A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "Terrace/Slope"

[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
 
(121 intermediate revisions by 14 users not shown)
Line 1: Line 1:
 
==History==
 
==History==
The term terrace, used to describe both  natural and artificial landscape features, denoted a level area or platform, often  slightly raised and of varying dimensions  and materials. Although [[Stephen Switzer]]  (1718) made subtle distinctions between kinds of terraces (terrace walks, great terraces, middle terraces, etc.), those distinctions  were not generally followed in  American usage. In practice, however, a variety  of terrace types were incorporated into  landscape designs throughout eighteenth- and nineteenth-century America. These  included long narrow terraces that formed raised [[walk]]s, platforms of earthen and  architectural materials adjacent to buildings, and earthen terraces between slopes in [[falling garden]]s.
 
  
 +
[[File:0766.jpg|thumb|left|Fig. 1, Anonymous, ''The Battery New York, By Moonlight'', 1849.]]
 +
The term terrace, used to describe both  natural and artificial landscape features, denoted a level area or platform, often  slightly raised and of varying dimensions  and materials. Although Stephen Switzer  (1718) made subtle distinctions between kinds of terraces (terrace walks, great terraces, middle terraces, etc.), those distinctions  were not generally followed in  American usage. In practice, however, a variety  of terrace types were incorporated into  landscape designs throughout 18th- and 19th-century America. These  included long narrow terraces that formed raised [[walk]]s, platforms of earthen and  architectural materials adjacent to buildings, and earthen terraces between slopes in [[Fall/Falling_garden|falling gardens]].
 +
 +
[[File:1048.jpg|thumb|Fig. 2, Henry Wadsworth Longfellow, Sketch of the Grounds of the Vassall-Carigie-Longfellow House, 1844. A “turf terrace” is noted to the left of the main house.]]
 
Native American platform mounds, such as the one described as a terrace by <span id="Bartram_cite"></span>[[William Bartram]] in 1791, served as stages for the religious and ruling elite of the southeast before European contact ([[#Bartram|view text]]). Visible for miles, these mounds are remarkable not only as architectural monuments but also as testimonies to the leadership that mobilized a massive labor force needed to move such a vast quantity of earth.
 
Native American platform mounds, such as the one described as a terrace by <span id="Bartram_cite"></span>[[William Bartram]] in 1791, served as stages for the religious and ruling elite of the southeast before European contact ([[#Bartram|view text]]). Visible for miles, these mounds are remarkable not only as architectural monuments but also as testimonies to the leadership that mobilized a massive labor force needed to move such a vast quantity of earth.
[[File:0766.jpg|thumb|left|Fig. 1, Anonymous, ''The Battery New York, By Moonlight'', 1849.]]
 
[[File:1048.jpg|thumb|Fig. 2, [[Henry Wadsworth Longfellow]], Sketch of the Grounds of the Vassall-Carigie-Longfellow House, 1844. A "turf terrace" is noted to the left of the main house.]]
 
In Anglo-American gardens, long,narrow terraces provided raised [[walk]]s that offered  excellent viewing platforms, formed circulation routes through the landscape, and made  ideal venues for social promenade, as depicted at the [[Battery Park]] in New York by  the ''Illustrated London News'' in 1849 [Fig. 1]. In  1718,<span id="Switzer_cite"></span> [[Stephen Switzer|Switzer]] declared that gardens without these elevated [[walk]]s "must be esteem'd  very deficient."([[#Switzer|view text]]) Waterside terraces were particularly common in America, because they were created with the fill dredged from  rivers and [[canal]]s. Such terraces were built in residential settings, such as the gardens at [[Maycox Plantation]] in Virginia (described c. 1780-82 by [[Fran&ccedil;ois Jean Chastellux]] and at the Vassall-Craigie-Longfellow House in Cambridge [Fig. 2]. In public areas, terraces were found at the [[Battery Park]], described in  1793 by [[John Drayton]], and at the waterfront of Alexandria, Va., visited in 1830 by [[Frances Milton Trollope]].
 
  
[[File:0896.jpg|thumb|left|Fig. 3, Edwin Whitefield, Sketch of Anson G. Phelps' Villa, North Tarrytown, New York, 1851.]]
+
[[File:0896.jpg|thumb|Fig. 3, Edwin Whitefield, Sketch of Anson G. Phelps’ Villa, North Tarrytown, New York, 1851.]]
[[File:1686.jpg|thumb|Fig. 4, James Smillie after a sketch by A. O. Moore, "Italian Garden and Lake at Wellesley near Boston", 1859.]]
+
[[File:1686.jpg|thumb|Fig. 4, James Smillie after a sketch by A. O. Moore, “Italian Garden and [[Lake]] at Wellesley near Boston,” in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), pl. opp. p. 452.]]
Terraces were also built adjacent to buildings, and were often created from the earth excavated from cellar construction. The term "terrace" referred to raised  earthen platforms and to flat roofed structures, both of which were used as balconies, [[promenade]]s, and viewing platforms. These  terraces (paved, turfed, gravelled, or covered in metal compounds as advertised in the ''Federal Gazette'' in 1816) were occasionally also ornamented with [[statue|statuary]], vases, urns, and plantings such as flower beds or, more rarely, topiary. [[Charles Lyell]] recorded his  observations of a highly ornamented terrace in Natchez, Miss., in 1846. A paved or turfed  terrace extending from the house and often bounded by a balustrade was particularly popular in Italianate architecture of the 1830s and 1840s and was promoted by  [[William H. Ranlett]] (1849) and [[Andrew Jackson Downing]] (1849). These terraces required substantial investment to construct and, when planted intensively, to maintain [Figs. 3 and 4]. As <span id="Loudon_cite"></span>[[Jane Loudon]] observed in 1845, "[T]hey are chiefly adapted for mansions and places of considerable extent." ([[#Loudon|view text]]) <span id="Downing_cite"></span> [[Andrew Jackson Downing|Downing]] suggested that the function of the English paved terrace was often accommodated in America by the [[veranda]] ([[#Downing|view text]]).
+
In Anglo-American gardens, long, narrow terraces provided raised [[walk]]s that offered  excellent viewing platforms, formed circulation routes through the landscape, and made  ideal venues for social promenade, as depicted at the Battery Park in New York by  the ''Illustrated London News'' in 1849 [Fig. 1]. In  1718,<span id="Switzer_cite"></span> Switzer declared that gardens without these elevated [[walk]]s “must be esteem’d  very deficient.”([[#Switzer|view text]]) Waterside terraces were particularly common in America, because they were created with the fill dredged from  rivers and [[canal]]s. Such terraces were built in residential settings, such as the gardens at Maycox Plantation in Virginia, which were described c. 1780–82 by Fran&ccedil;ois Jean Chastellux and at the Vassall-Craigie-Longfellow House in Cambridge [Fig. 2]. In public areas, terraces were found at the Battery Park, described in  1793 by John Drayton, and at the waterfront of Alexandria, Virginia, visited in 1830 by Frances Milton Trollope.
 +
 
 +
Terraces were also built adjacent to buildings, and were often created from the earth excavated from cellar construction. The term “terrace” referred to raised  earthen platforms and to flat roofed structures, both of which were used as balconies, [[promenade]]s, and viewing platforms. These  terraces (paved, turfed, graveled, or covered in metal compounds, as advertised in the ''Federal Gazette'' in 1816) were occasionally also ornamented with [[statue|statuary]], vases, urns, and plantings such as flower beds or, more rarely, topiary. Charles Lyell recorded his  observations of a highly ornamented terrace in Natchez, Mississippi, in 1846. A paved or turfed  terrace extending from the house and often bounded by a balustrade was particularly popular in Italianate architecture of the 1830s and 1840s and was promoted by  William H. Ranlett (1849) and [[Andrew Jackson Downing]] (1849). These terraces required substantial investment to construct and, when planted intensively, to maintain [Figs. 3 and 4]. As <span id="Loudon_cite"></span>[[Jane Loudon]] observed in 1845, [T]hey are chiefly adapted for mansions and places of considerable extent.([[#Loudon|view text]]) <span id="Downing_cite"></span> [[Andrew Jackson Downing|Downing]] suggested that the function of the English paved terrace was often accommodated in America by the [[veranda]] ([[#Downing|view text]]).
 +
 
 
[[File:2006.jpg|thumb|left|Fig. 5, Joseph Drayton, ''View near Bordenton, from the Gardens of the Count de Survilliers'', c. 1820.]]
 
[[File:2006.jpg|thumb|left|Fig. 5, Joseph Drayton, ''View near Bordenton, from the Gardens of the Count de Survilliers'', c. 1820.]]
[[File:1477.jpg|thumb|Fig. 6, Anonymous, Honorary membership certificate for Nicholas Biddle in “The Horticultural Association of the Valley of the Hudson” [detail], June 1839.]]
+
[[File:1477.jpg|thumb|left|Fig. 6, Anonymous, Honorary membership certificate for Nicholas Biddle in “The Horticultural Association of the Valley of the Hudson” [detail], June 1839.]]
Broad terraces located adjacent to a building  provided a transition between the built  architecture and the grounds, as [[Batty Langley]], [[Bernard M'Mahon]], [[John Abercrombie]], and [[A. J. Downing]] all noted. The terrace also provided  a vantage point from which to admire [[view]]s and [[vista]]s. Both [[John Abercrombie|Abercrombie]] (1817) and  [[J. C. Loudon]]'s (1850) discussions of terraces  emphasize the importance of selecting sight lines and of building proportionally in order to  create an appropriate visual setting for a house, as well as to establish a viewing platform  for looking outward. For example, the terrace at [[Point Breeze]], which was described  by [[Frances Milton Trollope|Trollope]] and depicted in an anonymous engraving after [[Thomas Birch]] [Fig. 5], was placed to take advantage of striking [[vista]]s. Similarly, flat roofs of buildings (such as those  at [[Monticello]]; the Waterworks at [[Fairmount Park]] in Philadelphia; and the [[White House]] in  Washington, D.C.) served as elevated terrace  walkways with views of distant scenery. A certificate for the Horticultural Association  of the Hudson [Fig. 6] depicts an idealized garden (possibly based on [[Andrew Jackson Downing|Downing's]] [[Highland  Place]]) that includes a terrace, seen at right, framing an extended view of the Newburgh Basin.<ref>For a discussion of this image, see Walter L. Creese, ''The Crowning of the American Landscape: Eight Great Spaces and Their Buildings'' (Princeton, N.J.: Princeton University Press, 1985), 75-78.[https://www.zotero.org/groups/54737/items/itemKey/FX78IBSV/q/Creese| view on Zotero.]</ref>
+
Broad terraces located adjacent to a building  provided a transition between the built  architecture and the grounds, as Batty Langley, [[Bernard M'Mahon]], John Abercrombie, and [[A. J. Downing]] all noted. The terrace also provided  a vantage point from which to admire [[view]]s and [[vista]]s. Both Abercrombie (1817) and  [[J. C. (John Claudius) Loudon|J. C. Loudon's]] (1850) discussions of terraces  emphasize the importance of selecting sight lines and of building proportionally in order to  create an appropriate visual setting for a house, as well as to establish a viewing platform  for looking outward. For example, the terrace at [[Point Breeze]], which was described  by Trollope and depicted in an anonymous engraving after Thomas Birch [Fig. 5], was placed to take advantage of striking [[vista]]s. Similarly, flat roofs of buildings (such as those  at [[Monticello]]; the Waterworks at Fairmount Park in Philadelphia; and the White House in  Washington, DC) served as elevated terrace  walkways with views of distant scenery. A certificate for the Horticultural Association  of the Hudson [Fig. 6] depicts an idealized garden (possibly based on [[Andrew Jackson Downing|Downing’s]] Highland  Place) that includes a terrace, seen at right, framing an extended view of the Newburgh Basin.<ref>For a discussion of this image, see Walter L. Creese, ''The Crowning of the American Landscape: Eight Great Spaces and Their Buildings'' (Princeton, NJ: Princeton University Press, 1985), 75–78, [https://www.zotero.org/groups/54737/items/itemKey/FX78IBSV/q/Creese| view on Zotero].</ref>
[[File:0720.jpg|thumb|left|Fig. 7, Charles Bulfinch, Ground plan of the two wings added to the Pleasant Hill, 1818. The "upper terrace" and "lower terrace" link all the buildings.]]
+
 
[[File:1042.jpg|thumb|Fig. 8, Michael van der Gucht, Illustration for chapter entitled: "Of different Terrasses and Stairs, with their most exact Proportions", 1712.]]
+
[[File:0720.jpg|thumb|Fig. 7, Charles Bulfinch, Ground plan of the two wings added to the Pleasant Hill, 1818. The “upper terrace” and “lower terrace” link all the buildings.]]
Terraces of varying widths were also employed in sites with a steep grade in order to make for arable and easily navigated level areas, to control erosion, and to create the  visual effects made possible by a series of  slopes and flats (see [[Fall]]). These terraces were supported by earthen slopes or masonry [[wall]]s, supports which were  referred to variously as banks, slopes, and terrace walls. They were also sometimes  simply called by the more general term, "terrace," as in [[William Dickinson Martin]]'s 1808 description of a "perpendicular terrace" at Salem, N.C. Designs for public institutions, such as [[Charles Bulfinch]]'s 1818 design for two wings to be added to the seat  of [[Joseph Barrell]] in order to create the [[McLean Asylum]] [Fig. 7], used terraces to  frame views of the buildings' fa&ccedil;des while accommodating the slope of the land. The terraces of a [[falling garden]] were generally separated by turfed slopes or, less commonly, masonry [[wall]]s. As <span id="Argenville_cite"></span> [[A.-J. D&eacute;zallier d'Argenville]] (1712) noted, gardens were less susceptible to erosion if their terraces were created by cutting into an existing hillside rather than constructed out of fill ([[#Argenville|view text]]) [Fig. 8].The planting schemes of [[falling garden]] terraces varied from simple turf to kitchen and flower beds, although images of terraces rarely showed plantings in detail. Among the few surviving examples is [[Thomas Jefferson|Jefferson's]] diagram (c. 1804) for a garden olitory, in which he specified a hedge at the "foot of the terras" designed to accommodate differing heights of the [[lawn]] and [[kitchen garden]]. In 1840, <span id="Hovey_cite"></span>[[C. M. Hovey]] referred to the efforts of the Messrs. Winship of Brighton, Mass., to transform the embankment of a railroad right-of-way on [[C. M. Hovey|Hovey's]] land into an attractive terraced garden ([[#Hovey|view text]]). While the use of terraces and slopes to create [[falling garden]]s seems to have declined in popularity after the early nineteenth century, its use continued through mid-century in large formal landscapes of public gardens, such as the University of Virginia, and anywhere uneven or steep topography offered a challenge.  
+
[[File:1042.jpg|thumb|Fig. 8, Michael van der Gucht, Illustration for chapter entitled: “Of different Terrasses and Stairs, with their most exact Proportions,1712.]]
 +
Terraces of varying widths were also employed in sites with a steep grade in order to make for arable and easily navigated level areas, to control erosion, and to create the  visual effects made possible by a series of  slopes and flats (see [[Fall/Falling_garden|Fall]]). These terraces were supported by earthen slopes or masonry [[wall]]s, supports which were  referred to variously as banks, slopes, and terrace walls. They were also sometimes  simply called by the more general term, “terrace,as in William Dickinson Martin’s 1808 description of a “perpendicular terrace” at Salem, North Carolina. Designs for public institutions, such as Charles Bulfinch’s 1818 design for two wings to be added to the seat  of Joseph Barrell in order to create the McLean Asylum [Fig. 7], used terraces to  frame views of the buildings’ fa&ccedil;des while accommodating the slope of the land. The terraces of a [[Fall/Falling_garden|falling garden]] were generally separated by turfed slopes or, less commonly, masonry [[wall]]s. As <span id="Argenville_cite"></span> Antoine-Joseph Dezallier d'Argenville (1712) noted, gardens were less susceptible to erosion if their terraces were created by cutting into an existing hillside rather than constructed out of fill ([[#Argenville|view text]]) [Fig. 8].The planting schemes of [[Fall/Falling_garden|falling garden]] terraces varied from simple turf to kitchen and flower beds, although images of terraces rarely showed plantings in detail. Among the few surviving examples is [[Thomas Jefferson|Jefferson’s]] diagram (c. 1804) for a garden olitory, in which he specified a hedge at the “foot of the terras” designed to accommodate differing heights of the [[lawn]] and [[kitchen garden]]. In 1840, <span id="Hovey_cite"></span>C. M. Hovey referred to the efforts of the Messrs. Winship of Brighton, Massachusetts, to transform the embankment of a railroad right-of-way on Hovey’s land into an attractive terraced garden ([[#Hovey|view text]]). While the use of terraces and slopes to create [[Fall/Falling_garden|falling gardens]] seems to have declined in popularity after the early 19th century, its use continued through mid-century in large formal landscapes of public gardens, such as the University of Virginia, and anywhere uneven or steep topography offered a challenge.  
 +
 
 +
—''Elizabeth Kryder-Reid''
  
-- ''Elizabeth Kryder-Reid''
+
<hr>
  
 
==Texts==
 
==Texts==
Line 23: Line 29:
 
===Usage===
 
===Usage===
  
* [[William Byrd|Byrd, William]] II, September 18, 1732, describing the estate of Gov. Alexander Spotswood, near Germanna, Va. ([1910] 1970: 357-58)<ref>William Byrd, ''The Writings of Colonel William Byrd of Westover in Virginia, Esqr.'', ed. by John Spencer Bassett (New York: B. Franklin, 1970), [https://www.zotero.org/groups/54737/items/itemKey/3VVVZ9XQ view on Zotero.]</ref>  
+
*Byrd, William II, September 18, 1732, describing the estate of Gov. Alexander Spotswood, near Germanna, VA (1910; repr., 1970: 357–58)<ref>William Byrd, ''The Writings of Colonel William Byrd of Westover in Virginia, Esqr.'', ed. John Spencer Bassett (1910; repr., New York: B. Franklin, 1970), [https://www.zotero.org/groups/54737/items/itemKey/3VVVZ9XQ view on Zotero].</ref>
 +
 
 +
:“After Breakfast the Colo. and I left the Ladys to their Domestick Affairs, and took a turn in the Garden, which has nothing beautiful but 3 '''Terrace''' Walks that fall in '''Slopes''' one below another.
 +
 
 +
 
 +
*Grigg, William, October 4, 1736, describing the residence of Thomas Hancock on Beacon Hill, Boston, MA (quoted in Lockwood 1931: 1:32)<ref> Alice B. Lockwood, ''Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840'', 2 vols. (New York: Charles Scribner’s for the Garden Club of America, 1931), [https://www.zotero.org/groups/54737/items/itemKey/JNB7BI9T/q/lockwood| view on Zotero].</ref>
  
: "After Breakfast the Colo. and I left the Ladys to their Domestick Affairs, and took a turn in the Garden, which has nothing beautiful but 3 '''Terrace''' Walks that fall in '''Slopes''' one below another."
+
:“I the Subscriber oblidge myself for Consideration of forty pounds to be well & truly paid me by Thos. Hancock Doe undertake to layout the upper garden [[alley|allys]]. Trim the Beds & fill up all the [[alley|allies]] with such Stuff as Sd Hancock shall order and Gravel the [[walk|Walks]] & prepare and Sodd ye '''Terras''' adjoining with the '''Slope''' on the side next to Mr. Yoemans land, Likewise I oblidge myself to layout the next garden or flatt from the '''Terras''' below and carry on the mold thereto belonging and fill up all the [[walk]]s with Gravel & finish all off Compleat workman like this fall to the satisfaction of said Hancock.
  
  
* [[William Grigg|Grigg, William]], October 4, 1736, describing the residence of [[Thomas Hancock]] on Beacon Hill, Boston, Mass. (quoted in Lockwood 1931: 1:32)<ref> Alice B Lockwood, ''Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840'', 2 vols. (New York: Charles Scribner's for the Garden Club of America, 1931),[https://www.zotero.org/groups/54737/items/itemKey/JNB7BI9T/q/lockwood| view on Zotero.] </ref>  
+
*Hamilton, Alexander, June 17, 1744, describing New York, NY (1948: 46)<ref>Alexander Hamilton, ''Gentleman’s Progress: The Itinerarium of Dr. Alexander Hamilton, 1744'', ed. Carl Bridenbaugh (Chapel Hill, NC: University of North Carolina Press, 1948), [https://www.zotero.org/groups/54737/items/itemKey/EWWJNEUN view on Zotero].</ref>  
  
: "I the Subscriber oblidge myself for Consideration of forty pounds to be well & truly paid me by Thos. Hancock Doe undertake to layout the upper garden [[alley|allys]]. Trim the Beds & fill up all the [[alley|allies]] with such Stuff as Sd Hancock shall order and Gravel the [[walk|Walks]] & prepare and Sodd ye '''Terras''' adjoining with the '''Slope''' on the side next to Mr. Yoemans land, Likewise I oblidge myself to layout the next garden or flatt from the '''Terras''' below and carry on the mold thereto belonging and fill up all the [[walk]]s with Gravel & finish all off Compleat workman like this fall to the satisfaction of said Hancock."
+
:“The Leutenant Governor had here a house and a chapell, and there are fine gardens and '''terrass''' walks from which one has a very pritty [[view]] of the city.
  
  
* [[Alexander Hamilton|Hamilton, Alexander]], June 17, 1744, describing New York, N.Y. (1948: 46)<ref>Alexander Hamilton, ''Gentleman’s Progress: The Itinerarium of Dr. Alexander Hamilton, 1744'', ed. by Carl Bridenbaugh (Chapel Hill, N.C.: University of North Carolina Press, 1948), [https://www.zotero.org/groups/54737/items/itemKey/EWWJNEUN view on Zotero.]</ref>
 
  
: "The Leutenant Governor had here a house and a chapell, and there are fine gardens and '''terrass''' walks from which one has a very pritty [[view]] of the city.""
+
* Ambler, Mary M., 1770, describing Mount Clare, [[plantation]] of Charles and Margaret Tilgham Carroll, Baltimore, MD (quoted in Sarudy 1989: 138–39)<ref name="Sarudy">Barbara Wells Sarudy, “Eighteenth-Century Gardens of the Chesapeake,''Journal of Garden History'' 9 (1989): 104–59, [https://www.zotero.org/groups/54737/items/itemKey/PGSNXHMJ view on Zotero].</ref>
  
 +
: “About two miles from Baltimore There is an exceeding handsome [[Seat]] called Mount Clare belonging to Mr. Charles Carrel of Annapolis Son of Dr. Carrel. . . took a great deal of Pleasure in looking at the [[bowling Green]] & also at the Garden which is a very large '''Falling Garden'''. . . You step out of the Door into the [[Bowling_green|Bowlg Green]] from which the Garden '''Falls''' & when You stand on the Top of it there is such a Uniformity of Each side as the whole [[plantation|Plantn]] seems to be laid out like a Garden.”
  
