Difference between revisions of "File:0361.jpg"
[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
File:0361.jpg
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+ | {{Image | ||
+ | |Keyword relationships={{Keyword relationship | ||
+ | |Keyword relationship=Inscribed | ||
+ | |Keyword=Seat | ||
+ | }}{{Keyword relationship | ||
+ | |Keyword relationship=Associated | ||
+ | |Keyword=Drive | ||
+ | }}{{Keyword relationship | ||
+ | |Keyword relationship=Associated | ||
+ | |Keyword=Lawn | ||
+ | }}{{Keyword relationship | ||
+ | |Keyword relationship=Associated | ||
+ | |Keyword=Walk | ||
+ | }}{{Keyword relationship | ||
+ | |Keyword relationship=Attributed | ||
+ | |Keyword=Meadow | ||
+ | }} | ||
+ | |Creator=Anonymous | ||
+ | |Creation Present=No | ||
+ | |Creation Date=1849 | ||
+ | |Creation Circa=No | ||
+ | |Creation Concurrence=Exact | ||
+ | |Creation Questionable=No | ||
+ | |Creation HasEndDate=No | ||
+ | |Creation Present End=No | ||
+ | |Creation Circa End=No | ||
+ | |Creation Questionable End=No | ||
+ | |Title=Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq. | ||
+ | |Image Title=Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," 1849 | ||
+ | |Showcase main=No | ||
+ | |Showcase essay=No | ||
+ | |Publication Present=No | ||
+ | |Publication Date=1991 | ||
+ | |Publication Circa=No | ||
+ | |Publication Concurrence=Exact | ||
+ | |Publication Questionable=No | ||
+ | |Publication HasEndDate=No | ||
+ | |Publication Present End=No | ||
+ | |Publication Circa End=No | ||
+ | |Publication Questionable End=No | ||
+ | |Edition=4th | ||
+ | |Page number=pl. opp. p. 51 | ||
+ | |Figure=7 | ||
+ | |Repository=National Gallery of Art, Washington, D.C. | ||
+ | |Reference ID=K7BRCDC5 | ||
+ | }} | ||
Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), pl. opp. p. 51, fig. 7. National Gallery of Art, Washington, D.C. | Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), pl. opp. p. 51, fig. 7. National Gallery of Art, Washington, D.C. |
Latest revision as of 15:44, August 20, 2021
About this image
Relationships
Information
- Creator
- Anonymous
- Date
- 1849
- Title
- Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.
- Inscription
- Medium
- Dimensions
Reference
- Date of Publication
- 1991
- Reference Title
- Volume
- Edition
- 4th
- Page
- pl. opp. p. 51
- Figure
- 7
- Repository
- National Gallery of Art, Washington, D.C.
- Zotero ID
- K7BRCDC5
Download an RDF export
Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture (1849), pl. opp. p. 51, fig. 7. National Gallery of Art, Washington, D.C.
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