river, is ornamented with a variety of trees and shrubs, and in the midst, there is a lawn covered with a beautiful verdure.” [Fig. #]

• Forman, Martha Ogle, 1818, 1820, and 1823, describing Rose Hill, home of Martha Ogle For-man, Baltimore County, Md. (1976: 60, 102, 159)

“[24 April 1818] Ramsey . . . has erected on the lawn a handsome Cage for the Hawk Pen, he has also made for us a Chicken, a duck, a Turkey, and a goose Coop. ...

“[11 May 1820] . . . Mowed our lawn, which looks beautiful. . . .

“[8 May 1823] Rachel finished whitewashing the garden poles, the Pigeon house and the fence round the lawn.”

Fig. #, Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), frontispiece.

• Silliman, Benjamin, 1824, describing Monte Video, property of Daniel Wadsworth, Avon, Conn. (p. 12)

“To the west, the lawn rises gradually from the water, until it reaches the portico of the house, near the brow of the mountain, beyond which, the western valley is again seen.”

Fig. 16, Jane Braddick Peticolas, View of the West Front of Monticello and Garden, 1825.

• Bacon, Edmund, 1825, describing Monticello, plantation of Thomas Jefferson, Charlottesville, Va. (quoted in Adams 1976: 329)

“The grounds around the house were most beautifully ornamented with flowers and shrubbery. There were walks, and borders, and flowers, that I have never seen or heard of anywhere else. Some of them were in bloom from early spring until late in the winter. A good many of them were foreign. Back of the house was a beautiful lawn of two or three acres, where his grandchildren used to play a great deal.” [Fig. 16]

• Douglass, Frederick, 1825, describing Wye House, estate of Col. Edward Lloyd, Talbot County, Md. ([1855] 1987: 47)

“The carriage entrance to the house was a large gate, more than a quarter of a mile distant from it; the intermediate space was a beautiful lawn, very neatly trimmed, and watched with the greatest care. It was dotted thickly over with delightful trees, shrubbery, and flowers. The road, or lane, from the gate to the great house, was richly paved with white pebbles from the beach, and, in its course, formed a complete circle around the beautiful lawn. Carriages going in and retiring from the great house, made the circuit of the lawn, and their passengers were permitted to behold a scene of almost Eden-like beauty. Outside this select inclosure, were parks, where—as about the residences of the English nobility—rabbits, deer, and other wild game, might be seen, peering and playing about, with none to molest them or make them afraid.”

Fig. #, Anonymous (artist), Benjamin Tanner (engraver), University of Virginia, 1826.

• Smith, Margaret Bayard, 2 August 1828, in a letter to Mrs. Boyd, describing the University of Virginia, Charlottesville, Va. (1906: 225)

“A vast wide lawn separates the two rows of pavillions and dormitories.”

• Smith, Margaret Bayard, 17 August 1828, in a letter to Mrs. Boyd, describing Montpelier, plantation of James Madison, Montpelier Station, Va. (1906: 233)

“We were at first conducted into the Drawing room, which opens on the back Portico and thus commands a view through the whole house, which is surrounded with an extensive lawn, as green as in spring; the lawn is enclosed with fine trees, chiefly forest, but interspersed with weeping willows and other ornamental trees, all of most luxuriant growth and vivid verdure. It was a beautiful scene!”

• Trollope, Frances Milton, 1830, describing Fairmount Waterworks, Philadelphia, Pa. (1832: 2:43)

“On the farther side of the river is a gentleman’s seat, the beautiful lawns of which slope to the water’s edge, and groups of weeping-willows and other trees throw their shadows on the stream. The works themselves are enclosed in a simple but very handsome building of freestone . . . behind the building, and divided from it only by a lawn, rises a lofty wall of solid lime-stone rock, which has, at one or two points, been cut into, for the passage of the water into the noble reservoir above.”

• Mason, Gen. John, c. 1830, describing Gunston Hall, seat of George Mason, Mason Neck, Va. (quoted in Rowland 1964: 1:98)

“On the north front by which was the principal approach, was an extensive lawn kept closely pastured, through the midst of which ran a spacious avenue.”

• Thacher, James, 3 December 1830, “An Excursion on the Hudson,” describing Hyde Park, seat of Dr. David Hosack, on the Hudson River, N.Y. (New England Farmer 9: 156)

“The mansion house at Hyde Park is elevated about 200 feet above the surface of the river. With its two wings it presents a noble front of 136 feet, and is two stories above the basement. The centre or principal building, has a piazza on both fronts; the west front is open to the Hudson, and the east looks over a spacious, beautiful lawn towards the turnpike from New York to Albany. . . . The forest trees which surround the domicile are identically the natives which are found in our forest; some of the oaks are a century in age, and all are large and so grouped and intermingled over the lawn, as to present at every step the most fantastic views that can attract the pencil of the artist.”

• Latrobe, John H. B., August 1832, describing the University of Virginia, Charlottesville, Va. (quoted in Semmes 1917: 247)

“There are four rows of buildings, composed of one story colonnades, under which are the student’s rooms; and at equal distances are the two inner rows and the professors’ houses two stories in height, with porticos of various architecture. At the upper side of the lawn is the rotunda, containing the library, a beautiful room.”

Fig. 17, John H.B. Latrobe, Lawn of the White Sulphur, 1835.

• Latrobe, John H. B., August 1832, describing White Sulphur Springs, Va. (quoted in Semmes 1917: 252)

“Cottages hidden in the dark green foliage, long rows of white homes of all descriptions scattered here and there, and as we came into the precints, there on the right was the ascending lawn of the freshest verdure, surrounding with its picturesque cabins, with vehicles of all sorts under its trees. Gay groups laughing and enjoying the afternoon were assembled on the lawn. Here a gay party of equestrians careering on their return from their evening ride, here another prancing pellmell, here were fencers, here a group starting greyhounds for a race, here a number of serious smokers on one side by themselves, here a whole bevy of children with their whoop and hallo. Servants were hurrying to and fro. The quoit was flying in the air, and the roll of the nine pin ally came upon the ear with the crash and clatter of skittles.” [Fig. 17]

• Ingraham, Joseph Holt, 1835, describing a plantation near New Orleans, La. (1:235–36)

“we proceeded to the sugar-house or sucrérie, through a lawn which nearly surrounded the ornamental grounds about the house, studded here and there with lofty trees, which the good taste of the original proprietor of the domain had left standing in their forest majesty. From this rich green sward, on which two or three fine saddle-horses were grazing, we passed through a turnstile into a less lovely, but more domestic enclosure.”