[[File:0074.jpg|thumb|Fig. 9, [[Thomas Jefferson]], Plan showing the rectangular flower beds and proposed temples at the corners of the terrace walks at Monticello, before August 4, 1772.]]  
+
[[File:0074.jpg|thumb|Fig. 9, [[Thomas Jefferson]], Plan showing the rectangular flower [[bed]]s and proposed [[temple]]s at the corners of the terrace [[walk]]s at [[Monticello]], before August 4, 1772.]]
* [[Thomas Jefferson|Jefferson, Thomas]], 1771, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, Va. (1944: 26)<ref>Thomas Jefferson, ''The Garden Book'', ed. by Edwin M. Betts (Philadelphia: American Philosophical Society, 1944), [https://www.zotero.org/groups/54737/items/itemKey/8ZA5VRP5 view on Zotero.]</ref>  
+
*[[Thomas Jefferson|Jefferson, Thomas]], 1771, describing [[Monticello]], plantation of Thomas Jefferson, Charlottesville, VA (1944: 26)<ref>Thomas Jefferson, ''The Garden Book'', ed. Edwin M. Betts (Philadelphia: American Philosophical Society, 1944), [https://www.zotero.org/groups/54737/items/itemKey/8ZA5VRP5 view on Zotero].</ref>  
  
: "a few feet below the spring level the ground 40 or 50 f. sq. let the water fall from the spring in the upper level over a '''terrace''' in the form of a [[cascade]]. then conduct it along the foot of the '''terrace''' to the Western side of the level, where it may fall into a cistern under a [[temple]], from which it may go off by the western [[border]] till it falls over another '''terrace''' at the Northern or lower side. let the [[temple]] be raised 2. f. for the first floor of stone. under this is the cistern, which may be a bath or anything else. the 1st story [[arch]]es on three sides; the back or western side being close because the hill there comes down, and also to carry up stairs on the outside. the 2d story to have a door on one side, a spacious window in each of the other sides, the rooms each 8. f. cube; with a small table and a couple of chairs. the roof may be Chinese, Grecian, or in the taste of the Lantern of Demosthenes at Athens." [Fig. 9]
+
:“a few feet below the spring level the ground 40 or 50 f. sq. let the water fall from the spring in the upper level over a '''terrace''' in the form of a [[cascade]]. then conduct it along the foot of the '''terrace''' to the Western side of the level, where it may fall into a cistern under a [[temple]], from which it may go off by the western [[border]] till it falls over another '''terrace''' at the Northern or lower side. let the [[temple]] be raised 2. f. for the first floor of stone. under this is the cistern, which may be a bath or anything else. the 1st story [[arch]]es on three sides; the back or western side being close because the hill there comes down, and also to carry up stairs on the outside. the 2d story to have a door on one side, a spacious window in each of the other sides, the rooms each 8. f. cube; with a small table and a couple of chairs. the roof may be Chinese, Grecian, or in the taste of the Lantern of Demosthenes at Athens.[Fig. 9]
  
  
* [[Philip Vickers Fithian|Fithian, Philip Vickers]], March 18, 1774, describing [[Nomini Hall]], Westmoreland County, Va. (1943: 108) <ref>Philip Vickers Fithian, ''Journal & Letters of Philip Vickers Fithian, 1773-1774: A Plantation Tutor of the Old Dominion'', ed. by Hunter D. Farish (Williamsburg, Va.: Colonial Williamsburg, 1943), [https://www.zotero.org/groups/54737/items/itemKey/XJX4WV8F view on Zotero.]</ref>
+
*Fithian, Philip Vickers, March 18, 1774, describing Nomini Hall, Westmoreland County, VA (1943: 108)<ref>Philip Vickers Fithian, ''Journal & Letters of Philip Vickers Fithian, 1773–1774: A Plantation Tutor of the Old Dominion'', ed. Hunter D. Farish (Williamsburg, VA: Colonial Williamsburg, 1943), [https://www.zotero.org/groups/54737/items/itemKey/XJX4WV8F view on Zotero].</ref>
  
: "From the front yard of the Great House, to the Wash-House is a curious '''''Terrace''''', covered finely with Green turf, & about five foot high with a '''slope''' of eight feet, which appears exceeding well to persons coming to the front of the House&mdash;
+
:“From the front yard of the Great House, to the Wash-House is a curious '''''Terrace''''', covered finely with Green turf, & about five foot high with a '''slope''' of eight feet, which appears exceeding well to persons coming to the front of the House—
 
<p> </p>
 
<p> </p>
: This '''''Terrace''''' is produced along the Front of the House, and ends by the Kitchen; but before the Front-Doors is a broad flight of steps of the same Height, & slope of the '''''Terrace'''''."
+
:“This '''''Terrace''''' is produced along the Front of the House, and ends by the Kitchen; but before the Front-Doors is a broad flight of steps of the same Height, & slope of the '''''Terrace'''''.
  
  
* [[Fran&ccedil;ois Jean Marquis de Chastellux|Chastellux, Fran&ccedil;ois Jean Marquis de]], 1780-82, describing [[Maycox Plantation]], estate of [[David Meade]], Prince George County, Va. (1787: 2:166-67)<ref> Fran&ccedil;ois Jean Chastellux, Marquis de Chastellux, ''Travels in North America in the Years 1780, 1781, and 1782,'' 2 vols. (London: G. G. J. and J. Robinson, 1787),[https://www.zotero.org/groups/54737/items/itemKey/UXHRGXKX/q/Fran%C3%A7ois%20Jean| view on Zotero.] </ref>
+
*Chastellux, Fran&ccedil;ois Jean Marquis de, 1780–82, describing Maycox Plantation, estate of David Meade, Prince George County, VA (1787: 2:166–67)<ref> Fran&ccedil;ois Jean Chastellux, Marquis de Chastellux, ''Travels in North America in the Years 1780, 1781, and 1782,'' 2 vols. (London: G. G. J. and J. Robinson, 1787), [https://www.zotero.org/groups/54737/items/itemKey/UXHRGXKX/q/Fran%C3%A7ois%20Jean| view on Zotero].</ref>
  
: "[[David Meade|Mr. Mead's]] house is by no means so handsome as that of [[Westover]]. . . . [[David Meade|Mr. Mead's]] garden, like that of [[Westover]], is in the nature of a '''terrace''' on the bank of the river."
+
:“Mr. Mead’s house is by no means so handsome as that of Westover. . . Mr. Mead’s garden, like that of Westover, is in the nature of a '''terrace''' on the bank of the river.
  
  
* [[William Hamilton|Hamilton, William]], 1789 and 1790, in a letter to his secretary, Benjamin Hays Smith, describing [[The Woodlands]], seat of [[William Hamilton]], near Philadelphia, Pa. (quoted in Madsen 1988: A6, A7) <ref> Karen Madsen, “William Hamilton’s Woodlands.Paper presented for seminar in American Landscape, 1790–1900, instructed by E. McPeck. Radcliffe Institute for Advanced Study, Harvard University. 1988.[https://www.zotero.org/groups/54737/items#items/itemKey/XN8NN9QN/q/madsen?&_suid=1340895272014046677169243049543 view on Zotero.]</ref>
+
*[[William Hamilton|Hamilton, William]], 1789 and 1790, in a letter to his secretary, Benjamin Hays Smith, describing [[The Woodlands]], seat of William Hamilton, near Philadelphia, PA (quoted in Madsen 1988: A6, A7)<ref>Karen Madsen, “William Hamilton’s Woodlands,(paper presented for seminar in American Landscape, 1790–1900, instructed by E. McPeck, Radcliffe Institute for Advanced Study, Harvard University, 1988), [https://www.zotero.org/groups/54737/items#items/itemKey/XN8NN9QN/q/madsen?&_suid=1340895272014046677169243049543 view on Zotero].</ref>
  
: "[September 27, 1789] . . . The first moment after Hilton has finished weeding in the Garden as I directed he should set about weeding the '''terrace''' walk as I will endeavour to have it gravelld during the winter. . .
+
:[September 27, 1789]. . . The first moment after Hilton has finished weeding in the Garden as I directed he should set about weeding the '''terrace''' walk as I will endeavour to have it gravelld during the winter. . .
 
<p> </p>  
 
<p> </p>  
: "[October 12, 1789] . . . When the '''terrace''' is weeded, the two [[Border]]s leading from the House to the [[Ice House]] Hill should be cleaned. . .  
+
:[October 12, 1789]. . . When the '''terrace''' is weeded, the two [[Border]]s leading from the House to the [[Ice House]] Hill should be cleaned. . .
 
   <p> </p>
 
   <p> </p>
: "[June 12, 1790] . . . The newly planted trees & shrubs along the '''terrace''' respecting which you know me to be so anxious, may be alive or dead for ought I know."
+
:[June 12, 1790]. . . The newly planted trees & shrubs along the '''terrace''' respecting which you know me to be so anxious, may be alive or dead for ought I know.
  
  
* <div id="Bartram"></div>[[William Bartram|Bartram, William]], 1791, describing the area north of Wrightsborough, Ga. (1928: 56-57)<ref> William Bartram, ''Travels through North and South Carolina, Georgia, East and West Florida'', ed. by Mark Van Doren (New York: Dover, 1928), [https://www.zotero.org/groups/54737/items/itemKey/88NA3B2P view on Zotero].</ref>[[#Bartram_cite|back up to history]]
+
*<div id="Bartram"></div>[[William Bartram|Bartram, William]], 1791, describing the area north of Wrightsborough, GA (1928: 56–57)<ref> William Bartram, ''Travels through North and South Carolina, Georgia, East and West Florida'', ed. Mark Van Doren (New York: Dover, 1928), [https://www.zotero.org/groups/54737/items/itemKey/88NA3B2P view on Zotero].</ref>
  
: "many very magnificent monuments of the power and industry of the ancient inhabitants of these lands are visible. I observed a stupendous conical pyramid, or artificial mount of earth, vast tetragon '''terraces''', and a large sunken area, of a cubical form, encompassed with banks of earth; and certain traces of a larger Indian town, the work of a powerful nation, whose period of grandeur perhaps long preceded the discovery of this continent. . . .  
+
:“many very magnificent monuments of the power and industry of the ancient inhabitants of these lands are visible. I observed a stupendous conical pyramid, or artificial mount of earth, vast tetragon '''terraces''', and a large sunken area, of a cubical form, encompassed with banks of earth; and certain traces of a larger Indian town, the work of a powerful nation, whose period of grandeur perhaps long preceded the discovery of this continent. . .
 
<p> </p>
 
<p> </p>
: "old Indian settlements, now deserted and overgrown with forests. These are always on or near the banks of rivers, or great swamps, the artificial mounts and terraces elevating them above the surrounding [[grove]]s."
+
:“old Indian settlements, now deserted and overgrown with forests. These are always on or near the banks of rivers, or great swamps, the artificial mounts and terraces elevating them above the surrounding [[grove]]s.” [[#Bartram_cite|back up to History]]
 
   
 
   
  
* [[William Loughton Smith|Smith, William Loughton]], 1791, describing [[Gunston Hall]], [[seat]] of [[George Mason]], Mason Neck, Va. (1917: 64)<ref> William Loughton Smith, ed. Albert Matthews, ''Journal of William Loughton Smith, 1790-1791'' Cambridge, Mass.:The University Press, 1917), [https://www.zotero.org/groups/54737/items/itemKey/ITHQH4P5/q/Loughton| view on Zotero.] </ref>
+
*Smith, William Loughton, 1791, describing Gunston Hall, seat of George Mason, Mason Neck, VA (1917: 64)<ref> William Loughton Smith, ''Journal of William Loughton Smith, 1790–1791'' ed. Albert Matthews, (Cambridge, MA: The University Press, 1917), [https://www.zotero.org/groups/54737/items/itemKey/ITHQH4P5/q/Loughton| view on Zotero].</ref>
 +
 
 +
:“The house is rather an ancient brick building, with a neat garden, at the end of which is a high natural '''terrace''' which commands the Potomac.”
 +
 
  
: "The house is rather an ancient brick building, with a neat garden, at the end of which is a high natural '''terrace''' which commands the Potomac."
+
*Drayton, John, 1793, describing the Battery Park, New York, NY (quoted in De&aacute;k, 1988: 1:130)<ref> Gloria Gilda De&aacute;k, ''Picturing America, 1497–1899: Prints, Maps, and Drawings Bearing on the New World Discoveries and on the Development of the Territory That Is Now the United States'', 2 vols. (Princeton, NJ: Princeton University Press, 1988), [https://www.zotero.org/groups/54737/items/itemKey/4A6QNFNX view on Zotero].</ref> 
  
 +
:“The flag staff rises from the midst of a stone tower, and is decorated on the top with a golden ball: and the back part of the ground is laid out in smaller [[walk]]s, '''terraces''', and a [[bowling green]].— Immediately behind this, and overlooking it, is the government house; built at the expence of the state.”
  
* [[John Drayton|Drayton, John]], 1793, describing the [[Battery Park]], New York, N.Y. (quoted in De&aacute;k, 1988: 1:130) <ref> Gloria Gilda De&aacute;k,  ''Picturing America, 1497-1899: Prints, Maps, and Drawings Bearing on the New World Discoveries and on the Development of the Territory That Is Now the United States'', 2 vols. (Princeton, N.J.:Princeton University Press, 1988), [https://www.zotero.org/groups/54737/items/itemKey/4A6QNFNX| view on Zotero.] </ref> 
 
  
: "The flag staff rises from the midst of a stone tower, and is decorated on the top with a golden ball: and the back part of the ground is laid out in smaller [[walks]], '''terraces''', and a [[bowling green]].&mdash; Immediately behind this, and overlooking it, is the government house; built at the expence of the state."
+
*Twining, Thomas, May 1, 1795, describing Georgetown, VA (1894: 110)<ref>Thomas Twining, ''Travels in America 100 Years Ago'' (New York: Harper, 1894), [https://www.zotero.org/groups/54737/items/itemKey/CKJBU8CP view on Zotero].</ref>
  
 +
:“As we stood one evening on the bank of the river before his door, he said, ‘Here I will make a terrace, and we will sit and smoke our hookahs.’”
  
* [[Thomas Twining|Twining, Thomas]], May 1, 1795, describing Georgetown, Va. (1894: 110)<ref>Thomas Twining, ''Travels in America 100 Years Ago'', (New York: Harper, 1894), [https://www.zotero.org/groups/54737/items/itemKey/CKJBU8CP/| view on Zotero.]</ref>
 
  
: "As we stood one evening on the bank of the river before his door, he said, 'Here I will make a terrace, and we will sit and smoke our hookahs.'"
+
[[File:0090a.jpg|thumb|450 px|Fig. 10, [[Thomas Jefferson]], “Terras” in a letter describing plans for a “Garden Olitory” at [[Monticello]] c. 1804. ]]
  
 +
*[[Thomas Jefferson|Jefferson, Thomas]], c. 1804, describing [[Monticello]], plantation of Thomas Jefferson, Charlottesville, VA (Massachusetts Historical Society, Coolidge Collection)
  
[[File:0090a.jpg|thumb|Fig. 10, [[Thomas Jefferson]], "Terras" in a letter describing plans for a "Garden Olitory" at [[Monticello]] c. 1804. ]]
+
:“Garden Olitory. Make the upper '''slope''' [diagram] at a plant a [[hedge]] of hedgethorn & at ''b'' one of privet or Gleditria, or cedar to be trimmed down to 3 ft. high, the whole appearance thus taking a [[border]] of 8 ft. at the foot of the '''terras''' for forward production, the main beds must be reduced from 50 f. to 42 f.” [Fig. 10]
  
* [[Thomas Jefferson|Jefferson, Thomas]], c. 1804, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, Va. (Massachusetts Historical Society, Coolidge Collection)
 
  
: "Garden Olitory. Make the upper '''slope''' [diagram] at a plant a [[hedge]] of hedgethorn & at ''b'' one of privet or Gleditria, or cedar to be trimmed down to 3 ft. high, the whole appearance thus taking a [[border]] of 8 ft. at the foot of the '''terras''' for forward production, the main beds must be reduced from 50 f. to 42 f."[Fig. 9]
+
*[[Benjamin Henry Latrobe|Latrobe, Benjamin Henry]], May 11, 1805, describing the White House, Washington, DC (Colonial Williamsburg Foundation; hereafter CWF)
  
 +
:“The obstructions to the colonnade from the stables, may be prevented by giving them a North door, as horses will easily ascend or descend the '''terras''' on the North side. But the most difficult of all is the adjustment of the new connecting building to the different levels of the three existing buildings. Nothing can be admitted short of the '''terras''' of the offices from the Pres’s House to the [[pavilion]]s each way being absolutely in the level of the floor of the house.”
  
* [[Benjamin Henry Latrobe|Latrobe, Benjamin Henry]], May 11, 1805, describing the [[White House]], Washington, D.C. (Colonial Williamsburg Foundation; hereafter CWF)
 
  
: "The obstructions to the colonnade from the stables, may be prevented by giving them a North door, as horses will easily ascend or descend the '''terras''' on the North side. But the most difficult of all is the adjustment of the new connecting building to the different levels of the three existing buildings. Nothing can be admitted short of the '''terras''' of the offices from the [[White House|Pres's House]] to the [[pavilion]]s each way being absolutely in the level of the floor of the house."
+
*Drayton, Charles, November 2, 1806, describing [[The Woodlands]], seat of [[William Hamilton]], near Philadelphia, PA (1806: 57—58<ref>Charles Drayton, “The Diary of Charles Drayton I, 1806,” Drayton Papers, MS 0152, Drayton Hall, SC, [https://www.zotero.org/groups/54737/items/itemKey/HAARCGXN view on Zotero].</ref>
 +
:“From the Cellar one enters under the bow window & into this Screen, which is about 6 or 7 feet square. Through these, we enter a narrow area, & ascend some few Steps [close to this side of the house,] into the garden—& thro the other opening we ascend a paved winding '''slope''', which spreads as it ascends, into the [[yard]]. This sloping passage being a segment of a circle, & its two outer [[wall]]s <u>concealed</u> by loose [[hedge]]s, & by the projection of the flat roofed Screen of masonry, keeps the [[yard]], & I believe the whole passage <u>out of sight</u> from the house—but certainly from the garden & [[park]] [[lawn]].
  
  
* [[William Dickinson Martin|Martin, William Dickinson]], 1808, describing the [[pleasure ground]]s at [[Salem Academy]], Salem, N.C. (quoted in Bynum 1979: 29) <ref name="Bynum, 1979">Flora Ann L. Bynum, ''Old Salem Garden Guide,'' (Winston-Salem, N.C.: Old Salem, 1979), [https://www.zotero.org/groups/54737/items/itemKey/TJB9XNMF view on Zotero.]</ref>  
+
*Martin, William Dickinson, 1808, describing the [[pleasure ground]]s at Salem Academy, Salem, NC (quoted in Bynum 1979: 29)<ref name="Bynum, 1979">Flora Ann L. Bynum, ''Old Salem Garden Guide,'' (Winston-Salem, NC: Old Salem, 1979), [https://www.zotero.org/groups/54737/items/itemKey/TJB9XNMF view on Zotero].</ref>  
: "Next, I visited a [[flower garden]] belonging to the female department. . . . it is situated on a hill, the East end of which is high & abrupt; some distance down this, they had dug down right in the earth, & drawing the dirt forward threw it on rock, etc., thereby forming a horizontal plane of about thirty feet in circumference; & on the back, rose a perpendicular terrace of some height, which was entirely covered over with a grass peculiar to that vicinage. At the bottom of this '''terrace''' were arranged circular [[seat]]s, which, from the height of the hill in the rear were protected from the sun in an early hour in the afternoon"
+
:“Next, I visited a [[flower garden]] belonging to the female department. . . it is situated on a hill, the East end of which is high & abrupt; some distance down this, they had dug down right in the earth, & drawing the dirt forward threw it on rock, etc., thereby forming a horizontal plane of about thirty feet in circumference; & on the back, rose a perpendicular terrace of some height, which was entirely covered over with a grass peculiar to that vicinage. At the bottom of this '''terrace''' were arranged circular [[seat]]s, which, from the height of the hill in the rear were protected from the sun in an early hour in the afternoon”
  
  
* [[Margaret Bayard Smith|Smith, Margaret Bayard]], August 1, 1809, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, Va. (1906: 68)<ref name="Bayard, 1906"> Margaret Bayard Smith, ''The First Forty Years of Washington Society'', ed. by Gaillard Hunt (New York: Charles Scribner’s, 1906), [https://www.zotero.org/groups/54737/items/itemKey/FTDFHRFH view on Zotero].</ref>
+
*Smith, Margaret Bayard, August 1, 1809, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, VA (1906: 68)<ref name="Bayard 1906"> Margaret Bayard Smith, ''The First Forty Years of Washington Society'', ed. by Gaillard Hunt (New York: Charles Scribner’s, 1906), [https://www.zotero.org/groups/54737/items/itemKey/FTDFHRFH view on Zotero].</ref>
: "He [[ [Thomas Jefferson] ]] took us first to the garden he has commenced since his retirement. It is on the south side of the mountain and commands a most noble view. Little is as yet done. A '''terrace''' of 70 or 80 feet long and about 40 wide is already made and in cultivation. A broad grass [[walk]] leads along the outer edge; the inner part is laid off in beds for vegetables. This '''terrace''' is to be extended in length and another to be made below it. The [[view]] it commands, is at present its greatest beauty."
+
:“He [[Thomas Jefferson|[Thomas Jefferson]]] took us first to the garden he has commenced since his retirement. It is on the south side of the mountain and commands a most noble view. Little is as yet done. A '''terrace''' of 70 or 80 feet long and about 40 wide is already made and in cultivation. A broad grass [[walk]] leads along the outer edge; the inner part is laid off in beds for vegetables. This '''terrace''' is to be extended in length and another to be made below it. The [[view]] it commands, is at present its greatest beauty.
  
  
* [[Elbridge Gerry Jr.|Gerry, Elbridge, Jr.]], July 1813, describing the [[White House]], Washington, D.C. (1927: 180-82)<ref>Elbridge Gerry, Jr., ''The Diary of Elbridge Gerry, Jr.'' (New York: Brentano’s, 1927), [https://www.zotero.org/groups/54737/items/itemKey/8P4QSRIF view on Zotero.]</ref>  
+
*Gerry, Elbridge, Jr., July 1813, describing the White House, Washington, DC (1927: 180–82)<ref>Elbridge Gerry Jr., ''The Diary of Elbridge Gerry, Jr.'' (New York: Brentano’s, 1927), [https://www.zotero.org/groups/54737/items/itemKey/8P4QSRIF view on Zotero].</ref>  
  
:"A door opens at each end, one into the hall, and opposite, one into the '''terrace''', from whence you have an elegant [[view]] of all the rivers &c. . . . Lengthways of the house, and thro' the hall, is a walk, which extends on a '''terrace''' at each end for some way. . . .
+
:“A door opens at each end, one into the hall, and opposite, one into the '''terrace''', from whence you have an elegant [[view]] of all the rivers &c. . . . Lengthways of the house, and thro' the hall, is a walk, which extends on a '''terrace''' at each end for some way. . .
 
<p></p>
 
<p></p>
: "The grounds are surrounded by a high stone [[wall]], and on each side, at the distance of 1 or 300 yards is a large brick building, one for the Sec. of War and the other of the Navy. The '''terrace''' was to communicate to each building connecting the three."
+
:“The grounds are surrounded by a high stone [[wall]], and on each side, at the distance of 1 or 300 yards is a large brick building, one for the Sec. of War and the other of the Navy. The '''terrace''' was to communicate to each building connecting the three.
  
  
* Anonymous, 1816, describing in the ''Federal Gazette'' & ''Baltimore Daily Advertiser'' construction items for sale (quoted in Lounsbury 1994: 371)<ref>Carl R. Lounsbury, ed., ''An Illustrated Glossary of Early Southern Architecture and Landscape'' (New York: Oxford University Press, 1994), [https://www.zotero.org/groups/54737/items/itemKey/UK5TCUQQ/ view on Zotero].</ref>
+
*Anonymous, 1816, describing in the ''Federal Gazette'' & ''Baltimore Daily Advertiser'' construction items for sale (quoted in Lounsbury 1994: 371)<ref>Carl R. Lounsbury, ed., ''An Illustrated Glossary of Early Southern Architecture and Landscape'' (New York: Oxford University Press, 1994), [https://www.zotero.org/groups/54737/items/itemKey/UK5TCUQQ/ view on Zotero].</ref>  
  
: "[Zinc] can be made use of in cases where lead, tin or copper are employed; such as covering '''terraces'''."
+
:[Zinc] can be made use of in cases where lead, tin or copper are employed; such as covering '''terraces'''.
  
  
* [[Thomas Jefferson|Jefferson, Thomas]], March 16, 1817, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, Va. (CWF)  
+
*[[Thomas Jefferson|Jefferson, Thomas]], March 16, 1817, describing [[Monticello]], plantation of Thomas Jefferson, Charlottesville, VA (CWF)  
  
: "I shall certainly want a very great quantity [of paint] in the course of the present year, as I have to renew the whole outer painting of this house and the '''terraces''', and to paint that in Bedford which has never been done."
+
:“I shall certainly want a very great quantity [of paint] in the course of the present year, as I have to renew the whole outer painting of this house and the '''terraces''', and to paint that in Bedford which has never been done.
 
