A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "Portico"

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==History==
 
==History==
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[[File:0320.jpg|thumb|left|Fig. 1, [[William Russell Birch]], "York-Island with a [[View]] of the [[Seat]]s of Mr. A. Gracie, Mr. Church &c."'', 1849.]]
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[[File:0320.jpg|thumb|left|Fig. 1, William Russell Birch, “York-Island, with a '''View''' of the [[Seat]]s of M.<sup>r</sup> A. Gracie, M.<sup>r</sup> Church &c.,” in ''The Country [[Seat]]s of the United States of North America'' (1808), pl. 17.]]
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Several words were used synonymously to describe covered walks or spaces supported by [[column]]s or piers and attached to, or to part of, a building. This architectural feature spoke to the interrelatedness of architecture and gardens, a relationship that grew out of the romantic interest in landscape characterizing the aesthetics of the eighteenth and nineteenth centuries.  
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Portico is one of several words (including [[piazza]], [[porch]], and [[veranda]]) used to describe covered [[walk]]s or spaces supported by [[column]]s or piers and attached to, or to part of, a building. This architectural feature spoke to the interrelatedness of architecture and gardens, a relationship that grew out of the romantic interest in landscape characterizing the aesthetics of the 18th and 19th centuries. Two images exemplify the importance of these structures in creating and framing views of the garden and landscape. The first is a drawing of York Island, Long Island, by William Russell Birch (1808), who explained that the [[view]] was taken from the [[piazza]], a place from which one could see “innumerable [[seat]]s, spreading over an extensive country which glittered as the sun arose” [Fig. 1].<ref>William Russell Birch, ''The Country Seats of the United States of North America: With Some Scenes Connected with Them'' (Springland, PA: W. Birch, 1808), [https://www.zotero.org/groups/54737/items/itemKey/BAIMV4GZ view on Zotero].</ref> The second is from [[A. J. Downing]]’s book on wooden [[picturesque]] houses, ''The Architecture of Country Houses'' (1850) [Fig. 2]. Both illustrate views from the bracketed [[piazza]], or veranda, as [[A. J. Downing|Downing]] preferred to call it, out to the distant [[prospect]].
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[[File:0916.jpg|thumb|Fig. 2, Anonymous, "Bracketed Veranda from the inside", 1850.]]
 
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Two images exemplify the importance of the [[piazza]], [[veranda]], [[porch]], and portico in creating and framing views of the garden and landscape. The first is a drawing of [[York Island]], Long Island, by [[William Russell Birch]] (1808), who explained that the [[view]] was taken from the [[piazza]], a place from which one could see "innumerable [[seat]]s, spreading over an extensive country which glittered as the sun arose" [Fig. 1]. The second is from [[A. J. Downing]]'s book on wooden [[picturesque]] houses, ''The Architecture of Country Houses'' (1850) [Fig. 2]. Both illustrated views from the bracketed [[piazza]], or [[veranda]], as [[A. J. Downing|Downing]] preferred to call it, out to the distant [[prospect]].
 
  
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Various treatises used all of these terms interchangeably in their definitions. [[Alexander Jackson Davis]] and [[A. J. Downing|Downing]] also used the term 'umbrage' to refer to the same feature on a house, implying a place of shade.<ref> William Pierson, Jr., traces the origins of the feature, specifically found in [[Alexander Jackson Davis]] and [[A. J. Downing|A. J. Downing]]'s work, to the awning or canopy partaking of an oriental flavor. In general, its origin was a semi-enclosed outdoor space that was not at all architectural but was related to the ornamental canopy or tent. This connection might explain why the detail flourished during the high romantic period in American architecture. See Pierson, American Buildings and Their Architects: Technology and the Picturesque, the Corporate and the Early Gothic Styles, vol. 2 (New York: Doubleday, 1978), 300-304.</ref> [[Mary Elizabeth Latrobe]] mentioned that in New Orleans the [[piazza]] was known as the gallery. Contrasting usage of these words sometimes could offer distinctions. Rev. Manasseh Cutler, for example, in his description of [[Monticello]], said that the term "portico" refers to smaller entrance porches and the term "[[piazza]]" to extended covered walkways stretching perpendicularly from the porticos. For the purposes of this essay, each of the four key terms will be described in turn, highlighting any specific meanings that have been attributed to them.
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[[File:0916.jpg|thumb|Fig. 2, Anonymous, “Bracketed [[Veranda]] from the inside,” in [[A. J. Downing]], ''The Architecture of Country Houses'' (1850), 122, fig. 45.]]
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[[File:1732.jpg|thumb|Fig. 3, [[Batty Langley|Batty]] and [[Thomas Langley]], "Four Examples of Arcades for Piazza's", 1747.]]
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Treatises often used these terms interchangeably, along with a few other less common words that were more or less synonymous. [[Andrew Jackson Downing|Downing]] and [[Alexander Jackson Davis]] used the term “umbrage” to refer to the same feature on a house, implying a place of shade; Downing used the term “[[pavilion]]” synonymously with “[[veranda]]”; and Mary Elizabeth Latrobe mentioned that in New Orleans the [[piazza]] was also known as the gallery.<ref> William Pierson Jr. traces the origins of the feature, specifically found in Alexander Jackson Davis and A. J. Downing’s work, to the awning or canopy partaking of an oriental flavor. In general, its origin was a semi-enclosed outdoor space that was not at all architectural but was related to the ornamental canopy or tent. This connection might explain why the detail flourished during the high romantic period in American architecture. See Pierson, ''American Buildings and Their Architects: Technology and the Picturesque, the Corporate and the Early Gothic Styles'', 2 vols. (New York: Doubleday, 1978), 2:300–4, [https://www.zotero.org/groups/54737/items/itemKey/J8FITVZG/q/Pierson view on Zotero]. Also see Alexander Jackson Downing, ''The Architecture of Country Houses; Including Designs for Cottages, Farm-Houses, and Villas'' (1850; repr., New York: D. Appleton; Da Capo, 1968), 357, [https://www.zotero.org/groups/54737/items/itemKey/GRZPQXQI view on Zotero].</ref> Contrasting usage sometimes reveals distinctions. In his plan for a country house, [[Andrew Jackson Downing|Downing]] also used the term “[[porch]]” to identify the central area of the [[veranda]] leading to the entryway. <span id="Ranlett_cite"></span>The 19th-century architect William H. Ranlett sometimes distinguished between [[piazza]] and [[veranda]], using “[[piazza]]” for a [[walk]] over which a projecting roof might be added, and “[[veranda]]” for a structure that included a roof ([[#Ranlett|view text]]). Two points are important in the history of these terms: First, these architectural elements served to elide the boundaries of the garden and building by linking interior and exterior space both visually and physically. Second, the associative values of refinement and domesticity, and even national progress, were read into the forms.
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In 1828, [[Frances Milton Trollope]], the acerbic critic of American art and architecture, described the [[piazza]] as a "luxury almost universal in the country houses of America." Indeed it was a feature found throughout the colonies and dates from the late eighteenth to the mid-nineteenth centuries. From Massachusetts to the lower Mississippi Valley, examples are found on both private and public buildings. The feature was adapted to various styles with appropriate detailing and ornamentation. The [[piazza]] was a projecting [[porch]] or connecting passage that was identifiable in neoclassical [[plantation]] houses in the South, as well as in the Gothic revival suburban cottages of New Jersey and Pennsylvania. There were countless variations ranging from the simple wooden post-and-lintel type, to stone-[[arch]]ed [[piazza]]s depicted by [[Batty Langley]] [Fig. 3] and mentioned in 1839 at [[Laurel Hill Cemetery]] in Philadelphia.
 
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[[File:0549.jpg|thumb|left|Fig. 4, Victor de Grailly, ''View of Mount Vernon'', c. 1840-50.]]
 
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[[File:0597.jpg|thumb|Fig. 5, William Strickland, "Sketch of the Principal Story of the [United States] Naval Asylum", 1826. Seven piazzas are marked on all the fa&ccedil;ades]]
 
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In texts and images related to American gardens of the period under study, although several imported treatises traced "[[piazza]]" back to covered walkways that surrounded the [[square]], the term has not been associated with the Italian term for a medieval or renaissance [[square]]. It was generally described as two related but somewhat distinctive appendages to buildings. First, the [[piazza]] was attached [[porch]]-like to a fa&ccedil;ade so that three sides of the [[piazza]] projected out from the building [Fig. 4], or the sides were recessed into the structure, as on the main fa&ccedil;ade of the U.S. Naval Asylum in Philadelphia [Fig. 5]. At other times it appeared on more than one fa&ccedil;ade [Fig. 6]. In New Orleans one house was described as having [[piazza]]s on all four sides. Both one- and two-story [[piazza]]s were also built. Second, "[[piazza]]" also referred to a covered walkway embedded between two buildings and acting as a connecting link. A single- or even double-height [[piazza]], such as that described in 1799 on a property in Richmond, Va., provided either an entrance or transition space from interior architecture to exterior space. In the case of the University of Virginia, [[piazza]]s linked the entire range of houses around the lawn, and they served as transitional spaces leading to the lawn [Fig. 7].
 
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[[File:0233.jpg|thumb|left|Fig. 6, Charles Fraser, ''Another View of Brabants, on French Quarter Creek, [[Seat]] of the Late Bishop Smith'', 1800.]]
 
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[[File:0505.jpg|thumb|Fig. 7, Benjamin Tanner, engraver, ''University of Virginia'', 1826. Seven piazzas are marked on all the fa&ccedil;ades]]
 
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The [[piazza]]'s basic structure consisted of a roof supported by pillars or [[column]]s. A [[piazza]] might be walled on each side with Venetian blinds or, as Harriet Martineau described one in 1835, "draperied with vines." Flooring was stone, flag, wooden planks, or gravel. The roof was generally either flat or peaked. James E. Teschemacher (1835), however, described and illustrated a [[piazza]] with a concave roof formed of painted floor cloth fastened on wooden rafters, which were supported by wooden [[arch]]es. Several images depict the piazza at ground level opening directly out into the landscape. Some examples, however, describe broad and spacious flights of stairs leading from the piazza and 'descending into the garden.' At [[Thomas Jefferson|Thomas Jefferson's]] [[Monticello]] (Charlottesville) and [[Poplar Forest]] (Bedford County, Va.), the [[piazza]]s had no immediate access to the ground but instead were raised, balcony-like structures overlooking the garden. Even if not a physical link, the visual connection to the exterior remained critical to the function of this feature.  
 
  
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The nineteenth-century architect William H. Ranlett, who used them often in his residential design, praised [[piazza]]s for their "very expressive" purpose. They functioned as sitting areas that were furnished with couches, chairs, and sometimes tables where one could take a meal. They were used to provide a place for walking or sitting and enjoying the breeze, shade and coolness; they also served to keep the sun from warming the interior of the house. Since the feature was designed to provide [[view]]s in addition to protection from the sun, orientation of the piazza had to be planned with regard to the sun and surrounding environment. At [[Hyde Park]], a visitor in 1830 mentioned that one [[piazza]] was open to the Hudson River and the other looked over a beautiful [[lawn]], suggesting that the [[view]] dictated where the [[piazza]]s might be located.
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[[File:0580.jpg|thumb|Fig. 3, Lewis Miller, “[[Mount Vernon]]” [detail], in ''Orbis Pictus'' (c. 1849), 108.]]
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[[File:0350.jpg|thumb|Fig. 8, [[Alexander Jackson Davis]], "View in the Grounds at Blithewood", 1849.]]
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The term “portico” was also used when referring to a covered space that was supported by [[column]]s or piers and was attached to a building. Semantic distinctions were made, however, using “portico” to identify the principal entrances to the house and “[[piazza]]” for the extended side [[porch]]es. The higher status of the portico, as opposed to [[piazza]], [[veranda]], or [[porch]], was emphasized by its frequent modification by adjectives such as “handsome,” “noble,” and “elegant.” The word “portico” seems not to have been used to refer to covered walkways that linked separate buildings, <span id="Shelley_cite"></span>as is made clear in the distinction in 1777 regarding the College of William and Mary in Williamsburg, Virginia ([[#Shelley|view text]]). <span id="Smith_cite"></span> Margaret Bayard Smith in 1828 said the portico at President James Madison’s [[plantation]], Montpelier, commanded a [[view]], “a beautiful scene,” of extensive [[lawn]]s and forests, where viewers walked through the portico until twilight when the landscape was no longer visible ([[#Smith|view text]]). <span id="Mason_cite"></span>John Mason recalled the portico at George Mason’s Gunston Hall, near Mason Neck, Virginia, from which “you descended directly into an extensive garden”([[#Mason|view text]]). <span id="Downing2_cite"></span>[[A. J. Downing|Downing’s]] 1849 comments conveyed a similar meaning, suggesting that the portico served to connect the building, visually and also physically, “by gradual transition with the ground about it” ([[#Downing2|view text]]).
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Ranlett was emphatic when he decreed that a "dwelling should always have one or more of them [[piazza|[piazzas]]]." He regarded the absence of a [[piazza]] on a new house an indication of ignorance, niggardliness, and narrow- minded views. Downing (1850) went so far as to proclaim the lack of a [[piazza]] or [[veranda]] in any but the most utilitarian structure as "unphilosophical and false in taste!" He claimed that it was a resting place, lounging spot, and place of social resort of the whole family across nearly the entire extent of the United States [Fig. 8].  
 
  
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Appearing only in the mid-nineteenth century in treatise literature with any frequency, the term "[[veranda]]" (also spelled [[veranda|verandah]]) was used in 1748 in Pehr Kalm's ''Travels in North America'', in which he described small balconies or [[porch]]es on houses.<ref>Kalm, ''The America of 1750: Peter Kalm's Travels in North America'', trans. and rev. Adolph B. Benson (New York: Wilson-Erickson, 1937), 121. In his study of the veranda, Anthony D. King wrote, "It is generally accepted that the term '[[veranda|verandah]],' as used in England and France, and later in the British colonial world, came into the English landscape from India, the origins being either Persian, or, more likely Spanish or Portuguese." See King, ''The Bungalow: The Production of a Global Culture'', 2nd ed. (Oxford: Oxford University Press, 1995), 266.</ref> Many visual and textual examples indicate that [[veranda]] served as an intermediary space between a house and its garden. [[A. J. Downing|Downing]] described it as an overhanging or low roof supported by an open colonnade or framework. He recommended that it have a gravel or wooden surface rising six to eight inches above the surrounding ground. Climbing plants often covered [[veranda]]s. Some writers refer to arbor-[[veranda]]s and also mention the latticework that provided screening and support for climbing plants. Ornamental brackets and bargeboards also added to the decorations of the [[veranda]].
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[[File:1735.jpg|thumb|left|Fig. 4, Batty and Thomas Langley, “Gothick [''sic''] Portico,” in ''Gothic Architecture'' (1747), pl. 32.]]
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The portico served as a focal, as well as a viewing, point. <span id="Miller_cite"></span> Lewis Miller, for example, in 1849 wrote that at [[Mount Vernon]] the “lofty portico. . . has a pleasing effect when viewed from the water” ([[#Miller|view text]]) [Fig. 3]. Often the portico was distinguished from the building it ornamented by its material, creating a distant focus for the spectator from the garden or surrounding landscape. A brick building was sometimes ornamented with a contrasting white stone or painted wood portico. As <span id="Warden_cite"></span> David Bailie Warden noted in 1816, such a feature made a house “admirably adapted to the American climate” ([[#Warden|view text]]).  
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[[File:0990.jpg|thumb|Fig. 5, Thomas Birch, ''Southeast View of Sedgeley Park'', c. 1819]]
  
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The term was, as mentioned, often used interchangeably with "[[porch]]," "portico," and "[[piazza]]." Ranlett sometimes distinguished between the two, using "[[piazza]]" for a projecting roof and "[[veranda]]" for an overhanging roof. [[A. J. Downing|Downing]] used the term "[[porch]]" to identify that part of the [[veranda]] where steps led from the ground to the entryway. He also used the term [["pavilion"]] synonymously with "[[veranda]]".  
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Porticoes generally were dressed in a classical style, meaning that classical [[column]]s supported the low-pitched roof and the front was finished with an entablature and pediment. Many descriptions specified Doric (e.g., Centre Square in Philadelphia), Tuscan (e.g., [[The Woodlands]] near Philadelphia), or Corinthian (e.g., Ranlett’s design for a house in Italian bracketed style). Two notable exceptions to the classical style, however, are well known. William Buckland’s fanciful octagonal porch at Gunston Hall (1755–58) had ogee [[arch]]es and is thought to have been inspired by the writings of Batty Langley, who promoted Gothic and chinoiserie details for architectural decoration [Fig. 4]. [[Benjamin Henry Latrobe|Benjamin Henry Latrobe’s]] Gothic design for Sedgeley, near Philadelphia (1799) [Fig. 5], which is considered one of the earliest Gothic revival houses in America, had tall slender posts supporting the roof.  
  
