Grove

See also: Copse, Thicket, Wilderness, Wood

History

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Fig. #, Thomas Jefferson, Plan of the grounds at Monticello, 1806.

The term grove referred to both natural and planted arrangements of trees, as indicated by Noah Webster’s definition of 1828. American gardeners such as Bernard M’Mahon (1806) realized the potential of indigenous vegetation and simply thinned existing trees to create so-called “natural” groves. Trees could also be planted where none existed to create “artificial” groves. Whether natural or artificial, groves of trees were an important element in the ornamental landscape, serving aesthetic and agricultural purposes. As Samuel Deane explained in the New-England Farmer (1790), groves could provide shade and windbreaks as well as syrup, firewood, and fruit. As a formal element, groves defined borders of gardens, created backdrops, and, as seen in the sketch of St. Augustine’s orange grove [Fig. 1], offered sites for collecting specific plants.

Fig. #, Pierre Pharoux, Plan of Sperenza, N.Y. [detail], n.d. A "Public Grove" is situated on either side of the "Common Ground."

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Fig. #

While generally composed of trees, groves sometimes included shrubs and flowers. These plants were also found in woods, shrubberies, and wildernesses, thus blurring the lines of distinctions between these features—several treatise writers and lexicographers defined groves, for example, as small woods. The overlapping and indistinct uses of the terms “grove,” “wilderness,” and “shrubbery” are exemplified by George Washington’s notations on the garden at Mount Vernon. In 1782, he wrote that he would immediately plant groups of “shrubs and ornamental trees,” and decide later which constituted “the grove and which the wilderness,” implying that the grove would ultimately be the less thickly planted of the two. To add to the confusion, Washington on another occasion referred to the arrangement of trees and shrubs just south of his house as both a grove and a shrubbery. Nineteenth-century texts mentioned shrubs and flowers in groves less frequently, because these types of plants were increasingly associated with shrubberies. Thus, as time passed, the distinction between the terms became more clearly drawn.

Fig. #, William Russell Birch, "The Grove in Springland," before 1805.

Fig. #, Benjamin Henry Latrobe, Spring house - elevation and plan, from "Buildings Erected or Proposed to be Built in Virginia," 1795-99.

When attempting to distinguish groves from other features that employed trees (particularly woods and clumps), treatise writers often focused on the question of whether groves should contain undergrowth. Various opinions emerged. Batty Langley argued in New Principles of Gardening (1728) for the inclusion of flowering shrubs with evergreens and deciduous trees. Thomas Whately, however, in Observations of Modern Gardening (1770), believed that a grove consisted of trees without undergrowth in contrast to woods or clumps, which did contain undergrowth. Philip Miller, in The Gardeners Dictionary (1754), considered undergrowth as one factor that distinguished a “closed” grove from an “open” one. The “open” form of the feature was made by planting large trees at a distance that permitted tree tops to knit together to create a shady canopy for the walks below. The “closed” type was composed of a denser planting of trees, shrubs, and flowers that could be arranged in figures cut through and circumscribed by walks.

Fig. #, Christian Remick, A Prospective View of part of the Commons, c. 1768. Concord Museum, Mass.

The appellations “open” and “closed,” however, were not common in American discourse, despite Noah Webster’s inclusion of such distinctions in his definition. Although these adjectives were not employed to a significant degree, groves fitting these characteristics can be identified. Thomas Jefferson, in his 1807 account of Monticello, described his intention to trim the lower limbs of the trees in his grove, composed of a mixture of hardwoods and evergreens, “so as to give the appearance of open ground,” suggesting an “open” grove [Fig. 2]. Eliza Lucas Pinckney, in 1742, evoked the sense of a “closed” grove when she delineated her collection of trees and flowers. Likewise, in 1776 George Washington suggested a similar type of grove for Mount Vernon, which he described as an arrangement of flowering trees and evergreens underplanted with flowering shrubs.

Washington’s account of this “closed” grove also provides a significant clue as to the arrangement of plants. In his 1776 letter to Lund Washington, he specified that the trees “be Planted without any order or regularity,” an aesthetic in keeping with the recommendations of Langley, whose treatises were owned by Washington. The texts of Langley and Miller exemplify the gradual shift away from formal or rectilinear arrangements of trees toward more irregular or “natural” designs. Seventeenth-century groves might be planted in geometrical, or otherwise such patterned figures as “the star, the direct Cross, St. Andrew’s Cross,” described by A.-J. Dézallier d’Argenville (1712). By contrast, Langley insisted that groves be planted with “regular Irregularity; not planting them . . . with their Trees in straight Lines ranging every Way, but in a rural Manner, as if they had receiv’d their Situation from Nature itself.” In contrast to authors of earlier treatises, nineteenth-century American writers, including Samuel Deane (1790), Bernard M’Mahon (1806) and the anonymous author of the New England Farmer (1828), advocated regular arrangements. Few if any signs, however, indicate that Americans made “closed” groves in geometrical figures, such as those described in James. Pierre Pharoux’s unexecuted plans for the new town Sperenza, N.Y. [Fig. 3], and for Baron von Steuben’s estate in Mohawk Valley, N.Y. [Fig. 4], are rare exceptions.

In either the regular or irregular arrangement, groves were often designed to accommodate garden structures or decorative elements. William Bentley (1791), for example, called attention to the pond with statuary found in the midst of the grove at Pleasant Hill, Joseph Barrell’s estate in Charlestown, Mass.; Margaret Bayard Smith (1809) recorded that Jefferson intended to place a monument to a friend in the midst of a grove at Monticello. William Russell Birch situated a Gothic chapel in the grove at Springland [Fig. 5].

In addition to providing settings for decorative objects, groves sometimes displayed rare or unusual tree specimens. At Mount Vernon, Washington contrasted his northern grove, to be made up entirely of locust trees, with his southern grove, to be planted with “clever,” “curious,” and “ornamental” trees and shrubs. At the Woodlands, William Hamilton also filled his groves with rare ornamental trees.

Groves provided shade and settings for walks that linked buildings in a unified composition. They sheltered or highlighted important architectural features. Groves of evergreens or shade trees were well suited for graves and church settings because of the associations with perpetual life. Pinckney and Charles Willson Peale both spoke of the aura of solemnity found in the deep shade and quiet of their respective groves. Alexander Hamilton (1744) called the “darkened and shaded” grove very “romantick.” Architect Benjamin Henry Latrobe depicted a temple deep in a grove, a scene that recalled idealized landscapes associated with the classical past [Fig. 6]. Funerary associations of the grove, dating back to antiquity, made the feature an especially appropriate setting for commemorative monuments and landscape cemeteries.

