Rosedown Plantation
Rosedown Plantation is one of the best-preserved and best-documented plantation gardens of early nineteenth-century Louisiana. Built and maintained with the profits from and labor of uncompensated enslaved people, the ornamental gardens of the cotton plantation synthesized local ideas about the spatial organization of agricultural and residential landscapes with picturesque principles and horticultural specimens popularized in New York and Philadelphia.
Overview
Alternate Names: Rose Down
Site Dates: 1834 to present
Site Owner(s): Martha and Daniel Turnbull (1834–1896); Sarah Turnbull Bowman (1896–1914); Nellie, Empsie, Isa, and Maggie Bowman (The Misses Bowman) (1914–1956); Milton Underwood and Catherine Fondren Underwood (1956–); Gene Raymond Slivka (1994–2000); the State of Louisiana (2000–present)
Associated People: Samuel Richardson (landscape gardener); Moses; Charles; Ben; Primus; Augustus; Dave; Jane; Jim (enslaved gardeners)
Location: St. Francisville, West Feliciana Parish, LA
Condition: altered
View on Google Maps
History
Located several miles inland on the eastern bank of the Mississippi river, the 3,455 acres of Rosedown Plantation were formed from seven tracts of land that Daniel Turnbull (1796–1861) and Martha Hilliard Barrow Turnbull (1809–1896) purchased between 1829 and 1861. The first of these purchases, which had been owned by members of Martha’s family, already contained an existing cotton plantation built and maintained by 74 enslaved people.[1] Profits from the Turnbull’s other plantations, Inheritance, Desoto, and Styopa, helped fund the construction and upkeep of Rosedown. In the 1840s and 1850s, just under 450 enslaved people worked without pay on the largest plantations owned by Daniel and Martha Turnbull.
Most information about the built landscape of Rosedown Plantation is preserved in Martha Turnbull’s garden diary, which documents a period from 1836 to 1895.[2] Martha’s diary provides insights into the plantings, maintenance, and design, of the kitchen garden, orchard, greenhouses, and ornamental gardens located closest to the main house, as well as a separate plantation garden in which she grew vegetables for the enslaved residents of Rosedown.[3] It largely ignores, however, other landscapes on the plantation, which included cotton fields, fields for fodder crops, pastures for livestock, and probably a cemetery.[4] Her journal suggests that the functional landscapes of the plantation relegated to enslaved people, cash crops, livestock, and death were gendered male, while those dedicated to cultivating food and the leisure of the plantation owners were gendered female.
Like other early nineteenth-century garden diaries, such as that of the Hudson River head gardener James Francis Brown, Martha Turnbull’s records of her garden are focused on weather and largely devoid of the stylistic terms that characterized prescriptive gardening literature. Later historians of gardens, however, have characterized the design of the ornamental gardens at Rosedown as an early and innovative southern example of picturesque elements inserted within a flat, symmetrical, axial plan that was typical of the region.[5] An avenue lined with oak trees connected the main house to the road, bisecting a rectangular garden that visitors could navigate via gently curving walks. Around the Turnbull house, geometric flower gardens featured parterres bordered with boxwoods and flowering shrubs.[6] A kitchen garden and an orchard added in 1838 provided food for the Turnbulls to consume and sell at a local market. A variety of functional and recreational structures dotted the gardens. These included two greenhouses, one built before 1836 and the other completed in 1855, hot beds used to cultivate tropic fruits like pineapple, and cold beds.[7] A lattice summerhouse, first mentioned in an 1858 entry but possibly built as early as 1835, stood among the flower gardens.[8]
Around the edges of these gardens, the grounds of Rosedown Plantation contained living quarters and a church for enslaved people, a doctor’s office, a barn, and a milkshed.[9] Based on historic aerial photos, oral histories, and archaeological finds dateable to the period between 1820 and 1860, archaeologist Nesta Jean Anderson located the site of Rosedown’s slave quarters in a depression to the northwest of the Turnbull house, between the main drive of the plantation and Alexander Creek.[10]
Early inspiration for the Rosedown Plantation gardens would have come from a variety of descriptions, images, and firsthand experiences. The Turnbulls owned general works on gardening and agriculture by such notable figures as John Claudius Loudon, and Andrew Jackson Downing, and may also have been familiar with gardening literature adapted for the American South by Jacques-Felix Lelièvre (1795–1854), in French, and the nurseryman and plantation owner Thomas Affleck (1812–1868), in English.[11] Their library also contained more specialized works, like Robert Leuchars’s Practical Treatise on the Construction, Heating, and Ventilation of Hot-Houses, first printed in 1850.[12] The entrance hall of the main house was decorated with a panoramic Joseph Dufour wallpaper that depicted a dramatic landscape, one of many French imports that may also have shaped the taste of Martha and Daniel Turnbull.[13] They must also have found ideas in firsthand experience of leisure landscapes, which the Turnbulls encountered in their seasonal travels. To escape the Louisiana heat and outbreaks of yellow fever, the Turnbulls summered in Saratoga Springs, New York, and after 1850 in White Sulphur Springs, West Virginia.[14]