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[[A. J. Downing|Downing]] (1850) expounded at length on the meaning of the [[veranda]], which he saw as a truly American feature not found in European architecture.<ref> This, of course, was not true because the veranda was featured in both John Plaw, ''Sketches for Country Houses, Villas and Rural Dwellings'' (London: S. Gosnell for J. Taylor, 1800), and J. B. Papworth, ''Penny Cyclopaedia'' (London: J. Taylor, 1818), as pointed out by King, ''The Bungalow'', 266-67. </ref> Always concerned with identifying a national style, he believed that the [[veranda]], in addition to providing shade and transitional zone from house to garden, was not simply ornamental but useful and "connected with the life of the owner of the cottage." Its presence expressed the ownership of a family exhibiting rural taste and a love of [[picturesque|[picturesque]]] character, a family "at home in the country."
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—''Therese O’Malley''
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[[File:0955.jpg|thumb|left|Fig. 9, [[Alexander Jackson Davis]], "View N.W. at Blithewood", c. 1841.]]
 
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Although the [[veranda]] was an architectural feature found in the colonial and early national periods, it became a key component of asymmetrical [[picturesque]] design for both landscape and architecture in the 1840s.<ref>Vincent J. Scully, ''The Shingle Style and the Stick Style: Architectural Theory and Design from Downing to the Origins of Wright'' (New Haven, Conn.: Yale University Press, 1971), introduction.</ref> Many illustrations for house pattern books by [[A. J. Downing|Downing]] and his followers depicted plans and elevations in various romantic styles that feature the [[veranda]] as an element in a new spatial organization that experimented with the interweaving of interior and exterior space. In his ''Treatise'' (1849) [[A. J. Downing|Downing]] wrote, "architectural beauty must be considered conjointly with the beauty of the landscape or situation," and "if properly designed and constructed . . . will even serve to impress a character on the surrounding landscape."<ref> [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (New York: G. P. Putnam, 1849), 370. </ref> That the frontispiece to his ''Treatise'' illustrated the veranda at [[Blithewood]] underscores the importance of this theoretical stance. Another drawing of [[Blithewood]] [Fig. 9] by [[Alexander Jackson Davis]] presented, from the house and through the semi-enclosed space of the [[veranda]], the view of the landscape toward the river, exemplifying the interpenetration of space that became for [[Alexander Jackson Davis|Davis]] and [[A. J. Downing|Downing]] an important characteristic of their architecture. Architectural historians have written about the [[veranda]] as a major component in [[picturesque]] architecture and a mark of distinction between American and English houses of the Gothic revival.<ref> William H. Pierson, Jr., ''American Buildings and Their Architects: Technology and the Picturesque, the Corporate and the Early Gothic Styles'' (New York: Doubleday, 1978), 302-4. See also King, ''The Bungalow'', 267, where the author writes that "[a]n architectural note of the term, [[veranda|verandah]]," emphasized that "it was common as a fashionable architectural feature in England during the early nineteenth century," and does not recognize an American distinctiveness.</ref>
 
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[[File:0322.jpg|thumb|left|Fig. 10, [[William Russell Birch]], "China Retreat Pennsyla the Seat of Mr Manigault", 1808.]]
 
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[[File:0182.jpg|thumb|Fig. 11, Caroline Elizabeth Burgwin Clitherall, attr., ''The Hermitage'', c. 1805.]]
 
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The term "[[porch]]," as the 1828 dictionary entry by [[Noah Webster]] indicates, refers to a roofed architectural element often supported by [[column]]s or piers, either attached to a building or existing as an independent garden structure. During the colonial and early Republic periods three kinds of porches were evident throughout America. First, the [[porch]] was either an open or enclosed projecting roofed area of a building that sheltered a doorway or entrance [Fig. 10]. Since most gardens were situated next to the house, a [[porch]] was often a point of access from the house to the ornamental grounds. Eliza Caroline Burgwin Clitherall (active 1801) depicted such a porch at the Hermitage in Wilmington, N.C. [Fig. 11].
 
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[[File:0358.jpg|thumb|Fig. 12, Anonymous, Rustic [[Seat]] at Montgomery Place, 1847.]]
 
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[[File:1768.jpg|thumb|left|Fig. 13, Anonymous, "Principal Floor" of a Symmetrical Stone Farm House, 1850.]]
 
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The second meaning of the term referred to a covered sitting and viewing area that was either attached to the building or was free-standing. In describing the use of [[porch]]es as "decorative marks to the entrances of scenes" (akin to those of a theater proscenium), [[J. C. Loudon]] was referring to their use as embellished shelters over benches or seats placed in the garden. [[A. J. Downing|Downing's]] description of the rustic [[porch]] at [[Montgomery Place]], on the Hudson River in Dutchess County, N.Y., argues that in addition to punctuating or shaping garden scenery, as [[J. C. Loudon|Loudon]] recommended, [[porch]]es, if appropriately placed and decorated, offered a way to situate a [[seat]] in the landscape thereby directing a [[view]] or [[prospect]] [Fig. 12]. Its function also allowed those seated to observe the landscape in all kinds of weather, as described in 1749 by Pehr Kalm. [[A. J. Downing|Downing's]] [[porch]]es make clear the function of the [[porch]] as a mediator between interior and exterior realms. He praised [[porch]]es that were covered with vegetation for easing the transition from outside to inside, and for providing evidence of the cultivated domesticity within the home [Fig. 13].
 
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[[File:1254.jpg|thumb|left|Fig. 14, John Notam, "No. 1 Ground Plan, Smithsonian Institute", 1846.]]
 
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[[File:0551.jpg|thumb|Fig. 15, John Lewis Krimmel, ''Fourth of July in Centre Square'', 1811-12.]]
 
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The third kind of [[porch]] is described by [[A. J. Downing|Downing]] as the carriage [[porch]], or ''porte cochre'', where in a grand home the arriving guests drew up under an architectural canopy for shelter. [[John Notman]] similarly inscribed the term ''porte cochre'' on his unexecuted design for the Smithsonian Institution in Washington, D.C. [Fig. 14]. He includes porches for the side entrances and [[piazza]]s for galleries running along the fa&ccedil;ades.
 
  
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The term "portico" was also used when referring to a covered space that was supported by [[column]]s or piers and was attached to a building. Semantic distinctions were made, however, using "portico" to identify the principal entrances to the house and "[[piazza]]" for the extended side [[porch]]es. The higher status of the portico, as opposed to [[piazza]], [[veranda]], or [[porch]], was emphasized by its frequent modification by adjectives such as "handsome," "noble," and "elegant" [Fig. 15]. The word "portico" seems not to have been used to refer to covered walkways that linked separate buildings, as is made clear in the distinction in 1777 regarding the College of William and Mary in Williamsburg, Va.
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<hr>
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[[File:0646.jpg|thumb|left|Fig. 16, Anonymous, ''[[Montpelier]]'', 1835.]]
 
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Margaret Bayard Smith in 1828 said the portico at President [[James Madison|James Madison's]] plantation, [[Montpelier]], commanded a [[view]], "a beautiful scene," of extensive [[lawn]]s and forests, where viewers walked through the portico until twilight when the landscape was no longer visible [Fig. 16]. [[John Mason]] recalled the portico at George Mason's Gunston Hall, near Mason Neck, Va., from which "you descended directly into an extensive garden." [[A. J. Downing|Downing's]] 1849 comments conveyed a similar meaning, suggesting that the portico served to connect the building, visually and also physically, "by gradual transition with the ground about it."
 
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[[File:0580.jpg|thumb|Fig. 17, [[Lewis Miller]], "[[Mount Vernon]]", 1835. [[Lewis Miller|Miller]] noted on his drawing that "A lofty portico ... has a pleasing effect when viewed from the water."]]
 
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The portico served as a focal, as well as a viewing, point. [[Lewis Miller]], for example, in 1849 wrote that at [[Mount Vernon]] the "lofty portico . . . has a pleasing effect when viewed from the water" [Fig. 17]. Often the portico was distinguished from the building it ornamented by its material, creating a distant focus for the spectator from the garden or surrounding landscape. A brick building was sometimes ornamented with a contrasting white stone or painted wood portico. As [[David Bailie Warden]] noted in 1816, such a feature made a house "admirably adapted to the American climate."
 
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[[File:1735.jpg|thumb|left|Fig. 18, [[Batty Langley|Batty]] and [[Thomas Langley]], "Gothick [sic] Portico", 1747.]]
 
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[[File:0990.jpg|thumb|Fig. 19, [[Thomas Birch]], ''Southeast View of Sedgeley Park'', c. 1819]]
 
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Porticos generally were dressed in a classical style, meaning that classical [[column]]s supported the low-pitched roof and the front was finished with an entablature and pediment. Many descriptions specified Doric (e.g., [[Centre Square]] in Philadelphia), Tuscan (e.g., the [[Woodlands]] near Philadelphia), or Corinthian (e.g., Ranlett's design for a house in Italian bracketed style). Two notable exceptions to the classical style, however, are well known. William Buckland's fanciful octagonal porch at [[Gunston Hall]] (1755-58) had ogee [[arch]]es and is thought to have been inspired by the writings of [[Batty Langley]], who promoted Gothic and chinoiserie details for architectural decoration [Fig. 18]. [[Benjamin Henry Latrobe|Benjamin Henry Latrobe's]] Gothic design for [[Sedgeley]], near Philadelphia (1799) [Fig. 19], which is considered one of the earliest Gothic revival houses in America, had tall slender posts supporting the roof.
 
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Thus, two points are important in the history of these terms: First, these architectural elements served to elide the boundaries of the garden and building by linking interior and exterior space both visually and physically. Second, the associative values of refinement and domesticity, and even national progress, were read into the forms.
 
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--''Therese O'Malley''
 
  
 
==Texts==
 
==Texts==
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===Usage===
 
===Usage===
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*Anonymous, 1737, describing in the ''St. Philip’s Parish Vestry Book'' St. Philip’s Parish, Charleston, SC (quoted in Lounsbury 1994: 287)<ref name=”Lounsbury_1994”>Carl R. Lounsbury, ed., ''An Illustrated Glossary of Early Southern Architecture and Landscape'' (New York: Oxford University Press, 1994), [https://www.zotero.org/groups/54737/items/itemKey/UK5TCUQQ view on Zotero].</ref>
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:“[Workmen recommended the constructions of] a large Cornish under ye eves & round ye '''Porticoes'''.”
  
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* Anonymous, 1737, describing in the ''St. Philip's Parish Vestry Book'' St. Philip's Parish, Charleston, S.C. (quoted in Lounsbury 1994: 287) <ref name="Lounsbury_1994">Carl R. Lounsbury, ed., ''An Illustrated Glossary of Early Southern Architecture and Landscape'' (New York: Oxford University Press, 1994), [https://www.zotero.org/groups/54737/items/itemKey/UK5TCUQQ/ view on Zotero].</ref> 
 
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: "[Workmen recommended the constructions of] a large Cornish under ye eves & round ye '''Porticoes'''."
 
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* [[Charles Carroll|Carroll, Charles]] (the Barrister), July 2, 1767, describing [[Mount Clare]], [[plantation]] of Charles and Margaret Tilghman Carroll, Baltimore, Md. (quoted in Trostel 1981: 34)<ref>Michael Trostel, ''Mount Clare, Being an Account of the Seat Built by Charles Carroll, Barrister, upon His Lands at Patapsco'' (Baltimore: National Society of the Colonial Dames of America in the State of Maryland, 1981), [https://www.zotero.org/groups/54737/items/itemKey/NTB2KX7C view on Zotero]</ref>
 
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: "The Plan is for a '''Portico''' or Colonade to be Joined to the Front of a House and Project Eight Feet from it, An [[Arch]] at Both Ends, for a Passage through it, to Spring from Pilasters of Stone Joined to the End [[Pillar]]s of the front of the '''Portico''' and the two three Quarter Round [[Column]]s, I think they Call them, that Run up Close to the wall of the House."
 
  
 +
*Carroll, Charles (the Barrister), July 2, 1767, describing Mount Clare, plantation of Charles and Margaret Tilghman Carroll, Baltimore, MD (quoted in Trostel 1981: 34)<ref>Michael Trostel, ''Mount Clare, Being an Account of the Seat Built by Charles Carroll, Barrister, upon His Lands at Patapsco'' (Baltimore: National Society of the Colonial Dames of America in the State of Maryland, 1981), [https://www.zotero.org/groups/54737/items/itemKey/NTB2KX7C view on Zotero].</ref>
 +
:“The Plan is for a '''Portico''' or Colonade to be Joined to the Front of a House and Project Eight Feet from it, An [[Arch]] at Both Ends, for a Passage through it, to Spring from Pilasters of Stone Joined to the End [[Pillar]]s of the front of the '''Portico''' and the two three Quarter Round [[Column]]s, I think they Call them, that Run up Close to the wall of the House.”
  
−
* Anonymous, 1769, describing in the ''Georgia Gazette'' a proposed Presbyterian meetinghouse in Savannah, Ga. (quoted in Lounsbury 1994: 287) <ref name="Lounsbury_1994"> </ref>
 
  
−
: "[The meetinghouse was to be] 80 feet long by 47 feet wide . . . with a handsome light steeple in proportion to the frame, a portico at one end of 50 by 10 feet."
+
*Anonymous, 1769, describing in the ''Georgia Gazette'' a proposed Presbyterian meetinghouse in Savannah, GA (quoted in Lounsbury 1994: 287)<ref name=”Lounsbury_1994”></ref>
 +
:“[The meetinghouse was to be] 80 feet long by 47 feet wide. . . with a handsome light steeple in proportion to the frame, a portico at one end of 50 by 10 feet.”
 
   
 
   
  
−
* [[Philip Vickers Fithian|Fithian, Philip Vickers]], March 18, 1774, describing [[Nomini Hall]], Westmoreland County, Va. (1943: 107)<ref>Philip Vickers Fithian, ''Journal & Letters of Philip Vickers Fithian, 1773-1774: A Plantation Tutor of the Old Dominion'', ed. by Hunter D. Farish (Williamsburg, Va.: Colonial Williamsburg, 1943) [https://www.zotero.org/groups/54737/items/itemKey/XJX4WV8F view on Zotero]</ref>  
+
*Fithian, Philip Vickers, March 18, 1774, describing Nomini Hall, Westmoreland County, VA (1943: 107)<ref>Philip Vickers Fithian, ''Journal & Letters of Philip Vickers Fithian, 1773–1774: A Plantation Tutor of the Old Dominion'', ed. Hunter D. Farish (Williamsburg, VA: Colonial Williamsburg, 1943), [https://www.zotero.org/groups/54737/items/itemKey/XJX4WV8F view on Zotero].</ref>  
 +
:“The North side [of Nomini Hall] I think is most beautiful of all; In the upper Story is a Row of seven Windows with eighteen Lights a piece; and below six windows, with the like number of lights; besides a large '''Portico''' in the middle, at the sides of which are two Windows each with eighteen Lights.”
  
−
: "The North side [of [[Nomini Hall|Nomini Hall]]] I think is most beautiful of all; In the upper Story is a Row of seven Windows with eighteen Lights a piece; and below six windows, with the like number of lights; besides a large '''Portico''' in the middle, at the sides of which are two Windows each with eighteen Lights."
 
−
 
  
−
* [[Ebenezer Hazard|[Hazard, Ebenezer]], May 31, 1777, describing the College of William and Mary, Williamsburg, Va. (quoted in Shelley 1954: 405)<ref> Fred Shelley, "The Journal of Ebenezer Hazard in Virginia, 1777", ''Virginia Magazine of History and Biography'' 62 (1954):400-423, [https://www.zotero.org/groups/54737/items/itemKey/Q8VUV2A3: view on Zotero.]</ref>  
+
*<div id="Shelley"></div>Hazard, Ebenezer, May 31, 1777, describing the College of William and Mary, Williamsburg, VA (quoted in Shelley 1954: 405)<ref> Fred Shelley, “The Journal of Ebenezer Hazard in Virginia, 1777,” ''Virginia Magazine of History and Biography'' 62 (1954): 400–23, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/Q8VUV2A3 view on Zotero].</ref>
 +
:“The Wings are on the West Front, between them is a covered Parade, which reaches from the one to the other; the '''Portico''' is supported by Stone [[Pillar]]s.” [[#Shelley_cite|back up to History]]
  
−
: "The Wings are on the West Front, between them is a covered Parade, which reaches from the one to the other; the '''Portico''' is supported by Stone [[Pillar]]s."
 