• Martineau, Harriet, 1835, describing Jamaica Pond, vicinity of Boston, Mass. (1838: 2:182–83)

“A cottage on Jamaica Pond, for instance, within an easy ride of Boston, is a luxurious summer abode. I know of one unequalled in its attractions, with its flower-garden, its lawn, with banks shelving down to the mere; banks dark with rustling pines, from under whose shade the bright track of the moon may be seen, lying cool on the rippling waters.”

• Hovey, C. M., October 1839, “Some Remarks upon several Gardens and Nurseries in Providence, Burlington, (N.J.) and Baltimore,” describing the residence of Horace Binney, Burlington, N.J. (Magazine of Horticulture 5: 363)

“The flower garden is nearly a square, and is laid out with one main circular walk, running round the whole, and a border for flowers on each side; the centre forming a lawn scattered over with several large fruit trees.”

• MacDonald, James, October 1839, describing the Bloomingdale Asylum for the Insane, New York, N.Y. (quoted in Hawkins 1991: 86)

“The approach to the Asylum from the southern entrance, by the stranger who associates the most sombre scenes with a lunatic hospital, is highly pleasing. The sudden opening of the view, the extent of the grounds, the various avenues gracefully winding through so large a lawn; the cedar hedges, the fir, and other ornamental trees, tastefully distributed or grouped, the variety of shrubbery and flowers; in fine, the assemblage of so many objects to please the eye, and relieve the melancholy mind from its sad musings, strike him as one of the most successful and useful instances of landscape gardening.”

• Buckingham, James Silk, April 1840, describing the garden of Father George Rapp, Economy, Pa. (1842: 227)

“This [the garden] covered about an acre and half of ground, and was neatly laid out in lawns, arbours, and flower-beds, with two prettily ornamented open octagonal arcades, each supporting a circular dome over a fountain.”

• Buckingham, James Silk, 1841, describing the Pennsylvania Hospital for the Insane, Philadelphia, Pa. (1:400–401)

“The greenhouses, containing a handsome collection of exotic plants, together with the ornamental lawns in front and rear of the house, are under the care of a regular gardener. The attention paid to neatness, and even ornament, in the exterior and interior of the house, gives to the whole an air of elegance seldom equalled in establishments of this nature.”

• Hovey, C. M., October 1841, “Notes made during a Visit to New York, &c.,” describing Presque Isle, residence of William Demming, Fishkill, N.Y. (Magazine of Horticulture 7: 374)

“Beyond the grouping of trees on the bank of the river, and the stately forms of some ofthe single specimens on the lawn, we found but little to notice. Of the former we can speak in gratifying terms; for we are delighted to be able to give our evidence of the existence of so much of that landscape beauty among us, which is almost exclusively the peculiar feature of the gardening of Britain. Nature, it is true, has done much for the place, but art has also accomplished a great deal. . ..

“Through the belt on the border of the river, by cutting away the branches, views of the most interesting portions of the opposite side of the river have been opened. Were the lawn only kept closer, and more frequently mown, the walks filled with gravel and well rolled, we could have imagined ourselves in some of the fine old picturesque places of England.”

• Hovey, C. M., November 1841, “Select Villa Residences,” describing Highland Place, estate of A. J. Downing, Newburgh, N.Y. (Magazine of Horticulture 7: 403)

“3. Lawn; which descends very gradually to the nursery grounds in front. The piece being too narrow to admit of greater width, the lawn was lengthened to have the appearance of more breadth of surface. This should be borne in mind by those whose grounds are so situated as to prevent their obtaining the requisite width. There is another object which should be taken into consideration, when forming a lawn in front of a house situated on the bank of a river, like Mr. Downing’s, and commanding such fine views: the distant scenery would be hid by the extent of trees which would intervene, unless very judiciously managed.”

• Hovey, C. M., April 1842, “Notes made during a Visit to New York, Philadelphia, Baltimore, &c.,” describing the United States Capitol, Washington, D.C. (Magazine of Horticulture 8: 127–28)

“On each side of the centre avenues rows of trees are planted, and upon the grass lawns which intervene between the centre and outer walks, are two large circles of dug ground, planted with shrubs, dahlias, and other flowers.”

• Blair, Francis P., 1 July 1843, describing Hermitage, estate of Andrew Jackson, Nashville, Tenn. (Ladies Hermitage Association Research #977)

“On one side of the lawn leading to the house, is the garden which embosoms the monument which covers the grave of Mrs. Jackson. . . . On the other side of the lawn is the orchard; and in front is a large woodland (whose extent cannot be seen) for the most part of the tall tulip poplars, are left almost in a state of native wildness.”

• Downing, A. J., November 1846, describing Livingston Manor, seat of Mary Livingston, on the Hudson River, N.Y., and Camac Cottage, near Philadelphia, Pa. (Horticulturist 1: 204)

“There are two residences in this country which so far surpass all others in the perfection of their lawns, that we hope to be pardoned for holding them up to commendation. . . .

“The lawn at the Livingston Manor is very extensive and park-like—certainly the largest well-kept lawn in America, and we wish all our readers who are skeptical regarding an American lawn, could see and feel its many excellent perfections. They would only be still more surprised when they were told how few men keep so large a surface in the highest order.

“The Camac Cottage is a gem of neatness and high keeping. We hope Pennsylvanians at least, who, we think, have perhaps our best lawn climate, will not fail to profit by so admirable an example as they will find there, of what SPENSER quaintly and prettily calls ‘the grassie ground.’”

• Anonymous, August 1848, describing Riversdale, estate of George and Rosalie Stier Calvert, Prince George’s County, Md. (American Farmer 4: 53)

“On either front is an ample lawn with shade trees, grass plots, parterres, shrubbery, and flowers, whose effect upon the senses impart an interest to the view, warm the mind into admiration, and give assurance, that a chastened taste and artistic skill had presided while these were being fashioned into form. . . . These improvements were made by the present proprietor’s ancestors, in the beginning of the present century, but are still in a state of the most perfect preservation.”

• Justicia [pseud.], March 1849, “A Visit to Springbrook,” seat of Caleb Cope, near Philadelphia, Pa. (Horticulturist 3: 411)

“The elegant mansion is surrounded with a spacious lawn, kept in a masterly style; and the pleasure-grounds are enclosed by a light iron fence, about half a mile in length, and studded with many varieties of hardy trees, backed by a natural piece of the most majestic woods,—giving a fine sylvan character to the place.”

• Hovey, C. M., December 1849, describing Oatlands, residence of D. P. Manice, Hempstead, N.Y. (Magazine of Horticulture 15: 529–31)

“The house is a handsome building, in a kind of castellated gothic, standing about fifty feet from the road, with the conservatory and hothouse, and flower garden on the left,—the kitchen garden and forcing-houses on the right,—and the lawn and pleasure ground, in the rear of the house, separating it from the park. . ..