   
 
   
  
* [[Ellen Wayles Randolph Coolidge|Coolidge, Ellen Wayles Randolph]], July 17, 1819, describing the effects of a hailstorm at [[Poplar Forest]], property of [[Thomas Jefferson]], Bedford County, Va. (quoted in Chambers 1993: 121)<ref> William Chambers, ''Poplar Forest and Thomas Jefferson'', (Forest, Va.: Corporation for Jefferson's Poplar Forest, 1993), [https://www.zotero.org/groups/54737/items/itemKey/HEXFEBX9/q/Chambers| view on Zotero.] </ref>
+
*Coolidge, Ellen Wayles Randolph, July 17, 1819, describing the effects of a hailstorm at Poplar Forest, property of [[Thomas Jefferson]], Bedford County, VA (quoted in Chambers 1993: 121)<ref> William Chambers, ''Poplar Forest and Thomas Jefferson'', (Forest, Va.: Corporation for Jefferson’s Poplar Forest, 1993), [https://www.zotero.org/groups/54737/items/itemKey/HEXFEBX9/q/Chambers view on Zotero].</ref>
  
: "the planks of the '''terrace''' torn up in places by the violence of the winds."
+
:“the planks of the '''terrace''' torn up in places by the violence of the winds.
  
  
* [[Eliza Vierling Kremer|Kremer, Eliza Vierling]], 1824-29, describing the [[pleasure ground]]s at [[Salem Academy]], Salem, N.C. (quoted in Bynum 1979: 29)<ref name="Bynum, 1979"> </ref>  
+
*Kremer, Eliza Vierling, 1824–29, describing the pleasure grounds at Salem Academy, Salem, NC (quoted in Bynum 1979: 29)<ref name="Bynum, 1979"/>
  
: "A large garden, some little distance from the Academy, was during the Summer Season, a place for recreation after school hours. . . .  
+
:“A large garden, some little distance from the Academy, was during the Summer Season, a place for recreation after school hours. . .  
 
<p> </p>
 
<p> </p>
: "The hill-side was laid off in '''terraces''' and winding [[walk]]s."  
+
:“The hill-side was laid off in '''terraces''' and winding [[walk]]s.
 +
 
 +
 
 +
*Smith, Margaret Bayard, August 2, 1828, describing the University of Virginia, Charlottesville, VA (1906: 225)<ref name="Bayard 1906"/>
 +
 
 +
:“on two other sides running from north to south are the [[Pavillion]]s, or Professor’s houses, at about 60 or 70 feet apart, connected by '''terraces''', beneath which are the dormitories, or lodging sleeping rooms of the students. The '''terrace''' projects about 8 feet beyond the rooms and is supported on brick [[arch]]es, forming beneath the arches a paved [[walk]], sheltered from the heat of summer and the storms of winter.”
 +
 
 +
 
 +
*Trollope, Frances Milton, 1830, describing Alexandria, VA (1832: 2:93)<ref name="Trollope, 1832"> Frances Milton Trollope, ''Domestic Manners of the Americans'', 3rd ed., 2 vols. (London: Wittaker, Treacher, 1832), [https://www.zotero.org/groups/54737/items/itemKey/T5RXDF7G view on Zotero].</ref>
 +
 
 +
:“a few weeks’ residence in Alexandria restored my strength sufficiently to enable me to walk to a beautiful little grassy '''terrace''', perfectly out of the town, but very near it, from whence we could watch the various craft that peopled the Potomac between Alexandria and Washington.”
 +
 
 +
 
 +
*Trollope, Frances Milton, 1830, describing [[Point Breeze]], estate of Joseph Bonaparte (Count de Survilliers), Bordentown, NJ (1832: 2:153)<ref name="Trollope, 1832"/>
 +
 
 +
:“The country is very flat, but a '''terrace''' of two sides has been raised, commanding a fine reach of the Delaware River; at the point where this '''terrace''' forms a right angle, a lofty chapel has been erected, which looks very much like an observatory.”
 +
 
 +
 
 +
*Martineau, Harriet, 1834, describing [[Hyde Park]], seat of [[David Hosack]], on the Hudson River, NY (1838: 1:54)<ref name= "Martineau, 1838"> Harriet Martineau, ''Retrospect of Western Travel'', 2 vols. (London: Saunders and Otley, 1838), [https://www.zotero.org/groups/54737/items/itemKey/H2BW5FRU view on Zotero].</ref>
 +
:“The aspect of [[Hyde Park]] from the river had disappointed me, after all I had heard of it. It looks little more than a white house upon a ridge. I was therefore doubly delighted when I found what this ridge really was. It is a natural '''terrace''', overhanging one of the sweetest reaches of the river; and, though broad and straight at the top, not square and formal, like an artificial embankment, but undulating, sloping, and sweeping between the ridge and the river, and dropped with trees; the whole carpeted with turf, tempting grown people, who happen to have the spirits of children, to run up and down the '''slopes''', and play hide-and-seek in the hollows.”
 +
 
 +
 
 +
*Martineau, Harriet, 1835, describing Cincinnati, OH (1838: 2:51)<ref name= "Martineau, 1838"/>
 +
 
 +
:“The proprietor has a passion for gardening, and his ruling taste seems likely to be a blessing to the city. He employs four gardeners, and toils in his grounds with his own hands. His garden is on a '''terrace''' which overlooks the [[canal]], and the most parklike eminences form the background of the [[view]]. Between the garden and the hills extend his vineyards, from the produce of which he has succeeded in making twelve kinds of wine, some of which are highly praised by good judges.”
 +
 
 +
 
 +
*Hovey, C. M. (Charles Mason), November 1839, “Notices of Gardens and Horticulture, in Salem, Mass.,” describing Elfin Glen, residence of P. Dodge, Salem, MA (''Magazine of Horticulture'' 5: 404)<ref>C. M. Hovey, “Notices of Gardens and Horticulture, in Salem, Mass.,” ''Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs'' 5, no. 11 (November 1839): 401–16, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/25HW5NZ9/q/notices%20of%20gardens%20and%20horticulture view on Zotero].</ref>
 +
:“The cottage stands near the road, and is entered from the west front; on the south end is a [[piazza]]; the drawing-room opens into this, and thence into the garden to an open space, answering somewhat the purpose of a '''terrace''', neatly gravelled.”
 +
[[File:0536.jpg|thumb|Fig. 11, George Lehman, “Fairmount Waterworks. From the Forebay,” 1833.]]
 +
 
 +
 
 +
*Willis, Nathaniel Parker, 1840, describing the Fairmount Waterworks, Philadelphia, PA (1840; repr., 1971: 313)<ref> Nathaniel Parker Willis, ''American Scenery, or Land, Lake and River Illustrations of Transatlantic Nature'', 2 vols. (1840; repr., Barre, MA: Imprint Society, 1971), [https://www.zotero.org/groups/54737/items/itemKey/T5CMW67U view on Zotero].</ref>
  
 +
:“Steps and '''terraces''' conduct to the reservoirs, and thence the [[view]] over the ornamented grounds of the country [[seat]]s opposite, and of a very [[picturesque]] and uneven country beyond, is exceedingly attractive. Below, the court of the principal building is laid out with gravel [[walk]]s, and ornamented with [[fountain]]s and flowering trees; and within the edifice there is a public drawing-room, of neat design and furniture; while in another wing are elegant refreshment-rooms—and, in short, all the appliances and means of a place of public amusement.” [Fig. 11]
  
*[[Margaret Bayard Smith|Smith, Margaret Bayard]], August 2, 1828, describing the University of Virginia, Charlottesville, Va. (1906: 225)<ref name="Bayard, 1906"> </ref>
+
[[File:0877.jpg|thumb|Fig. 12, Anonymous, Section of a terrace of the Messrs. Winship, 1840.]]
  
: "on two other sides running from north to south are the [[Pavillion]]s, or Professor's houses, at about 60 or 70 feet apart, connected by '''terraces''', beneath which are the dormitories, or lodging sleeping rooms of the students. The '''terrace''' projects about 8 feet beyond the rooms and is supported on brick [[arch]]es, forming beneath the arches a paved [[walk]], sheltered from the heat of summer and the storms of winter."
 
  
 +
*<div id="Hovey"></div>Hovey, C. M. (Charles Mason), November 1840, “Some Notes on Gardens, and the state of Horticulture, in Worcester, Mass.,” describing the grounds of Messrs. Winship, Brighton, MA (''Magazine of Horticulture'' 6: 402)<ref>C. M. Hovey, “Some Notes on Gardens, and the state of Horticulture, in Worcester, Mass.,” ''Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs'' 6, no. 11 (November 1840): 401–7, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/6RNGMU3F view on Zotero].</ref>
  
* [[Frances Milton Trollope|Trollope, Frances Milton]], 1830, describing Alexandria, Va. (1832: 2:93) <ref name="Trollope, 1832"> Frances Milton Trollope, ''Domestic Manners of the Americans'', 3rd ed., 2 vols. (London: Wittaker, Treacher, 1832), [https://www.zotero.org/groups/54737/items/itemKey/T5RXDF7G/ view on Zotero].</ref>
+
:“We recollect of reading, in the last volume of the ''Gardener’s Magazine'', some remarks on treating the ground on the margins of rail-roads, where there were embankments of any extent. These remarks we had marked for insertion in our pages, but had forgotten them until the present moment, when called to our mind as we passed the grounds of the Messrs. Winship, in Brighton. The road passes immediately through the nursery, dividing it in two parts; but these gentlemen have so arranged the sandy embankments with '''terraces''', planted with shrubs, &c., as to render them very ornamental. We only wish that other gentlemen who are able, would take the same pride in improving the embankments where they pass through their lands.
 +
<p></p>
 +
:“The '''terraces''' of the Messrs. Winship are made in the following manner: the distance is from ten to fifteen feet. A [[wall]] is laid of about four feet; then a grass banking of some three to five more, at an angle of forty-five or fifty degrees; this is the first '''terrace''', and the surface, (about five feet wide,) is filled with fine flowering shrubs and herbaceous plants; another grass banking of from five feet more, at the same angle, is thrown up, and the surface prepared and planted out with shrubs and plants. When in the vigor of growth and flowering, these '''terraces''' have a fine effect, contrasted with the barren sand, which happens wherever there is a cut of ordinary depth. We have annexed the following engraving, representing the same.” [Fig. 12] [[#Hovey_cite|back up to History]]  
  
: "a few weeks' residence in Alexandria restored my strength sufficiently to enable me to walk to a beautiful little grassy '''terrace''', perfectly out of the town, but very near it, from whence we could watch the various craft that peopled the Potomac between Alexandria and Washington."
 
  
 +
*Buckingham, James Silk, 1842, describing Red Sulphur Springs, VA (CWF)
  
* [[Frances Milton Trollope|Trollope, Frances Milton]], 1830, describing [[Point Breeze]], estate of Joseph Bonaparte (Count de Survilliers), Bordentown, N.J. (1832: 2:153)<ref name="Trollope, 1832"> </ref>
+
:“Behind the ‘Bachelor’s Row,’ and on the upper part of the hill is an imposing edifice of brick, called ‘Society Hall.’ It is built of two stories, with a fine [[portico]] of twelve feet wide, running the whole length of the front, and a '''terrace''' of twenty feet wide beyond this.
  
: "The country is very flat, but a '''terrace''' of two sides has been raised, commanding a fine reach of the Delaware River; at the point where this '''terrace''' forms a right angle, a lofty chapel has been erected, which looks very much like an observatory."
 
  
 +
*Hovey, C. M. (Charles Mason), April 1842, “Notes made during a Visit to New York, Philadelphia, Baltimore, &c.,” describing the U.S. Capitol, Washington, DC (''Magazine of Horticulture'' 8: 127)<ref>C. M. Hovey, “Notes made during a Visit to New York, Philadelphia, Baltimore, &c.,” ''Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs'' 8, no. 4 (April 1842): 121–29 , [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/IRC7B9MN/q/Notes%20made%20during%20a%20visit view on Zotero].</ref>
 +
:“The main entrance to the west front is from Pennsylvania Avenue, where the grounds form a semi-circle, of which the [[avenue]] is the centre; a very broad [[walk]] leads from them, up the ascending surface, to the main steps, which descend from a broad semi-circular '''terrace''': two other entrances of this part of the grounds are placed at the angles or sides of this semi-circle, which also, by a straight [[walk]], lead up to the broad '''terrace'''. From this lower '''terrace''', a long flight of steps leads to the upper one, upon which the building of the Capitol is placed: on the turf between the [[walk]]s, are oval and circular [[bed]]s, planted with shrubs and roses, and filled with dahlias and other annual flowers.”
  
* [[Harriet Martineau|Martineau, Harriet]], 1834, describing [[Hyde Park]], seat of Dr. [[David Hosack]], on the Hudson River, N.Y. (1838: 1:54) <ref name= "Martineau, 1838"> Harriet Martineau, ''Retrospect of Western Travel'', 2 vols. (London: Saunders and Otley, 1838), [https://www.zotero.org/groups/54737/items/itemKey/H2BW5FRU view on Zotero.]</ref>
 
: "The aspect of [[Hyde Park]] from the river had disappointed me, after all I had heard of it. It looks little more than a white house upon a ridge. I was therefore doubly delighted when I found what this ridge really was. It is a natural '''terrace''', overhanging one of the sweetest reaches of the river; and, though broad and straight at the top, not square and formal, like an artificial embankment, but undulating, sloping, and sweeping between the ridge and the river, and dropped with trees; the whole carpeted with turf, tempting grown people, who happen to have the spirits of children, to run up and down the '''slopes''', and play hide-and-seek in the hollows."
 
  
 +
*Lyell, Sir. Charles, 1846, describing Natchez, MS (1849: 2:153)<ref>Sir Charles Lyell, ''A Second Visit to the United States of North America'', 2 vols. (New York: Harper, 1849), [https://www.zotero.org/groups/54737/items/itemKey/DU6NKKZ5 view on Zotero].</ref>
 +
:“Many of the country-houses in the neighborhood are elegant, and some of the gardens belonging to them laid out in the [[English Style|English]], others in the [[French style]]. In the latter are seen '''terraces''', with statues and cut evergreens, straight [[walk]]s with [[border]]s of flowers, terminated by views into the wild forest, the charms of both being heightened by contrast. Some of the [[hedge]]s are made of that beautiful North American plant, the Gardenia, miscalled in England the Cape jessamine, others of the Cherokee rose, with its bright and shining leaves.”
  
* [[Harriet Martineau|Martineau, Harriet]], 1835, describing Cincinnati, Ohio (1838: 2:51) <ref name= "Martineau, 1838"> </ref>
 
  
: "The proprietor has a passion for gardening, and his ruling taste seems likely to be a blessing to the city. He employs four gardeners, and toils in his grounds with his own hands. His garden is on a '''terrace''' which overlooks the [[canal]], and the most parklike eminences form the background of the [[view]]. Between the garden and the hills extend his vineyards, from the produce of which he has succeeded in making twelve kinds of wine, some of which are highly praised by good judges."
+
[[File:0778.jpg|thumb|Fig. 13, [[Frances Palmer]], Italian Bracketed Villa at Oswego, New York, 1851.]]
 +
*Ranlett, William, 1849, describing a proposed villa in Oswego, NY (1849; repr., 1976: 2:14)<ref> William A. Ranlett, ''The Architect,'' 2 vols. (1849–51; repr., New York: Da Capo, 1976), [https://www.zotero.org/groups/54737/items/itemKey/QGQPCB5J/q/ranlett view on Zotero].</ref>
  
 +
:“The design given in this part of the Architect, number XXVI, is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . . On the north side which commands a full view of the lake, a balustrade gallery, or '''terrace''', extends the entire front.” [Fig. 13]
  
* [[C. M. Hovey|Hovey, C. M.]], November 1839, "Notices of Gardens and Horticulture, in Salem, Mass," describing Elfin Glen, residence of P. Dodge, Salem, Mass. (''Magazine of Horticulture'' 5: 404)
 
  
: "The cottage stands near the road, and is entered from the west front; on the south end is a [[piazza]]; the drawing-room opens into this, and thence into the garden to an open space, answering somewhat the purpose of a '''terrace''', neatly gravelled."
+
*Justicia [pseud.], March 1849, “A Visit to Springbrook,” seat of Caleb Cope, near Philadelphia, PA (''Horticulturist'' 3: 413)<ref>Justicia [pseud.], “A Visit to Springbrook, the Seat of the President of the Pennsylvania Horticultural Society,” ''Horticulturist and Journal of Rural Art and Rural Taste'' 3, no. 9 (March 1849): 411–14, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/AAEZMA9A/q/springbrook view on Zotero].</ref>
[[File:0536.jpg|thumb|Fig. 10, [[George Lehman]], "Fairmount Waterworks. From the Forebay", 1833.]]
 
  
 +
:“The [[kitchen garden]] is separated from the [lawn]] and [[flower garden]] by the Cactus and Orchid-houses. It covers 1 1/2 acres, is well arranged in [[bed]]s and '''terraces''', with a large open cistern of water in its centre—all in excellent order. The quarters are interspersed with dwarf fruit trees, variously pruned and trained, and all in a young bearing state.”
  
* [[Nathaniel Parker Willis|Willis, Nathaniel Parker]], 1840, describing the [[Fairmount Waterworks]], Philadelphia, Pa. ([1840] 1971: 313) <ref> Nathaniel Parker Willis, ''American Scenery, or Land, Lake and River Illustrations of Transatlantic Nature'', 2 vols. (Barre, Mass.: Imprint Society, [1840] 1971), [https://www.zotero.org/groups/54737/items/itemKey/T5CMW67U view on Zotero.]</ref>
 
  
: "Steps and '''terraces''' conduct to the reservoirs, and thence the [[view]] over the ornamented grounds of the country [[seat]]s opposite, and of a very [[picturesque]] and uneven country beyond, is exceedingly attractive. Below, the court of the principal building is laid out with gravel [[walk]]s, and ornamented with [[fountain]]s and flowering trees; and within the edifice there is a public drawing-room, of neat design and furniture; while in another wing are elegant refreshment-rooms&mdash;and, in short, all the appliances and means of a place of public amusement." [Fig. 10]  
+
*[[J. C. (John Claudius) Loudon|Loudon, J. C. (John Claudius)]], 1850, describing Kalorama (Kaleirama), estate of Joel Barlow, Washington, DC (1850: 331)<ref name= "Loudon, 1850"> J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening'', new ed., corr. and improved (London: Longman et al., 1850), [https://www.zotero.org/groups/54737/items/itemKey/W8EQFZUG view on Zotero].</ref>
  
[[File:0877.jpg|thumb|Fig. 11, Anonymous, Section of a terrace of the Messrs. Winship, 1840.]]
+
:“851. ''Kaleirama'' is about a mile from Washington, on high '''terrace''' ground, and is a very pretty place. . . (''Dom. Man.'', &c., vol. ii. p. 330.)”
  
  
* <div id="Hovey"></div>[[C. M. Hovey|Hovey, C. M.]], November 1840, "Notes on Gardening and Horticulture in Worcester, Mass.," describing the grounds of Messrs. Winship, Brighton, Mass. (''Magazine of Horticulture'' 6: 402)[[#Hovey_cite|back up to history]]
+
*[[J. C. (John Claudius) Loudon|Loudon, J. C. (John Claudius)]], 1850, describing the public gardens in Hoboken, NJ (1850: 332–33)<ref name= "Loudon, 1850"/>
  
:"We recollect of reading, in the last volume of the ''Gardener's Magazine'', some remarks on treating the ground on the margins of rail-roads, where there were embankments of any extent. These remarks we had marked for insertion in our pages, but had forgotten them until the present moment, when called to our mind as we passed the grounds of the Messrs. Winship, in Brighton. The road passes immediately through the nursery, dividing it in two parts; but these gentlemen have so arranged the sandy embankments with '''terraces''', planted with shrubs, &c., as to render them very ornamental. We only wish that other gentlemen who are able, would take the same pride in improving the embankments where they pass through their lands."
+
:“856. ''Public Gardens''. . .
 
<p></p>
 
<p></p>
: "The '''terraces''' of the Messrs. Winship are made in the following manner: the distance is from ten to fifteen feet. A [[wall]] is laid of about four feet; then a grass banking of some three to five more, at an angle of forty-five or fifty degrees; this is the first '''terrace''', and the surface, (about five feet wide,) is filled with fine flowering shrubs and herbaceous plants; another grass banking of from five feet more, at the same angle, is thrown up, and the surface prepared and planted out with shrubs and plants. When in the vigor of growth and flowering, these '''terraces''' have a fine effect, contrasted with the barren sand, which happens wherever there is a cut of ordinary depth. We have annexed the following engraving, representing the same." [Fig. 11]
+
:''Hoboken'', on the North River, about three miles from New York, is a public [[walk]] of great beauty and attraction. . . Through this beautiful little [[wood]], a broad well-gravelled '''terrace''' is led by every point which can exhibit the scenery to advantage; narrower and wilder paths diverge at intervals, some into the deeper shadow of the [[wood]]s, and some shelving gradually to the pretty coves below. . . (''D. M., &c.'', vol. ii. p. 170)”
  
  
* [[James Silk Buckingham|Buckingham, James Silk]], 1842, describing Red Sulphur Springs, Va. (CWF)  
+
*Hovey, C. M. (Charles Mason), September 1851, “Notes on Gardens and Nurseries,describing Rose Hill, residence of George Leland, Waltham, MA (''Magazine of Horticulture'' 17: 411)<ref>C. M. Hovey, “Notes on Gardens and Nurseries,” ''Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs'' 17, no. 9 (September 1851): 410–12, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/DR542Z2D/q/notes%20on%20gardens%20and%20nurseries view on Zotero].</ref>
  
: "Behind the "Bachelor's Row," and on the upper part of the hill is an imposing edifice of brick, called "Society Hall." It is built of two stories, with a fine [[portico]] of twelve feet wide, running the whole length of the front, and a '''terrace''' of twenty feet wide beyond this."
+
:“Descending the steps we reach the garden, which covers and extent of two or more acres in the form of a parallelogram, the end next Newton street. The '''slope''' is laid out in '''terraces''' on the right of the steps, and on the left is located the range of forcing houses, which is 104 feet long, comprising a centre and two wings, the former the [[greenhouse]], twenty-five feet, and the latter vineries, forty feet each.
  
 +
{{break}}
  
* [[C. M. Hovey|Hovey, C. M.]], April 1842, "Notes made during a Visit to New York, Philadelphia, Baltimore, &c.," describing the U.S. Capitol, Washington, D.C. (''Magazine of Horticulture'' 8: 127)
+
===Citations===
  
: "The main entrance to the west front is from Pennsylvania Avenue, where the grounds form a semi-circle, of which the [[avenue]] is the centre; a very broad [[walk]] leads from them, up the ascending surface, to the main steps, which descend from a broad semi-circular '''terrace''': two other entrances of this part of the grounds are placed at the angles or sides of this semi-circle, which also, by a straight [[walk]], lead up to the broad '''terrace'''. From this lower '''terrace''', a long flight of steps leads to the upper one, upon which the building of the Capitol is placed: on the turf between the [[walk]]s, are oval and circular [[bed]]s, planted with shrubs and roses, and filled with dahlias and other annual flowers."
+
*La Quintinie, Jean de, 1693, “Dictionary,''The Compleat Gard'ner'' (1693; repr., 1982: n.p.)<ref> Jean de La Quintinie, ''The Compleat Gard'ner, or Directions for cultivating and right ordering of fruit-gardens and kitchen gardens'', trans. by John Evelyn (1693; repr., New York: Garland, 1982), [https://www.zotero.org/groups/54737/items/itemKey/ET5N5PKH view on Zotero].</ref>
  
 +
:“A '''''Terrass''''', is an artificial bank or mount of Earth, commonly supported with a fronting or facing of stone, and raised like a kind of ''Bulwark'' for the ornament of a ''Garden''.”
  
* [[Sir. Charles Lyell|Lyell, Sir. Charles]], 1846, describing Natchez, Miss. (1849: 2:153) <ref>Sir Charles Lyell, ''A Second Visit to the United States of North America'', 2 vols. (New York: Harper, 1849), [https://www.zotero.org/groups/54737/items/itemKey/DU6NKKZ5 view on Zotero.]</ref>
 
: "Many of the country-houses in the neighborhood are elegant, and some of the gardens belonging to them laid out in the [[English Style|English]], others in the [[French style]]. In the latter are seen '''terraces''', with statues and cut evergreens, straight [[walk]]s with [[border]]s of flowers, terminated by views into the wild forest, the charms of both being heightened by contrast. Some of the [[hedge]]s are made of that beautiful North American plant, the Gardenia, miscalled in England the Cape jessamine, others of the Cherokee rose, with its bright and shining leaves."
 