  
 +
*Clark, Jonathan, 1786, describing a farm in the Shenandoah Valley, VA (quoted in Lounsbury 1994: 287)<ref name=”Lounsbury_1994”></ref>
 +
:“[There was a] fraimed dwelling house 26 by 20. . . and a '''portico''' the length of the fraimed house five feet wide.”
  
−
* [[Jonathan Clark|Clark, Jonathan]], 1786, describing a farm in the Shenandoah Valley, Va. (quoted in Lounsbury 1994: 287) <ref name="Lounsbury_1994"> </ref>
 
  
−
: "[There was a] fraimed dwelling house 26 by 20 . . . and a '''portico''' the length of the fraimed house five feet wide."
+
*Brissot de Warville, Jacques Pierre, 1792, describing [[Mount Vernon]], [[plantation]] of George Washington, Fairfax County, VA (quoted in Lockwood 1934: 2:61)<ref>Alice B. Lockwood, ed., ''Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840'', 2 vols. (New York: Charles Scribner’s for the Garden Club of America, 1931–34), [https://www.zotero.org/groups/54737/items/itemKey/JNB7BI9T view on Zotero].</ref>
 +
:“I hastened to arrive at [[Mount Vernon]]. . . after having passed over two hills, you discover a country house of an elegant and majestic simplicity. . . This house overlooks the Potomack, enjoys an extensive prospect, has a vast and elegant '''portico''' on the front next to the river, and a convenient distribution of the apartments within.”
  
−
 
−
* [[ J. P. Brissot de Warville|Brissot de Warville, J. P.]], 1792, describing [[Mount Vernon]], plantation of [[George Washington]], Fairfax County, Va. (quoted in Lockwood 1934: 2:61)<ref>Alice B. Lockwood, ed., ''Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840'', 2 vols. (New York: Charles Scribner’s for the Garden Club of America, 1931-34), [https://www.zotero.org/groups/54737/items/itemKey/JNB7BI9T view on Zotero].</ref>
 
 
   
 
   
 +
*Weld, Isaac, 1795, describing [[Monticello]], [[plantation]] of [[Thomas Jefferson]], Charlottesville, VA (1799: 2:207)<ref>Isaac Weld, ''Travels through the States of North America and the Provinces of Upper and Lower Canada, during the Years 1795, 1796, and 1797'', 2 vols. (London: John Stockdale, 1799), [https://www.zotero.org/groups/54737/items/itemKey/4HPKRDA7/q/weld|view on Zotero].</ref>
 +
:“In the center is another very spacious apartment, of an octagon form, reaching from the front to the rear of the house, the large folding glass doors of which, at each end, open under a '''portico'''.”
  
−
: "I hastened to arrive at [[Mount Vernon]]. . . . after having passed over two hills, you discover a country house of an elegant and majestic simplicity. . . . This house overlooks the Potomack, enjoys an extensive prospect, has a vast and elegant '''portico''' on the front next to the river, and a convenient distribution of the apartments within."
 
−
 
  
−
[[File:0087.jpg|thumb|Fig. 29, [[Benjamin Henry Latrobe]], "View of [[Mount Vernon]] looking to the North," July 17, 1796. "The portico faces to the East."]]
+
[[Image:0087.jpg|thumb|Fig. 6, [[Benjamin Henry Latrobe]], ''View of [[Mount Vernon]] looking to the North'', July 17, 1796.]]
−
* [[Isaac Weld|Weld, Isaac]], 1795, describing [[Monticello]], plantation of [[Thomas Jefferson]], Charlottesville, Va. (1799: 207)<ref>Isaac Weld, ''Travels through the States of North America and the Provinces of Upper and Lower Canada, during the Years 1795, 1796, and 1797.'' Vol. 2. (London: John Stockdale, 1799),[https://www.zotero.org/groups/54737/items/itemKey/4HPKRDA7/q/weld|  view on Zotero]</ref>  
+
*[[Benjamin Henry Latrobe|Latrobe, Benjamin Henry]], July 19 1796, describing [[Mount Vernon]], [[plantation]] of George Washington, Fairfax County, VA (1977: 1:163)<ref>Benjamin Henry Latrobe, ''The Virginia Journals of Benjamin Henry Latrobe, 1795-1798'', ed. Edward C. Carter II, 2 vols. (New Haven, CT: Yale University Press, 1977), [https://www.zotero.org/groups/54737/items/itemKey/SZEEBG9K view on Zotero].</ref>
 +
:“The House is connected with the Kitchen offices by [[arcade]]s. . . Along the other front is a '''portico''' supported by 8 square [[pillar]]s, of good proportions and effect.” [Fig. 6]
  
−
: "In the center is another very spacious apartment, of an octagon form, reaching from the front to the rear of the house, the large folding glass doors of which, at each end, open under a '''portico'''."
 
  
 +
*Anonymous, 1803, describing in the ''Virginia Herald'' a property for rent in Fredericksburg, VA (quoted in Lounsbury 1994: 286)<ref name=”Lounsbury_1994”></ref>
 +
:“. . . commodious close [[porch]] in front, and an open '''portico''' in the rear.”
  
−
* [[Benjamin Henry Latrobe|Latrobe, Benjamin Henry]], July 19 1796, describing [[Mount Vernon]], plantation of [[George Washington]], Fairfax County, Va. (1977: 1:163) <ref>Benjamin Henry Latrobe, ''The Virginia Journals of Benjamin Henry Latrobe, 1795-1798'', ed. Edward C. Carter II, 2 vols. (New Haven, Conn.: Yale University Press, 1977), [https://www.zotero.org/groups/54737/items/itemKey/SZEEBG9K view on Zotero]. </ref>
 
  
−
: "The House is connected with the Kitchen offices by [[arcade]]s. . . . Along the other front is a '''portico''' supported by 8 square [[pillar]]s, of good proportions and effect." [Fig. 29]
+
*Anonymous, August 9, 1805, describing in the ''Virginia Herald'' a property for rent in Stafford County, VA (Colonial Williamsburg Foundation)
 +
:“FOR LEASE, A Lot of Land. . . On the above lot there is two convenient Dwelling houses, situate near each other, with two rooms on a floor and a '''portico''' to each, the whole length of the house, and convenient closets.”
  
  
−
* Anonymous, 1803, describing in the ''Virginia Herald'' a property for rent in Fredericksburg, Va. (quoted in Lounsbury 1994: 286)<ref name="Lounsbury_1994"></ref>  
+
[[Image:0551.jpg|thumb|Fig. 7, John Lewis Krimmel, ''Fourth of July in Centre [[Square]]'', 1811–12.]]
 +
*Scott, Joseph, 1806, describing Centre Square and Fairmount Waterworks, Philadelphia, PA (1806: 25)<ref>Joseph A. Scott, ''Geographical Description of Pennsylvania'' (Philadelphia: Printed by R. Cochran, 1806), [https://www.zotero.org/groups/54737/items/itemKey/55XKIWPN view on Zotero].</ref>  
 +
:“The water-works of Philadelphia are the most extensive of their kind of any in America. . . The water is discharged into a circular aqueduct, extending along Chestnut and Broad streets, into the middle of Market-street, in the centre square. . . The building in the centre square, is a square of sixty feet, with a Doric '''portico''' on the east and west fronts. From its centre rises a circular tower, forty feet in diameter. It is covered by a dome. The tower contains the engine and reservoir. . . large enough to contain 20,000 gallons, all the chimnies of the house, which form a marble pedestal, on the summit. The shafts of the [[column]]s of the '''porticos''', consist each of one solid block of marble, 14 feet 9 inches in length, and two feet nine inches in diameter, at the base.”[Fig. 7]
  
−
: "commodious close [[porch]] in front, and an open '''portico''' in the rear."
 
  
  
−
* Anonymous, August 9, 1805, describing in the ''Virginia Herald'' a property for rent in Stafford County, Va. (Colonial Williamsburg Foundation; hereafter CWF)
+
[[Image:0051.jpg|thumb|Fig. 8, William Strickland, “[[The Woodlands]],” 1809, in ''Casket'' 5, no. 10 (October 1830): pl. opp. 432.]]
 +
*Drayton, Charles, November 2, 1806, describing [[The Woodlands]], seat of [[William Hamilton]], near Philadelphia, PA (Drayton 1806: 55)<ref>Charles Drayton, “The Diary of Charles Drayton I, 1806,” Drayton Hall: A National Historic Trust Site, [https://www.zotero.org/groups/54737/items/itemKey/HAARCGXN view on Zotero].</ref>
 +
:“The [[walk]] is said to be a mile long—perhaps it is something less. One is led into the garden from the '''portico''', to the east or lefthand.” [Fig. 8]
  
−
: "FOR LEASE, A Lot of Land. . . . On the above lot there is two convenient Dwelling houses, situate near each other, with two rooms on a floor and a '''portico''' to each, the whole length of the house, and convenient closets."
 
  
 +
*Martin, William Dickinson, May 20, 1809, describing Philadelphia, PA (Colonial Williamsburg Foundation)
 +
:“The building in Centre Square, is Sixty feet in every direction; having a Doric '''portico''' in front, to the East & West.”
  
−
* [[Joseph Scott|Scott, Joseph]], 1806, describing Centre Square and Waterworks, Philadelphia, Pa. (p. 25)<ref>Joseph A. Scott, ''Geographical Description of Pennsylvania'' (Philadelphia: Printed by R. Cochran, 1806), [https://www.zotero.org/groups/54737/items/itemKey/55XKIWPN view on Zotero.]</ref>
 
  
−
: "The water-works of Philadelphia are the most extensive of their kind of any in America. . . . The water is discharged into a circular aqueduct, extending along Chestnut and Broad streets, into the middle of Market-street, in the centre square. . . . The building in the centre square, is a square of sixty feet, with a Doric '''portico''' on the east and west fronts. From its centre rises a circular tower, forty feet in diameter. It is covered by a dome. The tower contains the engine and reservoir . . . large enough to contain 20,000 gallons, all the chimnies of the house, which form a marble pedestal, on the summit. The shafts of the [[column]]s of the '''porticos''', consist each of one solid block of marble, 14 feet 9 inches in length, and two feet nine inches in diameter, at the base."[See Fig. 15]
+
*Foster, Sir Augustus John, 1812, describing [[Monticello]], [[plantation]] of [[Thomas Jefferson]], Charlottesville, VA (1954: 144)<ref>Sir Augustus John Foster, ''Jeffersonian America: Notes on the United States of America Collected in the Years 1805–1806–1807 and 1811–1812'', ed. Richard Beale Davis (San Marino, CA: Huntington Library, 1954) [https://www.zotero.org/groups/54737/items/itemKey/7FU8NDF4 view on Zotero].</ref>
 +
:“The house has two '''porticoes''' of the Doric order, though one of them was not quite completed, and the pediment had in the meanwhile to be supported on the stems of four tulip trees, which are really, when well grown, as beautiful as the fluted shafts of Corinthian [[pillar]]s. They front north and south.”
  
  
−
[[File:0051.jpg|thumb|Fig. 30, [[William Strickland]], "The [[Woodlands]]", 1809]]
+
*<div id="Warden"></div>Warden, David Bailie, 1816, describing [[Riversdale]], estate of George and Rosalie Stier Calvert, Prince George’s County, MD (1816: 156)<ref name=”Warden_1816”>David Bailie Warden, ''A Chronographical and Statistical Description of the District of Columbia'' (Paris: Printed and sold by Smith, 1816), [https://www.zotero.org/groups/54737/items/itemKey/QF8TXC8D view on Zotero].</ref>
−
* [[Charles Drayton|Drayton, Charles]], November 2, 1806, describing the [[Woodlands]], seat of [[William Hamilton]], near Philadelphia, Pa. (Drayton Hall, Charles Drayton Diaries, 1784-1820, typescript)
+
:“The establishment of George Calvert, Esq. at Bladensburg, attracts attention. His mansion, consisting of two stories, seventy feet in length, and thirty-six in breadth, is admirably adapted to the American climate. On each side there is a large '''portico''', which shelters from the sun, rain, or snow.” [[#Warden_cite|back up to History]]
 +
  
−
: "The Garden consists of a large verdant [[lawn]] surrounded by a belt or [[walk]], & [[shrubbery]] for some distance. the outer side of the [[walk]] is adorned here & there, by scattered forest trees, thick & thin. It is bounded, partly as is described&mdash;partly by the Schylkill [''sic''] & a creek exhibiting a Mill & where it is scarcely noticed, by a common post and rail. The [[walk]] is said to be a mile long&mdash;perhaps it is something less. one is led in to the garden from the '''portico''', to the east and lefthand. or from the park, by a small gate contiguous to the house. traversing this walk, one sees many beauties of landscape&mdash;also a fine statue, symbol of Winter & age." [Fig. 30]  
+
*Anonymous, September 30, 1820, describing in the ''Virginia Herald'' a property for rent in Culpeper County, VA (Colonial Williamsburg Foundation)
 +
:“I will sell my tavern establishment. . . consisting of. . . A large and commodious house with four rooms below stairs and eight above, with two large '''porticoes'''—a new smoke house, a new [[icehouse|ice house.]]”
  
  
−
* [[William Dickinson Martin|Martin, William Dickinson]], May 20, 1809, describing Philadelphia, Pa. (CWF)
+
*Silliman, Benjamin, 1824, describing Monte Video, property of Daniel Wadsworth, Avon, CT (1824: 12)<ref>Benjamin Silliman, ''Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819'' (New Haven, CT: S. Converse, 1824), [https://www.zotero.org/groups/54737/items/itemKey/B5VWTWM5 view on Zotero].</ref>
 +
:“To the west, the [[lawn]] rises gradually from the water, until it reaches the '''portico''' of the house, near the brow of the mountain, beyond which, the western valley is again seen.”
  
−
: "The building in Centre Square, is Sixty feet in every direction; having a Doric '''portico''' in front, to the East & West."
 
  
 +
*Ticknor, George, December 16, 1824, in a letter to William H. Prescott, describing Montpelier, [[plantation]] of James Madison, Montpelier Station, VA (quoted in Jones 1957: 7)<ref name=”Jones_1957”>Katharine M. Jones, ''The Plantation South'' (New York: Bobbs-Merrill, 1957), [https://www.zotero.org/groups/54737/items/itemKey/AT62T7KC/ view on Zotero].</ref>
 +
:“We were received with a good deal of dignity and much cordiality, by Mr. and Mrs. Madison, in the '''portico''', and immediately placed at ease.”
 +
  
−
* [[Sir Augustus John Foster|Foster, Sir Augustus John]], 1812, describing [[Monticello]], [[plantation]] of [[Thomas Jefferson]], Charlottesville, Va. (1954: 144) <ref>Sir Augustus John Foster, ''Jeffersonian America: Notes on the United States of America Collected in the Years 1805-1806-1807 and 1811-1812'', ed. by Richard Beale Davis (San Marino, Calif.: Huntington Library, 1954) [https://www.zotero.org/groups/54737/items/itemKey/7FU8NDF4 view on Zotero]</ref>
+
*Douglass, Frederick, 1825, describing [[Wye House]], estate of Col. Edward Lloyd, Talbot County, MD (1855; repr., 1987: 47) <ref>Frederick Douglass, ''My Bondage and My Freedom'', ed. William L. Andrews (1855; repr., Urbana, IL: University of Illinois Press, 1987), [https://www.zotero.org/groups/54737/items/itemKey/Q764CVCK view on Zotero].</ref>
 +
:“The great house itself was a large, white, wooden building, with wings on three sides of it. In front, a large '''portico''', extending the entire length of the building, and supported by a long range of [[column]]s, gave to the whole establishment an air of solemn grandeur.”
  
−
: "The house has two '''porticoes''' of the Doric order, though one of them was not quite completed, and the pediment had in the meanwhile to be supported on the stems of four tulip trees, which are really, when well grown, as beautiful as the fluted shafts of Corinthian [[pillar]]s. They front north and south."
 
  
 +
*Smith, Margaret Bayard, August 2, 1828, describing the University of Virginia, Charlottesville, VA (1906: 226)<ref name=”Smith_1906”>Margaret Bayard Smith, ''The First Forty Years of Washington Society'', ed. Gaillard Hunt (New York: Charles Scribner’s, 1906), [https://www.zotero.org/groups/54737/items/itemKey/FTDFHRFH view on Zotero].</ref>
 +
:“The rotunda is in form and proportioned like the Pantheon at Rome. It has a noble '''portico''',— the [[pillar]]s, cornice, &c of the Corinthian.”
  