“we continued on to the lawn, where we found much of interest in the various specimens of trees and shrubs.”

• Eppes, Francis, c. 1850, describing Eppington, plantation of Francis Eppes, on the James River, Va. (quoted in Weaver 1969: 31)

“The mansion-house itself . . . was placed at the extreme side of a large level or lawn, covered with green sward, extending to a considerable distance in front, and declining on the left side as you entered, and in the rear of the house to the low grounds of the Appomattox, a mile off. In front and over the neighborhood road which skirted the lawn, was situated the garden. . . . The mansion . . . was almost imbedded in a beautiful double row of the tall Lombardy poplar . . . and this row reached to another double row or avenue which skirted one side of the lawn, dividing it from the orchard and stables. The lawn in front was closed in by a fence with a small gate in the middle and a large one on either extremity, one opposite the avenue of poplars, and the other at the end of the carriageway which swept around it.”

• Londoniensis [pseud.], October 1850, “Notes and Recollections of a Visit to the Nurseries of Messrs. Hovey & Co., Cambridge” (Magazine of Horticulture 16: 443)

“In front of this house is a fine open lawn, of an acre or more, dotted with clumps of flowering plants, and single trees of the rarer species, more particularly of the new weeping trees and coniferae. This lawn is encircled by a broad walk, on the lawn side of which are circular beds of the choicest summer blooming plants. I did not much like this multitude of circular beds, but it is the general style throughout the country.”

• Downing, A. J., 1851, describing plans for improving the public grounds of Washington, D.C. (quoted in Washburn 1967: 55)

“The pleasing natural undulations of surface, where they occur, I propose to retain, instead of expending money in reducing them to a level. The surface of the Parks, generally, should be kept in grass or lawn, and mown by the mowing machine used in England, by which, with a man and horse, the labor of six men can be done in one day.”

• Jones, Rev. C. C., 5 June 1851, describing Hermitage, estate of Andrew Jackson, Nashville, Tenn. ([1851] 1976: 175)

“An iron gate let us into the lawn immediately before the mansion; nor had we in our approach seen anything more than the top of a chimney or the glimpse of a wall or pillar; nor did we see anything now, so embosomed is it in trees, and so full of small cedars and shrubbery is the lawn. The road winds around an enclosed plat in shape resembling a guitar, shut in by low white posts connected by a small rope with one another. The grass in this lot was much grown, and we observed that the mower had commenced to smooth it off with his scythe.”

• Downing, A. J., August 1851, “The Annual Cattle Sale at Mount Fordham,” describing Mount Fordham, seat of Lewis G. Morris, New York, N.Y. (Horticulturist 6: 372)

“Around the house at Mount Fordham, extends on all sides a kind of meadow-lawn, enclosed and divided by pretty wire fences of various patterns. This lawn is kept short by the grazing of improved dairy stock, and we were glad to see successfully practiced what we have been commending so strongly of late to our readers, as the most available point of English country places, that we saw on the other side of the Atlantic—that is the maintenance of a neat and handsome lawn about a country house, not only without the expense of mowing, but with united profit and beauty—the profit of grazing the grass and the beauty—the real pastoral beauty—of fine cattle, soft turf, and pleasant groups of trees, as the home landscape of our country places generally. By adopting this course, the hay-field aspect of many so-called gentlemen’s country-seats, would disappear, and a more complete and satisfactory lawn or park be acquired, with no loss of money, and the attainment of a higher species of keeping to one’s country home.

Citations

• Switzer, Stephen, 1718, Ichnographia Rustica ([1718] 1982: 2:200)

“If the Wood is thin, ’tis there one may clear it quite away, and make open Lawns. And if the Wood be an Eminence, then all the small Stuff on the Outside ought to be clear’d away, to open the distant Prospect, if it deserve it; but if it be an unsightly, barren Prospect, then let the Wood remain to blind it.”

• Langley, Batty, 1728, New Principles of Gardening ([1728] 1982: 195, 201)

“General DIRECTIONS, &c....

“I. THAT the grand Front of a Building lie open upon an elegant Lawn or Plain of Grass, adorn’d with beautiful Statues, (of which hereafter in their Place,) terminated on its Sides with open Groves. . . .

“VI. That no Borders be made, or Scroll-Work cut, in any such Lawn or plain Parterre; for the Grandeur of those beautiful Carpets consists in their native Plainness. ...

“XXX. Open Lawns should be always in Proportion to the Grandeur of the Building; and the Breadth of Avenues to the Fronts of Edifices, and their own Length also.”

• Miller, Philip, 1759, The Gardeners Dictionary (n.p.)

“In a fine Garden, the first thing that should present itself to the Sight should be an open lawn of Grass which is size should be proportionable to the garden; in a large garden it should not be less than six or eight acres. . . . The figure of this lawn need not be regular, and if on the Sides there are trees planted irregularly, by way of an open Grove, some of which may be planted forwarder upon the lawn than the others, whereby the regularity of the lawn will be broken, it will render it more like nature.”

• Society for the Encouragement of Arts, Manufacturers and Commerce, 1769, The Complete Farmer (n.p.)

“The flower-garden should be made near the back-front of the house, from whence a descent of six or seven steps will finely embellish the whole. Proper room should be allowed for a lawn of sufficient extent, which, if it be the first object that strikes the sight, will have a very pleasing effect.”

• Ogilvie, George, 1791, Carolina, or The Planter (1986: 67–68)

“Here Pales seems with Flora to have strove,

To blend the beauties of the lawn and grove;

Till ev’ry season yields its ev’ry flow’r,

Pride of the month, or pageant of the hour.”

• Marshall, Charles, 1799, An Introduction to the Knowledge and Practice of Gardening (1:124)

“Here [about the house] should be also a good portion of grass plat, or lawn, which so delights the eye when neatly kept, also borders of shewy flowers, which, if backed by any kind of fence, it should be hid with evergreens, or at least with deciduous shurbs, that the scene may be as much as possible vivacious.”

• Repton, Humphry, 1803, Observations on the Theory and Practice of Landscape Gardening (pp. 13, 46)

“There is no error more prevalent in modern gardening, or more frequently carried to excess, than taking away hedges to unite many small fields into one extensive and naked lawn, before plantations are made to give it the appearance of a park; and where ground is subdivided by sunk fences, imaginary freedom is dearly purchased at the expence of actual confinement. . . .

“In some situations where great masses of wood, and a large expanse of open lawn prevail, the contrast is too violent, and the mind becomes dissatisfied by the want of unity; we are never well pleased with a composition in natural landscape, unless the wood and the lawn are so blended that the eye cannot trace the precise limits of either.”

