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History of Early American Landscape Design

Property:Keyword record

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This is a property of type Record. Keyword relationship, Keyword

Usage975

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Showing 20 pages using this property.

F

Frances Palmer, "Ground Plot," 1851 +

Inscribed (Arbor) +, Inscribed (Gate/Gateway) +, Inscribed (Icehouse) +, …

A

Anonymous, Plan of a Flower Garden, 1840 +

Associated (Bed) +, Associated (Flower garden) +, Associated (Walk) +

M

Michael van der Gucht, "Designs of Groves of a Middle Height," 1712 +

Inscribed (Grove) +

J

J. C. Loudon, "Intricate and fanciful figures of parterres," 1826 +

Inscribed (French style) +, Inscribed (Parterre) +

R

Rufus Porter, Landscape mural from Howe House, 1838 +

Associated (Prospect) +, Attributed (Eminence) +, Attributed (Hedge) +, …

J

John Durrand, Thomas Atkinson, n.d. +

Attributed (Walk) +, Attributed (Yard) +

U

Unknown, View of the Battery Looking North from the Churn, c. 1812 +

Inscribed (View/Vista) +, Attributed (Avenue) +, Attributed (Promenade) +

T

Thomas Kelah Wharton, Washington's Monument, Baltimore, 1833 +

Associated (Column/Pillar) +

Thomas Coram, View of Mulberry, House and Street, c. 1800 +

Associated (Plantation) +, Attributed (Quarter) +

J

J. C. Loudon, "The fixed rafter-trellis," in An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles (1826) +

Inscribed (Trellis) +

V

Victor de Grailly, Mount Vernon, c. 1840-50 +

Associated (Lawn) +, Associated (Piazza) +, Associated (Portico) +, …

A

Anonymous, "A pair of tozza [sic] vases, for a fountain," in A. J. Downing, ed., The Horticulturist and Journal of Rural Art and Rural Taste Devoted to Horticulture, Landscape, Gardening, Rural Architecture, Botany, Pomology, Entomology, Rural Economy, &c. 3, no. 1 (July 1848) +

Inscribed (Vase/Urn) +, Associated (Fountain) +

D

David J. Kennedy, McAran's Garden, 1840 +

Associated (Public garden/Public ground) +, Attributed (Fence) +, Attributed (Gate/Gateway) +, …

A

Anonymous, Section of a small, low-cost, wood frame "green-house," Horticulturist, Vol. 6, No. 1 (January 1851) +

Attributed (Pot) +

Anonymous, "Villa at Brooklyn, N.Y., with the Conservatory attached," in [[A. J. Downing]], A Treatise on the Theory and Practice of Landscape Gardening (1849) +

Inscribed (Conservatory) +

B

Batty Langley, One of two "Designs for Gardens that lye irregularly to the ground House . . . House opening to the North upon a plain Parterre of Grass," in New Principles of Gardening, or The laying out and planting parterres, groves, wildernesses, labyrinths, avenues, parks, &c. (1728) +

Inscribed (Avenue) +, Inscribed (Canal) +, Inscribed (Parterre) +, …

C

Charles Codman, Kalorama, c. 1820 +

Associated (Terrace/Slope) +, Associated (View/Vista) +, Associated (Wood/Woods) +, …

W

William Keenan, Plan of the City and Neck of Charleston, S.C., September 1844 +

Inscribed (Bath/Bathhouse) +, Inscribed (Canal) +, Inscribed (Cemetery/Burying ground/Burial ground) +, …

William Dandridge Peck, Plan of the botanic garden of Mr. Curtis, Newbury, Mass., February 19, 1805 +

Inscribed (Greenhouse) +, Inscribed (Quarter) +, Associated (Botanic garden) +

J

James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland (1855 [1847]) +

Inscribed (Cemetery/Burying ground/Burial ground) +

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History of Early American Landscape Design contributors, "Property:Keyword record," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=Property:Keyword_record&oldid=40924 (accessed June 20, 2026).

A Project of the Center for Advanced Study in the Visual Arts

National Gallery of Art, Washington