−
* [[David Bailie Warden|Warden, David Bailie]], 1816, describing [[Riversdale]], estate of George and Rosalie Stier Calvert, Prince George's County, Md. (p. 156)<ref name="Warden_1816">Warden, David Bailie. 1816. ''A Chronographical and Statistical Description of the District of Columbia''. Paris: Printed and sold by Smith. [https://www.zotero.org/groups/54737/items/itemKey/QF8TXC8D view on Zotero]</ref>
 
  
−
: "The establishment of George Calvert, Esq. at Bladensburg, attracts attention. His mansion, consisting of two stories, seventy feet in length, and thirty-six in breadth, is admirably adapted to the American climate. On each side there is a large '''portico''', which shelters from the sun, rain, or snow."
+
[[File:0646.jpg|thumb|Fig. 9, Anonymous, “Montpelier, VA, the Seat of the late James Madison,” 1835.]]
−
+
*<div id="Smith"></div>Smith, Margaret Bayard, August 17, 1828, describing Montpelier, plantation of James Madison, Montpelier Station, VA (1906: 233, 235–36)<ref name=”Smith_1906”></ref>
 +
:“We were at first conducted into the Drawing room, which opens on the back '''Portico''' and thus commands a view through the whole house, which is surrounded with an extensive [[lawn]], as green as in spring; the [[lawn]] is enclosed with fine trees, chiefly forest, but interspersed with weeping willows and other ornamental trees, all of most luxuriant growth and vivid verdure. It was a beautiful scene! . . . After dinner, we all walked in the '''Portico''', (or [[piazza]], which is 60 feet long, supported on six lofty [[pillar]]s) until twilight.” [Fig. 9] [[#Smith_cite|back up to History]]
  
−
* Anonymous, September 30, 1820, describing in the ''Virginia Herald'' a property for rent in Culpeper County, Va. (CWF)
 
  
−
: "I will sell my tavern establishment . . . consisting of . . . A large and commodious house with four rooms below stairs and eight above, with two large '''porticoes'''&mdash;a new smoke house, a new [[icehouse|ice house.]]"
+
[[File:0990.jpg|thumb|Fig. 10, Thomas Birch, ''Southeast View of “Sedgeley Park,” the Country Seat of James Cowles Fisher, Esq.'', c. 1819.]]
 +
*Anonymous, June 1829, describing Sedgeley, seat of James C. Fisher, near Philadelphia , PA (''Casket'' 4: 265)<ref>Anonymous, “Sedgeley Park, the Seat of James C. Fisher, Esq.,” ''Casket, or Flowers of Literature, Wit & Sentiment'' 4, no. 6 (June 1829): 265, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/8Q67BD4S view on Zotero].</ref>
 +
:“The mansion was designed and erected under the superintendance of the late [[Benjamin_Henry_Latrobe|Mr. Latrobe]], and has been much admired for its architectural beauty. The style is Gothic, with a '''portico''' front and rear, supported by eight [[column]]s each. It presents a length of seventy-five feet, and is well adapted in the arrangement of the interior for a gentleman’s residence.” [Fig. 10]  
  
  
−
* [[Benjamin Silliman|Silliman, Benjamin]], 1824, describing [[Monte Video]], property of Daniel Wadsworth, Avon, Conn. (p. 12)<ref>Benjamin Silliman, ''Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819'' (New Haven, Conn.: S. Converse, 1824), [https://www.zotero.org/groups/54737/items/itemKey/B5VWTWM5 view on Zotero].</ref>  
+
*<div id="Mason"></div>Mason, General John, c. 1830, describing Gunston Hall, seat of George Mason, Mason Neck, VA (quoted in Rowland 1964: 1:98)<ref>Kate Mason Rowland, ''The Life of George Mason: 1725–1792'', 2 vols. (New York: Russell and Russell, 1964), [https://www.zotero.org/groups/54737/items/itemKey/HTZXK292 view on Zotero].</ref>
 +
:“The south front looked to the river; from an elevated little '''portico''' on this front you descended directly into an extensive garden, touching the house on one side.” [[#Mason_cite|back up to History]]
  
−
: "To the west, the [[lawn]] rises gradually from the water, until it reaches the '''portico''' of the house, near the brow of the mountain, beyond which, the western valley is again seen."
 
  
 +
*Featherstonhaugh, George William, August 18 and 19 1837, describing Fort Hill, seat of John C. Calhoun, Clemson, SC (quoted in Jones 1957: 126)<ref name=”Jones_1957”></ref>
 +
:“After partaking of an excellent dinner we adjourned for the evening to the '''portico''', where with the aid of a guitar, accompanied by a pleasing voice, and some capital curds and cream, we prolonged a most agreeable conversazione until a late hour. . .
 +
<p></p>
 +
:“On our return to Fort Hill, the family again assembled in the [[portico]] to pass a most agreeable evening.”
  
−
* [[George Ticknor|Ticknor, George]], December 16, 1824, in a letter to William H. Prescott, describing [[Montpelier]], plantation of [[James Madison]], Montpelier Station, Va. (quoted in Jones 1957: 7)<ref name="Jones_1957">Katharine M. Jones, ''The Plantation South'' (New York: Bobbs-Merrill, 1957), [https://www.zotero.org/groups/54737/items/itemKey/AT62T7KC/ view on Zotero].</ref> 
 
  
−
: "We were received with a good deal of dignity and much cordiality, by Mr. and Mrs. Madison, in the '''portico''', and immediately placed at ease."
+
*Buckingham, James Silk, 1842, describing Red Sulphur Springs, VA (Colonial Williamburg Foundation)
 +
:“Behind the “Bachelor’s Row,” and on the upper part of the hill is an imposing edifice of brick, called “Society Hall.” It is built of two stories, with a fine '''portico''' of twelve feet wide, running the whole length of the front, and a [[terrace]] of twenty feet wide beyond this.”
 
   
 
   
  
−
* [[Frederick Douglass|Douglass, Frederick]], 1825, describing Wye House, estate of Col. Edward Lloyd, Talbot County, Md. ([1855] 1987: 47) <ref>Frederick Douglass, ''My Bondage and My Freedom'', ed. by William L. Andrews (Urbana, Ill.: University of Illinois Press, 1987), [https://www.zotero.org/groups/54737/items/itemKey/Q764CVCK view on Zotero.]</ref>
+
*Anonymous, August 1848, describing [[Riversdale]], estate of George and Rosalie Stier Calvert, Prince George’s County, MD (''American Farmer'' 4: 53)<ref>Anonymous, “Visit to Riversdale,” ''American Farmer, and Spirit of Agricultural Journals of the Day'' 4, no. 2 (August 1848): 52–55, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/65GUICEQ/q/riversdale view on Zotero].</ref>
 +
:“The main building is 68 by about 50 feet, with an elegant '''Portico''' on its northern [front], and a [[piazza|Piaza]] [''sic''], running its entire length, on its southern front, each constructed with due regard to classic and architectural propriety.”
  
−
: "The great house itself was a large, white, wooden building, with wings on three sides of it. In front, a large '''portico''', extending the entire length of the building, and supported by a long range of [[column]]s, gave to the whole establishment an air of solemn grandeur."
 
  
 +
*<div id="Miller"></div>Miller, Lewis, June 5, 1849, describing [[Mount Vernon]], plantation of George Washington, Fairfax County, VA (c. 1850: 108)<ref> Lewis Miller, ''Orbis Pictus: A Picturesque Album to the Ladies of York, Pennsylvania'' (Williamsburg, VA: Abby Aldrich Rockefeller Folk Art Center, Colonial Williamsburg Foundation, c. 1850), [https://www.zotero.org/groups/54737/items/itemKey/XNQR79ST\ view on Zotero].</ref>
 +
:“The mansion house itself appears venerable and convenient[.] A lofty '''portico''' ninety-six feet in length, Supported by Eight [[pillar]]s, has a pleasing effect when viewed from the water.” [[#Miller_cite|back up to History]]
  
−
* [[Margaret Bayard Smith|Smith, Margaret Bayard]], August 2, 1828, describing the University of Virginia, Charlottesville, Va. (1906: 226) <ref name="Smith_1906">Margaret Bayard Smith, ''The First Forty Years of Washington Society'', ed. by Gaillard Hunt (New York: Charles Scribner’s, 1906), [https://www.zotero.org/groups/54737/items/itemKey/FTDFHRFH view on Zotero].</ref>
 
  
−
: "The rotunda is in form and proportioned like the Pantheon at Rome. It has a noble '''portico''',&mdash; the [[pillars]], cornice, &c of the Corinthian."
+
===Citations===
 +
*Dezallier d’Argenville, Antoine-Joseph, 1712, ''The Theory and Practice of Gardening'' (1712; repr., 1969: 72)<ref name=”Argenville_1712”>A.-J. (Antoine Joseph) Dézallier d’Argenville, ''The Theory and Practice of Gardening. . . '', trans. John James (London: Geo. James, 1712; repr., Farnborough, England: Gregg, 1969), [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/RNT8ZVZ8 view on Zotero].</ref>
 +
:“A '''PORTICO'''. . . being the Entrance in Front of a [[Summerhouse|Summer-House]], Salon, or [[Arbor]] of Latticework, and is generally adorn'd with a handsome Cornice and Frontispiece, supported by Pilasters or Peers; or else it is a long Decoration of Architecture placed against a [[Wall]], or at the Entrance of a [[Wood]], where the Advances and Returns are but inconsiderable.</p>
 +
:“[[arbor|ARBORS]], Cabinets, and '''Porticos''' of Latticework, are commonly made use of to terminate a Garden in the City, and to shut out the Sight of [[Wall]]s, and other disagreeable Objects; this Kind of Decoration making a handsome Sight, and serving very well to conclude the [[Prospect]] of a principal [[Walk]].”
  
  
−
* [[Margaret Bayard Smith|Smith, Margaret Bayard]], August 17, 1828, describing Montpelier, plantation of James Madison, Montpelier Station, Va. (1906: 233, 235-36)<ref name="Smith_1906"></ref>  
+
[[Image:1715.jpg|thumb|Fig. 11, [[James Gibbs]], “The Plan, Upright and Section of a Building of the Dorick Order in the form of a [[Temple]],” in ''A Book of Architecture'' (1728), pl. 67.]]
 +
*[[James Gibbs|Gibbs, James]], 1728, ''A Book of Architecture'' (1728: n.p.)<ref>James Gibbs, ''A Book of Architecture, Containing Designs of Buildings and Ornaments'', (London: Printed for W. Innys et al., 1728), [https://www.zotero.org/groups/54737/items/itemKey/ZGUVPFG8 view on Zotero].</ref>
 +
:“The Plan, Upright and Section of a Building of the Dorick Order in the form of a [[Temple]], made for a Person of Quality, and proposed to have been placed in the Center of four [[Walk]]s; so that a '''Portico''' might front each [[Walk]].” [Fig. 11]
  
−
: "We were at first conducted into the Drawing room, which opens on the back '''Portico''' and thus commands a view through the whole house, which is surrounded with an extensive [[lawn]], as green as in spring; the [[lawn]] is enclosed with fine trees, chiefly forest, but interspersed with weeping willows and other ornamental trees, all of most luxuriant growth and vivid verdure. It was a beautiful scene! . . . After dinner, we all walked in the '''Portico''', (or [[piazza]], which is 60 feet long, supported on six lofty [[pillar]]s) until twilight." [See Fig. 16]
 
  
 +
*[[Ephraim Chambers|Chambers, Ephraim]], 1743, ''Cyclopaedia'' (1743: 2:n.p.)<ref name=”Chambers_1741-43”>[[Ephraim Chambers]], ''Cyclopaedia, or An Universal Dictionary of Arts and Sciences. . . '', 5th ed., 2 vols. (London: D. Midwinter et al., 1741–43), [https://www.zotero.org/groups/54737/items/itemKey/PTXK378N view on Zotero].</ref>
 +
:“[[Piazza|PIAZZA]], in building, popularly called ''piache'', an Italian name for a '''portico''', or covered [[walk]], supported by [[arch]]es. See '''PORTICO'''.
 +
<p></p>
 +
:“The word literally signifies a broad open place or [[square]]; whence it also became applied to the [[walk]]s or [[portico]]’s around them. . .
 +
<p></p>
 +
:“'''PORTICO''', in architecture, a kind of gallery on the ground; or a [[piazza]] encompassed with [[arch]]es supported by [[column]]s, where people walk under covert. See [[Piazza|PIAZZA]]. . .
 +
<p></p>
 +
:“'''PORTICO'''. . .
 +
<p></p>
 +
:“The roof is usually vaulted, sometimes flat. The ancients called it '''lacunar'''. See LACUNAR, VAULT, &c.
 +
<p></p>
 +
:“Though the word '''portico''' be derived from ''porta'', [[gate]], door; yet it is applied to any disposition of [[column]]s which form a gallery, without any immediate relation to doors or [[gate]]s.
 +
<p></p>
 +
:“The most celebrated [[portico]]’s of antiquity were those of Solomon’s [[temple]], which formed the atrium or court, and encompassed the sanctuary: that of Athens, built for the people to divert themselves in, and wherein the philosophers held their disputes and conversations; which occasioned the disciples of Zeno to be called stoics. . . .
 +
<p></p>
 +
:“Among the modern [[portico]]’s, the most celebrated is the [[piazza]] of St. Peter of the Vatican.—That of Covent-Garden, London, the work of Inigo Jones, is also much admired.”
  
−
* Anonymous, June 1829, describing [[Sedgeley]], seat of [[James C. Fisher]], near Philadelphia, Pa. (''The Casket'' 4: 265)
 
  
−
: "The mansion was designed and erected under the superintendance of the late Mr. Latrobe, and has been much admired for its architectural beauty. The style is Gothic, with a '''portico''' front and rear, supported by eight [[column]]s each. It presents a length of seventy-five feet, and is well adapted in the arrangement of the interior for a gentleman's residence." [See Fig. 19]
+
*Johnson, Samuel, 1755, ''A Dictionary of the English Language'' (1755: 2:n.p.)<ref name=”Johnson_1755”>Samuel Johnson, Samuel, ''A Dictionary of the English Language: In Which the Words are Deduced from the Originals and Illustrated in the Different Significations by Examples from the Best Writers'', 2 vols. (London: W. Strahan for J. and P. Knapton, 1755), [https://www.zotero.org/groups/54737/items/itemKey/GE2JPJR3 view on Zotero].</ref>
 +
:“'''PO'RTICO'''. n.s. [''porticus'', Lat. ''portico'', Italian; ''portique'', Fr.] A covered [[walk]]; a [[piazza]].”
 +
  
 +
*Ware, Isaac, 1756, ''Complete Body of Architecture'' (1756: 31)<ref>Isaac Ware, ''A Complete Body of Architecture'' (London: T. Osborne and J. Shipton, 1756), [https://www.zotero.org/groups/54737/items/itemKey/2EK2USKV view on Zotero].</ref>
 +
:“'''PORTICO'''.
 +
<p></p>
 +
:“A place for walking under shelter, raised with [[arch]]es, in the manner of a gallery. The '''portico''' is usually vaulted, but it has sometimes a soffit, or ceiling. The '''portico''' is a [[piazza]] encompassed with [[arch]]es raised upon [[column]]s, and covered over head in any manner. The word seems to refer to the [[gate]] or entrance of some place, ''porta'' in Latin signifying a [[gate]]; but it is appropriated to a disposition of [[column]]s, forming this kind of gallery, and has no relation to the openings.”
 +
  
−
* [[General John Mason|Mason, General John]], c. 1830, describing [[Gunston Hall]], [[seat]] of [[George Mason]], Mason Neck, Va. (quoted in Rowland 1964: 1:98)ref>Rowland, Kate Mason. 1964. ''The Life of George Mason: 1725-1792'', 2 vols. (New York: Russell and Russell, 1964), [https://www.zotero.org/groups/54737/items/itemKey/HTZXK292 view on Zotero].</ref>
+
*Salmon, William, 1762, ''Palladio Londinensis'' (1762: n.p.)<ref>William Salmon, ''Palladio Londinensis, or The London Art of Building: In Three Parts. . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary'', ed. E. Hoppus, 6th ed. (London: Printed for C. Hitch et al., 1762), [https://www.zotero.org/groups/54737/items/itemKey/IEIQ5QGM view on Zotero].</ref>
 +
:“[[Piazza]], in Architecture, commonly called ''Piache'', an ''Italian'' Name for a '''Portico'''; it signifies a broad open Place or [[Square]], whence it became applied to [[Walk]]s or '''Porticos''' of [[Pillar]]s around them, like those of ''Covent Garden'', the ''Royal Exchange'', &c.”
 +
 +
 
 +
*Sheridan, Thomas, 1789, ''A Complete Dictionary of the English Language'' (1789: n.p.)<ref>Thomas A. Sheridan, ''A Complete Dictionary of the English Language, Carefully Revised and Corrected by John Andrews. . . '', 5th ed. (Philadelphia: William Young, 1789), [https://www.zotero.org/groups/54737/items/itemKey/T5GU4CBQ view on Zotero].</ref>
 +
:“'''PORTICO''', pa'r-ty-ko. s. A covered [[walk]], a [[piazza]].”
  