  
 +
*<div id="Argenville"></div>Dezallier d'Argenville, Antoine-Joseph, 1712, ''The Theory and Practice of Gardening'' (1712; repr., 1969: 75, 116–18)<ref>A.-J. Dézallier d'Argenville, ''The Theory and Practice of Gardening'', trans. John James (1712; repr., Farnborough, England: Gregg International, 1969), [https://www.zotero.org/groups/54737/items/itemKey/RNT8ZVZ8/q/The%20Theory%20and%20Practice%20of%20Gardening view on Zotero]</ref>
  
* [[William Ranlett|Ranlett, William]], 1849, describing a proposed villa in Oswego, N.Y. ([1849] 1976: 2:14)<ref> William A. Ranlett, ''The Architect,'' 2 vols. (New York: Da Capo [1849-51] 1976), [https://www.zotero.org/groups/54737/items/itemKey/QGQPCB5J/q/ranlett view on Zotero.]</ref>
+
:“'''TERRASSES''', when rightly situated, are likewise of great Ornament in Gardens, for their Regularity and Opening; especially when they are well built, and beautified with handsome Stairs, and fine Ascents. Sometimes there are made under them, Vaults, Grots, [[Cascade]]s, and Buffets of Water, with an Order of Architecture, and a great many [[Statue]]s in Niches; and, on the Coping above, are set Vases and Flower-pots, orderly ranged and disposed. . .
  
: "The design given in this part of the Architect, number XXVI, is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . . . On the north side which commands a full view of the lake, a balustrade gallery, or '''terrace''', extends the entire front." [Fig. 12]
+
:“WHEN you meet with a Piece of Ground whose Shelving is very steep, as perhaps of the Hill ''A'', which you would make practicable for a Garden, it may be order’d three several Ways.
  
[[File:0778.jpg|thumb|Fig. 12, [[Frances Palmer]], Italian Bracketed Villa at Oswego, N.Y., 1851.]]
+
:“''First'', By making '''Terrasses''' one above another, at several Heights, and supporting the Earth with sufficient [[Wall]]s of Masonry.  
  
* [[Justicia]] [pseud.], March 1849, "A Visit to Springbrook," seat of Caleb Cope, near Philadelphia, Pa. (''Horticulturist'' 3: 413)
+
:“''Secondly'', By making such '''Terrasses''', as will support themselves without a [[Wall]], by Means of Banks and '''Slopes''' cut at the Extremity of every '''Terrass'''.
  
: "The [[kitchen garden]] is separated from the [lawn]] and [[flower garden]] by the Cactus and Orchid-houses. It covers 1 1/2 acres, is well arranged in [[bed]]s and '''terraces''', with a large open cistern of water in its centre&mdash;all in excellent order. The quarters are interspersed with dwarf fruit trees, variously pruned and trained, and all in a young bearing state."
+
:“THE ''Third Way'' is, to make no '''Terrasses''' in strait Lines, nor long Flats between; but only to contrive Landing-Places, or Rests, at several Heights, and easy Ascents and Flights of Steps for Communication, with Foot-Paces, Counter-Terrasses, Volutes, Rolls, Banks, and '''Slopes''' of Grass, placed and disposed with Symmetry, which are called Amphitheatres. . .
  
 +
:“OF these three Manners, that with the '''Slopes''' is the least Expence, and that of the Ampitheatre the most magnificent; so that '''Terrass'''-Walls may be reckon’d to hold a Medium between the other two. . .
  
* [[J. C. Loudon|Loudon, J. C.]], 1850, describing Kalorama (Kaleirama), estate of Joel Barlow, Washington, D.C. (p. 331) <ref name= "Loudon, 1850"> J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening''. new ed., corr. and improved (London: Longman et al., 1850),[https://www.zotero.org/groups/54737/items/itemKey/W8EQFZUG view on Zotero]</ref>
+
:“THE Architect, or he that is to give the Design of a Garden, should carefully consider the '''Slope''' and Winding of the Hill, and raise and describe the Profil of it very correctly; that by making the best Advantage of the Situation, and distributing its '''Terrasses''' with Husbandry and Discretion, there may not be a great deal of Earth to remove, but that what is taken from Places that are too high, may serve to raise and make good those that are too low, which should be done with such Prudence and Circumspection, that you should neither be obliged to bring in Earth, nor have any to carry away, when your '''Terrasses''' are finished. . .
  
: "851. ''Kaleirama'' is about a mile from Washington, on high '''terrace''' ground, and is a very pretty place. . .. (''Dom. Man.'', &c., vol. ii. p. 330.)"
+
:“'''TERRASSES''' should not be made too frequent, nor too near one another, that is, you should always make as few of them as possible; and by means of Levels, or Flats, continued as long as the Ground will permit, endeavour to avoid the Defect of heaping '''Terrass''' upon '''Terrass''', it being very disagreeable in a Garden to be constantly going Up-hill, or Down-hill, without finding scarce any Resting-Place.
  
 +
:“WHAT we call the Level, or Flat, is the Space of Ground contained between the '''Slopes''' of two '''Terrasses''', that is to say, the Platform sustained by the [[Wall]]s or Banks of the '''Terrasses''', which, in Fortification, is call’d the ''Terra-plain''.” [[#Argenville_cite|back up to History]]
  
* [[J. C. Loudon|Loudon, J. C.]], 1850, describing the public gardens in Hoboken, N.J. (pp. 332-33) <ref name= "Loudon, 1850"> </ref>
 
  
: "856. ''Public Gardens''....  
+
*<div id="Switzer"></div>Switzer, Stephen, 1718, ''Ichnographia Rustica'' (1718: 150–52)<ref>Stephen Switzer, ''Ichnographia Rustica, or The Nobleman, Gentleman and Gardener’s Recreation. . . '', 1st ed., 3 vols. (London: D. Browne, 1718), [https://www.zotero.org/groups/54737/items/itemKey/UWQEVT5X view on Zotero].</ref>  
<p></p>
+
 
: "''Hoboken'', on the North River, about three miles from New York, is a public [[walk]] of great beauty and attraction. . . . Through this beautiful little [[wood]], a broad well-gravelled '''terrace''' is led by every point which can exhibit the scenery to advantage; narrower and wilder paths diverge at intervals, some into the deeper shadow of the [[wood]]s, and some shelving gradually to the pretty coves below. . . . (''D. M., &c.'', vol. ii. p. 170)"
+
:“The '''Terrace''' seems to have been us’d a considerable Time since. . . But the nearest of our Derivations in ''English'', is from the ''French'', '''Terrace''', or '''Terrasse'''; and they from the ''Italians'', (from whom they, and almost all Europe, derive their Terms of Art relating to Building, Gardening, ''&c.'') ''Terraza'', ''Terrazare'', signifying with them the removing and banking up of Earth, from one Place into another.
 +
 
 +
:“But be the Derivations as it will, it is very well known in these ''European'' Countries, and particularly with us, to be a small Bank of Earth, laid out and trimm’d according to Line and Level, being necessary for the proper Elevation of any Person that walks round his Garden, to view all that lyes round him. And this Elevation is so necessary, that all Gardens must be esteem’d very deficient, that have them not. . . that I dare pronounce a Seat of no Value without them; and, besides, where-ever the House is to be new built, there is no Possibility of disposing of the Earth, Clay, Rubbish, ''&c''. that necessarily comes out of Cellars and Foundation thereof, but this; which we must otherwise suppose (amidst a thousand needless Works) is to be carted away, to fill up some Hollow or other, which had been better left undone perhaps likewise.
 +
 
 +
:“Of '''Terrace'''-Walks there are several Kinds, as they are particularly us’d.
 +
 
 +
:“The 1st, is that great Terrace that lies next the House.
 +
 
 +
:“The 2d, Side, or Middle '''Terrace''', that is commonly rais’d or cut out above the Level of the [[Parterre]], [[Lawn]], ''&c''.
 +
 
 +
:“The 3d, Those that encompass a Garden; and
 +
 
 +
:“The 4th, Many that lye under one another, as being cut out of a large high Hill; these are differing, in some Respect or other, from one another.” [[#Switzer_cite|back up to History]]
 +
 
 +
 
 +
*Langley, Batty, 1728, ''New Principles of Gardening'' (1728; repr., 1982: vi–vii)<ref>Batty Langley, ''New Principles of Gardening, or The Laying Out and Planting Parterres, Groves, Wildernesses, Labyrinths, Avenues, Parks, &c'' (London: A. Bettesworth and J. Batley, etc., 1728; repr., New York: Garland, 1982), [https://www.zotero.org/groups/54737/items/itemKey/MRDTAEKC view on Zotero].</ref>
 +
:“When the Situation of Gardens such, that the making of '''''Slopes''''' and '''''Terraces''''' are necessary, or cannot be avoided, they not only leave them ''naked of Shade'' as aforesaid, but ''break their'' '''''Slopes''''' into so many Angles, that their ''native Beauty'' is thereby destroy’d. Thus if by waste Earth a ''Mount'' be ''raised ten or twelve Feet high'', you shall have its '''Slope''', that should be entire from top to bottom, broken into three, if not four small ''trifling ones'', and those mixt with [[Arch]]s of Circles, ''&c''. that still adds to their ill Effects: So that instead of having one ''grand'' '''''Slope''''' only with an easy Ascent, you have three or four small ones, that are ''poor and trifling''.  
  
 +
:“And the only reason why they are made in this Stair or Step-like manner, is first to shew their Dexterity of Hand, without considering the ill Effect; and lastly to imitate those ''grand Amphitheatrical Buildings'', used by the ''Ancients'', of which they had no more Judgement, than of the excellent Proportions of Architecture that was used therein, when those noble Structures were first erected. . .
  
* [[C. M. Hovey|Hovey, C. M.]], September 1851, "Notes on Gardens and Nurseries," describing [[Rose Hill]], residence of George Leland, Waltham, Mass. (''Magazine of Horticulture'' 17: 411)
+
:“When very large Hills of great perpendicular Heights are to be cut into '''''Slopes''''' and '''''Terraces''''', then we may justly endeavour to imitate those grand Structures, (whereon their Gladiators exercis’d) by cutting them Concave, Convex, &c. as those looking towards ''Fair-Mile Heath'', in the Gardens of his ''Grace'' the DUKE of NEWCASTLE ''at his Grand Seat of Claremont''; but in small Elevations they are poor and trifling, and therefore not to be used.”
  
: "Descending the steps we reach the garden, which covers and extent of two or more acres in the form of a parallelogram, the end next Newton street. The '''slope''' is laid out in '''terraces''' on the right of the steps, and on the left is located the range of forcing houses, which is 104 feet long, comprising a centre and two wings, the former the [[greenhouse]], twenty-five feet, and the latter vineries, forty feet each."
 
  
===Citations===
+
*Miller, Philip, 1754, ''The Gardeners Dictionary'' (1754; repr., 1969: 1367)<ref>Philip Miller, ''The Gardeners Dictionary'' (London: printed for the author, 1754; repr., New York: Verlag Von J. Cramer, 1969), [https://www.zotero.org/groups/54737/items/itemKey/356Q24EP view on Zotero].</ref>
  
* [[Jean de La Quintinie|La Quintinie, Jean de]], 1693, "Dictionary," ''The Compleat Gard'ner'' ([1693] 1982: n.p.)<ref> Jean de La Quintinie, ''The Compleat Gard'ner, or Directions for cultivating and right ordering of fruit-gardens and kitchen gardens'', trans. by John Evelyn (New York: Garland, [1693] 1982), [https://www.zotero.org/groups/54737/items/itemKey/ET5N5PKH view on Zotero.]</ref>
+
:“'''TERRACES''':A '''Terrace''' is a small Bank of Earth, rais’d and trimm’d according to Line and Level, for the proper Elevation of any Person that walks round a Garden, that he may have a better [[Prospect]] of all that lies around him; and these Elevations are so necessary, that those Gardens that have them not, are deficient.  
  
: "A '''''Terrass''''', is an artificial bank or mount of Earth, commonly supported with a fronting or facing of stone, and raised like a kind of ''Bulwark'' for the ornament of a ''Garden''."
+
:“When '''Terraces''' are rightly situated, they are great Ornaments to such Gardens as have them, for their Regularity and Opening; especially when they are well built, and beautify’d with handsome Stairs, and fine Ascents.  
  
 +
:“There are several Kinds of '''Terrace'''-walks:
  
* <div id="Argenville"></div>[[A.-J. D&eacute;zallier d'Argenville | D&eacute;zallier d'Argenville]], 1712, ''The Theory and Practice of Gardening'' ([1712] 1969: 75, 116-18)<ref>A.-J. D&eacute;zallier d'Argenville, ''The Theory and Practice of Gardening'', trans. John James (Farnborough, England: Gregg International, [1712] 1969), [https://www.zotero.org/groups/54737/items/itemKey/RNT8ZVZ8/q/The%20Theory%20and%20Practice%20of%20Gardening| view on Zotero]</ref>[[#Argenville_cite|back up to history]] 
+
:“1. The great '''Terrace''', which lies next to the House.  
  
:"'''TERRASSES''', when rightly situated, are likewise of great Ornament in Gardens, for their Regularity and Opening; especially when they are well built, and beautified with handsome Stairs, and fine Ascents. Sometimes there are made under them, Vaults, Grots, [[Cascade]]s, and Buffets of Water, with an Order of Architecture, and a great many [[Statue]]s in Niches; and, on the Coping above, are set Vases and Flower-pots, orderly ranged and disposed. . . .
+
:“2. The side or middle '''Terrace''', which is commonly raised above the Level of the [[Parterre]], [[Lawn]], &c.  
<p></p>
 
: "WHEN you meet with a Piece of Ground whose Shelving is very steep, as perhaps of the Hill ''A'', which you would make practicable for a Garden, it may be order'd three several Ways.
 
<p></p>
 
: "''First'', By making '''Terrasses''' one above another, at several Heights, and supporting the Earth with sufficient [[Wall]]s of Masonry.
 
<p></p>
 
: "''Secondly'', By making such '''Terrasses''', as will support themselves without a [[Wall]], by Means of Banks and '''Slopes''' cut at the Extremity of every '''Terrass'''.
 
<p></p>
 
: "THE ''Third Way'' is, to make no '''Terrasses''' in strait Lines, nor long Flats between; but only to contrive Landing-Places, or Rests, at several Heights, and easy Ascents and Flights of Steps for Communication, with Foot-Paces, Counter-Terrasses, Volutes, Rolls, Banks, and '''Slopes''' of Grass, placed and disposed with Symmetry, which are called Amphitheatres. ...
 
<p></p>
 
: "OF these three Manners, that with the '''Slopes''' is the least Expence, and that of the Ampitheatre the most magnificent; so that '''Terrass'''-Walls may be reckon'd to hold a Medium between the other two. . . .
 
<p></p>
 
: "THE Architect, or he that is to give the Design of a Garden, should carefully consider the '''Slope''' and Winding of the Hill, and raise and describe the Profil of it very correctly; that by making the best Advantage of the Situation, and distributing its '''Terrasses''' with Husbandry and Discretion, there may not be a great deal of Earth to remove, but that what is taken from Places that are too high, may serve to raise and make good those that are too low, which should be done with such Prudence and Circumspection, that you should neither be obliged to bring in Earth, nor have any to carry away, when your '''Terrasses''' are finished. . . .
 
<p></p>
 
: "'''TERRASSES''' should not be made too frequent, nor too near one another, that is, you should always make as few of them as possible; and by means of Levels, or Flats, continued as long as the Ground will permit, endeavour to avoid the Defect of heaping '''Terrass''' upon '''Terrass''', it being very disagreeable in a Garden to be constantly going Up-hill, or Down-hill, without finding scarce any Resting-Place.
 
<p></p>
 
: "WHAT we call the Level, or Flat, is the Space of Ground contained between the '''Slopes''' of two '''Terrasses''', that is to say, the Platform sustained by the [[Wall]]s or Banks of the '''Terrasses''', which, in Fortification, is call'd the ''Terra-plain''."
 
  
 +
:“3. Those '''Terraces''' which encompass a Garden.
  
* [[Stephen Switzer|Switzer, Stephen]], 1718, ''Ichnographia Rustica'' ([1718] 1982: 150-52)<ref>Stephen Switzer, ''Ichnographia Rustica, or The Nobleman, Gentleman and Gardener’s Recreation....'', 1st edn, 3 vols. (London: D. Browne, 1718),[https://www.zotero.org/groups/54737/items/itemKey/UWQEVT5X view on Zotero.]</ref>
+
:“4. Those '''Terraces''' which lie under one another, being cut out of a large Hill; and these are different one from another, in some respect or other.  
  
: "The '''Terrace''' seems to have been us'd a considerable Time since . . . But the nearest of our Derivations in ''English'', is from the ''French'', '''Terrace''', or '''Terrasse'''; and they from the ''Italians'', (from whom they, and almost all Europe, derive their Terms of Art relating to Building, Gardening, ''&c.'') ''Terraza'', ''Terrazare'', signifying with them the removing and banking up of Earth, from one Place into another.
+
:“As to the Breadth of side '''Terraces''', this is usually decided by its Correspondence with some [[Pavilion]], or some little Jettee or Building; but most of all by the Quantity of Stuff that is to spare for those Purposes.  
<p></p>
 
: "But be the Derivations as it will, it is very well known in these ''European'' Countries, and particularly with us, to be a small Bank of Earth, laid out and trimm'd according to Line and Level, being necessary for the proper Elevation of any Person that walks round his Garden, to view all that lyes round him. And this Elevation is so necessary, that all Gardens must be esteem'd very deficient, that have them not . . . that I dare pronounce a Seat of no Value without them; and, besides, where-ever the House is to be new built, there is no Possibility of disposing of the Earth, Clay, Rubbish, ''&c''. that necessarily comes out of Cellars and Foundation thereof, but this; which we must otherwise suppose (amidst a thousand needless Works) is to be carted away, to fill up some Hollow or other, which had been better left undone perhaps likewise.
 
<p></p>
 
: "Of '''Terrace'''-Walks there are several Kinds, as they are particularly us'd.
 
<p></p>
 
: "The 1st, is that great Terrace that lies next the House.
 
<p></p>
 
: "The 2d, Side, or Middle '''Terrace''', that is commonly rais'd or cut out above the Level of the [[Parterre]], [[Lawn]], ''&c''.
 
<p></p>
 
: "The 3d, Those that encompass a Garden; and
 
<p></p>
 
: "The 4th, Many that lye under one another, as being cut out of a large high Hill; these are differing, in some Respect or other, from one another."
 
  
 +
:“The side '''Terrace''' of a Garden ought not to be less than twenty Feet, and but very seldom wider than forty.
  
* [[Batty Langley|Langley, Batty]], 1728, ''New Principles of Gardening'' ([1728] 1982: vi-vii)<ref>Batty Langley, ''New Principles of Gardening, or The Laying Out and Planting Parterres, Groves, Wildernesses, Labyrinths, Avenues, Parks, &c'' (Originally published London: A. Bettesworth and J. Batley, etc., [1728] 1982), [https://www.zotero.org/groups/54737/items/itemKey/MRDTAEKC view on Zotero.]</ref>
+
:“As for the Height of a '''Terrace''', some allow it to be but five Feet high; but others more or less, according to their Fancies; but the more exact Persons never allow above five or six Feet; and in a small Garden, and a narrow '''Terrace''' [[walk]], three Feet; and sometimes three Feet and an half high are sufficient for a Terrace eighteen Feet wide; and four Feet are sufficient for a Terrace of twenty Feet wide; but when the Garden is proportionably large, and the '''Terrace''' is thirty or forty Feet wide, then it must be at least five or six Feet high.  
: "When the Situation of Gardens such, that the making of '''''Slopes''''' and '''''Terraces''''' are necessary, or cannot be avoided, they not only leave them ''naked of Shade'' as aforesaid, but ''break their'' '''''Slopes''''' into so many Angles, that their ''native Beauty'' is thereby destroy'd. Thus if by waste Earth a ''Mount'' be ''raised ten or twelve Feet high'', you shall have its '''Slope''', that should be entire from top to bottom, broken into three, if not four small ''trifling ones'', and those mixt with [[Arch]]s of Circles, ''&c''. that still adds to their ill Effects: So that instead of having one ''grand'' '''''Slope''''' only with an easy Ascent, you have three or four small ones, that are ''poor and trifling''.
 
<p></p>
 
: "And the only reason why they are made in this Stair or Step-like manner, is first to shew their Dexterity of Hand, without considering the ill Effect; and lastly to imitate those ''grand Amphitheatrical Buildings'', used by the ''Ancients'', of which they had no more Judgement, than of the excellent Proportions of Architecture that was used therein, when those noble Structures were first erected. . . .
 
<p></p>
 
: "When very large Hills of great perpendicular Heights are to be cut into '''''Slopes''''' and '''''Terraces''''', then we may justly endeavour to imitate those grand Structures, (whereon their Gladiators exercis'd) by cutting them Concave, Convex, &c. as those looking towards ''Fair-Mile Heath'', in the Gardens of his ''Grace'' the DUKE of NEWCASTLE ''at his Grand Seat of Claremont''; but in small Elevations they are poor and trifling, and therefore not to be used."
 
  
 +
:“The noblest '''Terrace''' is very deficient without Shade; for which Elm-trees are very proper: for no [[Seat]] can be said to be complete, where there is not an immediate Shade almost as soon as out of the House; and therefore these shady Trees should be detach’d from the Body and Wings of the Edifice.
  
* [[Philip Miller|Miller, Philip]], 1754, ''The Gardeners Dictionary'' ([1754] 1969: 1367)<ref>Philip Miller, ''The Gardeners Dictionary'' (New York: Verlag Von J. Cramer, [1754] 1969), [https://www.zotero.org/groups/54737/items/itemKey/356Q24EP view on Zotero.]</ref>
+
:“'''Terraces''' should be planted rather with Elm or Lime-trees, than with Yew or Holly; which will not grow large enough to afford Shade.
  
: "'''TERRACES''':A '''Terrace''' is a small Bank of Earth, rais'd and trimm'd according to Line and Level, for the proper Elevation of any Person that walks round a Garden, that he may have a better [[Prospect]] of all that lies around him; and these Elevations are so necessary, that those Gardens that have them not, are deficient.
+
:“The Distance of the Elms across will be about twenty Feet; and they may be plac’d thirty Feet asunder in Lines.
<p></p>
 
: "When '''Terraces''' are rightly situated, they are great Ornaments to such Gardens as have them, for their Regularity and Opening; especially when they are well built, and beautify'd with handsome Stairs, and fine Ascents.
 
<p></p>
 
: "There are several Kinds of '''Terrace'''-walks:
 
<p></p>
 
: "1. The great '''Terrace''', which lies next to the House.
 
<p></p>
 
: "2. The side or middle '''Terrace''', which is commonly raised above the Level of the [[Parterre]], [[Lawn]], &c.
 
<p></p>
 
: "3. Those '''Terraces''' which encompass a Garden.
 
<p></p>
 
: "4. Those '''Terraces''' which lie under one another, being cut out of a large Hill; and these are different one from another, in some respect or other.
 
<p></p>
 
: "As to the Breadth of side '''Terraces''', this is usually decided by its Correspondence with some [[Pavilion]], or some little Jettee or Building; but most of all by the Quantity of Stuff that is to spare for those Purposes.
 
<p></p>
 
: "The side '''Terrace''' of a Garden ought not to be less than twenty Feet, and but very seldom wider than forty.
 
<p></p>
 
: "As for the Height of a '''Terrace''', some allow it to be but five Feet high; but others more or less, according to their Fancies; but the more exact Persons never allow above five or six Feet; and in a small Garden, and a narrow '''Terrace''' [[walk]], three Feet; and sometimes three Feet and an half high are sufficient for a Terrace eighteen Feet wide; and four Feet are sufficient for a Terrace of twenty Feet wide; but when the Garden is proportionably large, and the '''Terrace''' is thirty or forty Feet wide, then it must be at least five or six Feet high.
 