• M’Mahon, Bernard, 1806, The American Gardener’s Calendar (pp. 55–57)

“THE district commonly called the Pleasure, or Flower-Garden, or Pleasure-ground, may be said to comprehend all ornamental compartments, or divisions of ground, surrounding the mansion; consisting of lawns, plantations of trees and shrubs, flower compartments, walks, pieces of water, &c. whether situated wholly within the space generally considered as the Pleasure-Garden, or extended to the adjacent fields, parks, or other out-grounds. . . .

“For instance, a grand and spacious open lawn, of grass-ground, is generally first presented immediately to the front of the mansion, or main habitation; sometimes widely extended on both sides, to admit of a greater prospect, &c. and sometimes more contracted towards the habitation; widening gradually outwards, and having each side embellished with plantations of shrubbery, clumps, thickets, &c. in sweeps, curves, and projections, towards the lawn; with breaks or opens of grass-spaces at intervals, between the different plantations; together with serpentine gravel walks, winding under the shade of the trees. . . .

“First an open lawn of grass-ground is extended on one of the principal fronts of the mansion or main house, widening gradually from the house outward, having each side bounded by various plantations of trees, shrubs, and flowers, in clumps, thickets, &c. exhibited in a variety of rural forms, in moderate concave and convex curves, and projections, to prevent all appearance of a stiff uniformity; introducing between the plantations at intervals, breaks or opens of grass-ground, communicating with the lawn and internal divisions, in some places widely spread, in others more contracted; leaving also tracts for serpentine gravel-walks, some winding under the shade of the plantations, so conducted as to command views of the lawn and interior divisions occasionally, and at intervals, of the most beautiful parts of the surrounding country.”

• Abercrombie, John, with James Mean, 1817, Abercrombie’s Practical Gardener (p. 473)

“The commencement of the lawn should be wider than the front of the house; and the sides of it should diverge, so that if screens of plantation leave only a front view, the eye may not feel itself confined.

“In proportion as the lawn is extensive or the surface uniform, it requires to be broken by groups of shrubs and trees. The principle on which variety, and some degree of intricacy, are essential, in the composition of a pleasing scene, may be illustrated by surveying an immense flat meadow.”

• Loudon, J. C., 1826, An Encyclopaedia of Gardening (p. 1020)

“7262. The lawn, or that breadth of mown turf formed in front of, or extending in different directions from, the garden-front of the house, is, in the geometric style, varied by architectural forms, levels, and slopes; and in the modern by a picturesque or painter-like disposition of groups, placed so as to connect with the leading masses, and throw the lawn into an agreeable shape or shapes. In very small villas the lawn may embrace the garden or principal front of the house, without the intervention of terrace-scenery, and may be separated from the park, or park-like field, by a light wire fence; but in more extensive scenes it should embrace a terrace, or some avowedly artificial architectural basis to the mansion, and a sunk wall, as a distant separation, will be more dignified and permanent than any iron fence. The park may come close up to the terrace-garden, especially in a flat situation, or where the breadth of the terrace is considerable.”

• Webster, Noah, 1828, An American Dictionary of the English Language (n.p.)

“LAWN, n. [W. llan, an open, clear place. It is the same word as land, with an appropriate signification, and coincides with plain, planus, Ir. cluain.]

“A open space between woods, or a plain in a park or adjoining a noble seat.

“Betwixt them lawns or level downs, and flocks “Grazing the tender herbs, were interspers’d. Milton.”

• Floy, Michael, 24 September 1830, “Description of Trees and Shrubs” (New England Farmer 9: 74)

“Platanus occidentalis, Button-ball, by some called Sycamore, is a large and majestic tree, calculated for avenues or large lawns, or for ornamental plantations. . . .

“Umlas, or Elm, three kinds, the European Elm, the American White Elm, and the American Slippery Elm, are all desirable to form a good landscape for lawns or avenues, &c.

“Tilia Americana, the American Lindin, and the Tilia Europea, are both beautiful trees, well calculated for streets or lawns—the trees grow handsome, and when in flower, the honey bees are much attracted to its sweet, honey-like perfume.”

• Bridgeman, Thomas, 1832, The Young Gardener’s Assistant (p. 112)

“[Regarding the flower garden] If there are lawns or grass walks, they should be frequently trimmed, and more frequently mowed and rolled, to prevent the grass from interfering with the flower beds, and to give the whole a neat regular carpet-like appearance.”

• Teschemacher, James E., 1 June 1835, “On Horticultural Architecture” (Horticultural Register 1: 228, 411–12)

“The garden behind the house may if large be composed of three parts.

“1st. A grass lawn.

“2d. Separate beds for distinct flowers.

“3d. A boundary of ornamental shrubs. ...

“The lawn may be formed either by sowing seed . . . this will take, however, two or three years to bring to fine order—therefore the quickest way is to pare turf from a meadow and lay it down evenly, the pieces close to each other; they will soon join and form a continuous surface. The great beauty of this ornament to the garden consists in having it soft to tread on, and a beautiful bright green color; this can always be effected by mowing frequently. . . . After each mowing the lawn must be neatly swept, and then rolled with a roller of iron, preferable to one of stone. The edges of the walk should be kept trimmed so as to present a clean unbroken line. . . . A lawn kept in this style is certainly always an object of delight to the eye, and preferable to the finest carpet for the foot—but if not neatly kept it had better be omitted altogether from the garden. The form of lawns must depend on the extent, the surface, or on individual taste; a few short and simple rules for general forms will be given in a future part of these papers.

“If extensive, the lawn may be diversified by clumps of ornamental trees or if the space be small by single trees.

“The approach to the house should be by a broad semi-circular drive intersecting the lawns, and leading by branches to the stables and out buildings, as well as to the flower and kitchen gardens; this last, if near the house, must be completely concealed, either by walls covered with fruit trees, or by shrubberies, and may be preferably laid out in a series of parallelograms.

“The vicinity of Boston abounds so much in every variety of beautiful landscape, that there is scarcely any place where art is less required in laying out pleasure grounds . . . after leaving this paradise of sweets, passing some distance through a thick plantation of the most ornamental forest trees of America, including the varieties of pine and fir, then suddenly emerging on the beautiful expanse of grass lawn in front; all this, owing to the natural advantages of the country surrounding Boston, may be accomplished at a comparatively trifling expense and loss of time.”

• Sayers, Edward, 1 February 1838, “On Laying out Gardens and Ornamental Plantations: Laying out Approaches and Planting Shrubberies” (Horticultural Register 4: 62)

“In such grounds the front part next to the road, may be appropriated to a grass plot or lawn, planted with a few ornamental trees, as the Balsam Fir, Mountain Ash, and the like, which gives a relief to the carriage road that will pass close to the front door, and have an appearance of easy access to and from the house to the carriage.”