In 1851, the Turnbull family embarked on a tour of Europe that reflected their taste in garden design and informed Martha’s approach to the Rosedown Plantation gardens in following years. Their itinerary included Liverpool Botanic Garden, Versailles, and Florence, offering them the opportunity to visit a variety of public and palatial gardens. Possibly inspired by one of Loudon’s illustrations of an “Italian walk,” [Fig. __], Martha purchased twelve statues for the garden from F. Leopold Pisani in Florence, maker of marble and alabaster sculptures for wealthy travelers, which she installed throughout the garden upon her return.[15] These included mythological figures as well as female allegorical personifications of Asia, Africa, Europe, and America.[16] The seashell-encrusted rockery that Martha added in 1858 was probably also inspired by features that she observed on her journey.[17]
Prior to the outbreak of the American Civil War in 1861, most of the construction and maintenance of Rosedown Plantation was undertaken by enslaved people. While the gardens of rich plantation owners like the Turnbulls were often assumed to have been designed by European immigrant landscape gardeners (view text), the only professional gardener who can be identified in Martha Turnbull’s diary is Samuel Richardson, a landscape gardener who lived in Bayou Sara in the 1840s and left the service of Martha Turnbull in November of 1847.[18] His advertisements in the local newspaper cite the Turnbulls of Rosedown among his references, as well as Isaac Johnson (1803–1853), the governor of Louisiana and owner of Fairview Plantation on Bayou Sara, David Austin at Bayou Sara, and Martha’s nephew Robert Hilliard Barrow (1824–1878), owner of the Rosale Plantation near St. Francisville (view text). By 1868, a gardener’s house stood on the plantation grounds, although Martha’s diary never mentions the title of head gardener.[19]
Texts
Images
Map
Other Resources
Louisiana State Historic Sites– Rosedown Plantation
Notes
- ↑ Nesta Jean Anderson, “Comparing Alternative Landscapes: Power Negotiations in Enslaved Communities in Louisiana and the Bahamas, an Archaeological and Historical Perspective” (PhD diss., University of Texas at Austin, 2004), 123, view on Zotero.
- ↑ Martha Barrow Turnbull, The Garden Diary of Martha Turnbull, Mistress of Rosedown Plantation, ed. Suzanne Turner (Baton Rouge: Louisiana State University Press, 2012), view on Zotero.
- ↑ Turnbull 2012, 145, (plantation cabbages), view on Zotero.
- ↑ Turnbull 2012, 217, (graveyard), view on Zotero.
- ↑ Donna Fricker and Suzanne Turner, “Rosedown Plantation,” National Register of Historic Places Registration Form (Baton Rouge: Division of Historic Preservation, 2005), 4, view on Zotero. See also Elaine Ware, “Formal Ornamental Gardens in the Ante-Bellum South,” Studies in Popular Culture 19, no. 2 (1996): 49–66.
- ↑ Turnbull 2012, 92 ("avenue"), 106 ("partarre"), view on Zotero.
- ↑ Turnbull 2012, 109 (pineapple), view on Zotero.
- ↑ Turnbull 2012, 124, view on Zotero; Fricker and Turner 2005, 18, view on Zotero. Two later summer houses of uncertain date were placed in the north and south gardens on either side of the oak-lined avenue. Fricker and Turner, 18 (dated to before 1861), view on Zotero; Richard Koch, “Rosedown Plantation, St. Francisville, West Feliciana Parish, Louisiana,” Historic American Buildings Survey (New Orleans, LA, June 1958), 2 (dated to 1895), https://www.loc.gov/item/la0045/.
- ↑ The church was moved relocated farther from the main house of the plantation in the mid-twentieth century. Thomas J. Durant, Jr., “The Enduring Legacy of an African-American Plantation Church,” The Journal of Negro History 80, no. 2 (Spring 1995): 81–95, view on Zotero.
- ↑ Anderson 2004, “Comparing Alternative Landscapes,” 127 (location), 161-162 (dateable ceramics), view on Zotero.
- ↑ Turnbull 2012, 8, view on Zotero.
- ↑ Turnbull 2012, 112, (Leuchars), view on Zotero.
- ↑ The wallpaper has been replaced at least twice, and the original subject matter of the panorama is unknown. Ola Mae Word, Reflections of Rosedown (Baton Rouge: Louisiana State University Press, 1979), 11, view on Zotero.
- ↑ Turnbull 2012, 22, view on Zotero.
- ↑ Turnbull 2012, 86; Ola Mae Word 1979, Reflections of Rosedown (Baton Rouge: Louisiana State University Press, 1979), 25. For Leopold (or Leopoldo) Pisani see Giuseppe Formigli, ed., Guida per la città di Firenze e suoi contorni (Firenze: Presso i F. Carini e Giuseppe Formigli, 1849), 258, view on Zotero.
- ↑ The marble sculptures, several of which were photographed in the Carnegie Survey of the Architecture of the South, were removed by Gene Raymond Slivka. Cast-iron garden decorations from Rosedown appeared at Cakebread Auction (April 25–26, 2015).
- ↑ Turnbull 2012, 125, view on Zotero.
- ↑ Turnbull 2012, 56, view on Zotero.
- ↑ Turnbull 2012, 183, [view on Zotero.