Groves also connoted cultivation and improvement. They were frequently featured in images, such as Christian Remick’s Prospective View of part of the Commons (1768) [Fig. 7]. In Timothy Dwight’s descriptions of the cultivated American landscape, for example, he repeatedly called attention to groves as marking the transition from the wilder or unplanned landscape to the “improved” or worked landscape. Even A. J. Downing, who avoided the term in his treatise, found it useful in describing his ideal park for the city of New York in 1851.

-- Anne L. Helmreich

Texts

Usage

• Smith, John, 1612, describing Native American life in America (quoted in Billings 1975: 215)

“Some times from 2 to 100 of these houses [are] togither [sic], or but a little separated by groves of trees. Neare their habitations is [a] little small wood, or old trees on the ground, by reason of their burning of them for fire.”

• Pinckney, Eliza Lucas, 1742, describing Wappoo Plantation, property of Eliza Lucas Pinckney, Charleston, S.C. (1972: 36)

“You may wonder how I could in this gay season think of planting a Cedar grove, which rather reflects an Autumnal gloom and solemnity than the freshness and gayty of spring. But so it is. I have begun it last week and intend to make it an Emblem not of a lady, but of a compliment which your good Aunt was pleased to make to the person her partiality has made happy by giving her a place in her esteem and friendship. I intend then to connect in my grove the solemnity (not the solidity) of summer or autumn with the cheerfulness and pleasures of spring, for it shall be filled with all kind of flowers, as well wild as Garden flowers, with seats of Camomoil and here and there a fruit tree—oranges, nectrons, Plumbs, &c., &c.”

• Norris, Isaac, 22 June 1743, describing Fairhill, seat of Isaac Norris, near Philadelphia, Pa. (Historical Society of Pennsylvania, Norris Letter Book, 1719–56)

“opening my woods into groves, enlarging my fishponds and beautifying my springs.”

• Moore, Francis, 1744, describing the Trustees’ Garden, Savannah, Ga. (quoted in Marye 1933: 15)

“On the North-part of the Garden is left standing a Grove of Part of the old Wood as it was before the arrival of the Colony there. The Trees in the Grove are mostly Bay, Sassafras, Evergreen Oak, Pellitory, Hickary [sic], American Ash, and the Laurel Tulip.”

• Hamilton, Alexander, 14 July 1744, describing a house in Rhode Island (1948: 98)

“we passed by an old fashioned wooden house att the end of a lane, darkened and shaded over with a thick grove of tall trees. This appeared to me very romantick and brought into my mind some romantick descriptions of rural scenes in Spencer’s Fairy Queen.”

• Washington, George, 19 August 1776, in a letter to Lund Washington, describing Mount Vernon, plantation of George Washington, Fairfax County, Va. (quoted in Riley 1989: 7)

“Plant Trees in the room of all dead ones in proper time this Fall. and as I mean to have groves of Trees at each end of the dwelling House, that at the South end to range in a line from the South East Corner to Colo. Fairfax’s, extending as low as another line from the Stable to the dry Well, and towards the Coach House . . . from the No. Et. Corner of the other end of the House to range so as to show the Barn &ca. in the Neck . . . these Trees to be Planted without any order or regularity (but pretty thick, as they can at any time be thin’d) and to consist that at the North end, of locusts altogether. and that at the South, of all the clever kind of Trees (especially flowering ones) that can be got, such as Crab apple, Poplar, Dogwood, Sasafras, Laurel, Willow (especially yellow and Weeping Willow, twigs of which may be got from Philadelphia) and many others which I do not recollect at present; those to be interspersed here and there with ever greens such as Holly, Pine, and Cedar, also Ivy; to these may be added the Wild flowering Shrubs of the larger kind, such as the fringe Trees and several other kinds that might be mentioned.”

• Rush, Dr. Benjamin, 15 July 1782, describing the country seat of John Dickinsen, near Philadelphia, Pa. (quoted in Caemmerer 1950: 87)

“The ground contiguous to this shed was cut into beautiful walks and divided with cedar and pine branches into artificial groves. The whole, both the buildings and walks, were accommodated with seats.”

• Washington, George, 25 December 1782, describing Mount Vernon, plantation of George Washington, Fairfax County, Va. (quoted in Johnson 1953: 87–88)

“I wish that the afore-mentioned shrubs and ornamental and curious trees may be planted at both ends that I may determine hereafter from circumstances and appearances which shall be the grove and which the wilderness. It is easy to extirpate Trees from any spot but time only can bring them to maturity.”

Fig. #, Thomas Lee Shippen, Plan of Westover, 1783. The grove is marked at "&c" at upper left quadrant.

• Shippen, Thomas Lee, 31 December 1783, describing Westover, seat of William Byrd III, on the James River, Va. (1952: n.p.)

“The crooked line markd x [on the accompanying drawing] shews you where the garden is which is very large and exceedingly beautiful indeed. The one opposite to it &c is the place where there is a pretty grove neatly kept, from which the walk thro’ one of the pretty gates markd g leads you to the improved grounds before the house.” [Fig. 8]

• Washington, George, 1785 and 1786, describing Mount Vernon, plantation of George Washington, Fairfax County, Va. (Jackson and Twohig, eds., 1978: 4:99, 107, 304)

“[7 March 1785] Planted all my Cedars, all my Papaw, and two Honey locust Trees in my Shrubberies and two of the latter in my groves—one at each (side) of the House and a large Holly tree on the Point going to the Sein landing. . . .

“Finished Plowing the Ground adjoining the Pine Grove, designed for Clover & Orchard grass Seed. . . .

“[24 March 1785] Finding the Trees round the Walks in my wildernesses rather too thin I doubled them by putting (other Pine) trees between each.

“Laid off the Walks in my Groves, at each end of the House. . . .

“[6 April 1786] Transplanted 46 of the large Magnolio of So. Carolina from the box brought by G. A. Washington last year—viz.—6 at the head of each of the Serpentine Walks next the Circle—26 in the Shrubbery or grove at the South end of the House & 8 in that at the No. end. The ground was so wet, more could not at this time be planted there.”

• Cutler, Rev. Manasseh, 13 July 1787, describing the State House Yard, Philadelphia, Pa. (1987: 1:262)

“It was so lately laid out in its present form that it has not assumed that air of grandeur which time will give it. The trees are yet small, but most judiciously arranged. The artificial mounds of earth, and depressions, and small groves in the squares have a most delightful effect.”