• Downing, A. J., November 1846, “A Chapter on Lawns” (Horticulturist 1: 202, 204)

“In short, the ideal of grass is a lawn, which is, to a meadow, what ‘Bishop’s lawn’ is to homespun Irish linen.

“With such a lawn, and large and massive trees, one has indeed the most enduring sources of beauty in a country residence. Perpetual neatness, freshness and verdure in the one; ever expanding beauty, variety and grandeur in the other—what more does a reasonable man desire of the beautiful about him in the country? . . .

“After your lawn is once fairly established, there are but two secrets in keeping it perfect— frequent mowing and rolling. Without the first, it will soon degenerate into a coarse meadow; the latter will render it firmer, closer, shorter, and finer every time it is repeated. . . .

“There are but few good lawns yet in America; but we have great pleasure in observing that they are rapidly multiplying. Though it may seem a heavy tax to some, yet no expenditure in ornamental gardening is, to our mind, productive of so much beauty as that incurred in producing a well kept lawn. Without this feature, no place, however great its architectural beauties, its charms of scenery, or its collections of flowers and shrubs, can be said to deserve consideration in point of landscape gardening; and with it the humble cottage grounds will possess a charm which is, among pleasure grounds, what a refined and graceful manner is in society—an universal passport to admiration.”

• Johnson, George William, 1847, Dictionary of Modern Gardening (pp. 343–44)

“LAWN is a surface of turf in the vicinity of the house, requiring to be kept smooth by the regular application of the roller and scythe. When first constructed, after the ground has been dug over as level as may be, it must be rolled, the hollows filled up, and this repeated until a level surface of earth is obtained. It must then be slightly pointed over with a fork, and the turf laid, or the grass seed sown. See Turfing.”

Fig. 18, Anonymous, "A Small Arabesque Flower Garden," in A. J. Downing, ed., The Horticulturist 2, no. 11 (May 1848): 504.

• Downing, A. J., May 1848, “Design for a Small Flower Garden” (Horticulturist 2: 503–4)

“The following little plan of a flower garden, of this kind, on a small scale, is adopted from one of the designs of our late friend, Mr. LOUDON. It is supposed to be formed in a plot of smooth level lawn, and to be surrounded by a boundary walk, which may, or may not, be backed by a belt of evergreens and flowering shrubs. In the former case, it would make a complete little scene by itself in a portion of the garden or grounds.” [Fig. 18]

• Downing, A. J., 1849, A Treatise on the Theory and Practice of Landscape Gardening (pp. 75, 343, 525–27)

“But the lawn may be less frequently mown, the edges of the walks less carefully trimmed, where the Picturesque prevails; while in portions more removed from the house, the walks may sometimes sink into a mere footpath without gravel, and the lawn change into the forest glade or meadow. ...

“A wide-spread lawn, on the contrary, where no boundaries are conspicuous, conveys an impression of ample extent and space for enjoyment. . . .

“As a lawn is the ground-work of a landscape garden. . . . “The unrivalled beauty of the ‘velvet lawns’ of England has passed into a proverb. This is undoubtedly owing, in some measure, to their superior care and keeping, but mainly to the highly favorable climate of that moist and sea-girt land. . . .

“Our climate, however, is in the middle states one of too much heat and brilliancy of sun, to allow us to keep our lawns in the best condition without considerable care. . . .

“the whole beauty of a lawn depends on frequent mowing....

“We can already, especially in the finer places on the Hudson, and about Boston, boast of many finely kept lawns, and we hope every day, as the better class of country residences increases, to see this indispensable feature in tasteful grounds becoming better understood and more universal.”

• Elder, Walter, 1849, The Cottage Garden of America (p. 26)

“The rich gentleman may have his broad domain finely diversified with wood lots, open fields, deep ravines, creeks, cataracts, canals, rock works, fancy or rustic bridges, etc.; and the wide extended lawn, with its dark green sod, which surrounds his mansion, may be beautifully interspersed with winding walks and deciduous evergreen trees.”

• Downing, A. J., March 1850, “How to Arrange Country Places” (Horticulturist 4: 395)

“Be that as it may, the ground-work of this part [the ornamental portion of a country place] should, in our judgment, always be LAWN. There is in the country no object which at all seasons and times gives the constant satisfaction of the green turf of a nicely kept lawn. If your place is large, so much larger and broader is the good effect of the lawn, as it stretches away, over gentle undulations, alternately smiling and looking serious, in the play of sunshine and shade that rests upon it. If it is small—a mere bit of green turf before your door— then it forms the best and most becoming setting to the small beds and masses of everblooming roses, verbenas, and gay annuals, with which you embroider it, like a carpet.

“Lawn, there must be, to give any refreshment to the spirits of man in our country places; for nothing is so intolerable to the eye as great flower-gardens of parched earth, lying half baked in the meridian sun of an American summer. And though no nation under the sun may have such lawns as the British, because Britain lies in the lap of the sea, with a climate always more or less humid, yet green and pleasant lawns most persons may have in the northern states, who make the soil deep and keep the grass well mown.”

• Webster, Wm., October 1850, “Laying Out and Planting Lawns” (Horticulturist 5: 163)

“And now for the greatest point of attraction—the lawn. What can be more beautiful than a well kept lawn, with its drooping trees, and beds of flowers, and many other attractions? No matter however beautiful a place may appear, it is still incomplete without its due proportion of grass; in fact, a well kept lawn lends a charm to all surrounding objects, and gives effect to the whole. In the formation of lawns, I would recommend the laying down of turf, in preference to seeding one. When a lawn is sown, it takes a great length of time to get a good turf; whereas, by laying one down, a fine even surface is obtained at once, and a beautiful verdure. Fancy figures may also be cut around the edges, or in different parts of the lawn, for the planting of flowers in masses, such as Verbenas, Petunias, Fuchsias, and the like. Drooping trees should also be planted in different parts of the lawn singly; the beauties of which, I need not here descant upon, as it has already been so ably done by Mr. BARRY, in the last number of this journal. All close fences, or any unsightly objects, should be hid by trees, or covered with climbing plants or creepers.”

• New York State Lunatic Asylum Trustees, 1851, describing the ideal grounds for a lunatic asylum (quoted in Hawkins 1991: 53)

“The salutary influence on the insane mind of highly cultivated lawns—pleasant walks amid shade trees, shrubbery, and fountains, beguiling the long hours of their [sic] tedious confinement—giving pleasure, content, and health, by their beauty and variety, are fully appreciated by us.”

• Breck, Joseph, 1851, The Flower-Garden (pp. 31–32)

“No flower-garden can be complete without some grass. There are but very few, however, who can afford the luxury of an extensive grass lawn; but every one wishes for a few rods, at least, about the house; this may lay between the house and garden. When there is but a small surface to grass over, it may be done with turf, if it can be obtained of a good quality, which is not often the case. . . .

