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This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

• John Warner Barber, “Entrance to Mount Auburn Cemetery,” in Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions (1844)  + (''Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions'')
• Anonymous, Section of a small, low-cost, wood frame "green-house," Horticulturist, Vol. 6, No. 1 (January 1851)  + (''Horticulturist'')
• Anonymous, "Natural Jet D'Eau," Horticulturist, Vol. 5, No. 5 (November 1850)  + (''Horticulturist'')
• Anonymous, Design for a Rustic Gate, 1846  + (''Horticulturist'')
• Louise-Jules-Frédéric Villeneuve and Victor Adam (lithographers), after Jacques Gerard Milbert, published by Henri Gaugain, Lower Falls—Near the Residence of Mrs. Montgomery, 1828–29  + (''Itinéraire pittoresque du fleuve Hudson … ''Itinéraire pittoresque du fleuve Hudson : et des parties latérales de l'Amérique du Nord, d'après les dessins originaux pris sur les lieux par J. Milbert et lithographiés par Adam, Bichebois, Deroy, Dupressoir, Jacottet, Joly, Sabatier, Tirpenne et Villeneuve't, Joly, Sabatier, Tirpenne et Villeneuve')
• James Smillie (artist), Rice & Buttre (engravers), “View of Oxnard's Monument, Mount Auburn Cemetery," 1847  + (''Mount Auburn Illustrated. In highly finished line engraving, from drawings taken on the spot, by James Smillie. With descriptive notices by Cornelia W. Walter'')
• James Smillie and John A. Rolph (etcher), "View of the Pilgrim Path, Mount Auburn Cemetery," 1847  + (''Mount Auburn Illustrated. In highly finished line engraving, from drawings taken on the spot'')
• Anthony St. John Baker, “Back View of Mount Airy, Va.,” May 19, 1827  + (''Mémoires d’un voyageur qui se repose'')
• Batty Langley, "Design of a rural Garden, after the new manner," 1728  + (''New Principles of Gardening, or The laying out and planting parterres, groves, wildernesses, labyrinths, avenues, parks, &c.'')
• Batty Langley, One of two "Designs for Gardens that lye irregularly to the ground House . . . House opening to the North upon a plain Parterre of Grass," in New Principles of Gardening, or The laying out and planting parterres, groves, wildernesses, labyrinths, avenues, parks, &c. (1728)  + (''New Principles of Gardening, or The laying out and planting parterres, groves, wildernesses, labyrinths, avenues, parks, &c.'')
• Lewis Miller, "In beauteous Order Terminate the Scene. . . .," in Orbis Pictus (c. 1849)  + (''Orbis Pictus'')
• Daniel Wadsworth, "Monte-Video," in Benjamin Silliman, Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819 (1824)  + (''Remarks Made on a Short Tour between Hartford and Quebec, in the Autumn of 1819'')
• William Cobbett, "Plan for a Garden," 1819  + (''The American Gardener'')
• Frances Palmer, "Ground Plot," 1851  + (''The Architect'')
• Frances Palmer, "Waldwic Cottage," 1851  + (''The Architect'')
• Frances Palmer, "A plot of village property 724 feet by 488," 1849  + (''The Architect'')
• Frances Palmer, Elevations and profiles of wood fences, 1851  + (''The Architect'')
• Anonymous, "Rural Gothic Villa," 1850  + (''The Architecture of Country Houses'')
• Anonymous, "Orchards in Alternate Rows, or Quincunx Order," 1835  + (''The Horticultural Register")
• Anonymous, "Design for a Geometric Flower Garden," 1848  + (''The Horticulturist and Journal of Rural Art and Rural Taste Devoted to Horticulture, Landscape, Gardening, Rural Architecture, Botany, Pomology, Entomology, Rural Economy, &c. '')
• Anonymous, "A pair of tozza [sic] vases, for a fountain," in A. J. Downing, ed., The Horticulturist and Journal of Rural Art and Rural Taste Devoted to Horticulture, Landscape, Gardening, Rural Architecture, Botany, Pomology, Entomology, Rural Economy, &c. 3, no. 1 (July 1848)  + (''The Horticulturist and Journal of Rural Art and Rural Taste Devoted to Horticulture, Landscape, Gardening, Rural Architecture, Botany, Pomology, Entomology, Rural Economy, &c.'')
• Anonymous, Two Ornamental Ice Houses Above Ground, 1846  + (''The Horticulturist and Journal of Rural Art and Rural Taste Devoted to Horticulture, Landscape, Gardening, Rural Architecture, Botany, Pomology, Entomology, Rural Economy, &c.'')
• Anonymous, Plan of a Flower Garden, 1840  + (''The Magazine of Horticulture, Botany, and All Improvement in Rural Affairs'')
• Louise Françoise Jacquinot after Pancrace Bessa, “Bartram's Oak (Quercus heterophilla),” 1819  + (''The North American Sylva, or A Description of the Forest Trees of the United States, Canada and Nova Scotia . . . to which is added a description of the most useful of the European Trees'')
• Michael van der Gucht, "Designs of Groves of a Middle Height," 1712  + (''The Theory and Practice of Gardening: Wherein is fully handled All that relates to Fine Gardens, commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens, &c.'')
• Batty Langley, The Design of an Elegant Kitchen Garden Contain'g ARP 1.2.20. Including Walks, 1728  + ('New Principles of Gardening, or The laying out and planting parterres, groves, wildernesses, labyrinths, avenues, parks, &c.)
• John Smith Rubens (artist), J.B. Neagle (engraver), Washington, 1834  + (A System of Universal Geography: Or A Description of All the Parts of the World, On a New Plan, According to the Great Natural Divisions of the Globe; Accompanied With Analytical, Synoptical, And Elementary Tables)
• Anonymous, "Plan of a Mansion Residence, laid out in the natural style," 1849  + (A Treatise on the Theory and Practice of L … A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America; with a view to the improvement of country residences. Comprising historical notices and general principles of the art, directions for laying out grounds and arranging plantations, the description and cultivation of hardy trees, decorative accompaniments to the house and grounds, the formation of pieces of artificial water, flower gardens, etc.: with remarks on rural architecture, etc.: with remarks on rural architecture)
• Anonymous, "Plan of the foregoing grounds as a Country Seat, after ten years’ improvement," in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening," (1849), 114, fig. 24.  + (A Treatise on the Theory and Practice of L … A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture' Etc., with Remarks on Rural Architecture')
• Alexander Jackson Davis, “View in the Grounds at Blithewood," 1849  + (A Treatise on the Theory and Practice of L … A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture, Etc., with Remarks on Rural Architecture)
• Anonymous, “Mr. Dunn's Cottage, Mount Holly, N. J.,” in A. J. Downing, 1849  + (A Treatise on the Theory and Practice of L … A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture, Etc., with Remarks on Rural Architecture)