• Cutler, Rev. Manasseh, 14 July 1787, describing Gray’s Tavern, Philadelphia, Pa. (1987: 1:275–77)

“As we were walking on the northern side of the Garden, upon a beautiful glacis, we found ourselves on the borders of a grove of wood and upon the brow of a steep hill. . . . At a distance, we could just see three very high arched bridges, one beyond the other. . . . We saw them through the grove, the branches of the trees partly concealing them, which produced the more romantic and delightful effect. As we advanced on the brow of this hill, we observed a small foot-path, which led by several windings into the grove. We followed it; and though we saw that it was the work of art, yet it was a most happy imitation of nature. It conducted us along the declivity of the hill, which on every side was strewed with flowers in the most artless manner, and evidently seemed to be the bounty of nature without the aid of human care. At length we seemed to be lost in the woods, but saw in the distance an antique building, to which our path led us. . . . At this hermitage we came into a spacious graveled walk, which directed its course further along the grove, which was tall wood interspersed with close thickets of different growth. As we advanced, we found our gravel walk dividing itself into numerous branches, leading into different parts of the grove. We directed our course nearly north, though some of our company turned into the other walks, but were soon out of sight, and thought proper to return and follow us. We at length came to a considerable eminence, which was adorned with an infinite variety of beds of flowers and artificial groves of flowering shrubs. On the further side of the eminence was a fence, beyond which we perceived an extensive but narrow opening. When we came to the fence, we were delightfully astonished with the view of one of the finest cascades in America. . . . The distance we judged to be about a quarter of a mile, which being seen through the narrow opening in the tall grove, and the fine mist that rose incessantly from the rocks below, had a most delightful effect.”

• Adams, Abigail, 21 November 1790, describing Bush Hill, estate of Lt. Gov. James Hamilton, near Philadelphia, Pa. (1841: 2:207)

“Bush Hill, as it is called, though by the way there remains neither bush nor shrub upon it, and very few trees, except the pine grove behind it,— yet Bush Hill is a very beautiful place.”

• Bartram, William, 1791, describing St. Simon’s Island, Ga. (1928: 72–73)

“This delightful habitation was situated in the midst of a spacious grove of Live Oaks and Palms, near the strand of the bay, commanding a view of the inlet. A cool area surrounded the low but convenient buildings, from whence, through the groves, was a spacious avenue into the island, terminated by a large savanna. . . .

“Our rural table was spread under the shadow of Oaks, Palms, and Sweet Bays, fanned by the lively salubrious breezes wafted from the spicy groves. Our music was the responsive love-lays of the painted nonpareil, and the alert and gay mock-bird; whilst the brilliant humming-bird darted through the flowery groves, suspended in air, and drank nectar from the flowers of the yellow Jasmine, Lonicera, Andromeda, and sweet Azalea.”

• Bartram, William, 1791, describing an Indian village in Florida (1928: 96)

“There was a large Orange grove at the upper end of their village; the trees were large, carefully pruned, and the ground under them clean, open, and airy.”

Fig. #, Anonymous, "Barrell Farm," Pleasant Hill, 1817. A "Poplar Grove" was located on axis with main house, between the fish pond on the Barrell property and the river.

• Bentley, William, 12 June 1791, describing Pleasant Hill, seat of Joseph Barrell, Charlestown, Mass. (1962: 1:264)

“[June] 12. Was politely received at dinner by Mr Barrell, & family, who shewed me his large & elegant arrangements for amusement, & philosophic experiments. . . . His Garden is beyond any example I have seen. A young grove is growing in the back ground, in the middle of which is a pond, decorated with four ships at anchor, & a marble figure in the centre. The Chinese manner is mixed with the European in the Summer house which fronts the House, below the Flower Garden.” [Fig. 9]

• Dwight, Timothy, 1794, describing Greenfield Hill, Conn. (quoted in Clarke 1993: 1:386)

“On yon bright plain, with beauty gay,

Where waters wind, and cattle play,

Where gardens, groves, and orchards bloom,

Unconscious of her coming doom,

Once Fairfield smil’d. The tidy dome,

Of pleasure, and of peace, the home,

There rose; and there the glittering spire,

Secure from sacrilegious fire.”

• La Rochefoucauld Liancourt, François Alexandre-Frédéric, duc de, 1795–97, describing Norristown, Pa. (1800: 1:5–6)

“Very few of them [country houses] are without a small garden; but it is rare to observe one, that has a grove adjoining, or that is surrounded with trees; it is the custom of the country to have no wood near the houses. Customs are sometimes founded in reason, but it is difficult to conjecture the design of this practice in a country, where the heat in summer is altogether intolerable, and where the structure of the houses is designedly adapted to exclude that excessive heat. *

“* The reason is, because the country was universally wooded, when the building of these houses was first begun; and in a country thus wooded, to clear the space round the dwelling-house was just as natural, as to plant round the house in a country otherwise bare of wood.— Translator.”

• Anonymous, 14 June 1800, describing in the Federal Gazette the estate of Adrian Valeck, Baltimore, Md. (quoted in Sarudy 1989: 136)

“A large garden in the highest state of cultivation, laid out in numerous and convenient walks and squares bordered with espaliers, on which . . . the greatest variety of fruit trees, the choicest fruits from the best nurseries in this country and Europe have been attentively and successfully cultivated. . . . Behind the garden in a grove and shrubbery or bosquet planted with a great variety of the finest forest trees, oderiferous & other flowering shrubs etc.”

• Cutler, Rev. Manasseh, 2 January 1802, describing the Woodlands, seat of William Hamilton, near Philadelphia, Pa. (1987: 2:145)

“We then walked over the pleasure grounds in front and a little back of the house. It is formed into walks, in every direction, with borders of flowering shrubs and trees. Between are lawns of green grass, frequently mowed to make them convenient for walking, and at different distances numerous copse of native trees, interspersed with artificial groves, which are set with trees collected from all parts of the world.”

• Jefferson, Thomas, 1807, describing Monticello, plantation of Thomas Jefferson, Charlottesville, Va. (quoted in Nichols and Griswold 1978: 111)

“The canvas at large [of a Garden or pleasure ground] must be Grove, of the largest trees, (poplar, oak, elm, maple, ash, hickory, chestnut, Linden, Weymouth pine, sycamore) trimmed very high, so as to give it the appearance of open ground, yet not so far apart but that they may cover the ground with close shade.”

• Latrobe, Benjamin Henry, 17 March 1807, describing the White House, Washington, D.C. (Colonial Williamsburg Foundation)

“In removing the ground, it would certainly be necessary to go down in front of the colonnade to the level of about one foot below the bases of the Columns but, it will certainly not deprive this colonnade of any part of its beauty to pass behind a few gentle Knolls and groves or Clumps in its front, and much expense of removing earth would be thereby saved.”

• Smith, Margaret Bayard, 1 August 1809, describing Monticello, plantation of Thomas Jefferson, Charlottesville, Va. (1906: 73)

“As we passed the graveyard, which is about half way down the mountain, in a sequestered spot, he told me he there meant to place a small gothic building,—higher up, where a beautiful little mound was covered with a grove of trees, he meant to place a monument to his friend Wythe.”

