Property:Keyword relationship
[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
This is a property of type Text.
The allowed values for this property are:
- Inscribed
- Associated
- Attributed
C
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Claude Joseph Sauthier, A Plan of the Town of Newbern in Craven County, North Carolina, detail of Governor's Palace, 1769 +
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Claude Joseph Sauthier, A Plan of the Town of Newbern in Craven County, North Carolina, detail of Governor's Palace, 1769 +
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Claude Joseph Sauthier, John Hawk's plan of the Governor's House and grounds in New Bern, N.C., 1783 +
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Claude Joseph Sauthier, John Hawk's plan of the Governor's House and grounds in New Bern, N.C., 1783 +
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Claude Joseph Sauthier, John Hawk's plan of the Governor's House and grounds in New Bern, N.C., 1783 +
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Claude Joseph Sauthier, John Hawk's plan of the Governor's House and grounds in New Bern, N.C., 1783 +
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Claude Joseph Sauthier, John Hawk's plan of the Governor's House and grounds in New Bern, N.C., 1783 +
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D
Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824) +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 +
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George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 +
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George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 +
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George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 +
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George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 +
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George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 +
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J. B. Bordley, Two Ice Houses Sected, in J. B. Bordley, Essays and Notes on Husbandry and Rural Affairs (1801), pl. II. +
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J. B. Bordley, Two Ice Houses Sected, in J. B. Bordley, Essays and Notes on Husbandry and Rural Affairs (1801), pl. II. +
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J. C. Loudon, "The fixed rafter-trellis," in An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles (1826) +
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J. C. Loudon, "The fixed rafter-trellis," in An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles (1826) +
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J. C. Loudon, Plan of a ferme ornée with wild and irregular hedges, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon. . . Illustrated with many hundred engravings on wood by Branston (1826) +
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J. C. Loudon, Plan of a ferme ornée with wild and irregular hedges, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon. . . Illustrated with many hundred engravings on wood by Branston (1826) +
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J. C. Loudon, Plan of a ferme ornée with wild and irregular hedges, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon. . . Illustrated with many hundred engravings on wood by Branston (1826) +
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J. C. Loudon, Plan of a ferme ornée with wild and irregular hedges, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon. . . Illustrated with many hundred engravings on wood by Branston (1826) +
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J. C. Loudon, Plan of a ferme ornée with wild and irregular hedges, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon. . . Illustrated with many hundred engravings on wood by Branston (1826) +
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James Gibbs, “The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple,” 1728 +
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James Gibbs, “The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple,” 1728 +
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James Gibbs, “The Plan, Upright and Section of a Building of the Dorick Order in the form of a Temple,” 1728 +
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James Smillie (artist), J. A. Rolph (engraver), “View of the Central Square, Mount Auburn Cemetery,” (1847; repr., 1850) +
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James Smillie (artist), J. A. Rolph (engraver), “View of the Central Square, Mount Auburn Cemetery,” (1847; repr., 1850) +
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James Smillie (artist), J. A. Rolph (engraver), “View of the Central Square, Mount Auburn Cemetery,” (1847; repr., 1850) +
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James Smillie (artist), J. A. Rolph (engraver), “View of the Central Square, Mount Auburn Cemetery,” (1847; repr., 1850) +
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James Smillie (artist), Rice & Buttre (engravers), “View of Oxnard's Monument, Mount Auburn Cemetery," 1847 +
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James Smillie (artist), Rice & Buttre (engravers), “View of Oxnard's Monument, Mount Auburn Cemetery," 1847 +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
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James Smillie (artist), Robert Hinshelwood (engraver), "Lawn-Girt Hill," in Nehemiah Cleaveland, Green-wood Illustrated, in highly finished line engraving, from drawings taken on the spot / by James Smillie ; with descriptive notices by Nehemiah Cleaveland (1847), opp. p. 61. Library of Congress, Washington, D.C. +
James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland (1855 [1847]) +
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James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland (1855 [1847]) +
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James Trenchard after Charles Willson Peale, "An East View of GRAY'S FERRY, near Philadelphia, with the TRIUMPHAL ARCHES, &c. erected for the Reception of General Washington, April 20th. 1789" +
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James Trenchard after Charles Willson Peale, "An East View of GRAY'S FERRY, near Philadelphia, with the TRIUMPHAL ARCHES, &c. erected for the Reception of General Washington, April 20th. 1789" +
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John Warner Barber, “Entrance to Mount Auburn Cemetery,” in Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions (1844) +
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John Warner Barber, “Entrance to Mount Auburn Cemetery,” in Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions (1844) +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 +
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Joseph Goldsborough Bruff (artist), Edward Weber & Co. (lithographer), Elements of National Thrift and Empire, c. 1847 +
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Joseph Goldsborough Bruff (artist), Edward Weber & Co. (lithographer), Elements of National Thrift and Empire, c. 1847 +
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Joseph Goldsborough Bruff (artist), Edward Weber & Co. (lithographer), Elements of National Thrift and Empire, c. 1847 +
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Joseph Goldsborough Bruff (artist), Edward Weber & Co. (lithographer), Elements of National Thrift and Empire, c. 1847 +
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Joseph Goldsborough Bruff (artist), Edward Weber & Co. (lithographer), Elements of National Thrift and Empire, c. 1847 +
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Joseph-Jacques Ramée, Monument to the memory of general George Washington, to be erected at Baltimore, design for the Washington Monument, 1813 +
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Joseph-Jacques Ramée, Monument to the memory of general George Washington, to be erected at Baltimore, design for the Washington Monument, 1813 +
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Joseph-Jacques Ramée, Monument to the memory of general George Washington, to be erected at Baltimore, design for the Washington Monument, 1813 +
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Joshua Rowley Watson, View of the Middle and Upper bridges on the River Schuylkill taken from the Old Waterworks Philadelphia 5th October 1816, 1816 +
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Joshua Rowley Watson, View of the Middle and Upper bridges on the River Schuylkill taken from the Old Waterworks Philadelphia 5th October 1816, 1816 +
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M. Schmitz (artist), Thomas S. Sinclair (lithographer), John B. Colahan (surveyor), “Map of Washington Square, Philadelphia,” 1843 +
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M. Schmitz (artist), Thomas S. Sinclair (lithographer), John B. Colahan (surveyor), “Map of Washington Square, Philadelphia,” 1843 +
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M. Schmitz (artist), Thomas S. Sinclair (lithographer), John B. Colahan (surveyor), “Map of Washington Square, Philadelphia,” 1843 +
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M. Schmitz (artist), Thomas S. Sinclair (lithographer), John B. Colahan (surveyor), “Map of Washington Square, Philadelphia,” 1843 +
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M. Schmitz (artist), Thomas S. Sinclair (lithographer), John B. Colahan (surveyor), “Map of Washington Square, Philadelphia,” 1843 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 +
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O
Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson +
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Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson +
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Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson +
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Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson +
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P
Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 +
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Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 +
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Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 +
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Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 +
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