−
: "The south front looked to the river; from an elevated little '''portico''' on this front you descended directly into an extensive garden, touching the house on one side."
 
  
 +
*Marshall, William, 1803, ''On Planting and Rural Ornament'' (1803: 1:266)<ref>William Marshall, ''On Planting and Rural Ornament: A Practical Treatise . . .'', 2 vols. (London: G. and W. Nicol, G. and J. Robinson, T. Cadell, and W. Davies, 1803), [https://www.zotero.org/groups/54737/items/itemKey/K48D75JJ view on Zotero].</ref>
 +
:“IN extensive grounds, RETREATS, more especially in the remoter parts, are in a degree requisite; and, if they be seen, they ought to harmonize with the [[view]]s in which they appear; and, of course, the more polished the scene, the more ornamental should be the Retreat,—whether it be the Room, the '''Portico''', or the more simple [[Alcove]].”
  
−
* [[George William Featherstonhaugh|Featherstonhaugh, George William]], August 18 and 19 1837, describing [[Fort Hill]], seat of John C. Calhoun, Clemson, S.C. (quoted in Jones 1957: 126)<ref name="Jones_1957"></ref>
 
  
−
: "After partaking of an excellent dinner we adjourned for the evening to the '''portico''', where with the aid of a guitar, accompanied by a pleasing voice, and some capital curds and cream, we prolonged a most agreeable conversazione until a late hour. . . .  
+
*[[Noah Webster|Webster, Noah]], 1828, ''An American Dictionary of the English Language'' (1828: 2:n.p.)<ref name=”Webster_1828”>Noah Webster, ''An American Dictionary of the English Language'', 2 vols. (New York: S. Converse, 1828), [https://www.zotero.org/groups/54737/items/itemKey/N7BSU467 view on Zotero].</ref>
 +
:“'''PORTICO''', n. [It. ''portico''; L. ''porticu''s, from ''porta'' or ''portus''.]
 
<p></p>
 
<p></p>
−
: "On our return to Fort Hill, the family again assembled in the portico to pass a most agreeable evening."
+
:“In architecture, a kind of gallery on the ground, or a [[piazza]] encompassed with [[arch]]es supported by [[column]]s; a covered [[walk]]. The roof is sometimes flat; sometimes vaulted. ''Encyc''.”
  
  
−
* [[James Silk Buckingham|Buckingham, James Silk]], 1842, describing Red Sulphur Springs, Va. (CWF)  
+
*[[Noah Webster|Webster, Noah]], 1848, ''An American Dictionary of the English Language'' (1848: 848)<ref>Noah Webster, ''An American Dictionary of the English Language. . . Revised and Enlarged by Chauncey A. Goodrich'', (Springfield, MA: George and Charles Merriam, 1848), [https://www.zotero.org/groups/54737/items/itemKey/EBZ5Z7ET view on Zotero]. </ref>
−
 
+
:“'''POR'TI-CO''', n. [It. ''portico''; L. ''porticus'', from ''porta'' or ''portus''.]
−
: "Behind the "Bachelor's Row," and on the upper part of the hill is an imposing edifice of brick, called "Society Hall." It is built of two stories, with a fine '''portico''' of twelve feet wide, running the whole length of the front, and a terrace of twenty feet wide beyond this."
+
<p></p>
−
+
:“In ''architecture, originally'', a colonnade or covered ambulatory; but at present, a covered space, inclosed by [[column]]s at the entrance of a building. P. Cyc.”
  
−
* Anonymous, August 1848, describing [[Riversdale]], estate of George and Rosalie Stier Calvert, Prince George's County, Md. (''American Farmer'' 4: 53)
 
  
−
: "The main building is 68 by about 50 feet, with an elegant '''Portico''' on its northern [front], and a [[piazza|Piaza]] [''sic''], running its entire length, on its southern front, each constructed with due regard to classic and architectural propriety."
+
*<div id="Downing2"></div>[[Andrew Jackson Downing|Downing, Andrew Jackson]], 1849, ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849: 376)<ref name=”Downing_1849”>Alexander Jackson Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America. . .'', 4th ed. (New York: G. P. Putnam, 1849), [https://www.zotero.org/groups/54737/items/itemKey/5M4S2D64 view on Zotero].</ref>
 +
:“In this country no architectural feature is more plainly expressive of purpose in our dwelling-houses than the [[veranda|''veranda'']], or [[piazza]]. The unclouded splendor and fierce heat of our summer sun, render this very general appendage a source of real comfort and enjoyment; and the long [[veranda]] round many of our country residences stands instead of the paved [[terrace]]s of the English mansions as the place for [[promenade]]; while during the warmer portions of the season, half of the days or evenings are there passed in the enjoyment of the cool breezes, secure under low roofs supported by the open colonnade, from the solar rays, or the dews of night. . .
 +
<p></p>
 +
:“The various projections and irregularities, caused by [[veranda]]s, '''porticoes''', etc., serve to connect the otherwise square masses of building, by gradual transition with the ground about it.” [[#Downing2_cite|back up to History]]
  
  
−
* [[Lewis Miller|Miller, Lewis]], June 5, 1849, describing [[Mount Vernon]], plantation of [[George Washington]], Fairfax County, Va. (c. 1850: 108) <ref> Lewis Miller, ''Orbis Pictus: A Picturesque Album to the Ladies of York, Pennsylvania'', (Williamsburg, Va: Abby Aldrich Rockefeller Folk Art Center, Colonial Williamsburg Foundation, c. 1850), [https://www.zotero.org/groups/54737/items/itemKey/XNQR79ST\ view on Zotero.] </ref>
+
[[Image:0780.jpg|thumb|Fig. 12, [[Frances Palmer]], East Front Elevation of Italian Bracketed Villa, in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 9, top.]]
−
 
+
*<div id="Ranlett"></div>Ranlett, William H., 1851, ''The Architect'' (1851; repr., 1976: 2:14)<ref>William H. Ranlett, ''The Architect'', 2 vols. (1849–51; repr., New York: Da Capo, 1976), [https://www.zotero.org/groups/54737/items/itemKey/QGQPCB5J/ view on Zotero].</ref>
−
: "The mansion house itself appears venerable and convenient[.] A lofty '''portico''' ninety-six feet in length, Supported by Eight [[pillar]]s, has a pleasing effect when viewed from the water."
+
:“The design given in this part of the Architect, number XXVI., is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . .
−
 
 
−
===Citations===
 
−
 
 
−
* [[A.-J D&eacute;zallier d’Argenville|[D&eacute;zallier d’Argenville, A.-J.]]], 1712, ''The Theory and Practice of Gardening'' ([1712] 1969: 72) <ref name="Argenville_1712">[A.-J. (Antoine Joseph) Dézallier d'Argenville], ''The Theory and Practice of Gardening; wherein is fully handled all that relates to fine gardens, . . . containing divers plans, and general dispositions of gardens; . . .'' (English-language edition prepared by John James from the 1709 French original and printed in London by Geo. James, 1712. Reprint, Farnborough, England: Gregg, 1969), [https://www.zotero.org/groups/54737/items/itemKey/RNT8ZVZ87 view on Zotero.]</ref>  
 
−
 
 
−
: "A '''PORTICO''' . . . being the Entrance in Front of a Summer-House, Salon, or [[Arbor]] of Latticework, and is generally adorn'd with a handsome Cornice and Frontispiece, supported by Pilasters or Peers; or else it is a long Decoration of Architecture placed against a [[Wall]], or at the Entrance of a Wood, where the Advances and Returns are but inconsiderable.  
 
 
<p></p>
 
<p></p>
−
: "[[ARBORS]], Cabinets, and '''Porticos''' of Latticework, are commonly made use of to terminate a Garden in the City, and to shut out the Sight of Walls, and other disagreeable Objects; this Kind of Decoration making a handsome Sight, and serving very well to conclude the [[Prospect]] of a principal [[Walk]]."
+
:“On the east side are two bay windows, one on each side of the principal entrance, which has a '''portico''' supported by fluted Corinthian [[column]]s. On the south is a flat-roofed [[piazza]], with open balustrade railing, supported by Corinthian [[column]]s.” [Fig. 12] [[#Ranlett_cite|back up to History]]
  
  
−
[[File:1715.jpg|thumb|Fig. 31, [[James Gibbs]], "The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple", 1728.]]
+
<hr>
−
* [[James Gibbs|Gibbs, James]], 1728, ''A Book of Architecture'' (n.p.) <ref>James Gibbs, ''A Book of Architecture, Containing Designs of Buildings and Ornaments'', 2nd edn (London: W.  Innys and R. Manby, 1739), [https://www.zotero.org/groups/54737/items/itemKey/Z8U3MQ7H view on Zotero.]</ref>
 
  
 +
==Images==
 +
=== Inscribed ===
 +
<gallery widths="170px" heights="170px" perrow="7">
  
−
: "The Plan, Upright and Section of a Building of the Dorick Order in the form of a [[Temple]], made for a Person of Quality, and proposed to have been placed in the Center of four [[Walk]]s; so that a '''Portico''' might front each [[Walk]]." [Fig. 31]
+
Image:1056.jpg|Michael van der Gucht, “Of '''Porticos''', Bowers, and Cabinets of [[Arbor]]-work”, in Antoine-Joseph Dezallier d’Argenville, ''The Theory and Practice of Gardening'' (1712), pl. E opp. 71.
  
 +
Image:1715.jpg|[[James Gibbs]], “The Plan, Upright and Section of a Building of the Dorick Order in the form of a [[Temple]],” in ''A Book of Architecture'' (1728), pl. 67.
  
−
* [[Ephraim Chambers|Chambers, Ephraim]], 1741-43, ''Cyclopaedia'' (2:n.p.)<ref name="Chambers_1741-43">[[Ephraim Chambers]], ''Cyclopaedia, or An Universal Dictionary of Arts and Sciences. . . .'',5th ed., 2 vols. (London: D. Midwinter et al., 1741-43), [https://www.zotero.org/groups/54737/items/itemKey/PTXK378N view on Zotero.]</ref>
+
Image:1735.jpg|Batty and Thomas Langley, “Gothick [''sic''] '''Portico''',” in ''Gothic Architecture'' (1747), pl. 32.
  
−
: "[[PIAZZA]], in building, popularly called ''piache'', an Italian name for a '''portico''', or covered [[walk]], supported by [[arch]]es. See '''PORTICO'''.
+
Image:0058.jpg|[[Benjamin Henry Latrobe]], Houses and a church. Garden plan with outbuildings, 1795–99. “'''Portico'''” is inscribed near the bottom of the plan.
−
<p></p>
 
−
: "The word literally signifies a broad open place or square; whence it also became applied to the [[walk]]s or '''portico's''' around them. . . .
 
−
<p></p>
 
−
: "'''PORTICO''', in architecture, a kind of gallery on the ground; or a [[piazza]] encompassed with [[arch]]es supported by [[column]]s, where people walk under covert. See [[PIAZZA]]. . . .
 
−
<p></p>
 
−
: "'''PORTICO'''....
 
−
<p></p>
 
−
: "The roof is usually vaulted, sometimes flat. The ancients called it '''lacunar'''. See LACUNAR, VAULT, &c.
 
−
<p></p>
 
−
: "Though the word '''portico''' be derived from ''porta'', gate, door; yet it is applied to any disposition of [[column]]s which form a gallery, without any immediate relation to doors or gates.
 
−
<p></p>
 
−
: "The most celebrated '''portico's''' of antiquity were those of Solomon's [[temple]], which formed the atrium or court, and encompassed the sanctuary: that of Athens, built for the people to divert themselves in, and wherein the philosophers held their disputes and conversations; which occasioned the disciples of Zeno to be called stoics....
 
−
<p></p>
 
−
: "Among the modern '''portico's''', the most celebrated is the [[piazza]] of St. Peter of the Vatican.&mdash; That of Covent-Garden, London, the work of Inigo Jones, is also much admired."
 
  
 +
Image:0087.jpg|[[Benjamin Henry Latrobe]], ''[[View]] of [[Mount Vernon]] looking to the North'', July 17, 1796. "The '''portico''' faces to the East."
  
−
* [[Samuel Johnson|Johnson, Samuel]], 1755, ''A Dictionary of the English Language'' (2:n.p.) <ref name="Johnson_1755">Samuel Johnson, Samuel, ''A Dictionary of the English Language: In Which the Words are Deduced from the Originals and Illustrated in the Different Significations by Examples from the Best Writers'', 2 vols. (London: W. Strahan for J. and P. Knapton, 1755) [https://www.zotero.org/groups/54737/items/itemKey/GE2JPJR3 view on Zotero.]</ref>
+
Image:0610.jpg|[[Benjamin Henry Latrobe]], “[[View]] of the East front of the President’s House, with the additions of the North & South '''Porticos''',” 1807.
  
−
: "'''PO'RTICO'''. n.s. [''porticus'', Lat. ''portico'', Italian; ''portique'', Fr.] A covered [[walk]]; a [[piazza]]."
+
Image:1237.jpg|[[Benjamin Henry Latrobe]], “General Plan of a Marine Asylum and Hospital proposed to be built at Washington,” 1812. “'''Portico'''” is inscribed at the Western entrance.  
−
 
  
−
* [[Isaac Ware|Ware, Isaac]], 1756, ''Complete Body of Architecture'' (p. 31) <ref>Isaac Ware, ''A Complete Body of Architecture'' (London: T. Osborne and J. Shipton, 1756), [https://www.zotero.org/groups/54737/items/itemKey/2EK2USKV view on Zotero.]</ref>
+
Image:1221.jpg|[[Robert Mills]], Plan of wings and courtyards, South Carolina Insane Asylum, 1821, in John M. Bryan, ed., ''Robert Mills, Architect'' (1989), pl. 10. The '''portico''' is indicated at the botton center of the plan.  
  
−
: "'''PORTICO'''.
 
−
<p></p>
 
−
: "A place for walking under shelter, raised with arches, in the manner of a gallery. The '''portico''' is usually vaulted, but it has sometimes a soffit, or ceiling. The '''portico''' is a [[piazza]] encompassed with [[arch]]es raised upon [[column]]s, and covered over head in any manner. The word seems to refer to the gate or entrance of some place, ''porta'' in Latin signifying a gate; but it is appropriated to a disposition of [[column]]s, forming this kind of gallery, and has no relation to the openings."
 
−
 
  
−
* [[William Salmon|Salmon, William]], 1762, ''Palladio Londinensis'' (n.p.)<ref>William Salmon, ''Palladio Londinensis, or The London Art of Building: In Three Parts . . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary'', ed. by E. Hoppus, 6th edn (London: Printed for C. Hitch et al, 1762), [https://www.zotero.org/groups/54737/items/itemKey/IEIQ5QGM view on Zotero.]</ref>
+
Image:1332.jpg|[[J. C. Loudon]], “[[Porch]]es and '''Porticoes''',” in ''An Encyclopaedia of Gardening'', 4th ed. (1826), 356, fig. 330.
 
   
 
   
 +
Image:0580.jpg|Lewis Miller, “[[Mount Vernon]]” [detail], in ''Orbis Pictus'' (c. 1849), 108.
 +
</gallery>
  
−
: "[[Piazza]], in Architecture, commonly called ''Piache'', an ''Italian'' Name for a '''Portico'''; it signifies a broad open Place or Square, whence it became applied to [[Walk]]s or '''Porticos''' of [[Pillar]]s around them, like those of ''Covent Garden'', the ''Royal Exchange'', &c."
+
=== Associated ===
−
+
<gallery widths="170px" heights="170px" perrow="7">
  
−
* [[Thomas Sheridan|Sheridan, Thomas]], 1789, ''A Complete Dictionary of the English Language'' (n.p.)<ref>Thomas A. Sheridan, ''A Complete Dictionary of the English Language, Carefully Revised and Corrected by John Andrews....'', 5th ed. (Philadelphia: William Young, 1789), [https://www.zotero.org/groups/54737/items/itemKey/T5GU4CBQ view on Zotero.]</ref>
+
File:2162.jpg|[[Thomas Jefferson]], ''[[Monticello]]: 1st version (elevation)'', probably before March 1771.
  
 +
File:0826.jpg|James Peller Malcolm, [[The Woodlands]] From the [[Bridge]] at Gray’s Ferry, c. 1792, in Beth C. Wees and Medill H. Harvey, ''Early American Silver in the Metropolitan Museum of Art'' (2013), 259.
  
−
: "'''PORTICO''', pa'r-ty-ko. s. A covered [[walk]], a [[piazza]]."
+
Image:0089.jpg|[[Benjamin Henry Latrobe]], “[[View]] of [[Mount Vernon]] looking towards the South,” 1796.
  