“To have a fine lawn, it is necessary not only to mow it often, but roll it also, especially after a rain. By doing thus, a close texture and fine velvety turf may be obtained.”

Images

Inscribed

• 

  Batty Langley, "Variety of Lawns, or Openings, before a grand Front of a Building, into a Park, Forest, Common, &c." in New Principles of Gardening (1728), pl. XVI.

• 

  Samuel Vaughan, Sketch plan of Mount Vernon, June-September 1787.

• 

  Benjamin Henry Latrobe, View to the North from the Lawn at Mount Vernon, 1796.

• 

  Mutual Assurance Society, Richmond, Declaration for Assurance Book, vol. 26, policy no. 2049, Insurance policy drawings for Mount Vernon, March 13, 1803.

• 

  Thomas Jefferson, Sketch of the garden and flower beds at Monticello, June 7, 1807.

• 

  J. C. Loudon, Plan of a flower garden with irregular borders, in An Encyclopædia of Gardening (1826), p. 791, fig. 540.

• 

  Alexander Jackson Davis, Mount Vernon, c. 1831.

• 

  Henry Schenck Tanner, City of Washington, c. 1836.

• 

  Alexander Jackson Davis, Design for University of Michigan (elevation and plan of building and grounds), c. 1838.

• 

  Anonymous, "Ground Plan of a portion of Downing's Botanic Gardens and Nurseries," in The Magazine of Horticulture 7, no. 11 (November 1841): 404.

• 

  Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847.

• 

  James Smillie, "Greenwood Cemetery," in Nehemiah Cleaveland, Green-wood Illustrated (1847), flyleaf.

• 

  James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated (1847), opp. p.61.

• 

  Anonymous, "A Small Arabesque Flower Garden," in A. J. Downing, ed., The Horticulturist 2, no. 11 (May 1848): 504.

• 

  Anonymous, "Plan of the foregoing grounds as a Country Seat, after ten years’ improvement," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 114, fig. 24.

• 

  Anonymous, "Plan of a Suburban Villa Residence," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 118, fig. 26.

• 

  Anonymous, "The Flower-Garden at Dropmore," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 431, fig. 77.

• 

  Anonymous, "English Flower-Garden," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 434, fig. 78.

• 

  Frances Palmer, "Ground Plot," in William H. Ranlett, The Architect (1851), vol. 2, pl. 29.

• 

  G. & F. Bill (firm), Birds eye view of Mt. Vernon the home of Washington, c. 1859.

Associated

• 

  Batty Langley, "Part of a Park Exhibiting their manner of Planting, after a more Grand manner than has been done before," in New Principles of Gardening (1728), pl.XIII.

• 

  Edward Savage, The West Front of Mount Vernon, c. 1787-92.

• 

  Edward Savage, The East Front of Mount Vernon, c. 1787-92.

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  Anonymous, A View of Mount Vernon, c. 1790.

• 

  James Peller Malcolm, Woodlands, the Seat of W. Hamilton Esquire, from the Bridge at Gray's Ferry, Philadelphia, c. 1792-94.

• 

  William Groombridge, The Woodlands, the Seat of William Hamilton, Esq., 1793.

• 

  David Leonard, A S.W. view of the College in Providence, together with the President's House & Gardens, c. 1795.

• 

  George Beck, View of Baltimore from Howard Park, c. 1796.

• 

  J. Weiss, Home of George Washington, "The Father of His Country", 1797.

• 

  George Isham Parkyns, Mount Vernon, 1795.

• 

  Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796.

• 

  Benjamin Henry Latrobe, View of Mount Vernon looking towards the South West, 1796.

• 

  Alexander Robertson (artist), Francis Jukes (engraver), "Mount Vernon in Virginia," 1800.

• 

  George Ropes, Mount Vernon, 1806.

• 

  Thomas Jefferson, Plan of the grounds at Monticello, 1806.

• 

  John Archibald Woodside, Lemon Hill, 1807.

• 

  Anonymous, Plan of the Harvard Botanic Garden, c. 1807.

• 

  Thomas Jefferson, Plan of serpentine walk and flower beds at Monticello, May 23, 1808.

• 

  William Russell Birch, "View from Belmont Pennsyl.^a the Seat of Judge Peters," in The Country Seats of the United States (1808), pl. 16.

• 

  William Russell Birch, "Woodlands the Seat of M.^r W.^m Hamilton Pennsylv.^a," in The Country Seats of the United States (1808), pl. 14.

• 

  William Russell Birch, "Sedgley the Seat of Mr.^r W.^m Crammond Pennsylv.^a," in The country seats of the United States (1808), pl. 15.

• 

  Thomas Jefferson, Early study for pavilion VII, University of Virginia, 1817.

• 

  Robert King, Detail of Analostan Island from A Map of the City of Washington, 1818.

• 

  Thomas Jefferson, Bird's-eye view of the University of Virginia, c. 1820.

• 

  Alvan Fisher, The Vale, 1820–25.

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  Anonymous, The Vale, 1820–30.

• 

  Daniel Wadsworth, "Monte Video, Approach to the House," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), pl. opp. p. 16.

• 

  Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), frontispiece.

• 

  Anonymous (artist), Benjamin Tanner (engraver), University of Virginia, 1826.

• 

  Anthony St. John Baker, Mount Airy, Virginia; northeast front, 1827, in Mémoires d’un voyageur qui se repose (1850), part IV, p. 520A.

• 

  Anthony St. John Baker, Mount Airy, Virginia; southwest front as viewed from the bowling green, 1827, in Mémoires d’un voyageur qui se repose (1850), part IV, p. 520B.

• 

  Anonymous, Bonaparte's residence and the surrounding park, c. 1830, in Alice B. Lockwood, Gardens of Colony and State (1931-34), p. 321.

• 

  Anonymous, "Bloomingdale Asylum for the Insane," American Magazine of Useful and Entertaining Knowledge 1, no. 1 (September 1834): 6.

• 

  John H.B. Latrobe, Lawn of the White Sulphur, 1835.

• 

  Nicolino Calyo, The Philadelphia Water Works, 1835–36.

• 

  John Henry Bufford, "Fairmount from the first Landing," sheet music cover for The Fairmount Quadrilles, 1836.

• 

  John T. Bowen, A View of the Fairmount Water-Works with Schuylkill in the distance, taken from the Mount, 1838.

• 

  Victor De Grailly, View of Mount Vernon, c. 1840–50.

• 

  Victor de Grailly, Washington's Tomb at Mount Vernon, c.1840-50.