<p></p>
 
: "The noblest '''Terrace''' is very deficient without Shade; for which Elm-trees are very proper: for no [[Seat]] can be said to be complete, where there is not an immediate Shade almost as soon as out of the House; and therefore these shady Trees should be detach'd from the Body and Wings of the Edifice.
 
<p></p>
 
: "'''Terraces''' should be planted rather with Elm or Lime-trees, than with Yew or Holly; which will not grow large enough to afford Shade.
 
<p></p>
 
: "The Distance of the Elms across will be about twenty Feet; and they may be plac'd thirty Feet asunder in Lines."
 
  
  
* [[William Salmon|Salmon, William]], 1762, ''Palladio Londinensis'' (n.p.) <ref>William Salmon, ''Palladio Londinensis, or The London Art of Building: In Three Parts . . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary'', ed. by E. Hoppus, 6th edn (London: Printed for C. Hitch et al, 1762), [https://www.zotero.org/groups/54737/items/itemKey/IEIQ5QGM view on Zotero.]</ref>
+
*Salmon, William, 1762, ''Palladio Londinensis'' (1762: n.p.)<ref>William Salmon, ''Palladio Londinensis, or The London Art of Building: In Three Parts. . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary'', ed. E. Hoppus, 6th ed. (London: printed for C. Hitch et al., 1762), [https://www.zotero.org/groups/54737/items/itemKey/IEIQ5QGM view on Zotero].</ref>
  
: "''Tarrau'', or '''''Tarras''''', an open [[Walk]], or Gallery; also a flat Roof on a House; also a Kind of coarse Plaister, durable in the Weather."
+
:''Tarrau'', or '''''Tarras''''', an open [[Walk]], or Gallery; also a flat Roof on a House; also a Kind of coarse Plaister, durable in the Weather.
 
   
 
   
  
* [[Charles Marshall|Marshall, Charles]], 1799, ''An Introduction to the Knowledge and Practice of Gardening'' (1:124) <ref>Charles Marshall, ''An Introduction to the Knowledge and Practice of Gardening'', 1st American from the 2nd London ed. 2 vols. (Boston: Samuel Etheridge, 1799), [https://www.zotero.org/groups/54737/items/itemKey/GE2JPJR3/ view on Zotero.]</ref>
+
*Marshall, Charles, 1799, ''An Introduction to the Knowledge and Practice of Gardening'' (1799: 1:124)<ref>Charles Marshall, ''An Introduction to the Knowledge and Practice of Gardening'', 1st American ed. from the 2nd London ed., 2 vols. (Boston: Samuel Etheridge, 1799), [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/DVB7T4I2 view on Zotero].</ref>
 +
 
 +
:“A '''terrace''' as a boundary is now seldom formed, but in some situations, such as an eminence might in several respects, be agreeable.”
 +
 
 +
 
 +
*[[Bernard M'Mahon|M'Mahon, Bernard]], 1806, ''The American Gardener’s Calendar'' (1806: 59, 64, 69)<ref>Bernard M’Mahon, ''The American Gardener’s Calendar: Adapted to the Climates and Seasons of the United States. Containing a Complete Account of All the Work Necessary to Be Done. . . for Every Month of the Year. . .'' (Philadelphia: printed by B. Graves for the author, 1806), [https://www.zotero.org/groups/54737/items/itemKey/HU4JIS9C view on Zotero].</ref>  
 +
 
 +
:“In other parts are sometimes discovered eminences, or rising grounds, as a high '''terrace''', mount, steep declivity, or other eminence, ornamented with curious trees and shrubs, with [[walk]]s leading under the shade of trees, by easy ascents to the summit, where is presented to the [[view]], an extensive prospect of the adjacent fields, buildings, hamlets, and country around, and likewise affording a fresh and cooling air in summer. . .
 +
 
 +
:“[[Fountain]]s and [[statue]]s, are generally introduced in the middle of spacious opens. . . sometimes in [[wood]]s, [[thicket]]s, and recesses, upon mounts, '''terraces''', and other stations, according to what they are intended to represent. . .
 +
 
 +
:“Regular '''terraces''' either on natural eminences or forced ground were often introduced by way of ornament, for the sake of [[prospect]], and of enjoying the fresh air in summer; they were of various dimensions with respect to height, from two, to ten, or twenty feet, according to the nature of the situation and purpose they were designed for; some being ranged singly, others double, treble, or several, one above another, on the side of some consideable rising ground in theatrical arrangement.”
 +
 
  
: "A '''terrace''' as a boundary is now seldom formed, but in some situations, such as an eminence might in several respects, be agreeable."
+
*Abercrombie, John, with James Mean, 1817, ''Abercrombie’s Practical Gardener'' (1817: 472)<ref>John Abercrombie, ''Abercrombie’s practical gardener or, Improved system of modern horticulture'', with additions by James Mean, (London: T. Cadell and W. Davies, 1817), [https://www.zotero.org/groups/54737/items/itemKey/TH54TADZ/q/Abercrombie's view on Zotero].</ref>
 +
:“If flights of stone-stairs and ballustrades are not the inseparable accompaniments, if the term '''terrace''' is merely to designate a raised walk, many situations may be imagined, in which a '''terrace''' would both conduce to the accommodation of the proprietor of the grounds, and, ''without dispute'', improve the [[view]].
  
 +
:“The [[view]] FROM the house, and TO the house, cannot always be consulted with mutual improvement. When a high '''terrace''' with ornaments which appear to mark the boundary of the architect’s province, is interposed between the house and the [[lawn]], the [[view]] immediately under the windows cannot certainly be so pleasant as if the house stood in a verdant field:—but let the [[prospect]] be reversed, and every stranger will see more grandeur in the house connected by a '''terrace''' with the garden; and perhaps among the spectators under the influence of cultivated taste, a few may think such a gradation conduces to general harmony.
  
* [[Bernard M'Mahon|M'Mahon, Bernard]], 1806, ''The American Gardener's Calendar'' (pp. 59, 64, 69)<ref>Bernard M’Mahon, ''The American Gardener’s Calendar: Adapted to the Climates and Seasons of the United States. Containing a Complete Account of All the Work Necessary to Be Done... for Every Month of the Year....'' (Philadelphia: Printed by B. Graves for the author, 1806), [https://www.zotero.org/groups/54737/items/itemKey/HU4JIS9C view on Zotero.]</ref>
+
:“In a flat, or confined situation, a '''terrace''' with sloping grass banks may create a [[prospect]], or relieve the sameness of the scenery.
  
: "In other parts are sometimes discovered eminences, or rising grounds, as a high '''terrace''', mount, steep declivity, or other eminence, ornamented with curious trees and shrubs, with [[walk]]s leading under the shade of trees, by easy ascents to the summit, where is presented to the [[view]], an extensive prospect of the adjacent fields, buildings, hamlets, and country around, and likewise affording a fresh and cooling air in summer. . . .
+
[[File:1339.jpg|thumb|Fig. 14, [[J.C. Loudon]], “Levelling for terrace-slopes,” 1826.]]
<p></p>
 
: "[[Fountain]]s and [[statue]]s, are generally introduced in the middle of spacious opens . . . sometimes in [[wood]]s, [[thicket]]s, and recesses, upon mounts, '''terraces''', and other stations, according to what they are intended to represent. . . .
 
<p></p>
 
: "Regular '''terraces''' either on natural eminences or forced ground were often introduced by way of ornament, for the sake of [[prospect]], and of enjoying the fresh air in summer; they were of various dimensions with respect to height, from two, to ten, or twenty feet, according to the nature of the situation and purpose they were designed for; some being ranged singly, others double, treble, or several, one above another, on the side of some consideable rising ground in theatrical arrangement."
 
  
  
* [[John Abercrombie|Abercrombie, John]], with [[James Mean]], 1817, ''Abercrombie's Practical Gardener'' (p. 472)<ref>John Abercrombie, ''Abercrombie’s practical gardener or, Improved system of modern horticulture'', with additions by James Mean, (London: T. Cadell and W. Davies, 1817), [https://www.zotero.org/groups/54737/items/itemKey/TH54TADZ/q/Abercrombie's| view on Zotero.] </ref>
+
*[[J._C._(John_Claudius)_Loudon|Loudon, J. C. (John Claudius)]], 1826, ''An Encyclopaedia of Gardening'' (1826: 377, 1020)<ref>J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening'', 4th ed. (London: Longman et al., 1826), [https://www.zotero.org/groups/54737/items/itemKey/KNKTCA4W/order/creator/q/loudon/sort/desc view on Zotero].</ref>  
: "If flights of stone-stairs and ballustrades are not the inseparable accompaniments, if the term '''terrace''' is merely to designate a raised walk, many situations may be imagined, in which a '''terrace''' would both conduce to the accommodation of the proprietor of the grounds, and, ''without dispute'', improve the [[view]].
 
<p></p>
 
: "The [[view]] FROM the house, and TO the house, cannot always be consulted with mutual improvement. When a high '''terrace''' with ornaments which appear to mark the boundary of the architect's province, is interposed between the house and the [[lawn]], the [[view]] immediately under the windows cannot certainly be so pleasant as if the house stood in a verdant field:&mdash;but let the [[prospect]] be reversed, and every stranger will see more grandeur in the house connected by a '''terrace''' with the garden; and perhaps among the spectators under the influence of cultivated taste, a few may think such a gradation conduces to general harmony.
 
<p></p>
 
: "In a flat, or confined situation, a '''terrace''' with sloping grass banks may create a [[prospect]], or relieve the sameness of the scenery."
 
  
[[File:1339.jpg|thumb|Fig. 13, [[J.C. Loudon]], "Levelling for terrace-slopes", 1826.]]
+
:“1933. ''Levelling for'' '''''terrace-slopes'''''. . . or for geometrical surfaces, however varied, is performed by the union of both modes, and requires no explanation to those who have acquired the rudiments of geometry, or understand what has been described. . . [Fig. 14]
  
 +
:“7256. '''''Terrace''''' ''and [[conservatory]]''. We observed, when treating of ground, and under the [[ancient style]], that the design of the '''terrace''' must be jointly influenced by the magnitude and style of the house, the [[view]]s from its windows, (that is, from the eye of a person seated in the middle of the principal rooms,) and the [[view]]s of the house from a distance. In almost every case, more or less of architectural form will enter into these compositions. The level or levels will be supported partly by grassy '''slopes''', but chiefly by stone [[wall]]s, harmonising with the lines and forms of the house. These, in the Gothic style, may be furnished by battlements, [[gateway]]s, oriels, pinnacles, &c.; or, on a very great scale, watch-towers may form very [[picturesque]], characteristic, and useful additions. . .
  
* [[J.C. Loudon|Loudon, J. C.]], 1826, ''An Encyclopaedia of Gardening'' (pp. 377, 1020) <ref>J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening''. 4th ed. (London: Longman et al., 1826), [https://www.zotero.org/groups/54737/items/itemKey/KNKTCA4W/order/creator/q/loudon/sort/desc view on Zotero.]</ref>
+
:“7257. The '''breadth of''' '''''terraces''''', and their height relatively to the level of the floor of the living-rooms, must depend jointly on the height of the floor of the living-rooms and the surface of the grounds or country to be seen over them. Too broad or too high a '''terrace''' will both have the effect of foreshortening a [[lawn]] with a declining surface, or concealing a near valley. The safest mode in doubtful cases is, not to form this appendage till after the principal floor is laid, and then to determine the details of the '''terrace''' by trial and correction.
  
: "1933. ''Levelling for'' '''''terrace-slopes''''' ... or for geometrical surfaces, however varied, is performed by the union of both modes, and requires no explanation to those who have acquired the rudiments of geometry, or understand what has been described. . . . [Fig. 13]
+
:“7258. ''Narrow'' '''''terraces''''' are entirely occupied as [[promenade]]s, and may be either gravelled or paved: and different levels, when they exist, connected by inclined planes or flights of steps. Where the breadth is more than is requisite for [[walk]]s, the [[border]]s may be kept in turf with groups or marginal strips of flowers and low shrubs. In some cases, the '''terrace'''-walls may be so extended as to enclose ground sufficient for a level [[plot]] to be used as a [[bowling-green]] or a [[flower garden]]. These are generally connected with one of the living-rooms or the [[conservatory]], and to the latter is frequently joined an [[aviary]] and the entire range of botanic stoves. Or, the [[aviary]] may be made an elegant detached building, so placed as to group with the house and other surrounding objects.
<p></p>
 
: "7256. '''''Terrace''''' ''and [[conservatory]]''. We observed, when treating of ground, and under the [[ancient style]], that the design of the '''terrace''' must be jointly influenced by the magnitude and style of the house, the [[view]]s from its windows, (that is, from the eye of a person seated in the middle of the principal rooms,) and the [[view]]s of the house from a distance. In almost every case, more or less of architectural form will enter into these compositions. The level or levels will be supported partly by grassy '''slopes''', but chiefly by stone [[wall]]s, harmonising with the lines and forms of the house. These, in the Gothic style, may be furnished by battlements, [[gateway]]s, oriels, pinnacles, &c.; or, on a very great scale, watch-towers may form very [[picturesque]], characteristic, and useful additions. . . .
 
  <p></p>
 
: "7257. The '''breadth of''' '''''terraces''''', and their height relatively to the level of the floor of the living-rooms, must depend jointly on the height of the floor of the living-rooms and the surface of the grounds or country to be seen over them. Too broad or too high a '''terrace''' will both have the effect of foreshortening a [[lawn]] with a declining surface, or concealing a near valley. The safest mode in doubtful cases is, not to form this appendage till after the principal floor is laid, and then to determine the details of the '''terrace''' by trial and correction.
 
<p></p>
 
: "7258. ''Narrow'' '''''terraces''''' are entirely occupied as [[promenade]]s, and may be either gravelled or paved: and different levels, when they exist, connected by inclined planes or flights of steps. Where the breadth is more than is requisite for [[walk]]s, the [[border]]s may be kept in turf with groups or marginal strips of flowers and low shrubs. In some cases, the '''terrace'''-walls may be so extended as to enclose ground sufficient for a level [[plot]] to be used as a [[bowling-green]] or a [[flower garden]]. These are generally connected with one of the living-rooms or the [[conservatory]], and to the latter is frequently joined an [[aviary]] and the entire range of botanic stoves. Or, the [[aviary]] may be made an elegant detached building, so placed as to group with the house and other surrounding objects."
 
  
  
* <div id="Loudon"></div>[[Jane Loudon|Loudon, Jane]], 1845, ''Gardening for Ladies'' (p. 117) <ref> Jane Loudon, ''Gardening for Ladies; and Companion to the Flower-Garden'', ed. A.J. Downing, (New York: Wiley & Putnam, 1843), [//www.zotero.org/groups/54737/items/itemKey/VJ3SM523/q/Gardening%20for%20Ladies| view on Zotero] </ref>[[#Loudon_cite|back up to history]]
+
*<div id="Loudon"></div>[[Jane Loudon|Loudon, Jane]], 1845, ''Gardening for Ladies'' (1845: 117)<ref> Jane Loudon, ''Gardening for Ladies; and Companion to the Flower-Garden'', ed. A. J. Downing (New York: Wiley & Putnam, 1843), [http://www.zotero.org/groups/54737/items/itemKey/VJ3SM523/q/Gardening%20for%20Ladies view on Zotero].</ref>
  
: "'''''Terrace'''''-''gardens'' are merely architectural-gardens, formed on platforms adjoining the house, on one or more levels, each level being supported by a '''terrace'''-wall; but as they are chiefly adapted for mansions and places of considerable extent, where of course a regular gardener must be kept, it does not appear necessary to enlarge on them here."
+
:'''''Terrace'''''-''gardens'' are merely architectural-gardens, formed on platforms adjoining the house, on one or more levels, each level being supported by a '''terrace'''-wall; but as they are chiefly adapted for mansions and places of considerable extent, where of course a regular gardener must be kept, it does not appear necessary to enlarge on them here.” [[#Loudon_cite|back up to History]]
  
  
* [[Louisa C. Tuthill|Tuthill, Louisa C.]], 1848, 'History of Architecture' ([1848] 1988: 306) <ref> Louisa C. Tuthill, ''History of Architecture, from the Earliest Times; Its Present Condition in Europe and the United States; with a Biography of Eminent Architects, and a Glossary of Architectural Terms, by Mrs. L. C. Tuthill'' (Philadelphia: Lindsay and Blakiston, [1848] 1988),[https://www.zotero.org/groups/54737/items/itemKey/4ACTS7DK/ view on Zotero.]</ref>
+
*Tuthill, Louisa C. (Louisa Caroline), 1848, ''History of Architecture'' (1848; repr., 1988: 306)<ref> Louisa C. Tuthill, ''History of Architecture, from the Earliest Times; Its Present Condition in Europe and the United States; with a Biography of Eminent Architects, and a Glossary of Architectural Terms, by Mrs. L. C. Tuthill'' (Philadelphia: Lindsay and Blakiston, 1848; repr., New York: Garland, 1988), [https://www.zotero.org/groups/54737/items/itemKey/4ACTS7DK view on Zotero].</ref>
: "The garden of the Elizabethan villa should be laid out with a few simple '''terraces''' near the house, so as to unite it well with the ground."
+
:“The garden of the Elizabethan villa should be laid out with a few simple '''terraces''' near the house, so as to unite it well with the ground.
 
   
 
   
  
* [[Noah Webster|Webster, Noah]], 1848, ''An American Dictionary of the English Language'' (p. 1139)<ref>Noah Webster, ''An American Dictionary of the English Language... Revised and Enlarged by Chauncey A. Goodrich....'' (Springfield, Mass.: George and Charles Merriam, 1848), [https://www.zotero.org/groups/54737/items/itemKey/EBZ5Z7ET view on Zotero].</ref>  
+
*[[Noah Webster|Webster, Noah]], 1848, ''An American Dictionary of the English Language'' (1848: 1139)<ref>Noah Webster, ''An American Dictionary of the English Language. . . Revised and Enlarged by Chauncey A. Goodrich. . .'' (Springfield, MA: George and Charles Merriam, 1848), [https://www.zotero.org/groups/54737/items/itemKey/EBZ5Z7ET view on Zotero].</ref>
 +
 
 +
:“'''TER'RACE''', n. [Fr. ''terrasse''; It. ''terrazzo''; Sp. ''terrado''; from L. ''terra'', the earth.],
 +
 
 +
:“1. A raised level space or platform of earth, supported on one or more sides by a [[wall]] or bank of turf, &c., used either for cultivation or for a [[promenade]].
 +
 
 +
:“2. A balcony or open gallery. ''Johnson''.
 +
 
 +
:“3. The flat roof of a house.”
 +
 
 +
 
 +
*<div id="Downing"></div>[[Andrew Jackson Downing|Downing, Andrew Jackson]], 1849, ''Treatise on the Theory and Practice of Landscape Gardening'' (1849: 344, 346, 376, 418–20, 423, 531)<ref>A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening'' (New York: G. P. Putnam, 1849), [https://www.zotero.org/groups/54737/items/itemKey/5M4S2D64 view on Zotero].</ref>
  
: "'''TER'RACE''', n. [Fr. ''terrasse''; It. ''terrazzo''; Sp. ''terrado''; from L. ''terra'', the earth.],
+
:“Where it is desirable to separate the house from the level grass of the [[lawn]], let it be done by an architectural '''terrace''' of stone. . .
<p></p>
+
 
: "1. A raised level space or platform of earth, supported on one or more sides by a [[wall]] or bank of turf, &c., used either for cultivation or for a [[promenade]].
+
:“In a succeeding section we shall refer to '''terraces''' with their parapets, which are by far the most elegant barriers for a highly decorated [[flower garden]], or for the purpose of maintaining a proper connexion between the house and the grounds. . .
<p></p>
+
 
: "2. A balcony or open gallery. ''Johnson''.
+
:“the long [[veranda]] round many of our country residences stands instead of the paved '''terraces''' of the English mansions as the place for [[promenade]]. . .
<p></p>
+
 
: "3. The flat roof of a house."
+
:“In our finest places, or those country [[seat]]s where much of the polish of [[pleasure ground]] or [[park]] scenery is kept up, one of the most striking defects is the want of '' ‘union between the house and the grounds.’ '' . . .
 +
 
 +
:“Let us suppose. . . The house now rising directly out of the green turf which encompasses it, we will surround by a raised platform or '''terrace''', wide enough for a dry, firm [[walk]], at all seasons; on the top of the [[wall]] or [[border]] of this '''terrace''', we will form a handsome ''parapet'', or balustrade, some two or three feet high, the details of which shall be in good keeping with the house. . . On the coping of this parapet. . . we will find suitable places, at proper intervals, for some handsome urns, vases, etc. On the drawing-room side of the house. . . we will place the [[flower-garden]], into which we descend from the '''terrace''' by a few steps. . .  
 +
 
 +
:“The eye now, instead of witnessing the sudden termination of the architecture at the base of the house, where the [[lawn]] commences as suddenly, will be at once struck with the increased variety and richness imparted to the whole scene, by the addition of the architectural and garden decorations. . .
  
 +
:“Where there is a '''terrace''' ornamented with urns or vases, and the proprietor wishes to give a corresponding air of elegance to his grounds, vases, sundials, etc., may be placed in various appropriate situations. . .
  
* <div id="Downing"></div>[[A.J. Downing|Downing, A. J.]], 1849, ''Treatise on the Theory and Practice of Landscape Gardening'' (pp. 344, 346, 376, 418-20, 423, 531)<ref> A.J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America; with a view to the improvement of country residences. Comprising historical notices and general principles of the art, directions for laying out grounds and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments to the house and grounds, the formation of pieces of artificial water, flower gardens, etc.: with remarks on rural architecture'', (New York: G. P. Putnam, 1849), [https://www.zotero.org/groups/54737/items/itemKey/5M4S2D64| view on Zotero.]</ref>[[#Downing_cite|back up to history]]
+
:“The only situation where this brilliant [white] gravel seems to us perfectly in keeping, is in the highly artificial garden of the [[ancient style|ancient]] or [[geometric style]], or in the symmetrical '''terrace''' [[flower garden]] adjoining the house. In these instances its striking appearance is in excellent keeping with the expression of all the surrounding objects, and it renders more forcible and striking the highly artificial and artistical character of the scene; and to such situations we would gladly see its use limited.[[#Downing_cite|back up to History]]
  
: "Where it is desirable to separate the house from the level grass of the [[lawn]], let it be done by an architectural '''terrace''' of stone. . . .
+
<hr>
<p></p>
 
: "In a succeeding section we shall refer to '''terraces''' with their parapets, which are by far the most elegant barriers for a highly decorated [[flower garden]], or for the purpose of maintaining a proper connexion between the house and the grounds. . . .
 
<p></p>
 
: "the long [[veranda]] round many of our country residences stands instead of the paved '''terraces''' of the English mansions as the place for [[promenade]]. . . .
 
<p></p>
 
: "In our finest places, or those country [[seat]]s where much of the polish of [[pleasure ground]] or [[park]] scenery is kept up, one of the most striking defects is the want of '' 'union between the house and the grounds.' ''...
 
<p></p>
 
: "Let us suppose . . . The house now rising directly out of the green turf which encompasses it, we will surround by a raised platform or '''terrace''', wide enough for a dry, firm [[walk]], at all seasons; on the top of the [[wall]] or [[border]] of this '''terrace''', we will form a handsome ''parapet'', or balustrade, some two or three feet high, the details of which shall be in good keeping with the house. . . . On the coping of this parapet . . .we will find suitable places, at proper intervals, for some handsome urns, vases, etc. On the drawing-room side of the house . . . we will place the [[flower-garden]], into which we descend from the '''terrace''' by a few steps. . ..
 
<p></p>
 
: "The eye now, instead of witnessing the sudden termination of the architecture at the base of the house, where the [[lawn]] commences as suddenly, will be at once struck with the increased variety and richness imparted to the whole scene, by the addition of the architectural and garden decorations. . ..
 
<p></p>
 
: "Where there is a '''terrace''' ornamented with urns or vases, and the proprietor wishes to give a corresponding air of elegance to his grounds, vases, sundials, etc., may be placed in various appropriate situations. . . .
 