• Cuming, Fortesque, 1810, describing a seat in Pittsburgh, Pa. (p. 227)

“What adds to the beauty of Mr. Tannehill’s seat is, a handsome grove of about two acres of young black oaks, northwest of his dwelling, through the middle of which runs a long frame bowery, on whose end fronting the road, is seen this motto, ‘1808, Dedicated to Virtue, Liberty, and Independence’ Here a portion of the citizens meet on each 4th of July, to hail with joyful hearts the day that gave birth to the liberties and happiness of their country. On the opposite side of the road to the bowery, is a spring issuing from the side of the hill, whose water trickles down a rich clover patch, through which is a deep hollow with several small cascades, overhung with the willow, and fruit trees of various kinds.”

• Peale, Charles Willson, 22 July 1810, describing Belfield, estate of Charles Willson Peale, Germantown, Pa. (Miller, Hart, and Ward, eds., 1991: 3:51)

“I am often pleased with the solemn groves skirting meadows in majestic silence and cool appearance.”

• Bryant, William Cullen, 25 August 1821, describing the Vale, estate of Theodore Lyman, Waltham, Mass. (1975: 108–9)

“He took me to the seat of Mr. Lyman. ...It is a perfect paradise. . . . A hard rolled walk, by the side of a brick wall . . . led us to a grove of young forest trees on the top of [an] eminence in the midst of which was a Chinese temple.”

• Silliman, Benjamin, 1824, describing Monte Video, property of Daniel Wadsworth, Avon, Conn. (pp. 14–15)

“From the boat or summer house, several paths diverge . . . the first passes round the lake, and generally out of sight of it, for a quarter of a mile, until descending a very steep bank, through a grove of evergreens, so dark as to be almost impervious to the rays of the sun, even at noon day.”

• Anonymous, 17 April 1829, “Neglected Grave Yards” (New England Farmer 7: 307)

“I wish to call your attention to the subject of repairing, clearing, and ornamenting the burial grounds of New England. These enclosures are commonly neglected by the sexton, and present to the curious traveller, an ugly collection of slate slabs, of weeds, and rank or dried grass. A small effort in each sexton or clergyman, would suffice to awaken attention, to bring to the recollection of some, and to the fancy of all, a scene which every village should present, a grove sacred to the dead and to their recollection, to calm religious conversation, and to melancholy musing—inclosed with shrubbery, and evergreen, and dignified by the lofty maple, and elm, and oak, and guarded by a living hedge of hawthorn.

“Every sexton should procure some oak, elm, and locust seed, and make it a part of his vocation to scatter it for chance growth.”

• Ingraham, Joseph Holt, 1835, describing a village near New Orleans, La. (1:81–82)

“On the left and diagonally from the dwelling house we noticed a very neat, pretty village, containing about forty small snow-white cottages, all precisely alike, built around a pleasant square, in the centre of which, was a grove or cluster of magnificent sycamores.”

• Martineau, Harriet, 4 May 1835, describing New Orleans, La. (1838: 1:274)

“In the neighbourhood of Mobile, my relative, who has a true English love of gardening, had introduced the practice [of gardens]; and I there saw villas and cottages surrounded with a luxuriant growth of Cherokee roses, honeysuckles, and myrtles, while groves of orange-trees appeared in the background.”

• Breck, Joseph, 1 February 1836, describing Bellmont Place, residence of John Perkins Cushing, Watertown, Mass. (Horticultural Register 2: 43)

“The approach to the mansion from the road is by a winding avenue through a fine grove of ancient deciduous trees. The first view of the garden and ranges of glass structure, as we emerged from the grove, was truly magnificent.”

• B., J., 1 October 1836, “Horticulture in Maine” (Horticultural Register 2: 381)

“We noticed with pleasure, that most of the vicinity of Portland was highly decorated with numerous shade trees, in groves, groups, and single, which the good taste of the proprietors of the soil have spared as yet. Near the city is an extensive, and one of the finest groves of oaks we have ever seen.”

• Featherstonhaugh, George William, 20 August 1837, describing Pendleton, S.C. (quoted in Jones 1957: 126–27)

“I went in the carriage with the ladies to the Episcopal Church at Pendleton, a neat temple prettily situated in a shady grove.”

• Hovey, C. M., November 1839, describing Elfin Glen, residence of P. Dodge, Salem, Mass. (Magazine of Horticulture 5: 404)

“In front of the cottage, and extending to the limits of the garden, on the west, ornamental shrubs and forest trees are thickly planted, and are making a rapid and healthy growth; in a few years they will form a dense and shady grove.”

• Willis, Nathaniel Parker, 1840, describing Mount Auburn Cemetery, Cambridge, Mass. ([1840] 1971: 348)

“This picturesque and beautiful burial-place occupies a grove, formerly an academic and sylvan retreat for the students of Harvard College, near by.”

• Bryant, William Cullen, 24 April 1843, describing St. Anastasia, Fla. (quoted in Clarke 1993: 2:161)

“In another part of the same island, which we visited afterward, is a dwelling-house situated amid orange-groves. Closely planted rows of the sour orange, the native tree of the country, intersect and shelter orchards of the sweet orange, the lemon, and the lime.”

• Kirkbride, Thomas S., April 1848, describing the pleasure grounds and farm of the Pennsylvania Hospital for the Insane, Philadelphia, Pa. (American Journal of Insanity 4: 348)

“The remainder of the grounds on this side of the deer-park is specially appropriated to the use of the male patients. In this division is a fine grove of large trees, several detached clumps of various kinds and a great variety of single trees standing alone or in avenues along the different walks, which, of brick, gravel or tan, are for the men, more than a mile and a quarter in extent. The groves are fitted up with seats and summer houses, and have various means of exercise and amusement connected with them. . . .

“The work-shop and lumber-yard are just within the main entrance on the west—adjoining which is a fine grove, in which is the gentlemen’s ten-pin alley.”

• Hovey, C. M., March 1849, describing the residence of Gen. Elias W. Leavenworth, Syracuse, N.Y. (Magazine of Horticulture 15: 98)

“this [the fruit garden] and the house occupy about half of the ground: the other half has been made a most beautiful grove; this was done by a judicious cutting away of whole trees in some places, and by pruning and thinning the branches in others, leaving the whole a picturesque mass, which years of time and labor could not have produced.”

• Gordon, Alexander, June 1849, describing the residence of Mr. Valcouraam, near New Orleans, La. (Magazine of Horticulture 15: 247–48)

“For instance, within a few minutes walk from where I now write, I could find magnificent groves of magnolias (now in full bloom,) with an abundance of choice trees and shrubs. All that would be required to form the scene into a perfect facsimile of an English shrubbery would be to introduce walks, and judiciously thin out and regulate the mass.”

• Committee on the Capitol Square, Richmond City Council, 26 July 1851, describing John Notman’s plans for the Capitol Square, Richmond, Va. (quoted in Greiff 1979: 162)

“The most beautiful feature of the contemplated alterations of the Square, however, will be found in the arrangement of the trees and shrubbery. Instead of planting these in parallel rows, like an ordinary orchard some attention will be paid to landscape gardening—groves, arbours, parterres, and fountains will combine to render the Square a place of delightful resort.”