• 

  W. Mason, "Pennsylvania Hospital for the Insane," c. 1841, in Thomas S. Kirkbride, Reports of the Pennsylvania Hospital for the Insane: with a sketch of its history, buildings, and organization (1851), frontispiece.

• 

  Alexander W. Longfellow, Sketch of the grounds of the Vassall-Craigie-Longfellow House, 1844.

• 

  Henry Wadsworth Longfellow, Sketch of the Grounds of the Longfellow Estate, 1844.

• 

  Anonymous, "Front View of the Mansion at Mount Vernon," in Franklin Knight ed., Letters on agriculture from His Excellency George Washington (1847), opp. p. 14.

• 

  Anonymous (artist), A. Kollner (lithographer), "North West View of the Mansion of George Washington Mount Vernon," in Franklin Knight, ed., Letters on agriculture from His Excellency George Washington (1847), opp. p. 124.

• 

  Anonymous, "The Manor of Livingston," ed. A.J. Downing, The Horticulturalist 1, no. 5 (November 1846): pl. opp. p. 201, fig. 55.

• 

  Alexander Jackson Davis, "Montgomery Place," in A. J. Downing, ed., The Horticulturist 2, no. 4 (October 1847): pl. opp. p. 153.

• 

  Alexander Jackson Davis, "View in the Grounds at Blithewood," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), frontispiece.

• 

  Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. p. 51, fig. 7.

• 

  Anonymous, "Cottage Residence of Wm. H. Aspinwall, Esq.," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. p. 51, fig. 8.

• 

  Anonymous, "Belmont Place, near Boston, the seat of J. P. Cushing, Esq.," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. p. 54, fig. 10.

• 

  Anonymous, "View in the Grounds of James Arnold, Esp.," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. p. 57.

• 

  Anonymous, "Mrs. Camac's Residence," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. between pp. 58 and 59, fig. 13.

• 

  Anonymous, "The Battery, New York, By Moonlight," in Illustrated London News (October 27, 1849): 277.

• 

  Frances Palmer, Ground plots for proposed houses near Clifton, Staten Island, in William H. Ranlett, The Architect (1849), vol 1, pl. 18.

• 

  Anonymous, "Villa of Theodore Lyman, Esq., near Boston," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 387, fig. 48.

• 

  Thomas Chambers, Mount Auburn Cemetery, mid-19th century.

• 

  Frances Palmer, "Ground Plot of 4-1/4 Acres," in William H. Ranlett, The Architect (1851), vol. 2, pl. 6.

• 

  Anonymous, "Mount Fordham—the Country Seat of Lewis G. Morris, Esq.," in A. J. Downing, ed., The Horticulturist 6, no. 8 (Aug. 1, 1851): pl. opp. p. 345.

• 

  Middleton, Strobridge & Co. (engravers), Mount Vernon. The Home of Washington, c. 1861.

Attributed

• 

  Anonymous, Perry Hall, Home of Harry Dorsey Gough, n.d.

• 

  Alexander Jackson Davis, Montgomery Place, n.d.

• 

  Anonymous, Fairhill, The Seat of Isaac Norris Esq., 18th century.

• 

  Batty Langley, One of two "Designs for Gardens that lye irregularly to the ground House . . . House opening to the North upon a plain Parterre of Grass," in New Principles of Gardening (1728), pl. XI.

• 

  Batty Langley, "Part of a Park Exhibiting their manner of planting, after a more grand manner than has been done before," in New Principles of Gardening (1728), pl.XIV.

• 

  William Burgis, A Prospect of the Colledges [sic] in Cambridge in New England, 1743.

• 

  William Tennant, A North-West Prospect of Nassau Hall, with a Front View of the Presidents House in New-Jersey, Princeton College, 1764.

• 

  Claude Joseph Sauthier, A Plan of the Town of Newbern in Craven County, North Carolina, 1769.

• 

  Anonymous, 1774 the South West Prospect of the Seat of Colonel George Boyd of Portsmouth, New Hampshire, 1774.

• 

  Anonymous, Landscape with Buildings, c. 1775-1800.

• 

  Jonathan Budington, View of the Cannon House and Wharf, 1792.

• 

  Ralph Earl, William Floyd, c. 1793.

• 

  William Clarke, Levin Winder, 1793.

• 

  Benjamin Henry Latrobe, Garden plan with outbuildings, from "Buildings Erected or Proposed to be Built in Virginia," 1795-99.

• 

  Anonymous, Plan for the garden of the Elias Hasket Derby House, c. 1795-99.

• 

  Anonymous, Plan for a kitchen garden at the Elias Hasket Derby House, c. 1795–99.

• 

  Benjamin Henry Latrobe, Sedgeley, c. 1799.

• 0447.jpg

  Benjamin West, Maria Hamilton Beckford (Mrs. William Beckford), 1799.

• 

  Anonymous, Overmantel from the Bannister house, c. 1800-20.

• 

  William Russell Birch, Springland, c. 1800.

• 

  Anonymous, "Plan of Mr. Derby['s] Land," 1800.

• 

  Charles Fraser, The Seat of John Julius Pringle, Esquire, on the Ashley River, 1800.

• 

  William Groombridge, Fairmount and Schuylkill River, 1800.

• 

  Charles Fraser, Another View of Brabants: Seat of the Late Bishop Smith, c. 1800

• 

  Charles Fraser, A Seat on Ashley River, April 1802.

• 

  Charles Fraser, Ashley Hall, 1803.

• 

  Charles Fraser, Mepkin, the Seat of Henry Laurens, Esq., May 1803.

• 

  Charles Fraser, Richmond: The Seat of Edward Rutledge, Esq., Saint Johns, 1803.

• 

  Thomas Jefferson, "Plan of Spring Roundabout at Monticello," c. 1804.

• 

  William Russell Birch, "The Grove in Springland," before 1805.

• 

  Rebecca Couch, Connecticut House, c. 1805.

• 

  Francis Guy, Perry Hall from the northwest, c. 1805.

• 

  Charles Fraser, Mepkin, No. 1, May 1805.

• 

  Jane Shearer, Brick House with Terraces, 1806, in Sotheby's New York, Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring (January 2012), p. 80.

• 

  Mary Antrim, Brick House with Two Foreyards and Animals, 1807, in Sotheby's New York, Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring (January 2012), p. 72.

• 

  Amos Doolittle, A View of the Buildings of Yale College at New Haven, 1807.

• 

  William Russell Birch, Montebello – The Seat of General Smith, c. 1808.

• 

  William Russell Birch, Sweet Briar, c. 1808.

• 

  William Russell Birch, "Landsdown, the Seat of the late W.^m Bingham Esq.^r, Pennsylvania," in The Country Seats of the United States (1808), pl. 5.