 +
Image:0208.jpg|Francis Guy, ''[[Mount]] Deposit from the North'', 1805.
  
−
* [[William Marshall|Marshall, William]], 1803, ''On Planting and Rural Ornament'' (1:266)  <ref>William Marshall, ''On Planting and Rural Ornament: A Practical Treatise. . . .'', 2 vols. (London: G. and W. Nicol, G. and J. Robinson, T. Cadell, and W. Davies, 1803), [https://www.zotero.org/groups/54737/items/itemKey/K48D75JJ view on Zotero.]</ref>
+
Image:0320.jpg|William Russell Birch, “York-Island, with a [[View]] of the [[Seat]]s of M.<sup>r</sup> A. Gracie, M.<sup>r</sup> Church &c.,” in ''The Country [[Seat]]s of the United States of North America'' (1808), pl. 17.
  
−
: "IN extensive grounds, RETREATS, more especially in the remoter parts, are in a degree requisite; and, if they be seen, they ought to harmonize with the views in which they appear; and, of course, the more polished the scene, the more ornamental should be the Retreat,&mdash;whether it be the Room, the '''Portico''', or the more simple [[Alcove]]."
+
Image:0051.jpg|William Strickland, “[[The Woodlands]],” 1809, in ''Casket'' 5, no. 10 (October 1830): pl. opp. 432.
  
 +
Image:0551.jpg|John Lewis Krimmel, ''Fourth of July in Centre [[Square]]'', 1811–12.
  
−
* [[J. C. Loudon|Loudon, J. C.]], 1826, ''An Encyclopaedia of Gardening'' (p. 356)<ref>J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening'', 4th edn (London: Longman et al, 1826), [https://www.zotero.org/groups/54737/items/itemKey/KNKTCA4W view on Zotero.]</ref>
+
Image:1220.jpg|[[Robert Mills]], Front elevation, South Carolina Insane Asylum, c. 1820, in John M. Bryan, ed. ''Robert Mills, Architect'' (1989), pl. 7.
  
−
: "1809. [[Porch]]es and '''porticoes''' . . . are sometimes employed as decorative marks to the entrances of scenes; and sometimes merely as roofs to shelter seats or resting benches." [See Fig. 27]
+
File:1051.jpg|Daniel Wadsworth, “Monte Video, Approach to the House,” in Benjamin Silliman, ''Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819'' (1824), pl. opp. 16.  
  
 +
Image:0079.jpg|Jane Braddick Peticolas, ''[[View]] of West Front of [[Monticello]] and Garden'', 1825.
  
−
* [[Noah Webster|Webster, Noah]], 1828, ''An American Dictionary of the English Language'' (n.p.) <ref name="Webster_1828">Noah Webster, ''An American Dictionary of the English Language'', vol. 1 (New York: S. Converse, 1828), [https://www.zotero.org/groups/54737/items/itemKey/N7BSU467 view on Zotero.]</ref>
+
File:0646.jpg|Anonymous, “Montpelier, Va., the [[Seat]] of the late James Madison,” 1835.
  
 +
Image:0549.jpg|Victor De Grailly, ''[[Mount Vernon]]'', c. 1840—50.
  
−
: "'''PORTICO''', n. [It. ''portico''; L. ''porticu''s, from ''porta'' or ''portus''.]
+
Image:0778.jpg|[[Frances Palmer]], “Italian Bracketed Villa,” in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 7.
−
<p></p>
 
−
: "In architecture, a kind of gallery on the ground, or a [[piazza]] encompassed with [[arch]]es supported by [[column]]s; a covered [[walk]]. The roof is sometimes flat; sometimes vaulted. ''Encyc''."
 
  
 +
Image:0780.jpg|[[Frances Palmer]], East Front Elevation of Italian Bracketed Villa, in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 9, top.
 +
</gallery>
  
−
* [[Noah Webster|Webster, Noah]] 1848, ''An American Dictionary of the English Language'' (p. 848)<ref>Noah Webster, ''An American Dictionary of the English Language... Revised and Enlarged by Chauncey A. Goodrich....'', (Springfield, Mass.: George and Charles Merriam, 1848), [https://www.zotero.org/groups/54737/items/itemKey/EBZ5Z7ET| view on Zotero.] </ref>
+
=== Attributed ===
−
: "'''POR'TI-CO''', n. [It. ''portico''; L. ''porticus'', from ''porta'' or ''portus''.]
+
<gallery widths="170px" heights="170px" perrow="7">
−
<p></p>
 
−
: "In ''architecture, originally'', a colonnade or covered ambulatory; but at present, a covered space, inclosed by [[column]]s at the entrance of a building. P. Cyc."
 
  
 +
File:0190.jpg|[[Charles Willson Peale]], ''Charles Carroll'', c. 1770.
  
−
* [[A. J. Downing|Downing, A. J.]], 1849, ''A Treatise on the Theory and Practice of Landscape Gardening'' (p. 376) <ref name="Downing_1849">A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America; with a view to the improvement of country residences. Comprising historical notices and general principles of the art, directions for laying out grounds and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments to the house and grounds, the formation of pieces of artificial water, flower gardens, etc.: with remarks on rural architecture'', 4th ed. (New York: G. P. Putnam, 1849), [https://www.zotero.org/groups/54737/items/itemKey/5M4S2D64 view on Zotero.]</ref> 
+
Image:0021.jpg|Cornelius Tiebout, ''A [[View]] of the present [[Seat]] of His Excel. the Vice President of the United States'', 1790.
  
 +
File:1229.jpg|[[Benjamin Henry Latrobe]], Houses and a church. Garden [[temple]] elevations and floor plan, c. 1795–99.
  
−
: "In this country no architectural feature is more plainly expressive of purpose in our dwelling-houses than the [[veranda|''veranda''], or [[piazza]]. The unclouded splendor and fierce heat of our summer sun, render this very general appendage a source of real comfort and enjoyment; and the long [[veranda]] round many of our country residences stands instead of the paved [[terrace]]s of the English mansions as the place for [[promenade]]; while during the warmer portions of the season, half of the days or evenings are there passed in the enjoyment of the cool breezes, secure under low roofs supported by the open colonnade, from the solar rays, or the dews of night. . . .
+
File:1230.jpg|[[Benjamin Henry Latrobe]], Houses and a church. Side elevation and basement floor plan, c. 1795–99.
−
<p></p>
 
−
: "The various projections and irregularities, caused by [[veranda]]s, '''porticoes''', etc., serve to connect the otherwise square masses of building, by gradual transition with the ground about it."
 
  
 +
File:1231.jpg|[[Benjamin Henry Latrobe]], Houses and a church. Lodge—Sections showing interior elevation, c. 1795–99.
  
−
[[File:0780.jpg|thumb|Fig. 32, [[Frances Palmer]], "Principal Elevation" of a villa in the Anglo-Italian style at Oswefo N.Y., 1851.]]
+
File:0083.jpg|[[Benjamin Henry Latrobe]], ''Sedgeley'', 1799.
−
* [[William H. Ranlett|Ranlett, William H.]], 1851, ''The Architect'' ([1851] 1976: 2:14) <ref>William H. Ranlett, ''The Architect'', 2 vols. (New York: Da Capo, 1976), [https://www.zotero.org/groups/54737/items/itemKey/QGQPCB5J/ view on Zotero.]</ref>
 
  
−
: "The design given in this part of the Architect, number XXVI., is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . . .
+
Image:0317.jpg|William Russell Birch, ''Montebello—The [[Seat]] of General Smith'', c. 1808.
−
<p></p>
 
−
: "On the east side are two bay windows, one on each side of the principal entrance, which has a '''portico''' supported by fluted Corinthian [[column]]s. On the south is a flat-roofed [[piazza]], with open balustrade railing, supported by Corinthian [[column]]s." [Fig. 32]
 
  
−
==Images==
+
Image:0318.jpg|William Russell Birch, “Montibello the [[seat]] of Genl. S. Smith Maryland,” 1808, in William Russell Birch and Emily Cooperman, ''The Country [[Seat]]s of the United States'' (2009), 67, pl. 13.
−
=== Inscribed ===
 
−
<gallery widths="170px" heights="170px" perrow="7">
 
−
<gallery>
 
  
−
File:1056.jpg|[[Michael van der Gucht]], ''A Large Portico at the Entrance of Arbor-Work, A Cabinet of Arbor Work open at top, and A Salon for an Entrance of an Arbor'', 1712.
+
Image:0321.jpg|William Russell Birch, “Mendenhall Ferry, Schuylkill, Pennsylvania,” 1808, in William Russell Birch and Emily Cooperman, ''The Country [[Seat]]s of the United States'' (2009), 77, pl. 18. '''Porticos''' can be seen on the two [[seat]]s on the bank.
−
File:1715.jpg|[[James Gibbs]], "The Plan, Upright and Section of a Building of the Dorick Order in the form of a [[Temple]]", 1728, in ''A Book of Architecture, containing designs of buildings and ornaments'' (1728), pl. 67.
 
−
File:1448.jpg|[[Batty Langley]] and [[Thomas Langley]], ''Gothick [sic] Portico'', in ''Gothic Architecture, Improved by Rules and Proportions in many Ground Designs'' (1747), pl. 32.
 
−
File:0087.jpg|[[Benjamin Henry Latrobe]], "View of [[Mount Vernon]] looking to the North," July 17, 1796.
 
−
File:0610.jpg|[[Benjamin Henry Latrobe]], "View of the East front of the [[White House|President's House]], with the additions of the North & South Porticos", 1807.
 
−
File:1237.jpg|[[Benjamin Henry Latrobe]], "General Plan of a Marine Asylum and Hospital proposed to be built at Washington", 1812. "Portico" is inscribed at the Western entrance.
 
−
File:1221.jpg|[[Robert Mills]], Plan of wings and courtyards, South Carolina Insane Asylum, 1821, in John M. Bryan, ed., ''Robert Mills, Architect'' (1989), plate 10. "Portico" is inscribed near the bottom of the plan.
 
−
File:1332.jpg|[[J. C. Loudon]], "Porches and Porticoes", in J.C. Loudon, ''An Encyclopaedia of gardening'', (1826), p. 356, fig. 330.
 
−
File:0580.jpg|[[Lewis Miller]], "[[Mount Vernon]]", 1835.
 
−
File:1227.jpg|[[Robert Mills]], Design for the Patent Office Wings, 1842, in Rhodri Windsor Liscombe, ''Altogether American: Robert Mills, Architect and Engineer, 1781-1855'' (1994), p. 232, fig. 86b.
 
−
File:1225.jpg|[[Robert Mills]], "Projection of the Fire-Proof Buildings for the Navy & War Depts.", c. 1843, in John M. Bryan, ''Robert Mills: America's First Architect'' (2001), p. 249. "Portico" is inscribed on both the north and south entrance.  
 
  
−
</gallery>
+
Image:0322.jpg|William Russell Birch, “China Retreat Pennsyl.<sup>a</sup> the [[Seat]] of M.<sup>r</sup> Manigault,” 1808, in William Russell Birch and Emily Cooperman, ''The Country [[Seat]]s of the United States'' (2009), 79, pl. 19.
  
−
=== Associated ===
+
Image:1152.jpg|Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.
−
<gallery widths="170px" heights="170px" perrow="7">
 
−
<gallery>
 
  
−
File:0341.jpg|George Isham Parkyns, Mount Vernon, 1795.
+
Image:0103.jpg|Lewis and Goodwin (lithographers), after a drawing by Joseph Jacques Ramée, ''Union College. Schenectady, N.Y.'', 1815.
−
File:0089.jpg|[[Benjamin Henry Latrobe]], "View of [[Mount Vernon]] looking towards the South", 1796.
 
−
File:0710.jpg|[[J. Weiss]], ''Home of George Washington, "The Father of His Country"'', 1797.
 
−
File:0345.jpg|Alexander Robertson (artist), Francis Jukes (engraver), "Mount Vernon in Virginia," 1800.
 
−
File:0344.jpg|[[George Ropes]], ''Mount Vernon'', 1806.
 
−
File:0314.jpg|[William Russell Birch]], "[[Mount Vernon]], Virginia, the [[Seat]] of the late [[George Washington|Genl. G. Washington]]", 1808.
 
−
File:0051.jpg|[[William Strickland]], "The [[Woodlands]]", 1809.
 
−
File:0838.jpg|[[Daniel Wadsworth]], ''Monte Video&mdash;near Avon'' [detail], c. 1810-1819, in Richard Saunders and Helen Raye, ''Daniel Wadsworth, Patron of the Arts. Hartford'' (1981), p. 56, pl. 16.
 
−
File:0551.jpg|John Lewis Krimmel, ''Fourth of July in Centre Square'', 1811-12.
 
−
File:1220.jpg|[[Robert Mills]], Front elevation, South Carolina Insane Asylum, c.1820, in John M. Bryan, ed. ''Robert Mills, Architect'' (1989), pl. 7.
 
−
File:1051.jpg|[[Daniel Wadsworth]], "Monte Video, Approach to the House," in Benjamin Silliman, ''Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819'' (1824), pl. opp. p. 16.
 
−
File:0079.jpg|[[Jane Braddick]], ''View of West Front of [[Monticello]] and Garden'', 1825.
 
−
File:0646.jpg|Anonymous, ''[[Montpelier]]'', 1835.
 
−
File:0549.jpg|[[Victor De Grailly]], ''View of Mount Vernon'', c.1840–50.
 
−
File:0550.jpg|[[Victor de Grailly]], ''Washington's Tomb at Mount Vernon'', c.1840-50.
 
−
File:0328.jpg|Unknown, "Front View of the Mansion at Mount Vernon", in Franklin Knight ed., ''Letters on agriculture from His Excellency George Washington, president of the United States, to Arthur Young, Esq. F.R.S. and Sir John Sinclair, Bart., M.P with statistical tables and remarks, by Thomas Jefferson, Richard Peters, and other gentlemen, on the economy and management of farms in the United States'' (1847), opp. p.14.
 
−
File:0329.jpg|Anonymous, A. Kollner (lithographer), "North West View of the Mansion of George Washington Mount Vernon," in Franklin Knight, ed., ''Letters on agriculture from His Excellency George Washington, president of the United States, to Arthur Young, Esq. F.R.S. and Sir John Sinclair, Bart., M.P with statistical tables and remarks, by Thomas Jefferson, Richard Peters, and other gentlemen, on the economy and management of farms in the United States'' (1847), opp. p.124.
 
−
File:0778.jpg|[[Frances Palmer]], "Italian Bracketed Villa," in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 7.
 
−
File:0779.jpg|[[Frances Palmer]], South Front Elevation of Italian Bracketed Villa, in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 9, design 26.
 
−
File:0780.jpg|[[Frances Palmer]], "Principal Elevation" of a villa in the Anglo-Italian style at Oswefo N.Y., in William H. Ranlett, ''The Architect'' (1851), vol. 2, pl. 9, design 26.
 
−
File:0334.jpg|Middleton, Strobridge & Co. (engraver), "Mount Vernon, the home of Washington," c. 1861.
 
  
 +
File:0404.jpg|[[Benjamin Henry Latrobe]], “Elevation of the South front of the President’s house, copied from the design as proposed to be altered in 1807,” January 1817.
  
 +
Image:0164.jpg|Joshua H. Hayward, “A [[View]] of the [[Seat]] of Theodore Lyman, Esqr., in Waltham, taken on the principles of perspective,” Mathematical Thesis, 1818.
  
 +
File:0990.jpg|Thomas Birch, ''Southeast [[View]] of “Sedgeley [[Park]],” the Country [[Seat]] of James Cowles Fisher, Esq.'', c. 1819.
  
−
File:0826.jpg|[[James Peller Malcolm]], The [[Woodlands]] From the Bridge at Gray's Ferry, in Beth C. Wees and Medill H. Harvey, ''Early American Silver in the Metropolitan Museum of Art'' (2013), p. 259.  
+
File:0020.jpg|Mdme. Janika de Feriet, ''The [[Hermitage]]'', c. 1820.
−
File:0836.jpg|[[Daniel Wadsworth]], Architectural Details: Gothic Fireplace and Portico
 
  
 +
Image:0739.jpg|William Russell Birch, “Landsdown,” before 1834.
  
−
File:1256.jpg|
+
File:0025.jpg|Robert P. Smith, “''[[View]] of Washington'',” c. 1850.
  
 +
File:0563.jpg|Benjamin Henry Latrobe, ''View of the North Front of Belvidere, Richmond'', 1790s.
 
</gallery>
 
</gallery>
  
−
=== Attributed ===
+
<hr>
−
<gallery widths="170px" heights="170px" perrow="7">
 
−
<gallery>
 
−
 
 
−
File:0020.jpg|Mdme. Janika de Feriet, ''The Hermitage'', c. 1820.
 