• Downing, A. J., August 1851, “The New-York Park” (Horticulturist 6: 346–47)

“That because it is needful in civilized life for men to live in cities,—yes, and unfortunately too, for children to be born and educated without a daily sight of the blessed horizon,—it is not, therefore, needful for them to be so miserly as to live utterly divorced from all pleasant and healthful intercourse with gardens and green fields. He [Mayor Kingsland] informs them that cool umbrageous groves have not forsworn themselves within town limits, and that half a million of people have a right to ask for the ‘greatest happiness’ of parks and pleasure grounds, as well as for paving stones and gas lights. . . .

“In the broad area of such a verdant zone would gradually grow up, as the wealth of the city increases, winter gardens of glass, like the great Crystal Palace, where the whole people could luxuriate in groves of the palms and spice trees of the tropics, at the same moment that sleighing parties glided swiftly and noiselessly over the snow covered surface of the country-like avenues of the wintry park without.”

Citations

Fig. #, Michael van der Gucht, "Designs of Groves of a Middle Height," A.-J. Dézallier d’Argenville, The Theory and Practice of Gardening (1712), pl. 4c, n.p.

• [Dézallier d’Argenville, A.-J.], 1712, The Theory and Practice of Gardening ([1712] 1969: 48–49)

“The French call a Grove Bosquet, from the Italian Word Bosquetto, a little Wood of small Extent, as much as to say, a Nosegay, or Bunch of Green.

“WOODS and Groves make the Relievo of Gardens, and serve infinitely to improve the flat Parts, as Parterres and Bowling-greens. Care should be taken to place them so, that they may not hinder the Beauty of the Prospect. . . .

“Their most usual Forms are the Star, the direct Cross, S. Andrew’s Cross, and the Goose-Foot; they nevertheless admit the following Designs, as Cloisters, Labyrinths, Quincunces, Bowling-greens, Halls, Cabinets, circular and square Compartiments, Halls for Comedy, Covered Halls, Natural and Artificial Arbors, Fountains, Isles, Cascades, Water-Galleries, Green-Galleries, &c.” [Fig. 10]

• Langley, Batty, 1728, New Principles of Gardening ([1728] 1982: Introduction, 195–203)

“Their [Nobility and Gentry of England] Wildernesses and Groves (when they planted any) were always placed at the most remote Parts of the Garden: So that before we can enter them, in the Heat of Summer, when they are most useful, we are obliged to pass thro’ the scorching Heat of the Sun.

“Indeed, ’tis oftentimes necessary to place Groves and open Wildernesses in such remote Parts of Gardens, from whence pleasant Prospects are taken; but then we should always take care to plant proportionable Avenues leading from the House to them, under whose Shade we might with Pleasure pass and repass at any time of the Day. . . .

“Their GROVES (whenever they planted any) were always regular, like unto Orchards, which is entirely wrong; for when we come to copy, or imitate Nature, we should trace her Steps with the greatest Accuracy that can be. And therefore when we plant Groves of Forest or other Trees, we have nothing more to regard, than that the outside Lines be agreeable to the Figure of the Grove, and that no three Trees together range in a strait [sic] Line; excepting now and then by Chance, to cause Variety. . ..

“General DIRECTIONS, &c.

“I. THAT the grand Front of a Building lie open upon an elegant Lawn or Plain of Grass, adorn’d with beautiful Statues, (of which hereafter in their Place,) terminated on its Sides with open Groves....

“VIII. That Shady Walks be planted from the End-Views of a House, and terminate in those open Groves that enclose the Sides of the plain Parterre, that thereby you may enter into immediate Shade, as soon as out of the House, without being heated by the Scorching Rays of the Sun. . . .

“IX. That all the Trees of your Shady Walks and Groves be planted with Sweet-Brier, White Jessemine, and Honey-Suckles, environ’d at Bottom with a small Circle of Dwarf-Stock, Candy-Turf, and Pinks. . . .

“XVIII. That the Intersection of Walks be adorn’d with Statues, large open Plains, Groves, Cones of Fruit, of Ever-Greens, of Flowering Shrubs, of Forest Trees, Basons, Fountains, Sun-Dials, and Obelisks. . . .

“XXV. Groves of Standard Ever-Greens, as Yew, Holly, Box, and Bay-Trees, are very pleasant, especially when a delightful Fountain is plac’d in their Center. . . .

Fig. #, Batty Langley, "Design of a rural Garden, after the new manner", in New Principles of Gardening (1728), pl. III, opp. p. 208.

“XXXII. In the Planting of Groves, you must observe a regular Irregularity; not planting them according to the common Method like an Orchard, with their Trees in straight Lines ranging every Way, but in a rural Manner, as if they had receiv’d their Situation from Nature itself.

“XXXIII. Plant in and about your several Groves, and other Parts of your Garden, good store of Black-Cherry and other Trees that produce Food for Birds, which will not a little add to the Pleasure thereof. . . .

“XXXV. The several kinds of Forest-Trees make beautiful Groves, as also doth many Ever-Greens, or both mix’d together; but none more beautiful than that noble Tree the Pine.” [Fig. 11]

• Miller, Philip, 1754, The Gardeners Dictionary ([1754] 1969: 588–90)

“GROVES are the greatest Ornaments to a Garden; nor can a Garden be complete which has not one or more of these. In small Gardens there is scarce room to admit of Groves of any Extent; yet in these there should be at least one contrived, which should be as large as the Ground will allow it: and where these are small, there is more Skill required in the Disposition, to give them the Appearance of being larger than they really are. . . .

“These Groves are not only great Ornaments to Gardens, but are also the greatest Relief against the violent Heats of the Sun, affording Shade to walk under, in the hottest Part of the Day, when the other Parts of the Garden are useless; so that every Garden is defective which has not Shade.

“Groves are of two Sorts: viz. open and close Groves: Open Groves are such as have large shady Trees, which stand at such Distances, as that their Branches may approach so near each other, as to prevent the Rays of the Sun from penetrating through them: but as such Trees are a long time in growing to a proper Size for affording a Shade; so where new Groves are planted, the Trees must be placed closer together, in order to have Shade as soon as possible: but in planting of these Groves, it is much the best Way to dispose all the Trees irregularly, which will give them a greater Magnificence, and also form a shade sooner, than when the Trees are planted in Lines; for when the Sun shines between the Rows of Trees, as it must do some Part of the Day in Summer, the Walks between them will be exposed to the Heat, at such times, until the Branches of these Trees meet, whereas, in the irregular Plantations, the Trees intervene, and obstruct the direct Rays of the Sun.