<p></p>
 
: "The only situation where this brilliant [white] gravel seems to us perfectly in keeping, is in the highly artificial garden of the [[ancient style|ancient]] or [[geometric style]], or in the symmetrical '''terrace''' [[flower garden]] adjoining the house. In these instances its striking appearance is in excellent keeping with the expression of all the surrounding objects, and it renders more forcible and striking the highly artificial and artistical character of the scene; and to such situations we would gladly see its use limited."
 
  
 
==Images==
 
==Images==
 
=== Inscribed ===
 
=== Inscribed ===
 
<gallery widths="170px" heights="170px" perrow="7">
 
<gallery widths="170px" heights="170px" perrow="7">
<gallery>
 
 
File:1042.jpg|Michael van der Gucht, Illustration for chapter entitled: "Of different Terrasses and Stairs, with their most exact Proportions," in [[A.-J. Dézallier d’Argenville]], ''The Theory and Practice of Gardening'' (1712), pl. opp. p. 117.
 
 
File:1053.jpg|[[Batty Langley]], "Design of a rural Garden,̹ after the new manner", in ''New Principles of Gardening'' (1728), pl. III, opp. p. 208. "Terrace" is inscribed as S.S., and is located near the bottom of the plan.
 
 
File:1382.jpg|[[Batty Langley]], "An Improvement of a beautiful Garden at Twickenham," in ''New Principles of Gardening'' (1728), pl. IX. "Terrace walk" is inscribed between the "kitchen garden" and "fruit garden".
 
  
File:1384.jpg|[[Batty Langley]], One of two "Designs for Gardens that lye irregularly to the ground House . . .House opening to the North upon a plain Parterre of Grass," in New Principles of Gardening (1728), pl. XI. "Terrace" is located at E and forms the walk P Q.  
+
File:1042.jpg|Michael van der Gucht, Illustration for chapter entitled: “Of different '''Terrasses''' and Stairs, with their most exact Proportions,” in A.-J. Dézallier d’Argenville, ''The Theory and Practice of Gardening'' (1712), pl. opp. p. 117.
  
File:0072.jpg|[[Thomas Jefferson]], Monticello: orchard and vineyard (plat), c. 1778. "Foot of terras" is inscribed above the wall.  
+
File:1053.jpg|Batty Langley, “Design of a ''rural Garden'', after the new manner,” in ''New Principles of Gardening'' (1728), pl. III, opp. p. 208. “'''Terrace'''” is inscribed as S.S., and is located near the bottom of the plan.  
  
File:1749.jpg|[[William Bartram]], "Plan of the Ancient Chunky-Yard," in "Observations on the Creek and Cherokee Indians" (1789), from ''Transactions of the American Ethnological Society'', vol. 3, part 1 (1853), p. 52, fig. 2. Platform mounds are located at B and C.
+
File:1382.jpg|Batty Langley, “An Improvement of a beautiful Garden at Twickenham,in ''New Principles of Gardening'' (1728), pl. IX. “'''Terrace''' [[walk]]” is inscribed between the [[Kitchen_garden|''kitchen garden'']] and “fruit garden.
  
File:0331.jpg|[[George Washington]], Plan of "Ha! Haws" at Mount Vernon, 1798.
+
File:1384.jpg|Batty Langley, One of two “Designs for Gardens that lye irregularly to the ground House. . . House opening to the North upon a plain [[Parterre]] of Grass,” in New Principles of Gardening (1728), pl. XI. “'''Terrace'''” is located at E and forms the [[walk]] P Q.  
  
Image:0090a.jpg|[[Thomas Jefferson]], Letter describing plans for a "Garden Olitory," c. 1804.
+
File:1711.jpg|William and John Halfpenny, “The Plan and Elivation of a [[Temple]], or [[Summerhouse|Summer House]], on a '''Tarras''', In the [[Chinese_manner|Chinese]] Taste,” in ''Rural Architecture in the [[Chinese_manner|Chinese]] Taste'' (1755), pl. 44.  
  
File:0720.jpg|[[Charles Bulfinch]], "Joseph Barrell House remodeled as McLean Hospital," 1817.
+
File:0072.jpg|[[Thomas Jefferson]], [[Monticello]]: [[orchard]] and vineyard (plat), c. 1778.  “Foot of '''terras'''” is inscribed above the [[wall]].
  
File:1339.jpg|[[J. C. Loudon]], "Levelling for terrace-slopes," in ''An Encyclopaedia of Gardening'' (1826), p. 377, fig. 369.
+
File:1749.jpg|[[William Bartram]], “Plan of the [[Ancient_style|Ancient]] Chunky-[[Yard]],in “Observations on the Creek and Cherokee Indians” (1789), from ''Transactions of the American Ethnological Society'', vol. 3, part 1 (1853), p. 52, fig. 2. “''C'', a [[square]] '''terrace''' or [[eminence]].
  
File:1433.jpg|James H. Dakin, "La Grange Terrace, La Fayette Place, City of New York," 1831-34.  
+
Image:0090a.jpg|[[Thomas Jefferson]], Letter describing plans for a “Garden Olitory,” c. 1804.
  
File:1247.jpg|[[Alexander Jackson Davis]], Villa for David Codwise, Elevation and Four Plans, 1835.  
+
File:0720.jpg|Charles Bulfinch, “Joseph Barrell House remodeled as McLean Hospital,” 1817.
  
File:1147.jpg|[[William Strickland]], Plan of the walks and avenues of Laurel Hill cemetery, c. 1836.  
+
File:1339.jpg|J. C. Loudon, “Levelling for '''terrace-slopes''',” in ''An Encyclopaedia of Gardening'' (1826), p. 377, fig. 369.
  
File:1423.jpg|[[Robert Mills]], "Sketch of Plan of the Treasury Building, Extended," 1836-1842, in William H. Pierson, ''American Buildings and Their Architects: The Colonial and Neoclassical Styles'' (1970), p. 405, fig. 291.
+
File:1433.jpg|James H. Dakin, “La Grange '''Terrace''', La Fayette Place, City of New York,” 1831—34.  
  
File:0877.jpg|Anonymous, Section of a terrace of the Messrs. Winship, in ''Magazine of Horticulture'' 6 (November 1840): 403, fig. 10.
+
File:1247.jpg|[[Alexander Jackson Davis]], '“Villa for David Codwise, near New Rochelle, NY (project; elevation and four plans),” 1835.
  
File:1225.jpg|[[Robert Mills]], "Projection of the Fire-Proof Buildings for the Navy & War Depts.", c. 1843, in John M. Bryan, ''Robert Mills: America's First Architect'' (2001), p. 249.
+
File:1147.jpg|William Strickland, ''Plan of the [[walk]]s and [[avenue]]s of Laurel Hill [[cemetery]]'', c. 1836. Terraces are indicated on curving walks across the top of the drawing.
  
File:1048.jpg|[[Henry Wadsworth Longfellow]], Sketch of the Grounds of the Longfellow Estate, 1844.
+
File:0877.jpg|Anonymous, Section of a '''terrace''' of the Messrs. Winship, in ''Magazine of Horticulture'' 6, no. 11 (November 1840): 403, fig. 10.
  
File:0653.jpg|Anonymous, A plan of the Eldredge grounds and garden, c. 1920, in Alice B. Lockwood, ''Gardens of Colony and State'' (1931-34), p. 222. "Terrace" is inscribed in the extreme west of the plan.
+
File:1048.jpg|Henry Wadsworth Longfellow, Sketch of the Grounds of the Longfellow Estate, 1844.
  
 +
File:2297.jpg|Matthew Vassar, ''Plan of Springside'', 1851. "[[Lawn]] '''Terrace''' (17)."
  
 
</gallery>
 
</gallery>
Line 427: Line 438:
 
=== Associated ===
 
=== Associated ===
 
<gallery widths="170px" heights="170px" perrow="7">
 
<gallery widths="170px" heights="170px" perrow="7">
<gallery>
 
  
Image:0187.jpg|Anonymous, Mount Clare, n.d.
+
Image:0187.jpg|[[Charles Willson Peale]], [[Mount]] Clare, south façade and garden, 1775. Falling gardens in painting are made of a series of terraces.  
  
Image:1378.jpg|[[Batty Langley]], "Design of an Avenue with its Wildernesses on each Side", in ''New Principles of Gardening'' (1728), pl. V.
+
Image:1378.jpg|Batty Langley, “Design of an [[Avenue]] with its [[Wilderness|Wildernesses]] on each Side,in ''New Principles of Gardening'' (1728), pl. V.
 
   
 
   
Image:0074.jpg|[[Thomas Jefferson]], Plan showing the rectangular flower beds and proposed temples at the corners of the terrace walks at Monticello, before August 4, 1772.  
+
Image:0074.jpg|[[Thomas Jefferson]], Plan showing the rectangular flower [[bed]]s and proposed [[temple]]s at the corners of the '''terrace''' [[walk]]s at [[Monticello]], before August 4, 1772.
 +
 
 +
Image:0755.jpg|George Beck, ''[[View]] of Baltimore from Howard [[Park]]'', c. 1796.
  
Image:0755.jpg|George Beck, ''View of Baltimore from Howard Park'', c. 1796.
+
Image:0331.jpg|George Washington, ''Drawing and Notes for a [[Ha-Ha/Sunk_fence|Ha-Ha]] [[Wall]] at [[Mount Vernon]], October 1798'', 1798.
  
Image:0873.jpg|[[John Rubens Smith]], ''Washington, looking up Pennsylvania Avenue from the Terrace of the Capitol'', 1809-1834.
+
Image:0873.jpg|John Rubens Smith, ''Washington, looking up Pennsylvania Avenue from the Terrace of the Capitol'', 1809–34.
  
Image:0992.jpg|Charles B. Lawrence (attr.), ''Point Breeze, the Estate of Joseph Napoleon Bonaparte at Bordentown, New Jersey'', 1817-20.
+
Image:0992.jpg|Charles B. Lawrence (attr.), ''[[Point Breeze]], the Estate of Joseph Napoleon Bonaparte at Bordentown, New Jersey'', 1817–20.
  
Image:2006.jpg|Joseph Drayton, ''View near Bordenton, from the Gardens of the Count de Survilliers'', c. 1820.
+
Image:2006.jpg|Joseph Drayton, ''[[View]] near Bordenton, from the Gardens of the Count de Survilliers'', c. 1820.
  
Image:1018.jpg|[[Thomas Birch]], Point Breeze, c. 1820, in Edward J. Nygren, ''Views and Visions: American Landscape before 1830'' (1986), p. 146, pl. 120.
+
Image:1018.jpg|Thomas Birch, [[Point Breeze]], c. 1820, in Edward J. Nygren, ''[[View]]s and Visions: American Landscape before 1830'' (1986), 146, pl. 120.
  
 
Image:0251.jpg|Charles Codman, ''Kalorama'', 1821.
 
Image:0251.jpg|Charles Codman, ''Kalorama'', 1821.
  
Image:0300.jpg|[[Thomas Birch]], ''Fairmount Water Works'', 1821.
+
Image:0300.jpg|Thomas Birch, ''Fairmount Water Works'', 1821.
  
Image:1994.jpg|[[Thomas Doughty]], ''View of the Fairmount Waterworks, Philadelphia, from the Opposite of the Schuylkill River'', c. 1824-1826.
+
Image:1994.jpg|Thomas Doughty, ''[[View]] of the Fairmount Waterworks, Philadelphia, from the Opposite Side of the [[Schuylkill River]]'', c. 1824–26.
  
Image:0534.jpg|[[Thomas Doughty]], ''View of the Waterworks on Schuylkill--Seen from the Top of Fair Mount'', 1826.
+
Image:0537.jpg|Tucker Factory, Pair of [[vase]]s with [[view]]s of the Fairmount Waterworks, c. 1830.
  
Image:2014.jpg|[[Anthony St. John Baker]], "Front View of Mount Airy, Virginia," 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520A.
+
Image:0536.jpg|George Lehman, “Fairmount Waterworks. From the Forebay,” 1833.
  
Image:1216.jpg|[[Anthony St. John Baker]], Mount Airy, Virginia; northeast front, 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520A.
+
Image:0540.jpg|John Caspar Wild,“Fairmount Waterworks,” 1838.
  
Image:0537.jpg|Tucker Factory, Pair of vases with views of the Fairmount Waterworks, c. 1830.
+
Image:1120.jpg|W. H. Bartlett, “Fairmount Gardens, with the Schuylkill Bridge. (Philadelphia),” in Nathaniel Parker Willis, ''American Scenery'', vol. 2 (1840), pl. 24.  
  
Image:0536.jpg|[[George Lehman]], "Fairmount Waterworks. From the Forebay", 1833.
+
Image:1121.jpg|W. H. Bartlett, “Schuylkill Water-Works. (Philadelphia),” in Nathaniel Parker Willis, ''American Scenery'', vol. II (1840), pl. 37. Steps and walks leading up to the reservoir seen in the background.
  
Image:1458.jpg|Henry Cheever Pratt, ''The House of Gardiner Greene'', c. 1834.
+
Image:1103.jpg|W. Mason, engraver Tucker, W. E., “[[Pennsylvania Hospital for the Insane]],” c. 1841, in Thomas S. Kirkbride, ''Reports of the Pennsylvania Hospital for the Insane'' (1851), frontispiece.
  
Image:0542.jpg|Nicolino Calyo, ''The Philadelphia Water Works'', 1835-1836.
+
Image:1866.jpg|Alexander Jackson Davis, “A Villa in the Italian Style,” in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), 386, fig. 45.
  
Image:0540.jpg|[[John Caspar Wild]], "Fairmount Waterworks", 1838.
+
Image:0766.jpg|Anonymous, “The Battery, New York, By Moonlight,” in ''Illustrated London News'' (October 27, 1849): 277.
  
File:1120.jpg|[[W. H. Bartlett]], "Fairmount Gardens, with the Schuylkill Bridge. (Philadelphia)," in [[Nathaniel Parker Willis]], ''American Scenery'', Vol. II (1840), pl. 24.  
+
Image:0459.jpg|Jenny Emily Snow, ''Fairmount Park Waterworks'', c. 1850.
  
File:1121.jpg|[[W. H. Bartlett]], "Schuylkill Water-Works. (Philadelphia)," in [[Nathaniel Parker Willis]], ''American Scenery'', Vol. II (1840), pl. 37.
+
Image:0778.jpg|[[Frances Palmer]], “Italian Bracketed Villa,in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 7.
  
File:1103.jpg|W. Mason, engraver Tucker, W.E., "Pennsylvania Hospital for the Insane", c. 1841, in [[Thomas S. Kirkbride]], ''Reports of the Pennsylvania Hospital for the Insane'' (1851), frontispiece.
+
Image:0786.jpg|[[Frances Palmer]], “Italian Villa,in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 22, design XXXIII.
  
File:0550.jpg|[[Victor de Grailly]], ''Washington's Tomb at Mount Vernon'', c. 1840-1850.
+
Image:0632.jpg|Anonymous, [[View]] of the terraces at Middleton Place, in Alice B. Lockwood, ''Gardens of Colony and State'' (1934), vol. 2, 196.
  
File:0549.jpg|[[Victor de Grailly]], ''View of Mount Vernon'', c. 1840-1850.
+
</gallery>
  
File:1866.jpg|[[Alexander Jackson Davis]], "A Villa in the Italian Style," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), p. 386, fig. 45.
+
=== Attributed ===
 
+
<gallery widths="170px" heights="170px" perrow="7">
File:0766.jpg|Anonymous, "The Battery, New York, By Moonlight," in ''Illustrated London News'' (October 27, 1849): 277.
 
  
Image:0459.jpg|Jenny Emily Snow, ''Fairmount Park Waterworks'', c. 1850.
+
File:1388.jpg|Batty Langley, “Design of a Garden and [[Wilderness]] in an Island,” in ''New Principles of Gardening'' (1728), pl. XV.
  
File:0778.jpg|[[Frances Palmer]], "Italian Bracketed Villa," in [[William H. Ranlett]], ''The Architect'' (1851), vol. 2, pl. 7.
+
Image:0056.jpg|[[John Bartram|John]] or [[William Bartram]], "A Draught of [[Bartram_Botanic_Garden_and_Nursery|John Bartram’s House and Garden]] as it appears from the River", 1758.
Image:0786.jpg|[[Frances Palmer]], "Italian Villa," in [[William H. Ranlett]], ''The Architect'' (1851), vol. 2, pl. 22, design XXXIII.
 
  
</gallery>
+
File:0881.jpg|Anonymous, ''Plan de la ville et environs de Williamsburg en Virginie, America'', 1782.
  
=== Attributed ===
+
File:0207_detail.jpg|Francis Guy, ''Mt. Deposit'' [detail], 1803-05.
<gallery widths="170px" heights="170px" perrow="7">
 
<gallery>
 
  
File:1388.jpg|[[Batty Langley]], "Design of a Garden and Wilderness in an Island," in ''New Principles of Gardening'' (1728), pl. XV.
+
File:0207.jpg|Francis Guy, ''Mt. Deposit'', 1803-05.
  
Image:0056.jpg|[[John Bartram|John]] or [[William Bartram]], ''A Draught of John Bartram's House and Garden as it appears from the River'', 1758.
+
File:0124.jpg|Jane Shearer, Brick House with [[Terrace/Slope|Terraces]], 1806, in Sotheby’s New York, ''Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring'' (January 2012), p. 80.<ref>Sotheby’s New York, ''Important American Schoolgirl Embroideries'' (January 2012), [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/I9SQRZDH view on Zotero].</ref>
File:0881.jpg|Anonymous, "Plan de la ville et environs de Williamsburg en Virginie, America", 1782.
 
File:0207.jpg|[[Francis Guy]], ''Mt. Deposit'', 1803-05.
 
File:0124.jpg|Jane Shearer, Brick House with Terraces, 1806, in Sotheby's New York, ''Important American Schoolgirl Embroideries: The Landmark Collection of Betty Ring'' (January 2012), p. 80.  
 
  
 
File:1152.jpg|Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.  
 
File:1152.jpg|Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.  
Line 504: Line 509:
  
 
File:0102.jpg|Joseph Jacques Ramée, Plan of the Campus Grounds, Union College, 1813.
 
File:0102.jpg|Joseph Jacques Ramée, Plan of the Campus Grounds, Union College, 1813.
 +
 
File:1464.jpg|Joseph Jacques Ramée, Plan of Union College, 1813.
 
File:1464.jpg|Joseph Jacques Ramée, Plan of Union College, 1813.
File:0694.jpg|Thomas Ender, Main Alley Leading to the Fountain of the Alligators and the Terrace, 1817.
+
 
File:0169.jpg|[[Thomas Jefferson]], Bird's-eye view of the University of Virginia, c. 1820.
+
File:0694.jpg|Thomas Ender, Main [[Alley]] Leading to the [[Fountain]] of the Alligators and the Terrace, 1817.
File:1461.jpg|Robert Campbell, after Thomas Birch, ''View of the Dam and Water Works at Fair Mount, Philadelphia'', 1824.  
+
 
 +
File:0169.jpg|[[Thomas Jefferson]], Bird’s-eye [[view]] of the University of Virginia, c. 1820.
 +
 
 +
File:2119.jpg|Robert Campbell, after Thomas Birch, ''[[View]] of the Dam and Water Works at Fairmount, Philadelphia'', 1824.
 +
 
 
File:0514.jpg|Catherine Mary Wheeler, Sampler, 1825.
 
File:0514.jpg|Catherine Mary Wheeler, Sampler, 1825.
File:0689.jpg|Thomas R. Butler, Francis Kearny (engraver), Southeast View of Mount St. Mary's Seminary, c. 1825, in Laura Rice, ''Maryland History in Prints, 1734-1900'' (2002), p. 69.
+
 
 
File:0505.jpg|Anonymous (artist), Benjamin Tanner (engraver), ''University of Virginia'', 1826.
 
File:0505.jpg|Anonymous (artist), Benjamin Tanner (engraver), ''University of Virginia'', 1826.
  
Image:2013.jpg|[[Anthony St. John Baker]], "Back View of Mount Airy, Va," 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520B.
+
File:2014.jpg|Anthony St. John Baker, “Front [[View]] of [[Mount]] Airy, Virginia,” 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520A.
 +
 
 +
File:1216.jpg|Anthony St. John Baker, [[Mount]] Airy, Virginia; northeast front, 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520A.
 +
 
 +
File:2013.jpg|Anthony St. John Baker, “Back [[View]] of [[Mount]] Airy, Va.” 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520B.
 +
 
 +
File:1217.jpg|Anthony St. John Baker, [[Mount]] Airy, Virginia; southwest front as viewed from the [[bowling green]], 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520B.
 +
 
 +
File:1281.jpg|John Rubens Smith, West Front of the Capitol, c. 1828.
  
File:1217.jpg|[[Anthony St. John Baker]], Mount Airy, Virginia; southwest front as viewed from the bowling green, 1827, in ''Mémoires d’un voyageur qui se repose'' (1850), part IV, p. 520B.
+
File:1279.jpg|John Rubens Smith, West front of the United States Capitol with cows in the foreground, c. 1831. 
 +
 
 +
File:1432.jpg|Milo Osborne, “Deaf and Dumb Asylum,” in Theodore S. Fay, ''Views in New-York and its Environs'' (1831).
 +
 
 +
File:1458.jpg|Henry Cheever Pratt, ''The House of Gardiner Greene'', c. 1834.
  
File:1281.jpg|[[John Rubens Smith]], West Front of the Capitol, c. 1828.
 
File:1246.jpg|[[Alexander Jackson Davis]], Study for Highwood for James A. Hillhouse, Front and Side Elevations and Two Plans, c. 1830.
 
File:1279.jpg|[[John Rubens Smith]], West front of the Unites States Capitol with cows in the foreground, c. 1831. 
 
File:1432.jpg|Milo Osborne, "Deaf and Dumb Asylum," in Theodore S. Fay, ''Views in New-York and its Environs'' (1831).
 
 
File:1477.jpg|Anonymous, Honorary membership certificate for Nicholas Biddle in “The Horticultural Association of the Valley of the Hudson” [detail], June 1839.
 
File:1477.jpg|Anonymous, Honorary membership certificate for Nicholas Biddle in “The Horticultural Association of the Valley of the Hudson” [detail], June 1839.
  
Image:0896.jpg|Edwin Whitefield, Sketch of Anson G. Phelps' Villa, North Tarrytown, 1841-44.
+
File:0550.jpg|Victor de Grailly, ''The Tomb at [[Mount Vernon]]'', c. 1840—50.
 +
 
 +
File:0549.jpg|Victor de Grailly, ''[[Mount Vernon]]'', c. 1840—50.
 +
 
 +
File:0896.jpg|Edwin Whitefield, Sketch of Anson G. Phelps' Villa, North Tarrytown, 1841-44.
 +
 
 +
File:0706.jpg|Anonymous, “Pegg’s Run,” in John Fanning Watson, ''Annals of Philadelphia and Pennsylvania in the Olden Time'' (1844), p. 436.
 +
 
 +
File:0823.jpg|Joshua Barney, Map of the Hampton Estate, 1843. Courtesy: Hampton National Historic Site, National Park Service.
  
File:0706.jpg|Anonymous, "Pegg's Run," in John Fanning Watson, ''Annals of Philadelphia and Pennsylvania in the Olden Time'' (1844), p. 436.
 
File:0823.jpg|Joshua Barney, Map of the Hampton Estate, 1843.
 
 
File:1437.jpg|C. Bachman(n), ''New York'', 1848.
 
File:1437.jpg|C. Bachman(n), ''New York'', 1848.
  
File:1686.jpg|James Smillie, "Italian Garden and Lake at Wellesley near Boston", 1859, in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1859), pl. opp. p. 452.
+
File:1881.jpg|Anonymous, "Residence of H. Sheldon Esq. near Tarrytown in N. Y.," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), 411, fig. 60.
 +
 
 +
File:1686.jpg|James Smillie, “Italian Garden and [[Lake]] at Wellesley near Boston,1859, in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), pl. opp. 452.
  