−
File:0021.jpg|Cornelius Tiebout, "A View of the present Seat of His Excel. the Vice President of the United States", 1790.
 
−
File:0025.jpg|Robert P. Smith, "View of Washington", 1850.
 
−
File:0083.jpg|[[Benjamin Henry Latrobe]], ''Sedgeley'', 1799.
 
−
File:0190.jpg|[[Charles Willson Peale]], ''Charles Carroll'', c. 1770.
 
−
</gallery>
 
  
 
==Notes==
 
==Notes==
  
 
<references></references>
 
<references></references>
 +
 +
[[Category: Keywords]]
 +
[[Category: Transition Between House and Garden]]

Latest revision as of 15:36, August 13, 2021

History

Fig. 1, William Russell Birch, “York-Island, with a View of the Seats of M.r A. Gracie, M.r Church &c.,” in The Country Seats of the United States of North America (1808), pl. 17.

Portico is one of several words (including piazza, porch, and veranda) used to describe covered walks or spaces supported by columns or piers and attached to, or to part of, a building. This architectural feature spoke to the interrelatedness of architecture and gardens, a relationship that grew out of the romantic interest in landscape characterizing the aesthetics of the 18th and 19th centuries. Two images exemplify the importance of these structures in creating and framing views of the garden and landscape. The first is a drawing of York Island, Long Island, by William Russell Birch (1808), who explained that the view was taken from the piazza, a place from which one could see “innumerable seats, spreading over an extensive country which glittered as the sun arose” [Fig. 1].[1] The second is from A. J. Downing’s book on wooden picturesque houses, The Architecture of Country Houses (1850) [Fig. 2]. Both illustrate views from the bracketed piazza, or veranda, as Downing preferred to call it, out to the distant prospect.

Fig. 2, Anonymous, “Bracketed Veranda from the inside,” in A. J. Downing, The Architecture of Country Houses (1850), 122, fig. 45.

Treatises often used these terms interchangeably, along with a few other less common words that were more or less synonymous. Downing and Alexander Jackson Davis used the term “umbrage” to refer to the same feature on a house, implying a place of shade; Downing used the term “pavilion” synonymously with “veranda”; and Mary Elizabeth Latrobe mentioned that in New Orleans the piazza was also known as the gallery.[2] Contrasting usage sometimes reveals distinctions. In his plan for a country house, Downing also used the term “porch” to identify the central area of the veranda leading to the entryway. The 19th-century architect William H. Ranlett sometimes distinguished between piazza and veranda, using “piazza” for a walk over which a projecting roof might be added, and “veranda” for a structure that included a roof (view text). Two points are important in the history of these terms: First, these architectural elements served to elide the boundaries of the garden and building by linking interior and exterior space both visually and physically. Second, the associative values of refinement and domesticity, and even national progress, were read into the forms.

Fig. 3, Lewis Miller, “Mount Vernon” [detail], in Orbis Pictus (c. 1849), 108.

The term “portico” was also used when referring to a covered space that was supported by columns or piers and was attached to a building. Semantic distinctions were made, however, using “portico” to identify the principal entrances to the house and “piazza” for the extended side porches. The higher status of the portico, as opposed to piazza, veranda, or porch, was emphasized by its frequent modification by adjectives such as “handsome,” “noble,” and “elegant.” The word “portico” seems not to have been used to refer to covered walkways that linked separate buildings, as is made clear in the distinction in 1777 regarding the College of William and Mary in Williamsburg, Virginia (view text). Margaret Bayard Smith in 1828 said the portico at President James Madison’s plantation, Montpelier, commanded a view, “a beautiful scene,” of extensive lawns and forests, where viewers walked through the portico until twilight when the landscape was no longer visible (view text). John Mason recalled the portico at George Mason’s Gunston Hall, near Mason Neck, Virginia, from which “you descended directly into an extensive garden”(view text). Downing’s 1849 comments conveyed a similar meaning, suggesting that the portico served to connect the building, visually and also physically, “by gradual transition with the ground about it” ().

Fig. 4, Batty and Thomas Langley, “Gothick [sic] Portico,” in Gothic Architecture (1747), pl. 32.

The portico served as a focal, as well as a viewing, point. Lewis Miller, for example, in 1849 wrote that at Mount Vernon the “lofty portico. . . has a pleasing effect when viewed from the water” (view text) [Fig. 3]. Often the portico was distinguished from the building it ornamented by its material, creating a distant focus for the spectator from the garden or surrounding landscape. A brick building was sometimes ornamented with a contrasting white stone or painted wood portico. As David Bailie Warden noted in 1816, such a feature made a house “admirably adapted to the American climate” (view text).

Fig. 5, Thomas Birch, Southeast View of Sedgeley Park, c. 1819

Porticoes generally were dressed in a classical style, meaning that classical columns supported the low-pitched roof and the front was finished with an entablature and pediment. Many descriptions specified Doric (e.g., Centre Square in Philadelphia), Tuscan (e.g., The Woodlands near Philadelphia), or Corinthian (e.g., Ranlett’s design for a house in Italian bracketed style). Two notable exceptions to the classical style, however, are well known. William Buckland’s fanciful octagonal porch at Gunston Hall (1755–58) had ogee arches and is thought to have been inspired by the writings of Batty Langley, who promoted Gothic and chinoiserie details for architectural decoration [Fig. 4]. Benjamin Henry Latrobe’s Gothic design for Sedgeley, near Philadelphia (1799) [Fig. 5], which is considered one of the earliest Gothic revival houses in America, had tall slender posts supporting the roof.

—Therese O’Malley

Texts

Usage

  • Anonymous, 1737, describing in the St. Philip’s Parish Vestry Book St. Philip’s Parish, Charleston, SC (quoted in Lounsbury 1994: 287)[3]
“[Workmen recommended the constructions of] a large Cornish under ye eves & round ye Porticoes.”


  • Carroll, Charles (the Barrister), July 2, 1767, describing Mount Clare, plantation of Charles and Margaret Tilghman Carroll, Baltimore, MD (quoted in Trostel 1981: 34)[4]
“The Plan is for a Portico or Colonade to be Joined to the Front of a House and Project Eight Feet from it, An Arch at Both Ends, for a Passage through it, to Spring from Pilasters of Stone Joined to the End Pillars of the front of the Portico and the two three Quarter Round Columns, I think they Call them, that Run up Close to the wall of the House.”


  • Anonymous, 1769, describing in the Georgia Gazette a proposed Presbyterian meetinghouse in Savannah, GA (quoted in Lounsbury 1994: 287)[3]
“[The meetinghouse was to be] 80 feet long by 47 feet wide. . . with a handsome light steeple in proportion to the frame, a portico at one end of 50 by 10 feet.”


  • Fithian, Philip Vickers, March 18, 1774, describing Nomini Hall, Westmoreland County, VA (1943: 107)[5]
“The North side [of Nomini Hall] I think is most beautiful of all; In the upper Story is a Row of seven Windows with eighteen Lights a piece; and below six windows, with the like number of lights; besides a large Portico in the middle, at the sides of which are two Windows each with eighteen Lights.”


  • Hazard, Ebenezer, May 31, 1777, describing the College of William and Mary, Williamsburg, VA (quoted in Shelley 1954: 405)[6]
“The Wings are on the West Front, between them is a covered Parade, which reaches from the one to the other; the Portico is supported by Stone Pillars.” back up to History


  • Clark, Jonathan, 1786, describing a farm in the Shenandoah Valley, VA (quoted in Lounsbury 1994: 287)[3]
“[There was a] fraimed dwelling house 26 by 20. . . and a portico the length of the fraimed house five feet wide.”


  • Brissot de Warville, Jacques Pierre, 1792, describing Mount Vernon, plantation of George Washington, Fairfax County, VA (quoted in Lockwood 1934: 2:61)[7]
“I hastened to arrive at Mount Vernon. . . after having passed over two hills, you discover a country house of an elegant and majestic simplicity. . . This house overlooks the Potomack, enjoys an extensive prospect, has a vast and elegant portico on the front next to the river, and a convenient distribution of the apartments within.”


“In the center is another very spacious apartment, of an octagon form, reaching from the front to the rear of the house, the large folding glass doors of which, at each end, open under a portico.”


Fig. 6, Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796.
“The House is connected with the Kitchen offices by arcades. . . Along the other front is a portico supported by 8 square pillars, of good proportions and effect.” [Fig. 6]


  • Anonymous, 1803, describing in the Virginia Herald a property for rent in Fredericksburg, VA (quoted in Lounsbury 1994: 286)[3]
“. . . commodious close porch in front, and an open portico in the rear.”


  • Anonymous, August 9, 1805, describing in the Virginia Herald a property for rent in Stafford County, VA (Colonial Williamsburg Foundation)
“FOR LEASE, A Lot of Land. . . On the above lot there is two convenient Dwelling houses, situate near each other, with two rooms on a floor and a portico to each, the whole length of the house, and convenient closets.”


Fig. 7, John Lewis Krimmel, Fourth of July in Centre Square, 1811–12.
  • Scott, Joseph, 1806, describing Centre Square and Fairmount Waterworks, Philadelphia, PA (1806: 25)[10]
“The water-works of Philadelphia are the most extensive of their kind of any in America. . . The water is discharged into a circular aqueduct, extending along Chestnut and Broad streets, into the middle of Market-street, in the centre square. . . The building in the centre square, is a square of sixty feet, with a Doric portico on the east and west fronts. From its centre rises a circular tower, forty feet in diameter. It is covered by a dome. The tower contains the engine and reservoir. . . large enough to contain 20,000 gallons, all the chimnies of the house, which form a marble pedestal, on the summit. The shafts of the columns of the porticos, consist each of one solid block of marble, 14 feet 9 inches in length, and two feet nine inches in diameter, at the base.”[Fig. 7]


Fig. 8, William Strickland, “The Woodlands,” 1809, in Casket 5, no. 10 (October 1830): pl. opp. 432.
“The walk is said to be a mile long—perhaps it is something less. One is led into the garden from the portico, to the east or lefthand.” [Fig. 8]


  • Martin, William Dickinson, May 20, 1809, describing Philadelphia, PA (Colonial Williamsburg Foundation)
“The building in Centre Square, is Sixty feet in every direction; having a Doric portico in front, to the East & West.”


“The house has two porticoes of the Doric order, though one of them was not quite completed, and the pediment had in the meanwhile to be supported on the stems of four tulip trees, which are really, when well grown, as beautiful as the fluted shafts of Corinthian pillars. They front north and south.”


  • Warden, David Bailie, 1816, describing Riversdale, estate of George and Rosalie Stier Calvert, Prince George’s County, MD (1816: 156)[13]
“The establishment of George Calvert, Esq. at Bladensburg, attracts attention. His mansion, consisting of two stories, seventy feet in length, and thirty-six in breadth, is admirably adapted to the American climate. On each side there is a large portico, which shelters from the sun, rain, or snow.” back up to History


  • Anonymous, September 30, 1820, describing in the Virginia Herald a property for rent in Culpeper County, VA (Colonial Williamsburg Foundation)
“I will sell my tavern establishment. . . consisting of. . . A large and commodious house with four rooms below stairs and eight above, with two large porticoes—a new smoke house, a new ice house.”


  • Silliman, Benjamin, 1824, describing Monte Video, property of Daniel Wadsworth, Avon, CT (1824: 12)[14]
“To the west, the lawn rises gradually from the water, until it reaches the portico of the house, near the brow of the mountain, beyond which, the western valley is again seen.”


  • Ticknor, George, December 16, 1824, in a letter to William H. Prescott, describing Montpelier, plantation of James Madison, Montpelier Station, VA (quoted in Jones 1957: 7)[15]
“We were received with a good deal of dignity and much cordiality, by Mr. and Mrs. Madison, in the portico, and immediately placed at ease.”


  • Douglass, Frederick, 1825, describing Wye House, estate of Col. Edward Lloyd, Talbot County, MD (1855; repr., 1987: 47) [16]
“The great house itself was a large, white, wooden building, with wings on three sides of it. In front, a large portico, extending the entire length of the building, and supported by a long range of columns, gave to the whole establishment an air of solemn grandeur.”


  • Smith, Margaret Bayard, August 2, 1828, describing the University of Virginia, Charlottesville, VA (1906: 226)[17]
“The rotunda is in form and proportioned like the Pantheon at Rome. It has a noble portico,— the pillars, cornice, &c of the Corinthian.”


Fig. 9, Anonymous, “Montpelier, VA, the Seat of the late James Madison,” 1835.
  • Smith, Margaret Bayard, August 17, 1828, describing Montpelier, plantation of James Madison, Montpelier Station, VA (1906: 233, 235–36)[17]
“We were at first conducted into the Drawing room, which opens on the back Portico and thus commands a view through the whole house, which is surrounded with an extensive lawn, as green as in spring; the lawn is enclosed with fine trees, chiefly forest, but interspersed with weeping willows and other ornamental trees, all of most luxuriant growth and vivid verdure. It was a beautiful scene! . . . After dinner, we all walked in the Portico, (or piazza, which is 60 feet long, supported on six lofty pillars) until twilight.” [Fig. 9] back up to History


Fig. 10, Thomas Birch, Southeast View of “Sedgeley Park,” the Country Seat of James Cowles Fisher, Esq., c. 1819.
  • Anonymous, June 1829, describing Sedgeley, seat of James C. Fisher, near Philadelphia , PA (Casket 4: 265)[18]
“The mansion was designed and erected under the superintendance of the late Mr. Latrobe, and has been much admired for its architectural beauty. The style is Gothic, with a portico front and rear, supported by eight columns each. It presents a length of seventy-five feet, and is well adapted in the arrangement of the interior for a gentleman’s residence.” [Fig. 10]


  • Mason, General John, c. 1830, describing Gunston Hall, seat of George Mason, Mason Neck, VA (quoted in Rowland 1964: 1:98)[19]
“The south front looked to the river; from an elevated little portico on this front you descended directly into an extensive garden, touching the house on one side.” back up to History


  • Featherstonhaugh, George William, August 18 and 19 1837, describing Fort Hill, seat of John C. Calhoun, Clemson, SC (quoted in Jones 1957: 126)[15]
“After partaking of an excellent dinner we adjourned for the evening to the portico, where with the aid of a guitar, accompanied by a pleasing voice, and some capital curds and cream, we prolonged a most agreeable conversazione until a late hour. . .

“On our return to Fort Hill, the family again assembled in the portico to pass a most agreeable evening.”


  • Buckingham, James Silk, 1842, describing Red Sulphur Springs, VA (Colonial Williamburg Foundation)
“Behind the “Bachelor’s Row,” and on the upper part of the hill is an imposing edifice of brick, called “Society Hall.” It is built of two stories, with a fine portico of twelve feet wide, running the whole length of the front, and a terrace of twenty feet wide beyond this.”


  • Anonymous, August 1848, describing Riversdale, estate of George and Rosalie Stier Calvert, Prince George’s County, MD (American Farmer 4: 53)[20]
“The main building is 68 by about 50 feet, with an elegant Portico on its northern [front], and a Piaza [sic], running its entire length, on its southern front, each constructed with due regard to classic and architectural propriety.”


  • Miller, Lewis, June 5, 1849, describing Mount Vernon, plantation of George Washington, Fairfax County, VA (c. 1850: 108)[21]
“The mansion house itself appears venerable and convenient[.] A lofty portico ninety-six feet in length, Supported by Eight pillars, has a pleasing effect when viewed from the water.” back up to History


Citations

  • Dezallier d’Argenville, Antoine-Joseph, 1712, The Theory and Practice of Gardening (1712; repr., 1969: 72)[22]
“A PORTICO. . . being the Entrance in Front of a Summer-House, Salon, or Arbor of Latticework, and is generally adorn'd with a handsome Cornice and Frontispiece, supported by Pilasters or Peers; or else it is a long Decoration of Architecture placed against a Wall, or at the Entrance of a Wood, where the Advances and Returns are but inconsiderable.

“ARBORS, Cabinets, and Porticos of Latticework, are commonly made use of to terminate a Garden in the City, and to shut out the Sight of Walls, and other disagreeable Objects; this Kind of Decoration making a handsome Sight, and serving very well to conclude the Prospect of a principal Walk.”


Fig. 11, James Gibbs, “The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple,” in A Book of Architecture (1728), pl. 67.
“The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple, made for a Person of Quality, and proposed to have been placed in the Center of four Walks; so that a Portico might front each Walk.” [Fig. 11]


“PIAZZA, in building, popularly called piache, an Italian name for a portico, or covered walk, supported by arches. See PORTICO.

“The word literally signifies a broad open place or square; whence it also became applied to the walks or portico’s around them. . .