• 

  William Russell Birch, "Hoboken in New Jersey, the Seat of M.^r John Stevens," 1808, in The country seats of the United States (1808), pl. 3.

• 

  William Russell Birch, "Hampton, the Seat of Gen.^l Cha.^s Ridgely, Maryland," in The country seats of the United States (1808), pl. 19.

• 

  William Russell Birch, "Solitude in Pennsylv.^a belonging to M.^r Penn," in The country seats of the United States (1808), pl. 9.

• 

  William Russell Birch, "Montibello the seat of Gen.^l S. Smith Maryland", in The country seats of the United States (1808), pl. 13.

• 

  William Russell Birch, "China Retreat Pennsyl.^a the Seat of M.^r Manigault," in The country seats of the United States (1808), pl. 19.

• 

  William Russell Birch, "The View from Springland," in The country seats of the United States of North America (1808), pl. 2.

• 

  Anne-Marguerite-Henriette Rouillé de Marigny Hyde de Neuville, The Moreau House, July 2, 1809.

• 

  William Strickland, "The Woodlands," 1809, in The Casket 5 (October 1830): 432.

• 

  Anonymous, The Lilacs, Residence of Thomas Kidder [perspective rendering, front], c. 1810.

• 

  Anonymous, Making Hay, c. 1810.

• 

  Rebecca Chester, A Full View of Deadrick's Hill, 1810.

• 

  Joseph Jacques Ramée, Plan of the Campus Grounds, Union College, 1813.

• 

  Joseph Jacques Ramée, Plan of Union College, 1813.

• 

  Lewis and Goodwin (lithographers), after a drawing by Joseph Jacques Ramée, Union College. Schenectady, N.Y., 1815.

• 

  Joseph Jacques Ramée, Estate plan for Calverton [detail], c. 1816, in Parcs & jardins (c. 1836), pl. 1.

• 

  Benjamin Henry Latrobe, Elevation of the South front of the President's house, copied from the design as proposed to be altered in 1807, January 1817.

• 

  Thomas Birch, Southeast View of "Sedgeley Park," the Country Seat of James Cowles Fisher, Esq., c. 1819.

• 

  Anonymous, By the Sea, c. 1820.

• 

  George Flower, Park House, Albion, Edwards County, Illinois—Home of George Flower, c. 1820.

• 

  Janika de Fériet, The Hermitage, c. 1820.

• 

  Anne-Marguerite-Henriette Rouillé de Marigny Hyde de Neuville, Washington City, 1821.

• 

  Thomas Birch, Fairmount Water Works, 1821.

• 

  Eliza Susan Quincy, "Seat of Josiah Quincy, Esqr.," 1822.

• 

  Jane Braddick Peticolas, View of the West Front of Monticello and Garden, 1825.

• 

  Catherine Mary Wheeler, Sampler, 1825.

• 

  George Hayward after J. Anderson, View of The Belvedere Club House, 1794, 1828.

• 

  Anthony St. John Baker, "View of the White House," 1826, in Mémoires d’un voyageur qui se repose (1850).

• 

  Anthony St. John Baker, "Back View of Mount Airy, Va.," 1827, in Mémoires d’un voyageur qui se repose (1850), part IV, p. 520B.

• 

  Anthony St. John Baker, "Front View of Mount Airy, Virginia," 1827, in Mémoires d’un voyageur qui se repose (1850), part IV, p. 520A.

• 

  E.W. Clay, etched by J.W. Steel and W.H. Hay, "Sedgeley Park," in C.G. Childs, Views in Philadelphia and its environs, from original drawings taken in 1827-30 (1830), pl. 24.

• 

  Anonymous, The Mill, c. 1830.

• 

  Attributed to Reuben Rowley, Dr. John Safford and Family, c. 1830.

• 

  Sidney Mason Stone, House for Roger Sherman Baldwin, New Haven, Conn. [exterior elevation], c. 1830-40.

• 

  Archibald L. Dick, "Elysian Fields, Hoboken (New York in the distance)," in Views in New-York and its Environs (1831-34).

• 

  William Russell Birch, "Landsdown," before 1834.

• 

  Nicolino Calyo, Harlem, the Country House of Dr. Edmondson, 1834.

• 

  Anonymous, "Montpelier, Va., the Seat of the late James Madison," 1835.

• 

  James W. Steel, "Beech Hill, The Country Seat of R. Gilmor, Esq.," in W. H. Carpenter and T. S. Arthur, eds., The Baltimore Book: A Christmas and New Year's Present (1838), pl. opp. p. 184.

• 

  William E. Winner, Garden Scene Near Philadelphia, c. 1840.

• 

  W. H. Bartlett, "Washington, from the President's House," in Nathaniel Parker Willis, American Scenery (1840), vol. 2, pl. 26.

• 

  Anonymous, Palladian Villa Style Building in Formal Landscape, c. 1840-50.

• 

  Thomas Cole, The Van Rensselaer Manor House, 1841.

• 

  Eliza Howard Simms Burd, Blue Sulphur Springs, September 9, 1843.

• 

  Joshua Barney, Map of Hampton, 1843.

• 

  John Notman, "Plan of Grounds, Fieldwood, near Princeton," Oct. 19, 1846.

• 

  Anonymous, "The Conservatory," Montgomery Place, in A. J. Downing, ed., The Horticulturist 2, no. 4 (October 1847): 159, fig. 28.

• 

  James Smillie (artist), "View from Battle Hill," in Nehemiah Cleaveland, Green-wood Illustrated (1847), opp. p. 79.

• 

  Anonymous, Friends Almshouse, Walnut Street, Philadelphia, c. 1848.

• 

  Augustus Köllner, "President's House," 1848.

• 0107.jpg

  Weingärtner & Sarony, "Smithsonian Institution, from the North East," in Robert Dale Owen, Hints on Public Architecture (1849), pl. opp. p. 108.

• 

  Anonymous, "Residence of Gov. Morehead, North Carolina," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), p. 387, fig. 46.

• 

  Edwin Whitefield, View of Hartford, CT. From the Deaf and Dumb Asylum, 1849.

• 

  Robert P. Smith, View of Washington, c. 1850.

• 

  Sarony & Major, Iranistan, an Oriental Ville, 1852-54.

• 

  John O'Brien Inman, Inman Homestead, c. 1850.

• 

  Benjamin Franklin Smith, Jr., Washington, D.C. with projected improvements, c. 1852.

• 

  Anonymous, House Lot, Gardens, and Orchard of Bacon's Castle (after an 1843 survey plan), 1911, in Peter Martin, The Pleasure Gardens of Virginia: From Jamestown to Jefferson (1991), p. 10. fig. 5.