 
</gallery>
 
</gallery>
 +
 +
<hr>
  
 
==Notes==
 
==Notes==
Line 537: Line 565:
  
 
[[Category: Keywords]]
 
[[Category: Keywords]]
 +
[[Category: Circulation]]
 +
[[Category: Topographic Features]]
 +
[[Category: Transition Between House and Garden]]

Latest revision as of 19:45, August 10, 2021

History

Fig. 1, Anonymous, The Battery New York, By Moonlight, 1849.

The term terrace, used to describe both natural and artificial landscape features, denoted a level area or platform, often slightly raised and of varying dimensions and materials. Although Stephen Switzer (1718) made subtle distinctions between kinds of terraces (terrace walks, great terraces, middle terraces, etc.), those distinctions were not generally followed in American usage. In practice, however, a variety of terrace types were incorporated into landscape designs throughout 18th- and 19th-century America. These included long narrow terraces that formed raised walks, platforms of earthen and architectural materials adjacent to buildings, and earthen terraces between slopes in falling gardens.

Fig. 2, Henry Wadsworth Longfellow, Sketch of the Grounds of the Vassall-Carigie-Longfellow House, 1844. A “turf terrace” is noted to the left of the main house.

Native American platform mounds, such as the one described as a terrace by William Bartram in 1791, served as stages for the religious and ruling elite of the southeast before European contact (view text). Visible for miles, these mounds are remarkable not only as architectural monuments but also as testimonies to the leadership that mobilized a massive labor force needed to move such a vast quantity of earth.

Fig. 3, Edwin Whitefield, Sketch of Anson G. Phelps’ Villa, North Tarrytown, New York, 1851.
Fig. 4, James Smillie after a sketch by A. O. Moore, “Italian Garden and Lake at Wellesley near Boston,” in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. p. 452.

In Anglo-American gardens, long, narrow terraces provided raised walks that offered excellent viewing platforms, formed circulation routes through the landscape, and made ideal venues for social promenade, as depicted at the Battery Park in New York by the Illustrated London News in 1849 [Fig. 1]. In 1718, Switzer declared that gardens without these elevated walks “must be esteem’d very deficient.”(view text) Waterside terraces were particularly common in America, because they were created with the fill dredged from rivers and canals. Such terraces were built in residential settings, such as the gardens at Maycox Plantation in Virginia, which were described c. 1780–82 by François Jean Chastellux and at the Vassall-Craigie-Longfellow House in Cambridge [Fig. 2]. In public areas, terraces were found at the Battery Park, described in 1793 by John Drayton, and at the waterfront of Alexandria, Virginia, visited in 1830 by Frances Milton Trollope.

Terraces were also built adjacent to buildings, and were often created from the earth excavated from cellar construction. The term “terrace” referred to raised earthen platforms and to flat roofed structures, both of which were used as balconies, promenades, and viewing platforms. These terraces (paved, turfed, graveled, or covered in metal compounds, as advertised in the Federal Gazette in 1816) were occasionally also ornamented with statuary, vases, urns, and plantings such as flower beds or, more rarely, topiary. Charles Lyell recorded his observations of a highly ornamented terrace in Natchez, Mississippi, in 1846. A paved or turfed terrace extending from the house and often bounded by a balustrade was particularly popular in Italianate architecture of the 1830s and 1840s and was promoted by William H. Ranlett (1849) and Andrew Jackson Downing (1849). These terraces required substantial investment to construct and, when planted intensively, to maintain [Figs. 3 and 4]. As Jane Loudon observed in 1845, “[T]hey are chiefly adapted for mansions and places of considerable extent.” (view text) Downing suggested that the function of the English paved terrace was often accommodated in America by the veranda (view text).

Fig. 5, Joseph Drayton, View near Bordenton, from the Gardens of the Count de Survilliers, c. 1820.
Fig. 6, Anonymous, Honorary membership certificate for Nicholas Biddle in “The Horticultural Association of the Valley of the Hudson” [detail], June 1839.

Broad terraces located adjacent to a building provided a transition between the built architecture and the grounds, as Batty Langley, Bernard M'Mahon, John Abercrombie, and A. J. Downing all noted. The terrace also provided a vantage point from which to admire views and vistas. Both Abercrombie (1817) and J. C. Loudon's (1850) discussions of terraces emphasize the importance of selecting sight lines and of building proportionally in order to create an appropriate visual setting for a house, as well as to establish a viewing platform for looking outward. For example, the terrace at Point Breeze, which was described by Trollope and depicted in an anonymous engraving after Thomas Birch [Fig. 5], was placed to take advantage of striking vistas. Similarly, flat roofs of buildings (such as those at Monticello; the Waterworks at Fairmount Park in Philadelphia; and the White House in Washington, DC) served as elevated terrace walkways with views of distant scenery. A certificate for the Horticultural Association of the Hudson [Fig. 6] depicts an idealized garden (possibly based on Downing’s Highland Place) that includes a terrace, seen at right, framing an extended view of the Newburgh Basin.[1]

Fig. 7, Charles Bulfinch, Ground plan of the two wings added to the Pleasant Hill, 1818. The “upper terrace” and “lower terrace” link all the buildings.
Fig. 8, Michael van der Gucht, Illustration for chapter entitled: “Of different Terrasses and Stairs, with their most exact Proportions,” 1712.

Terraces of varying widths were also employed in sites with a steep grade in order to make for arable and easily navigated level areas, to control erosion, and to create the visual effects made possible by a series of slopes and flats (see Fall). These terraces were supported by earthen slopes or masonry walls, supports which were referred to variously as banks, slopes, and terrace walls. They were also sometimes simply called by the more general term, “terrace,” as in William Dickinson Martin’s 1808 description of a “perpendicular terrace” at Salem, North Carolina. Designs for public institutions, such as Charles Bulfinch’s 1818 design for two wings to be added to the seat of Joseph Barrell in order to create the McLean Asylum [Fig. 7], used terraces to frame views of the buildings’ façdes while accommodating the slope of the land. The terraces of a falling garden were generally separated by turfed slopes or, less commonly, masonry walls. As Antoine-Joseph Dezallier d'Argenville (1712) noted, gardens were less susceptible to erosion if their terraces were created by cutting into an existing hillside rather than constructed out of fill (view text) [Fig. 8].The planting schemes of falling garden terraces varied from simple turf to kitchen and flower beds, although images of terraces rarely showed plantings in detail. Among the few surviving examples is Jefferson’s diagram (c. 1804) for a garden olitory, in which he specified a hedge at the “foot of the terras” designed to accommodate differing heights of the lawn and kitchen garden. In 1840, C. M. Hovey referred to the efforts of the Messrs. Winship of Brighton, Massachusetts, to transform the embankment of a railroad right-of-way on Hovey’s land into an attractive terraced garden (view text). While the use of terraces and slopes to create falling gardens seems to have declined in popularity after the early 19th century, its use continued through mid-century in large formal landscapes of public gardens, such as the University of Virginia, and anywhere uneven or steep topography offered a challenge.

Elizabeth Kryder-Reid


Texts

Usage

  • Byrd, William II, September 18, 1732, describing the estate of Gov. Alexander Spotswood, near Germanna, VA (1910; repr., 1970: 357–58)[2]
“After Breakfast the Colo. and I left the Ladys to their Domestick Affairs, and took a turn in the Garden, which has nothing beautiful but 3 Terrace Walks that fall in Slopes one below another.”


  • Grigg, William, October 4, 1736, describing the residence of Thomas Hancock on Beacon Hill, Boston, MA (quoted in Lockwood 1931: 1:32)[3]
“I the Subscriber oblidge myself for Consideration of forty pounds to be well & truly paid me by Thos. Hancock Doe undertake to layout the upper garden allys. Trim the Beds & fill up all the allies with such Stuff as Sd Hancock shall order and Gravel the Walks & prepare and Sodd ye Terras adjoining with the Slope on the side next to Mr. Yoemans land, Likewise I oblidge myself to layout the next garden or flatt from the Terras below and carry on the mold thereto belonging and fill up all the walks with Gravel & finish all off Compleat workman like this fall to the satisfaction of said Hancock.”


  • Hamilton, Alexander, June 17, 1744, describing New York, NY (1948: 46)[4]
“The Leutenant Governor had here a house and a chapell, and there are fine gardens and terrass walks from which one has a very pritty view of the city.”


  • Ambler, Mary M., 1770, describing Mount Clare, plantation of Charles and Margaret Tilgham Carroll, Baltimore, MD (quoted in Sarudy 1989: 138–39)[5]
“About two miles from Baltimore There is an exceeding handsome Seat called Mount Clare belonging to Mr. Charles Carrel of Annapolis Son of Dr. Carrel. . . took a great deal of Pleasure in looking at the bowling Green & also at the Garden which is a very large Falling Garden. . . You step out of the Door into the Bowlg Green from which the Garden Falls & when You stand on the Top of it there is such a Uniformity of Each side as the whole Plantn seems to be laid out like a Garden.”
Fig. 9, Thomas Jefferson, Plan showing the rectangular flower beds and proposed temples at the corners of the terrace walks at Monticello, before August 4, 1772.
“a few feet below the spring level the ground 40 or 50 f. sq. let the water fall from the spring in the upper level over a terrace in the form of a cascade. then conduct it along the foot of the terrace to the Western side of the level, where it may fall into a cistern under a temple, from which it may go off by the western border till it falls over another terrace at the Northern or lower side. let the temple be raised 2. f. for the first floor of stone. under this is the cistern, which may be a bath or anything else. the 1st story arches on three sides; the back or western side being close because the hill there comes down, and also to carry up stairs on the outside. the 2d story to have a door on one side, a spacious window in each of the other sides, the rooms each 8. f. cube; with a small table and a couple of chairs. the roof may be Chinese, Grecian, or in the taste of the Lantern of Demosthenes at Athens.” [Fig. 9]


  • Fithian, Philip Vickers, March 18, 1774, describing Nomini Hall, Westmoreland County, VA (1943: 108)[7]
“From the front yard of the Great House, to the Wash-House is a curious Terrace, covered finely with Green turf, & about five foot high with a slope of eight feet, which appears exceeding well to persons coming to the front of the House—

“This Terrace is produced along the Front of the House, and ends by the Kitchen; but before the Front-Doors is a broad flight of steps of the same Height, & slope of the Terrace.”


  • Chastellux, François Jean Marquis de, 1780–82, describing Maycox Plantation, estate of David Meade, Prince George County, VA (1787: 2:166–67)[8]
“Mr. Mead’s house is by no means so handsome as that of Westover. . . Mr. Mead’s garden, like that of Westover, is in the nature of a terrace on the bank of the river.”


  • Hamilton, William, 1789 and 1790, in a letter to his secretary, Benjamin Hays Smith, describing The Woodlands, seat of William Hamilton, near Philadelphia, PA (quoted in Madsen 1988: A6, A7)[9]
“[September 27, 1789]. . . The first moment after Hilton has finished weeding in the Garden as I directed he should set about weeding the terrace walk as I will endeavour to have it gravelld during the winter. . .

“[October 12, 1789]. . . When the terrace is weeded, the two Borders leading from the House to the Ice House Hill should be cleaned. . .

“[June 12, 1790]. . . The newly planted trees & shrubs along the terrace respecting which you know me to be so anxious, may be alive or dead for ought I know.”


“many very magnificent monuments of the power and industry of the ancient inhabitants of these lands are visible. I observed a stupendous conical pyramid, or artificial mount of earth, vast tetragon terraces, and a large sunken area, of a cubical form, encompassed with banks of earth; and certain traces of a larger Indian town, the work of a powerful nation, whose period of grandeur perhaps long preceded the discovery of this continent. . .

“old Indian settlements, now deserted and overgrown with forests. These are always on or near the banks of rivers, or great swamps, the artificial mounts and terraces elevating them above the surrounding groves.” back up to History


  • Smith, William Loughton, 1791, describing Gunston Hall, seat of George Mason, Mason Neck, VA (1917: 64)[11]
“The house is rather an ancient brick building, with a neat garden, at the end of which is a high natural terrace which commands the Potomac.”


  • Drayton, John, 1793, describing the Battery Park, New York, NY (quoted in Deák, 1988: 1:130)[12]
“The flag staff rises from the midst of a stone tower, and is decorated on the top with a golden ball: and the back part of the ground is laid out in smaller walks, terraces, and a bowling green.— Immediately behind this, and overlooking it, is the government house; built at the expence of the state.”


  • Twining, Thomas, May 1, 1795, describing Georgetown, VA (1894: 110)[13]
“As we stood one evening on the bank of the river before his door, he said, ‘Here I will make a terrace, and we will sit and smoke our hookahs.’”


Fig. 10, Thomas Jefferson, “Terras” in a letter describing plans for a “Garden Olitory” at Monticello c. 1804.
  • Jefferson, Thomas, c. 1804, describing Monticello, plantation of Thomas Jefferson, Charlottesville, VA (Massachusetts Historical Society, Coolidge Collection)
“Garden Olitory. Make the upper slope [diagram] at a plant a hedge of hedgethorn & at b one of privet or Gleditria, or cedar to be trimmed down to 3 ft. high, the whole appearance thus taking a border of 8 ft. at the foot of the terras for forward production, the main beds must be reduced from 50 f. to 42 f.” [Fig. 10]


  • Latrobe, Benjamin Henry, May 11, 1805, describing the White House, Washington, DC (Colonial Williamsburg Foundation; hereafter CWF)
“The obstructions to the colonnade from the stables, may be prevented by giving them a North door, as horses will easily ascend or descend the terras on the North side. But the most difficult of all is the adjustment of the new connecting building to the different levels of the three existing buildings. Nothing can be admitted short of the terras of the offices from the Pres’s House to the pavilions each way being absolutely in the level of the floor of the house.”


“From the Cellar one enters under the bow window & into this Screen, which is about 6 or 7 feet square. Through these, we enter a narrow area, & ascend some few Steps [close to this side of the house,] into the garden—& thro the other opening we ascend a paved winding slope, which spreads as it ascends, into the yard. This sloping passage being a segment of a circle, & its two outer walls concealed by loose hedges, & by the projection of the flat roofed Screen of masonry, keeps the yard, & I believe the whole passage out of sight from the house—but certainly from the garden & park lawn.”


  • Martin, William Dickinson, 1808, describing the pleasure grounds at Salem Academy, Salem, NC (quoted in Bynum 1979: 29)[15]
“Next, I visited a flower garden belonging to the female department. . . it is situated on a hill, the East end of which is high & abrupt; some distance down this, they had dug down right in the earth, & drawing the dirt forward threw it on rock, etc., thereby forming a horizontal plane of about thirty feet in circumference; & on the back, rose a perpendicular terrace of some height, which was entirely covered over with a grass peculiar to that vicinage. At the bottom of this terrace were arranged circular seats, which, from the height of the hill in the rear were protected from the sun in an early hour in the afternoon”


“He [Thomas Jefferson] took us first to the garden he has commenced since his retirement. It is on the south side of the mountain and commands a most noble view. Little is as yet done. A terrace of 70 or 80 feet long and about 40 wide is already made and in cultivation. A broad grass walk leads along the outer edge; the inner part is laid off in beds for vegetables. This terrace is to be extended in length and another to be made below it. The view it commands, is at present its greatest beauty.”


  • Gerry, Elbridge, Jr., July 1813, describing the White House, Washington, DC (1927: 180–82)[17]
“A door opens at each end, one into the hall, and opposite, one into the terrace, from whence you have an elegant view of all the rivers &c. . . . Lengthways of the house, and thro' the hall, is a walk, which extends on a terrace at each end for some way. . .

“The grounds are surrounded by a high stone wall, and on each side, at the distance of 1 or 300 yards is a large brick building, one for the Sec. of War and the other of the Navy. The terrace was to communicate to each building connecting the three.”


  • Anonymous, 1816, describing in the Federal Gazette & Baltimore Daily Advertiser construction items for sale (quoted in Lounsbury 1994: 371)[18]
“[Zinc] can be made use of in cases where lead, tin or copper are employed; such as covering terraces.”


“I shall certainly want a very great quantity [of paint] in the course of the present year, as I have to renew the whole outer painting of this house and the terraces, and to paint that in Bedford which has never been done.”


  • Coolidge, Ellen Wayles Randolph, July 17, 1819, describing the effects of a hailstorm at Poplar Forest, property of Thomas Jefferson, Bedford County, VA (quoted in Chambers 1993: 121)[19]
“the planks of the terrace torn up in places by the violence of the winds.”


  • Kremer, Eliza Vierling, 1824–29, describing the pleasure grounds at Salem Academy, Salem, NC (quoted in Bynum 1979: 29)[15]
“A large garden, some little distance from the Academy, was during the Summer Season, a place for recreation after school hours. . .

“The hill-side was laid off in terraces and winding walks.”


  • Smith, Margaret Bayard, August 2, 1828, describing the University of Virginia, Charlottesville, VA (1906: 225)[16]
“on two other sides running from north to south are the Pavillions, or Professor’s houses, at about 60 or 70 feet apart, connected by terraces, beneath which are the dormitories, or lodging sleeping rooms of the students. The terrace projects about 8 feet beyond the rooms and is supported on brick arches, forming beneath the arches a paved walk, sheltered from the heat of summer and the storms of winter.”


  • Trollope, Frances Milton, 1830, describing Alexandria, VA (1832: 2:93)[20]
“a few weeks’ residence in Alexandria restored my strength sufficiently to enable me to walk to a beautiful little grassy terrace, perfectly out of the town, but very near it, from whence we could watch the various craft that peopled the Potomac between Alexandria and Washington.”


  • Trollope, Frances Milton, 1830, describing Point Breeze, estate of Joseph Bonaparte (Count de Survilliers), Bordentown, NJ (1832: 2:153)[20]
“The country is very flat, but a terrace of two sides has been raised, commanding a fine reach of the Delaware River; at the point where this terrace forms a right angle, a lofty chapel has been erected, which looks very much like an observatory.”


“The aspect of Hyde Park from the river had disappointed me, after all I had heard of it. It looks little more than a white house upon a ridge. I was therefore doubly delighted when I found what this ridge really was. It is a natural terrace, overhanging one of the sweetest reaches of the river; and, though broad and straight at the top, not square and formal, like an artificial embankment, but undulating, sloping, and sweeping between the ridge and the river, and dropped with trees; the whole carpeted with turf, tempting grown people, who happen to have the spirits of children, to run up and down the slopes, and play hide-and-seek in the hollows.”


  • Martineau, Harriet, 1835, describing Cincinnati, OH (1838: 2:51)[21]
“The proprietor has a passion for gardening, and his ruling taste seems likely to be a blessing to the city. He employs four gardeners, and toils in his grounds with his own hands. His garden is on a terrace which overlooks the canal, and the most parklike eminences form the background of the view. Between the garden and the hills extend his vineyards, from the produce of which he has succeeded in making twelve kinds of wine, some of which are highly praised by good judges.”


  • Hovey, C. M. (Charles Mason), November 1839, “Notices of Gardens and Horticulture, in Salem, Mass.,” describing Elfin Glen, residence of P. Dodge, Salem, MA (Magazine of Horticulture 5: 404)[22]
“The cottage stands near the road, and is entered from the west front; on the south end is a piazza; the drawing-room opens into this, and thence into the garden to an open space, answering somewhat the purpose of a terrace, neatly gravelled.”
Fig. 11, George Lehman, “Fairmount Waterworks. From the Forebay,” 1833.


  • Willis, Nathaniel Parker, 1840, describing the Fairmount Waterworks, Philadelphia, PA (1840; repr., 1971: 313)[23]
“Steps and terraces conduct to the reservoirs, and thence the view over the ornamented grounds of the country seats opposite, and of a very picturesque and uneven country beyond, is exceedingly attractive. Below, the court of the principal building is laid out with gravel walks, and ornamented with fountains and flowering trees; and within the edifice there is a public drawing-room, of neat design and furniture; while in another wing are elegant refreshment-rooms—and, in short, all the appliances and means of a place of public amusement.” [Fig. 11]
Fig. 12, Anonymous, Section of a terrace of the Messrs. Winship, 1840.


  • Hovey, C. M. (Charles Mason), November 1840, “Some Notes on Gardens, and the state of Horticulture, in Worcester, Mass.,” describing the grounds of Messrs. Winship, Brighton, MA (Magazine of Horticulture 6: 402)[24]
“We recollect of reading, in the last volume of the Gardener’s Magazine, some remarks on treating the ground on the margins of rail-roads, where there were embankments of any extent. These remarks we had marked for insertion in our pages, but had forgotten them until the present moment, when called to our mind as we passed the grounds of the Messrs. Winship, in Brighton. The road passes immediately through the nursery, dividing it in two parts; but these gentlemen have so arranged the sandy embankments with terraces, planted with shrubs, &c., as to render them very ornamental. We only wish that other gentlemen who are able, would take the same pride in improving the embankments where they pass through their lands.

“The terraces of the Messrs. Winship are made in the following manner: the distance is from ten to fifteen feet. A wall is laid of about four feet; then a grass banking of some three to five more, at an angle of forty-five or fifty degrees; this is the first terrace, and the surface, (about five feet wide,) is filled with fine flowering shrubs and herbaceous plants; another grass banking of from five feet more, at the same angle, is thrown up, and the surface prepared and planted out with shrubs and plants. When in the vigor of growth and flowering, these terraces have a fine effect, contrasted with the barren sand, which happens wherever there is a cut of ordinary depth. We have annexed the following engraving, representing the same.” [Fig. 12] back up to History


  • Buckingham, James Silk, 1842, describing Red Sulphur Springs, VA (CWF)
“Behind the ‘Bachelor’s Row,’ and on the upper part of the hill is an imposing edifice of brick, called ‘Society Hall.’ It is built of two stories, with a fine portico of twelve feet wide, running the whole length of the front, and a terrace of twenty feet wide beyond this.”


  • Hovey, C. M. (Charles Mason), April 1842, “Notes made during a Visit to New York, Philadelphia, Baltimore, &c.,” describing the U.S. Capitol, Washington, DC (Magazine of Horticulture 8: 127)[25]
“The main entrance to the west front is from Pennsylvania Avenue, where the grounds form a semi-circle, of which the avenue is the centre; a very broad walk leads from them, up the ascending surface, to the main steps, which descend from a broad semi-circular terrace: two other entrances of this part of the grounds are placed at the angles or sides of this semi-circle, which also, by a straight walk, lead up to the broad terrace. From this lower terrace, a long flight of steps leads to the upper one, upon which the building of the Capitol is placed: on the turf between the walks, are oval and circular beds, planted with shrubs and roses, and filled with dahlias and other annual flowers.”


  • Lyell, Sir. Charles, 1846, describing Natchez, MS (1849: 2:153)[26]
“Many of the country-houses in the neighborhood are elegant, and some of the gardens belonging to them laid out in the English, others in the French style. In the latter are seen terraces, with statues and cut evergreens, straight walks with borders of flowers, terminated by views into the wild forest, the charms of both being heightened by contrast. Some of the hedges are made of that beautiful North American plant, the Gardenia, miscalled in England the Cape jessamine, others of the Cherokee rose, with its bright and shining leaves.”


Fig. 13, Frances Palmer, Italian Bracketed Villa at Oswego, New York, 1851.
  • Ranlett, William, 1849, describing a proposed villa in Oswego, NY (1849; repr., 1976: 2:14)[27]
“The design given in this part of the Architect, number XXVI, is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . . On the north side which commands a full view of the lake, a balustrade gallery, or terrace, extends the entire front.” [Fig. 13]


  • Justicia [pseud.], March 1849, “A Visit to Springbrook,” seat of Caleb Cope, near Philadelphia, PA (Horticulturist 3: 413)[28]
“The kitchen garden is separated from the [lawn]] and flower garden by the Cactus and Orchid-houses. It covers 1 1/2 acres, is well arranged in beds and terraces, with a large open cistern of water in its centre—all in excellent order. The quarters are interspersed with dwarf fruit trees, variously pruned and trained, and all in a young bearing state.”


“851. Kaleirama is about a mile from Washington, on high terrace ground, and is a very pretty place. . . (Dom. Man., &c., vol. ii. p. 330.)”


“856. Public Gardens. . .