“PORTICO, in architecture, a kind of gallery on the ground; or a piazza encompassed with arches supported by columns, where people walk under covert. See PIAZZA. . .

“PORTICO. . .

“The roof is usually vaulted, sometimes flat. The ancients called it lacunar. See LACUNAR, VAULT, &c.

“Though the word portico be derived from porta, gate, door; yet it is applied to any disposition of columns which form a gallery, without any immediate relation to doors or gates.

“The most celebrated portico’s of antiquity were those of Solomon’s temple, which formed the atrium or court, and encompassed the sanctuary: that of Athens, built for the people to divert themselves in, and wherein the philosophers held their disputes and conversations; which occasioned the disciples of Zeno to be called stoics. . . .

“Among the modern portico’s, the most celebrated is the piazza of St. Peter of the Vatican.—That of Covent-Garden, London, the work of Inigo Jones, is also much admired.”


  • Johnson, Samuel, 1755, A Dictionary of the English Language (1755: 2:n.p.)[25]
“PO'RTICO. n.s. [porticus, Lat. portico, Italian; portique, Fr.] A covered walk; a piazza.”


  • Ware, Isaac, 1756, Complete Body of Architecture (1756: 31)[26]
“PORTICO.

“A place for walking under shelter, raised with arches, in the manner of a gallery. The portico is usually vaulted, but it has sometimes a soffit, or ceiling. The portico is a piazza encompassed with arches raised upon columns, and covered over head in any manner. The word seems to refer to the gate or entrance of some place, porta in Latin signifying a gate; but it is appropriated to a disposition of columns, forming this kind of gallery, and has no relation to the openings.”


  • Salmon, William, 1762, Palladio Londinensis (1762: n.p.)[27]
“Piazza, in Architecture, commonly called Piache, an Italian Name for a Portico; it signifies a broad open Place or Square, whence it became applied to Walks or Porticos of Pillars around them, like those of Covent Garden, the Royal Exchange, &c.”


  • Sheridan, Thomas, 1789, A Complete Dictionary of the English Language (1789: n.p.)[28]
“PORTICO, pa'r-ty-ko. s. A covered walk, a piazza.”


  • Marshall, William, 1803, On Planting and Rural Ornament (1803: 1:266)[29]
“IN extensive grounds, RETREATS, more especially in the remoter parts, are in a degree requisite; and, if they be seen, they ought to harmonize with the views in which they appear; and, of course, the more polished the scene, the more ornamental should be the Retreat,—whether it be the Room, the Portico, or the more simple Alcove.”


  • Webster, Noah, 1828, An American Dictionary of the English Language (1828: 2:n.p.)[30]
“PORTICO, n. [It. portico; L. porticus, from porta or portus.]

“In architecture, a kind of gallery on the ground, or a piazza encompassed with arches supported by columns; a covered walk. The roof is sometimes flat; sometimes vaulted. Encyc.”


“POR'TI-CO, n. [It. portico; L. porticus, from porta or portus.]

“In architecture, originally, a colonnade or covered ambulatory; but at present, a covered space, inclosed by columns at the entrance of a building. P. Cyc.”


“In this country no architectural feature is more plainly expressive of purpose in our dwelling-houses than the veranda, or piazza. The unclouded splendor and fierce heat of our summer sun, render this very general appendage a source of real comfort and enjoyment; and the long veranda round many of our country residences stands instead of the paved terraces of the English mansions as the place for promenade; while during the warmer portions of the season, half of the days or evenings are there passed in the enjoyment of the cool breezes, secure under low roofs supported by the open colonnade, from the solar rays, or the dews of night. . .

“The various projections and irregularities, caused by verandas, porticoes, etc., serve to connect the otherwise square masses of building, by gradual transition with the ground about it.” back up to History


Fig. 12, Frances Palmer, East Front Elevation of Italian Bracketed Villa, in William H. Ranlett, The Architect (1851), vol. 2, pl. 9, top.
  • Ranlett, William H., 1851, The Architect (1851; repr., 1976: 2:14)[33]
“The design given in this part of the Architect, number XXVI., is the plan of a Villa in the Anglo-Italian style, now in process of erection on the south side of Lake Ontario, in the city of Oswego. . .

“On the east side are two bay windows, one on each side of the principal entrance, which has a portico supported by fluted Corinthian columns. On the south is a flat-roofed piazza, with open balustrade railing, supported by Corinthian columns.” [Fig. 12] back up to History


Images

Inscribed

  • Michael van der Gucht, “Of Porticos, Bowers, and Cabinets of Arbor-work”, in Antoine-Joseph Dezallier d’Argenville, The Theory and Practice of Gardening (1712), pl. E opp. 71.

  • James Gibbs, “The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple,” in A Book of Architecture (1728), pl. 67.

  • Batty and Thomas Langley, “Gothick [sic] Portico,” in Gothic Architecture (1747), pl. 32.

  • Benjamin Henry Latrobe, Houses and a church. Garden plan with outbuildings, 1795–99. “Portico” is inscribed near the bottom of the plan.

  • Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796. "The portico faces to the East."

  • Benjamin Henry Latrobe, “View of the East front of the President’s House, with the additions of the North & South Porticos,” 1807.

  • Benjamin Henry Latrobe, “General Plan of a Marine Asylum and Hospital proposed to be built at Washington,” 1812. “Portico” is inscribed at the Western entrance.

  • Robert Mills, Plan of wings and courtyards, South Carolina Insane Asylum, 1821, in John M. Bryan, ed., Robert Mills, Architect (1989), pl. 10. The portico is indicated at the botton center of the plan.

  • J. C. Loudon, “Porches and Porticoes,” in An Encyclopaedia of Gardening, 4th ed. (1826), 356, fig. 330.

  • Lewis Miller, “Mount Vernon” [detail], in Orbis Pictus (c. 1849), 108.

Associated

  • Thomas Jefferson, Monticello: 1st version (elevation), probably before March 1771.

  • James Peller Malcolm, The Woodlands From the Bridge at Gray’s Ferry, c. 1792, in Beth C. Wees and Medill H. Harvey, Early American Silver in the Metropolitan Museum of Art (2013), 259.

  • Benjamin Henry Latrobe, “View of Mount Vernon looking towards the South,” 1796.

  • Francis Guy, Mount Deposit from the North, 1805.

  • William Russell Birch, “York-Island, with a View of the Seats of M.r A. Gracie, M.r Church &c.,” in The Country Seats of the United States of North America (1808), pl. 17.

  • William Strickland, “The Woodlands,” 1809, in Casket 5, no. 10 (October 1830): pl. opp. 432.

  • John Lewis Krimmel, Fourth of July in Centre Square, 1811–12.

  • Robert Mills, Front elevation, South Carolina Insane Asylum, c. 1820, in John M. Bryan, ed. Robert Mills, Architect (1989), pl. 7.

  • Daniel Wadsworth, “Monte Video, Approach to the House,” in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824), pl. opp. 16.

  • Jane Braddick Peticolas, View of West Front of Monticello and Garden, 1825.

  • Anonymous, “Montpelier, Va., the Seat of the late James Madison,” 1835.

  • Victor De Grailly, Mount Vernon, c. 1840—50.

  • Frances Palmer, “Italian Bracketed Villa,” in William H. Ranlett, The Architect (1851), vol. 2, pl. 7.

  • Frances Palmer, East Front Elevation of Italian Bracketed Villa, in William H. Ranlett, The Architect (1851), vol. 2, pl. 9, top.

Attributed

  • Charles Willson Peale, Charles Carroll, c. 1770.

  • Cornelius Tiebout, A View of the present Seat of His Excel. the Vice President of the United States, 1790.

  • Benjamin Henry Latrobe, Houses and a church. Garden temple elevations and floor plan, c. 1795–99.

  • Benjamin Henry Latrobe, Houses and a church. Side elevation and basement floor plan, c. 1795–99.

  • Benjamin Henry Latrobe, Houses and a church. Lodge—Sections showing interior elevation, c. 1795–99.

  • Benjamin Henry Latrobe, Sedgeley, 1799.

  • William Russell Birch, Montebello—The Seat of General Smith, c. 1808.

  • William Russell Birch, “Montibello the seat of Genl. S. Smith Maryland,” 1808, in William Russell Birch and Emily Cooperman, The Country Seats of the United States (2009), 67, pl. 13.

  • William Russell Birch, “Mendenhall Ferry, Schuylkill, Pennsylvania,” 1808, in William Russell Birch and Emily Cooperman, The Country Seats of the United States (2009), 77, pl. 18. Porticos can be seen on the two seats on the bank.

  • William Russell Birch, “China Retreat Pennsyl.a the Seat of M.r Manigault,” 1808, in William Russell Birch and Emily Cooperman, The Country Seats of the United States (2009), 79, pl. 19.

  • Anonymous, The Lilacs, Residence of Thomas Kidder [perspective rendering, front], c. 1810.

  • Lewis and Goodwin (lithographers), after a drawing by Joseph Jacques Ramée, Union College. Schenectady, N.Y., 1815.

  • Benjamin Henry Latrobe, “Elevation of the South front of the President’s house, copied from the design as proposed to be altered in 1807,” January 1817.

  • Joshua H. Hayward, “A View of the Seat of Theodore Lyman, Esqr., in Waltham, taken on the principles of perspective,” Mathematical Thesis, 1818.

  • Thomas Birch, Southeast View of “Sedgeley Park,” the Country Seat of James Cowles Fisher, Esq., c. 1819.

  • Mdme. Janika de Feriet, The Hermitage, c. 1820.

  • William Russell Birch, “Landsdown,” before 1834.

  • Robert P. Smith, “View of Washington,” c. 1850.

  • Benjamin Henry Latrobe, View of the North Front of Belvidere, Richmond, 1790s.

Notes

  1. ↑ William Russell Birch, The Country Seats of the United States of North America: With Some Scenes Connected with Them (Springland, PA: W. Birch, 1808), view on Zotero.
  2. ↑ William Pierson Jr. traces the origins of the feature, specifically found in Alexander Jackson Davis and A. J. Downing’s work, to the awning or canopy partaking of an oriental flavor. In general, its origin was a semi-enclosed outdoor space that was not at all architectural but was related to the ornamental canopy or tent. This connection might explain why the detail flourished during the high romantic period in American architecture. See Pierson, American Buildings and Their Architects: Technology and the Picturesque, the Corporate and the Early Gothic Styles, 2 vols. (New York: Doubleday, 1978), 2:300–4, view on Zotero. Also see Alexander Jackson Downing, The Architecture of Country Houses; Including Designs for Cottages, Farm-Houses, and Villas (1850; repr., New York: D. Appleton; Da Capo, 1968), 357, view on Zotero.
  3. ↑ 3.0 3.1 3.2 3.3 Carl R. Lounsbury, ed., An Illustrated Glossary of Early Southern Architecture and Landscape (New York: Oxford University Press, 1994), view on Zotero.
  4. ↑ Michael Trostel, Mount Clare, Being an Account of the Seat Built by Charles Carroll, Barrister, upon His Lands at Patapsco (Baltimore: National Society of the Colonial Dames of America in the State of Maryland, 1981), view on Zotero.
  5. ↑ Philip Vickers Fithian, Journal & Letters of Philip Vickers Fithian, 1773–1774: A Plantation Tutor of the Old Dominion, ed. Hunter D. Farish (Williamsburg, VA: Colonial Williamsburg, 1943), view on Zotero.
  6. ↑ Fred Shelley, “The Journal of Ebenezer Hazard in Virginia, 1777,” Virginia Magazine of History and Biography 62 (1954): 400–23, view on Zotero.
  7. ↑ Alice B. Lockwood, ed., Gardens of Colony and State: Gardens and Gardeners of the American Colonies and of the Republic before 1840, 2 vols. (New York: Charles Scribner’s for the Garden Club of America, 1931–34), view on Zotero.
  8. ↑ Isaac Weld, Travels through the States of North America and the Provinces of Upper and Lower Canada, during the Years 1795, 1796, and 1797, 2 vols. (London: John Stockdale, 1799), on Zotero.
  9. ↑ Benjamin Henry Latrobe, The Virginia Journals of Benjamin Henry Latrobe, 1795-1798, ed. Edward C. Carter II, 2 vols. (New Haven, CT: Yale University Press, 1977), view on Zotero.
  10. ↑ Joseph A. Scott, Geographical Description of Pennsylvania (Philadelphia: Printed by R. Cochran, 1806), view on Zotero.
  11. ↑ Charles Drayton, “The Diary of Charles Drayton I, 1806,” Drayton Hall: A National Historic Trust Site, view on Zotero.
  12. ↑ Sir Augustus John Foster, Jeffersonian America: Notes on the United States of America Collected in the Years 1805–1806–1807 and 1811–1812, ed. Richard Beale Davis (San Marino, CA: Huntington Library, 1954) view on Zotero.
  13. ↑ David Bailie Warden, A Chronographical and Statistical Description of the District of Columbia (Paris: Printed and sold by Smith, 1816), view on Zotero.
  14. ↑ Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (New Haven, CT: S. Converse, 1824), view on Zotero.
  15. ↑ 15.0 15.1 Katharine M. Jones, The Plantation South (New York: Bobbs-Merrill, 1957), view on Zotero.
  16. ↑ Frederick Douglass, My Bondage and My Freedom, ed. William L. Andrews (1855; repr., Urbana, IL: University of Illinois Press, 1987), view on Zotero.
  17. ↑ 17.0 17.1 Margaret Bayard Smith, The First Forty Years of Washington Society, ed. Gaillard Hunt (New York: Charles Scribner’s, 1906), view on Zotero.
  18. ↑ Anonymous, “Sedgeley Park, the Seat of James C. Fisher, Esq.,” Casket, or Flowers of Literature, Wit & Sentiment 4, no. 6 (June 1829): 265, view on Zotero.
  19. ↑ Kate Mason Rowland, The Life of George Mason: 1725–1792, 2 vols. (New York: Russell and Russell, 1964), view on Zotero.
  20. ↑ Anonymous, “Visit to Riversdale,” American Farmer, and Spirit of Agricultural Journals of the Day 4, no. 2 (August 1848): 52–55, view on Zotero.
  21. ↑ Lewis Miller, Orbis Pictus: A Picturesque Album to the Ladies of York, Pennsylvania (Williamsburg, VA: Abby Aldrich Rockefeller Folk Art Center, Colonial Williamsburg Foundation, c. 1850), view on Zotero.
  22. ↑ A.-J. (Antoine Joseph) Dézallier d’Argenville, The Theory and Practice of Gardening. . . , trans. John James (London: Geo. James, 1712; repr., Farnborough, England: Gregg, 1969), view on Zotero.
  23. ↑ James Gibbs, A Book of Architecture, Containing Designs of Buildings and Ornaments, (London: Printed for W. Innys et al., 1728), view on Zotero.
  24. ↑ Ephraim Chambers, Cyclopaedia, or An Universal Dictionary of Arts and Sciences. . . , 5th ed., 2 vols. (London: D. Midwinter et al., 1741–43), view on Zotero.
  25. ↑ Samuel Johnson, Samuel, A Dictionary of the English Language: In Which the Words are Deduced from the Originals and Illustrated in the Different Significations by Examples from the Best Writers, 2 vols. (London: W. Strahan for J. and P. Knapton, 1755), view on Zotero.
  26. ↑ Isaac Ware, A Complete Body of Architecture (London: T. Osborne and J. Shipton, 1756), view on Zotero.
  27. ↑ William Salmon, Palladio Londinensis, or The London Art of Building: In Three Parts. . . with Fifty-Four Copper Plates, to Which Is Annexed, The Builder’s Dictionary, ed. E. Hoppus, 6th ed. (London: Printed for C. Hitch et al., 1762), view on Zotero.
  28. ↑ Thomas A. Sheridan, A Complete Dictionary of the English Language, Carefully Revised and Corrected by John Andrews. . . , 5th ed. (Philadelphia: William Young, 1789), view on Zotero.
  29. ↑ William Marshall, On Planting and Rural Ornament: A Practical Treatise . . ., 2 vols. (London: G. and W. Nicol, G. and J. Robinson, T. Cadell, and W. Davies, 1803), view on Zotero.
  30. ↑ Noah Webster, An American Dictionary of the English Language, 2 vols. (New York: S. Converse, 1828), view on Zotero.
  31. ↑ Noah Webster, An American Dictionary of the English Language. . . Revised and Enlarged by Chauncey A. Goodrich, (Springfield, MA: George and Charles Merriam, 1848), view on Zotero.
  32. ↑ Alexander Jackson Downing, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America. . ., 4th ed. (New York: G. P. Putnam, 1849), view on Zotero.
  33. ↑ William H. Ranlett, The Architect, 2 vols. (1849–51; repr., New York: Da Capo, 1976), view on Zotero.

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