“When a Person, who is to lay out a Garden, is so happy as to meet with large full-grown Trees upon the Spot, they should remain inviolate, if possible; for it will be better to put up with many Inconveniencies, than to destroy these . . . so that nothing but that of offending the Habitation, by being so near as to occasion great Damps, should tempt the cutting of them down. . . .

“Close Groves have frequently large Trees standing in them; but the Ground is filled under these with Shrubs, or Underwood; so that the Walks which are made in them are private, and screened from Winds; whereby they are rendered agreeable for walking, at such times when the Air is too violent or cold for walking in the more exposed Parts of the Garden.

“These are often contrived so as to bound the open Groves, and frequently to hide the Walls, or other Inclosures of the Garden: and when they are properly laid out, with dry Walks winding through them, and on the Sides of these sweet-smelling Shrubs and Flowers irregularly planted, they have a charming Effect: for here a Person may walk in private sheltered from the Inclemency of cold or violent Winds; and enjoy the greatest Sweets of the vegetable Kingdom: therefore where it can be admitted, if they are continued round the whole Inclosure of the Garden, there will be a much greater Extent of Walk: and these Shrubs will appear the best Boundary, where there are not fine Prospects to be gained.

“These close Groves are by the French termed Bosquets, from the Italian word Bosquetto, which signifies a little Wood: and in most of the French Gardens there are many of them planted; but these are reduced to regular Figures, as Ovals, Triangles, Squares, and Stars: but these have neither the Beauty or Use which those have that are made irregularly, and whose Walks are not shut up on each Side by Hedges, which prevents the Eye from seeing the Quarters; and these want the Fragrancy of the Shrubs and Flowers, which are the great Delight of these private Walks; add to this, the keeping of the Hedges in good Order is attended with a great Expence; which is a capital Thing to be considered in the making of Gardens.”

• Ware, Isaac, 1756, A Complete Body of Architecture (pp. 649–51)

“The disposition of groves is a consideration not enough regarded: we err in it greatly; we plant the trees too close, and we make the walks too narrow. The person who goes into them to be free from the sun is choaked for want of air; and the same closeness occasions a continual damp, very dangerous at such seasons. Every thing in them is gloomy and disagreeable. Instead of this, a kind of cheerfulness may be diffused even there; and we may have solitude, shade, and retirement, without a savage darkness of dreary wet. . . .

“Let the plantation be made of selected trees, as we have proposed, and let them have good distance: they will grow more vigorously, and the walk will be more wholesome.

“This space of planting will also give reason for flowering shrubs, which may be scattered here and there about the walk, and will thrive nearly as well as in the open air.

“Thus may the groves be constructed ornamentally to the other parts of the garden, elegant and pleasing in themselves, and fit to form recesses in which to place statutes [sic], temples, and other structures. . . .

“A ragged outside of a grove contrasts the trim cheerfulness of an even walk; and one gives the other lustre. The only rule is, that they be used with moderation and discretion; for they must be considered as foils and extravagancies, not as the essential and regular part of a garden.”

• Whately, Thomas, 1770, Observations on Modern Gardening ([1770] 1982: 36, 46–48)

“Every plantation must be either a wood, a grove, a clump, or a single tree. “A wood is composed of both trees and underwood, covering a considerable space. A grove consists of trees without underwood; a clump differs from either only in extent. . . .

“The prevailing character of a wood is generally grandeur. . . . But the character of a grove is beauty; fine trees are lovely objects; a grove is an assemblage of them; in which every individual retains much of its own peculiar elegance; and whatever it loses, is transferred to the superior beauty of the whole. To a grove, therefore, which admits of endless variety in the disposition of the trees, differences in their shapes and their greens are seldom very important, and sometimes they are detrimental. . . .

“Though a grove be beautiful as an object, it is besides delightful as a spot to walk or to sit in; and the choice and the disposition of the trees for effects within, are therefore a principal consideration. Mere irregularity alone will not please; strict order is there more agreable than absolute confusion; and some meaning better than none. ...The distances therefore should be strikingly different: the trees should gather into groupes, or stand in various irregular lines, and describe several figures: the intervals between them should be contracted both in shape and in dimensions: a large space should in someplaces be quite open: in others the trees should be so close together, as hardly to leave a passage between them; and in others as far apart as the connexion will allow. In the forms and the varieties of these groupes, these lines, and these openings, principally consists the interior beauty of a grove.”

• Squibb, Robert, 1787, The Gardener’s Calendar for South Carolina, Georgia, and North Carolina ([1787] 1980: 51)

“If you plant the orange trees for a hedge, about ten feet will be a good distance; but if intended for an orchard or a grove, twenty feet will not be too much.”

• Sheridan, Thomas, 1789, A Complete Dictionary of the English Language (n.p.)

“GROVE, gro’ve. s. A walk covered by trees meeting above.”

• Deane, Samuel, 1790, The New-England Farmer (p. 116)

“GROVE, a row or walk of trees planted close, for ornament and shade.

“Formerly a grove made in regular lines, was considered as most ornamental. But modern improvers are rather disgusted with the uniformity of a grove, and prefer those which appear as if they were the work of nature or chance. As taste alters from time to time, I shall not undertake to determine which are most grand or beautiful. As my great object is real improvement and advantage, I shall here attend to groves in regular lines.

“Groves in gardens are both ornamental and useful. They shade the walks in the borders; so that we may walk in gardens with pleasure, in the hottest part of the day. It is scarcely needful to say these garden groves should consist of fruit-trees; and they should be of the smaller kinds, in a garden of a small size. A double row has the best effect, one near the wall, the other on the opposite side of the walk.

“In other situations groves of larger trees are preferred. Lanes and avenues leading to mansion houses and other buildings, may be ornamented with rows of trees, either on one, or on both sides: If only on one, it should be the southermost, on account of the advantage of shade. . . .

“It would be advantageous to the publick, as well as to the owners of adjoining farms, if all our roads were lined with groves. They might be either within or without the fences. In the latter case, government might interpose, and secure to the planters those which stood in the roads; and oblige farmers to plant in the roads against their own lands. . . .

“If the country were well stocked with these groves, their perspiration would help to abate the scorching heat of the sun, by moistening the atmosphere. They would serve to impede the force of high driving winds and storms in summer, which often tear our tender vegetables, or lay our crops flat to the ground. Our buildings would be also in less danger from them. The winds in winter would not be so keen and violent. The force of sea winds on our fruit-trees would be abated. The snows that fall would be more even on the ground. Roads would be less blocked up, and seldomer rendered impassable by them. But for these last purposes, groves of evergreens will have the greatest effect.

“Groves should be planted thick at first, that the above advantages may be had from them while young. When the trees become so large as to be crowded, they should be thinned.”

• Marshall, William, 1803, On Planting and Rural Ornament (1:119, 145)

“by Timber Grove [is meant], a collection of timber trees only, placed in close order. . . .