Hoboken, on the North River, about three miles from New York, is a public walk of great beauty and attraction. . . Through this beautiful little wood, a broad well-gravelled terrace is led by every point which can exhibit the scenery to advantage; narrower and wilder paths diverge at intervals, some into the deeper shadow of the woods, and some shelving gradually to the pretty coves below. . . (D. M., &c., vol. ii. p. 170)”


  • Hovey, C. M. (Charles Mason), September 1851, “Notes on Gardens and Nurseries,” describing Rose Hill, residence of George Leland, Waltham, MA (Magazine of Horticulture 17: 411)[30]
“Descending the steps we reach the garden, which covers and extent of two or more acres in the form of a parallelogram, the end next Newton street. The slope is laid out in terraces on the right of the steps, and on the left is located the range of forcing houses, which is 104 feet long, comprising a centre and two wings, the former the greenhouse, twenty-five feet, and the latter vineries, forty feet each.”


Citations

  • La Quintinie, Jean de, 1693, “Dictionary,” The Compleat Gard'ner (1693; repr., 1982: n.p.)[31]
“A Terrass, is an artificial bank or mount of Earth, commonly supported with a fronting or facing of stone, and raised like a kind of Bulwark for the ornament of a Garden.”


  • Dezallier d'Argenville, Antoine-Joseph, 1712, The Theory and Practice of Gardening (1712; repr., 1969: 75, 116–18)[32]
TERRASSES, when rightly situated, are likewise of great Ornament in Gardens, for their Regularity and Opening; especially when they are well built, and beautified with handsome Stairs, and fine Ascents. Sometimes there are made under them, Vaults, Grots, Cascades, and Buffets of Water, with an Order of Architecture, and a great many Statues in Niches; and, on the Coping above, are set Vases and Flower-pots, orderly ranged and disposed. . .
“WHEN you meet with a Piece of Ground whose Shelving is very steep, as perhaps of the Hill A, which you would make practicable for a Garden, it may be order’d three several Ways.
First, By making Terrasses one above another, at several Heights, and supporting the Earth with sufficient Walls of Masonry.
Secondly, By making such Terrasses, as will support themselves without a Wall, by Means of Banks and Slopes cut at the Extremity of every Terrass.
“THE Third Way is, to make no Terrasses in strait Lines, nor long Flats between; but only to contrive Landing-Places, or Rests, at several Heights, and easy Ascents and Flights of Steps for Communication, with Foot-Paces, Counter-Terrasses, Volutes, Rolls, Banks, and Slopes of Grass, placed and disposed with Symmetry, which are called Amphitheatres. . .
“OF these three Manners, that with the Slopes is the least Expence, and that of the Ampitheatre the most magnificent; so that Terrass-Walls may be reckon’d to hold a Medium between the other two. . .
“THE Architect, or he that is to give the Design of a Garden, should carefully consider the Slope and Winding of the Hill, and raise and describe the Profil of it very correctly; that by making the best Advantage of the Situation, and distributing its Terrasses with Husbandry and Discretion, there may not be a great deal of Earth to remove, but that what is taken from Places that are too high, may serve to raise and make good those that are too low, which should be done with such Prudence and Circumspection, that you should neither be obliged to bring in Earth, nor have any to carry away, when your Terrasses are finished. . .
TERRASSES should not be made too frequent, nor too near one another, that is, you should always make as few of them as possible; and by means of Levels, or Flats, continued as long as the Ground will permit, endeavour to avoid the Defect of heaping Terrass upon Terrass, it being very disagreeable in a Garden to be constantly going Up-hill, or Down-hill, without finding scarce any Resting-Place.
“WHAT we call the Level, or Flat, is the Space of Ground contained between the Slopes of two Terrasses, that is to say, the Platform sustained by the Walls or Banks of the Terrasses, which, in Fortification, is call’d the Terra-plain.” back up to History


  • Switzer, Stephen, 1718, Ichnographia Rustica (1718: 150–52)[33]
“The Terrace seems to have been us’d a considerable Time since. . . But the nearest of our Derivations in English, is from the French, Terrace, or Terrasse; and they from the Italians, (from whom they, and almost all Europe, derive their Terms of Art relating to Building, Gardening, &c.) Terraza, Terrazare, signifying with them the removing and banking up of Earth, from one Place into another.
“But be the Derivations as it will, it is very well known in these European Countries, and particularly with us, to be a small Bank of Earth, laid out and trimm’d according to Line and Level, being necessary for the proper Elevation of any Person that walks round his Garden, to view all that lyes round him. And this Elevation is so necessary, that all Gardens must be esteem’d very deficient, that have them not. . . that I dare pronounce a Seat of no Value without them; and, besides, where-ever the House is to be new built, there is no Possibility of disposing of the Earth, Clay, Rubbish, &c. that necessarily comes out of Cellars and Foundation thereof, but this; which we must otherwise suppose (amidst a thousand needless Works) is to be carted away, to fill up some Hollow or other, which had been better left undone perhaps likewise.
“Of Terrace-Walks there are several Kinds, as they are particularly us’d.
“The 1st, is that great Terrace that lies next the House.
“The 2d, Side, or Middle Terrace, that is commonly rais’d or cut out above the Level of the Parterre, Lawn, &c.
“The 3d, Those that encompass a Garden; and
“The 4th, Many that lye under one another, as being cut out of a large high Hill; these are differing, in some Respect or other, from one another.” back up to History


  • Langley, Batty, 1728, New Principles of Gardening (1728; repr., 1982: vi–vii)[34]
“When the Situation of Gardens such, that the making of Slopes and Terraces are necessary, or cannot be avoided, they not only leave them naked of Shade as aforesaid, but break their Slopes into so many Angles, that their native Beauty is thereby destroy’d. Thus if by waste Earth a Mount be raised ten or twelve Feet high, you shall have its Slope, that should be entire from top to bottom, broken into three, if not four small trifling ones, and those mixt with Archs of Circles, &c. that still adds to their ill Effects: So that instead of having one grand Slope only with an easy Ascent, you have three or four small ones, that are poor and trifling.
“And the only reason why they are made in this Stair or Step-like manner, is first to shew their Dexterity of Hand, without considering the ill Effect; and lastly to imitate those grand Amphitheatrical Buildings, used by the Ancients, of which they had no more Judgement, than of the excellent Proportions of Architecture that was used therein, when those noble Structures were first erected. . .
“When very large Hills of great perpendicular Heights are to be cut into Slopes and Terraces, then we may justly endeavour to imitate those grand Structures, (whereon their Gladiators exercis’d) by cutting them Concave, Convex, &c. as those looking towards Fair-Mile Heath, in the Gardens of his Grace the DUKE of NEWCASTLE at his Grand Seat of Claremont; but in small Elevations they are poor and trifling, and therefore not to be used.”


  • Miller, Philip, 1754, The Gardeners Dictionary (1754; repr., 1969: 1367)[35]
TERRACES:A Terrace is a small Bank of Earth, rais’d and trimm’d according to Line and Level, for the proper Elevation of any Person that walks round a Garden, that he may have a better Prospect of all that lies around him; and these Elevations are so necessary, that those Gardens that have them not, are deficient.
“When Terraces are rightly situated, they are great Ornaments to such Gardens as have them, for their Regularity and Opening; especially when they are well built, and beautify’d with handsome Stairs, and fine Ascents.
“There are several Kinds of Terrace-walks:
“1. The great Terrace, which lies next to the House.
“2. The side or middle Terrace, which is commonly raised above the Level of the Parterre, Lawn, &c.
“3. Those Terraces which encompass a Garden.
“4. Those Terraces which lie under one another, being cut out of a large Hill; and these are different one from another, in some respect or other.
“As to the Breadth of side Terraces, this is usually decided by its Correspondence with some Pavilion, or some little Jettee or Building; but most of all by the Quantity of Stuff that is to spare for those Purposes.
“The side Terrace of a Garden ought not to be less than twenty Feet, and but very seldom wider than forty.
“As for the Height of a Terrace, some allow it to be but five Feet high; but others more or less, according to their Fancies; but the more exact Persons never allow above five or six Feet; and in a small Garden, and a narrow Terrace walk, three Feet; and sometimes three Feet and an half high are sufficient for a Terrace eighteen Feet wide; and four Feet are sufficient for a Terrace of twenty Feet wide; but when the Garden is proportionably large, and the Terrace is thirty or forty Feet wide, then it must be at least five or six Feet high.
“The noblest Terrace is very deficient without Shade; for which Elm-trees are very proper: for no Seat can be said to be complete, where there is not an immediate Shade almost as soon as out of the House; and therefore these shady Trees should be detach’d from the Body and Wings of the Edifice.
Terraces should be planted rather with Elm or Lime-trees, than with Yew or Holly; which will not grow large enough to afford Shade.
“The Distance of the Elms across will be about twenty Feet; and they may be plac’d thirty Feet asunder in Lines.”


  • Salmon, William, 1762, Palladio Londinensis (1762: n.p.)[36]
Tarrau, or Tarras, an open Walk, or Gallery; also a flat Roof on a House; also a Kind of coarse Plaister, durable in the Weather.”


  • Marshall, Charles, 1799, An Introduction to the Knowledge and Practice of Gardening (1799: 1:124)[37]
“A terrace as a boundary is now seldom formed, but in some situations, such as an eminence might in several respects, be agreeable.”


“In other parts are sometimes discovered eminences, or rising grounds, as a high terrace, mount, steep declivity, or other eminence, ornamented with curious trees and shrubs, with walks leading under the shade of trees, by easy ascents to the summit, where is presented to the view, an extensive prospect of the adjacent fields, buildings, hamlets, and country around, and likewise affording a fresh and cooling air in summer. . .
Fountains and statues, are generally introduced in the middle of spacious opens. . . sometimes in woods, thickets, and recesses, upon mounts, terraces, and other stations, according to what they are intended to represent. . .
“Regular terraces either on natural eminences or forced ground were often introduced by way of ornament, for the sake of prospect, and of enjoying the fresh air in summer; they were of various dimensions with respect to height, from two, to ten, or twenty feet, according to the nature of the situation and purpose they were designed for; some being ranged singly, others double, treble, or several, one above another, on the side of some consideable rising ground in theatrical arrangement.”


  • Abercrombie, John, with James Mean, 1817, Abercrombie’s Practical Gardener (1817: 472)[39]
“If flights of stone-stairs and ballustrades are not the inseparable accompaniments, if the term terrace is merely to designate a raised walk, many situations may be imagined, in which a terrace would both conduce to the accommodation of the proprietor of the grounds, and, without dispute, improve the view.
“The view FROM the house, and TO the house, cannot always be consulted with mutual improvement. When a high terrace with ornaments which appear to mark the boundary of the architect’s province, is interposed between the house and the lawn, the view immediately under the windows cannot certainly be so pleasant as if the house stood in a verdant field:—but let the prospect be reversed, and every stranger will see more grandeur in the house connected by a terrace with the garden; and perhaps among the spectators under the influence of cultivated taste, a few may think such a gradation conduces to general harmony.
“In a flat, or confined situation, a terrace with sloping grass banks may create a prospect, or relieve the sameness of the scenery.”
Fig. 14, J.C. Loudon, “Levelling for terrace-slopes,” 1826.


“1933. Levelling for terrace-slopes. . . or for geometrical surfaces, however varied, is performed by the union of both modes, and requires no explanation to those who have acquired the rudiments of geometry, or understand what has been described. . . [Fig. 14]
“7256. Terrace and conservatory. We observed, when treating of ground, and under the ancient style, that the design of the terrace must be jointly influenced by the magnitude and style of the house, the views from its windows, (that is, from the eye of a person seated in the middle of the principal rooms,) and the views of the house from a distance. In almost every case, more or less of architectural form will enter into these compositions. The level or levels will be supported partly by grassy slopes, but chiefly by stone walls, harmonising with the lines and forms of the house. These, in the Gothic style, may be furnished by battlements, gateways, oriels, pinnacles, &c.; or, on a very great scale, watch-towers may form very picturesque, characteristic, and useful additions. . .
“7257. The breadth of terraces, and their height relatively to the level of the floor of the living-rooms, must depend jointly on the height of the floor of the living-rooms and the surface of the grounds or country to be seen over them. Too broad or too high a terrace will both have the effect of foreshortening a lawn with a declining surface, or concealing a near valley. The safest mode in doubtful cases is, not to form this appendage till after the principal floor is laid, and then to determine the details of the terrace by trial and correction.
“7258. Narrow terraces are entirely occupied as promenades, and may be either gravelled or paved: and different levels, when they exist, connected by inclined planes or flights of steps. Where the breadth is more than is requisite for walks, the borders may be kept in turf with groups or marginal strips of flowers and low shrubs. In some cases, the terrace-walls may be so extended as to enclose ground sufficient for a level plot to be used as a bowling-green or a flower garden. These are generally connected with one of the living-rooms or the conservatory, and to the latter is frequently joined an aviary and the entire range of botanic stoves. Or, the aviary may be made an elegant detached building, so placed as to group with the house and other surrounding objects.”


Terrace-gardens are merely architectural-gardens, formed on platforms adjoining the house, on one or more levels, each level being supported by a terrace-wall; but as they are chiefly adapted for mansions and places of considerable extent, where of course a regular gardener must be kept, it does not appear necessary to enlarge on them here.” back up to History


  • Tuthill, Louisa C. (Louisa Caroline), 1848, History of Architecture (1848; repr., 1988: 306)[42]
“The garden of the Elizabethan villa should be laid out with a few simple terraces near the house, so as to unite it well with the ground.”


TER'RACE, n. [Fr. terrasse; It. terrazzo; Sp. terrado; from L. terra, the earth.],
“1. A raised level space or platform of earth, supported on one or more sides by a wall or bank of turf, &c., used either for cultivation or for a promenade.
“2. A balcony or open gallery. Johnson.
“3. The flat roof of a house.”


  • Downing, Andrew Jackson, 1849, Treatise on the Theory and Practice of Landscape Gardening (1849: 344, 346, 376, 418–20, 423, 531)[44]
“Where it is desirable to separate the house from the level grass of the lawn, let it be done by an architectural terrace of stone. . .
“In a succeeding section we shall refer to terraces with their parapets, which are by far the most elegant barriers for a highly decorated flower garden, or for the purpose of maintaining a proper connexion between the house and the grounds. . .
“the long veranda round many of our country residences stands instead of the paved terraces of the English mansions as the place for promenade. . .
“In our finest places, or those country seats where much of the polish of pleasure ground or park scenery is kept up, one of the most striking defects is the want of ‘union between the house and the grounds.’ . . .
“Let us suppose. . . The house now rising directly out of the green turf which encompasses it, we will surround by a raised platform or terrace, wide enough for a dry, firm walk, at all seasons; on the top of the wall or border of this terrace, we will form a handsome parapet, or balustrade, some two or three feet high, the details of which shall be in good keeping with the house. . . On the coping of this parapet. . . we will find suitable places, at proper intervals, for some handsome urns, vases, etc. On the drawing-room side of the house. . . we will place the flower-garden, into which we descend from the terrace by a few steps. . .
“The eye now, instead of witnessing the sudden termination of the architecture at the base of the house, where the lawn commences as suddenly, will be at once struck with the increased variety and richness imparted to the whole scene, by the addition of the architectural and garden decorations. . .
“Where there is a terrace ornamented with urns or vases, and the proprietor wishes to give a corresponding air of elegance to his grounds, vases, sundials, etc., may be placed in various appropriate situations. . .
“The only situation where this brilliant [white] gravel seems to us perfectly in keeping, is in the highly artificial garden of the ancient or geometric style, or in the symmetrical terrace flower garden adjoining the house. In these instances its striking appearance is in excellent keeping with the expression of all the surrounding objects, and it renders more forcible and striking the highly artificial and artistical character of the scene; and to such situations we would gladly see its use limited.” back up to History

Images

Inscribed

Associated

Attributed


Notes

  1. For a discussion of this image, see Walter L. Creese, The Crowning of the American Landscape: Eight Great Spaces and Their Buildings (Princeton, NJ: Princeton University Press, 1985), 75–78, view on Zotero.
  2. William Byrd, The Writings of Colonel William Byrd of Westover in Virginia, Esqr., ed. John Spencer Bassett (1910; repr., New York: B. Franklin, 1970), view on Zotero.
  3. Alice B. Lockwood, Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840, 2 vols. (New York: Charles Scribner’s for the Garden Club of America, 1931), view on Zotero.
  4. Alexander Hamilton, Gentleman’s Progress: The Itinerarium of Dr. Alexander Hamilton, 1744, ed. Carl Bridenbaugh (Chapel Hill, NC: University of North Carolina Press, 1948), view on Zotero.
  5. Barbara Wells Sarudy, “Eighteenth-Century Gardens of the Chesapeake,” Journal of Garden History 9 (1989): 104–59, view on Zotero.
  6. Thomas Jefferson, The Garden Book, ed. Edwin M. Betts (Philadelphia: American Philosophical Society, 1944), view on Zotero.
  7. Philip Vickers Fithian, Journal & Letters of Philip Vickers Fithian, 1773–1774: A Plantation Tutor of the Old Dominion, ed. Hunter D. Farish (Williamsburg, VA: Colonial Williamsburg, 1943), view on Zotero.
  8. François Jean Chastellux, Marquis de Chastellux, Travels in North America in the Years 1780, 1781, and 1782, 2 vols. (London: G. G. J. and J. Robinson, 1787), view on Zotero.
  9. Karen Madsen, “William Hamilton’s Woodlands,” (paper presented for seminar in American Landscape, 1790–1900, instructed by E. McPeck, Radcliffe Institute for Advanced Study, Harvard University, 1988), view on Zotero.
  10. William Bartram, Travels through North and South Carolina, Georgia, East and West Florida, ed. Mark Van Doren (New York: Dover, 1928), view on Zotero.
  11. William Loughton Smith, Journal of William Loughton Smith, 1790–1791 ed. Albert Matthews, (Cambridge, MA: The University Press, 1917), view on Zotero.
  12. Gloria Gilda Deák, Picturing America, 1497–1899: Prints, Maps, and Drawings Bearing on the New World Discoveries and on the Development of the Territory That Is Now the United States, 2 vols. (Princeton, NJ: Princeton University Press, 1988), view on Zotero.
  13. Thomas Twining, Travels in America 100 Years Ago (New York: Harper, 1894), view on Zotero.
  14. Charles Drayton, “The Diary of Charles Drayton I, 1806,” Drayton Papers, MS 0152, Drayton Hall, SC, view on Zotero.
  15. 15.0 15.1 Flora Ann L. Bynum, Old Salem Garden Guide, (Winston-Salem, NC: Old Salem, 1979), view on Zotero.
  16. 16.0 16.1 Margaret Bayard Smith, The First Forty Years of Washington Society, ed. by Gaillard Hunt (New York: Charles Scribner’s, 1906), view on Zotero.
  17. Elbridge Gerry Jr., The Diary of Elbridge Gerry, Jr. (New York: Brentano’s, 1927), view on Zotero.
  18. Carl R. Lounsbury, ed., An Illustrated Glossary of Early Southern Architecture and Landscape (New York: Oxford University Press, 1994), view on Zotero.
  19. William Chambers, Poplar Forest and Thomas Jefferson, (Forest, Va.: Corporation for Jefferson’s Poplar Forest, 1993), view on Zotero.
  20. 20.0 20.1 Frances Milton Trollope, Domestic Manners of the Americans, 3rd ed., 2 vols. (London: Wittaker, Treacher, 1832), view on Zotero.
  21. 21.0 21.1 Harriet Martineau, Retrospect of Western Travel, 2 vols. (London: Saunders and Otley, 1838), view on Zotero.
  22. C. M. Hovey, “Notices of Gardens and Horticulture, in Salem, Mass.,” Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs 5, no. 11 (November 1839): 401–16, view on Zotero.
  23. Nathaniel Parker Willis, American Scenery, or Land, Lake and River Illustrations of Transatlantic Nature, 2 vols. (1840; repr., Barre, MA: Imprint Society, 1971), view on Zotero.
  24. C. M. Hovey, “Some Notes on Gardens, and the state of Horticulture, in Worcester, Mass.,” Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs 6, no. 11 (November 1840): 401–7, view on Zotero.
  25. C. M. Hovey, “Notes made during a Visit to New York, Philadelphia, Baltimore, &c.,” Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs 8, no. 4 (April 1842): 121–29 , view on Zotero.
  26. Sir Charles Lyell, A Second Visit to the United States of North America, 2 vols. (New York: Harper, 1849), view on Zotero.
  27. William A. Ranlett, The Architect, 2 vols. (1849–51; repr., New York: Da Capo, 1976), view on Zotero.
  28. Justicia [pseud.], “A Visit to Springbrook, the Seat of the President of the Pennsylvania Horticultural Society,” Horticulturist and Journal of Rural Art and Rural Taste 3, no. 9 (March 1849): 411–14, view on Zotero.
  29. 29.0 29.1 J. C. (John Claudius) Loudon, An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, new ed., corr. and improved (London: Longman et al., 1850), view on Zotero.
  30. C. M. Hovey, “Notes on Gardens and Nurseries,” Magazine of Horticulture, Botany, and All Useful Discoveries and Improvements in Rural Affairs 17, no. 9 (September 1851): 410–12, view on Zotero.
  31. Jean de La Quintinie, The Compleat Gard'ner, or Directions for cultivating and right ordering of fruit-gardens and kitchen gardens, trans. by John Evelyn (1693; repr., New York: Garland, 1982), view on Zotero.
  32. A.-J. Dézallier d'Argenville, The Theory and Practice of Gardening, trans. John James (1712; repr., Farnborough, England: Gregg International, 1969), view on Zotero
  33. Stephen Switzer, Ichnographia Rustica, or The Nobleman, Gentleman and Gardener’s Recreation. . . , 1st ed., 3 vols. (London: D. Browne, 1718), view on Zotero.
  34. Batty Langley, New Principles of Gardening, or The Laying Out and Planting Parterres, Groves, Wildernesses, Labyrinths, Avenues, Parks, &c (London: A. Bettesworth and J. Batley, etc., 1728; repr., New York: Garland, 1982), view on Zotero.
  35. Philip Miller, The Gardeners Dictionary (London: printed for the author, 1754; repr., New York: Verlag Von J. Cramer, 1969), view on Zotero.
  36. William Salmon, Palladio Londinensis, or The London Art of Building: In Three Parts. . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary, ed. E. Hoppus, 6th ed. (London: printed for C. Hitch et al., 1762), view on Zotero.
  37. Charles Marshall, An Introduction to the Knowledge and Practice of Gardening, 1st American ed. from the 2nd London ed., 2 vols. (Boston: Samuel Etheridge, 1799), view on Zotero.
  38. Bernard M’Mahon, The American Gardener’s Calendar: Adapted to the Climates and Seasons of the United States. Containing a Complete Account of All the Work Necessary to Be Done. . . for Every Month of the Year. . . (Philadelphia: printed by B. Graves for the author, 1806), view on Zotero.
  39. John Abercrombie, Abercrombie’s practical gardener or, Improved system of modern horticulture, with additions by James Mean, (London: T. Cadell and W. Davies, 1817), view on Zotero.
  40. J. C. (John Claudius) Loudon, An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, 4th ed. (London: Longman et al., 1826), view on Zotero.
  41. Jane Loudon, Gardening for Ladies; and Companion to the Flower-Garden, ed. A. J. Downing (New York: Wiley & Putnam, 1843), view on Zotero.
  42. Louisa C. Tuthill, History of Architecture, from the Earliest Times; Its Present Condition in Europe and the United States; with a Biography of Eminent Architects, and a Glossary of Architectural Terms, by Mrs. L. C. Tuthill (Philadelphia: Lindsay and Blakiston, 1848; repr., New York: Garland, 1988), view on Zotero.
  43. Noah Webster, An American Dictionary of the English Language. . . Revised and Enlarged by Chauncey A. Goodrich. . . (Springfield, MA: George and Charles Merriam, 1848), view on Zotero.
  44. A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (New York: G. P. Putnam, 1849), view on Zotero.
  45. Sotheby’s New York, Important American Schoolgirl Embroideries (January 2012), view on Zotero.

Retrieved from "https://heald.nga.gov/mediawiki/index.php?title=Terrace/Slope&oldid=41284"

History of Early American Landscape Design contributors, "Terrace/Slope," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=Terrace/Slope&oldid=41284 (accessed December 14, 2024).

A Project of the Center for Advanced Study in the Visual Arts

National Gallery of Art, Washington