“THE TIMBER GROVE is the prevailing plantation of modern time. WOODS or COPPICES are seldom attempted: indeed, until of late years, clumps of Scotch Firs seem to have engaged, in a great measure, the attention of the planter.”

• M’Mahon, Bernard, 1806, The American Gardener’s Calendar (pp. 58–59, 63–64)

“Straight ranges of the most stately trees, are sometimes arranged on grass-ground in different parts, in contrast with irregular plantations; and produce a most agreeable effect, which though prohibited in many modern designs, always exhibit an air of grandeur; being arranged sometimes in single rows, others double, or two ranges at certain distances, forming a grand walk; in other parts, several regular ranges of trees together in the manner of groves; the whole combined, forming a diversity, pleasing to the senses, and condusive to health, by exciting to the salutary exercise of walking. . . .

"The planting in groves and avenues should consist principally of the tree kind, and such as are of straight and handsome growth, with the most branchy, full, regular heads, and may be both of the deciduous and ever-green tribes; but generally arranged separately: groves and avenues, should always be in some spacious open space, formed into grass-ground, either before or after planting the trees; and in planting the groves, it is most eligible to arrange the trees in lines, in some places straight rows, others in gentle bendings, or easy sweeps, having the rows at some considerable distance, that the trees may have full scope to display their branchy heads regularly around; and in some places may have close groves to form a perfect shade. ...

“It very frequently happens, that on the spot or tract, which is designed for a pleasure-ground, are found large stately trees of considerable standing, properly situated to be introduced into the design; and sometimes numbers in suitable assemblages, for constituting groves, or thickets, and some for single standing groups or clumps, &c. which will prove of considerable advantage; these should be preserved with the utmost care, as it would require many years to form the like with young plantations; and although the trees should stand ever so close, irregular, or straggling, with proper address in thinning and regulating them where necessary, they may be made to become beautifully ornamental to the place, and to prevent a considerable expense.”

• Nicol, Walter, 1812, The Planter’s Kalendar (pp. 40–42, 259–61)

“But groves are most generally planted in the environs of a mansion-house, in parks, and ornamental grounds; and they often form the chief artificial features of a place. Here, indeed, if the place be extensive, they are most in character; and, if contrasted with woods, copses, and thickets, produce great interest. But in such cases, a grove should never be, or at least appear to be, diminutive. Its situation should always be such, as to exhibit the greatest possible magnitude, when grown up, as well as in its infancy. That the grove may appear to most advantage, it is necessary that it occupy the hang of a hill, or the swell of a rising ground: thus situated, it shows a greatly enlarged canopy of foliage. When placed on level ground, the grove necessarily requires to be more extended in length and in breadth, to produce the same good effects.

“We do not wish that our observations respecting grove plantations, should be understood as affecting those clumps, small patches of planting, or groups of trees that are merely intended to beautify the park or the lawn. Were such clumps planted for any other purpose, we doubtless would consider them as very improper appendages: but when properly pruned and thinned, they are very ornamental. The trees in such clumps, however, should never be pruned up in imitation of grove trees, but should be feathered from the bottom upwards. . . .

“It has already been observed, that a grove is a plantation of trees, whatever be their kind or kinds, which are intended to be trained up with straight tall trunks. This circumstance will partly determine its extent. If the eye can penetrate through a plantation, it produces a feeling of nakedness. A grove, then, should be of such an extent, or so particularly situated, that, from no side shall the eye be able to penetrate to the other, even were the trees arrived at their full stature, and properly trained. This circumstance shows also the propriety of removing the situation of the grove to a considerable distance from the site of the mansion-house: It would be no mark of an improved taste to narrow the prospect, by placing a grove in an improper direction. . . .

“A Grove, then, may be constituted of a mixture of trees, like ordinary mixed plantations,—or, more properly, in the form of masses; in which respect, indeed, they may be considered as ordinary plantations. Indeed, they differ from them hardly in any thing, excepting that the principals are to be placed rather more closely together. The principals of a deciduous grove should be placed at the distance of six feet; and the interstices filled up with nurses of larch or firs, till the trees in the whole grove be only from three to four feet apart.”

• Abercrombie, John, with James Mean, 1817, Abercrombie’s Practical Gardener (p. 479)

“A grove is distinguished from a wood, by being without underwood. Like the clump, it may be intersected by the garden-walks. . ..

“A grove may have a fine effect on a level; but a grove rooted in unequal ground, gently curving along the side of a hill, is capable of more various beauty, by the views and openings from the interior.”

• Loudon, J. C., 1826, An Encyclopaedia of Gardening (pp. 942–43)

“6813. With respect to the disposition of the trees within the plantation, they may be placed regularly in rows, squares, parallelograms, or quincunx; irregularly in the manner of groups; without undergrowths, as in groves (fig. 629. a, b); with undergrowths, as in woods (c); all undergrowths, as in copse-woods (d). Or they may form avenues (fig. 630. a); double avenues (b); avenues intersecting in the manner of a Greek cross (c); of a martyr’s cross (d); of a star (e); or of a cross patée, or duck’s foot (patée d’oye) (f).”

• Webster, Noah, 1828, An American Dictionary of the English Language (n.p.)

“GROVE, n. [Sax. groef, graf, a grave, a cave, a grove; Goth. groba; from cutting an avenue, or from the resemblance of an avenue to a channel.]

“1. In gardening, a small wood or cluster of trees with a shaded avenue, or a wood impervious to the rays of the sun. A grove is either open or close; open, when consisting of large trees whose branches shade the ground below; close, when consisting of trees and underwood, which defend the avenues from the rays of the sun and from violent winds. Encyc.

“2. A wood of small extent. In America, the word is applied to a wood of natural growth in the field, as well as to planted trees in a garden, but only to a wood of small extent and not to a forest.”

• Anonymous, 26 December 1828, “Groves” (New England Farmer 7: 181)

“GROVES.

“These are both ornamental and useful. To plant heights of ground, the sides and tops of which are generally not very good for tillage or pasture, adds much to the beauty of a landscape; and is at the same time highly useful, as it regards the quantities of firewood which may be produced from such spots. Planting rows of trees along highways is also pleasant for shade to the traveller, and profitable to the owner of the soil. The same may be observed, in regard to lanes, and to passages from the highway to the mansion-house. Sugar-maple trees, planted round the borders of meadows, and some straggling ones in them, are very pleasant and profitable, as they do no injury to the growth of the grass. Wherever trees can be planted in pastures and along fences, without doing injury to the growths of the adjoining fields by their shade, this part of rural economy ought never to be omitted.”

• Adams, Rev. Nehemiah, 1838, The Boston Common ([Adams] 1838: 39–40)

“A dense grove of large evergreen trees of several species, might be planted in the centre of a park or green, as large or larger than the Common, to great advantage. It would form a beautiful ornament to the landscape, by the contrast of its foliage with that of the deciduous trees, in the summer—and in the winter, by the display of deep verdure when all else was desolated. In the cooler parts of the year, it would furnish a pleasant retreat from the rough winds of the season, and furnish an incentive to out-of-door exercise to those who might otherwise forego its advantages. . . .

“the disposition of the trees on the Common is apt to strike one as too stiff and formal, for the greatest degree of beauty. The science of landscape gardening, our ignorance of which is so easily explained by the small amount of wealth with a comparatively new country can afford to devote to its practice, would have dictated differently. Had its principles been regarded, we should have seen trees of various foliage, here standing alone, and there intermingled in copses and groves— arranged, indeed, so as to imitate nature herself, in her picturesqueness as well as her beauty.”

• Ranlett, William H., 1849, The Architect ([1849] 1976: 1:5)

“The one [cottage in Design I] here described, stands about fifty yards from the road, fronts eastnorth-east, and is nearly surrounded by fruit trees, which are preferred to forest trees by those who wish to combine utility with ornament, though for shade and ornament, the latter are generally chosen. A grove affords, to a house, a natural protection in both Summer and Winter.”

• Jaques, George, January 1852, “Landscape Gardening in New-England” (Horticulturist 7: 36)

“A man of refinement would in these days, scarcely tolerate a geometrical arrangement of grounds of this extent. Such places admit of a winding carriage-way, leading through a fine lawn studded with groups of trees, irregularly circuitous walks, bordered with various shrubbery; here and there a massive forest tree, standing in its full development singly upon the lawn; a summerhouse embowered in the midst of a little retired grove; arabesque forms of flower beds occasionally inserted in the midst of the smooth green of a grass-plot; a vase, pretty even when empty, but better over-flowing with water, which it costs not much to bring in a leaden pipe from some neighboring hill:—such are among the charms which almost seem to make a little paradise of home.”

Images

Inscribed

• 

  Pierre Pharoux, Plan of Sperenza, N.Y. [detail], n.d.

• 

  Michael van der Gucht, "The general Plan of a Garden drawn upon Paper" and "The same Plan of Garden mark'd out upon ye Ground," in A.-J. Dézallier d’Argenville, The Theory and Practice of Gardening (1712), p. 124.

• 

  Michael van der Gucht, "The Parterre C drawn & Squar'd over upon Paper," "The same Parterre C Squared out & traced upon ye Ground," and "The Grove V & ye Bowling-green X design'd upon paper," in A.-J. Dézallier d’Argenville, The Theory and Practice of Gardening (1712), p. 130.

• 

  Batty Langley, "Design of a rural Garden, after the new manner", in New Principles of Gardening (1728), pl. III, opp. p. 208.

• 

  Christian Remick, A Prospective View of part of the Commons, c. 1768. Concord Museum, Mass.

• 

  Thomas Jefferson, General plan of the summit of Monticello Mountain, before May 1768.

• 

  Amy Cox, attr., Box Grove, c. 1800.

• 

  William Russell Birch, Plan of Springland, c. 1800.

• 

  William Russell Birch, View of the Chapel/Smokehouse at Springland, with Steeple Detail and Plan, c. 1800.

• 

  Anonymous, Plan of Williamsburg, Virginia (copy after Unknown Draftsman's Plan), after 1800.

• 

  Thomas Jefferson, Letter describing plans for a "Garden Olitory," c. 1804.

• 

  William Russell Birch, Front of the Aviary/Grove, Springland, before 1805.

• 

  William Russell Birch, "The Grove in Springland," before 1805.

• 

  Thomas Jefferson, Plan of the grounds at Monticello, 1806.

• 

  Anonymous, The Ample Grove, c. 1810-25.

• 

  Anonymous, "Barrell Farm," Pleasant Hill, 1817.

• 

  James Smillie, "Greenwood Cemetery," in Nehemiah Cleaveland, Green-wood Illustrated (1847), flyleaf.

• 

  James Smillie, "Bay-Grove Hill," in Nehemiah Cleaveland, Green-wood Illustrated (1847), opp. p. 26.

Associated

• 

  Batty Langley, "Design of an Avenue with its Wildernesses on each Side," in New Principles of Gardening, (1728), pl. V.

• 

  Batty Langley, "An Improvement of a beautiful Garden at Twickenham," in New Principles of Gardening, (1728), pl. IX.

• 

  Batty Langley, One of two "Designs for Gardens that lye irregularly to the ground House . . . House opening to the North upon a plain Parterre of Grass," in New Principles of Gardening, (1728), pl. XI.

• 

  Batty Langley, "Part of a Park Exhibiting their manner of Planting, after a more Grand manner than has been done before," in New Principles of Gardening, (1728), pl.XIII.

• 

  Thomas Lee Shippen, Plan of Westover, 1783.

• 

  Samuel Vaughan, Plan of Mount Vernon, 1787.

• 

  Pierre Pharoux, Plan for Esperanza (Speranza), 1794-95.

• 

  Pierre Pharoux, Courthouse Square, Speranza, 1794-95.

• 

  Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796.

• 

  J. Weiss, Home of George Washington, "The Father of His Country", 1797.

• 

  Anonymous, Plan of Williamsburg, Virginia (Unknown Draftsman's Plan), c. 1800.

• 

  Charles Varlé (artist), Francis Shallus (engraver), Warner & Hanna's Plan of the City and Environs of Baltimore, 1801.

• 

  Daniel Wadsworth, "Monte Video, Approach to the House," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), pl. opp. p. 16.

• 

  Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), frontispiece.

• 

  J. C. Loudon, Groves, in An Encyclopædia of Gardening (1826), p. 943, figs. 629a and b.

• 

  Thomas S. Sinclair, "Plan of the Pleasure Grounds and Farm of the Pennsylvania Hospital for the Insane at Philadelphia," in Thomas S. Kirkbride, American Journal of Insanity 4 (April 1848): plate opp. p. 280.

• 

  Frances Palmer, "Ground Plot of Brier Cottage," in William H. Ranlett, The Architect (1849), vol. 1, pl. 2.

• 

  Frances Palmer, "Waldwic Cottage," in William H. Ranlett, The Architect (1851), vol. 2, p. 31.

• 

  Robert A. Lively, Plan of Williamsburg, Virginia, after Benjamin Bucktrout's plan, 1867.

Attributed

• 

  Matthaeus Seutter, "Plan von neu Ebenezer," 1747.

• 

  Benjamin Henry Latrobe, Spring house - elevation and plan, from "Buildings Erected or Proposed to be Built in Virginia," 1795-99.

• 

  Unknown, Gardiner Gilman House Overmantle, c.1800.

• 

  Thomas Kelah Wharton, View of David Hosack Estate, Hyde Park, New York, from the East (from Hosack Album), c. 1832.