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[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.
List of results
- Thomas Coram, View of Mulberry, House and Street, c. 1800 + (oil on paper)
- Charles Willson Peale, William Bartram, 1808 + (oil on paper on canvas)
- Rubens Peale, Old Museum, 1858–60 + (oil on tin)
- Thomas Cole, View of Monte Video, the Seat of Daniel Wadsworth, Esq., 1828 + (oil on wood)
- Samuel Finley Breese Morse, Portrait of Noah Webster, [1823] + (oil painting)
- Anonymous, Plan de la Nouvelle Orleans, 1720 + (pen and ink)
- Anonymous, Floor Plan and Façade of Garden Pavilion, Economy, Pa., c. 1830 + (pen and ink drawing)
- Anonymous, Plan of an unidentified garden, 18th century + (pen and ink on paper)
- Benjamin Henry Latrobe, Sketch Plan of Serpentine Walks at Mount Vernon, July 19, 1796 + (pen and ink on paper)
- Christian Gottlieb Reuter, Der UpLand Gartten, 1759 + (pen and ink on paper)
- A. J. Downing, Plan Showing Proposed Method of Laying Out the Public Grounds at Washington, 1851 + (pen and ink, blue watercolor, and pencil)
- Alexander Jackson Davis, View of water with islands (Hyde Park), n.d. + (pen and wash)
- Oscar Alexander Lawson, Robert Buist: Nurseryman & Florist, n.d. + (pen and wash drawing)
- Charles H. Wolf, attr., Pennsylvania Farmstead with Many Fences, c. 1847 + (pen and watercolor on paper)
- Samuel McIntire, South Front of the Green house in the East Building, 1799 + (pen on paper)
- Tucker Factory, Vase with view of Springland, 1828-1836 + (porcelain, brass)
- Anonymous, Deborah Norris Portrait [detail], n.d. + (print)
- Andrew Ellicott (creator), Samuel Hill (engraver), Plan of the City of Washington in the Territory of Columbia, 1792 + (print)
- Anonymous, The Beehive, 1800-20 + (silk thread, chenille thread, and watercolor on silk in gilded wooden frame with glass)
- Mary Eliza Cushman, Memorial to Lt. Jacob Cushman, c. 1815-20 + (silk with watercolor on satin weave silk ground)
- William and John Halfpenny, A Chinese Double brac'd Paling, 1755 + (test)
- Thomas Kelah Wharton, Washington's Monument, Baltimore, 1833 + (wash drawing)
- Mrs. George Whitney, The Adams Seat in Quincy, 1828 + (wash drawing of woodcut)
- David J. Kennedy, McAran's Garden, 1840 + (watercolor)
- E.B. Walker, The Monument of Rev. J. Harvard, 1828-50 + (watercolor)
- David J. Kennedy, Philadelphia Academy of Natural Sciences, 1817 + (watercolor)
- William Russell Birch, Sweet Briar, c. 1808 + (watercolor and graphite on wove paper)
- Anonymous, The Ample Grove, c. 1810-25 + (watercolor and ink on laid paper)
- Alexander Jackson Davis, Octagonal Garden Structure for Montgomery Place, c. 1850 + (watercolor and ink on paper)
- Lewis Miller, Botanic garden at Princeton College, 1847 + (watercolor and ink on paper)
- Lewis Miller, "In beauteous Order Terminate the Scene. . . .," in Orbis Pictus (c. 1849) + (watercolor and ink on paper)
- Anonymous, Memorial to Mary Fairbanks, c. 1815 + (watercolor and ink on wove paper)
- Benjamin Henry Latrobe, Plan of the Capitol grounds, 1815 + (watercolor on paper)
- Alexander Jackson Davis, Garden Arch at Montgomery Place, c. 1850 + (watercolor on paper)
- Anonymous, Two Children in an Arbor of Flowers, 19th century + (watercolor on paper)
- George Harvey, A Morning Rainbow, A Composition on the Grounds of R. Donaldson, Esq., 1840–50 + (watercolor on paper)
- Charles Saunders, The survey of a tract of Land in Cambridge. And a perspective delineation of the Summer house theron [detail], Mathematical Thesis, 1802 + (watercolor on paper)
- Charles Fraser, Ashley Hall, 1803 + (watercolor on paper)
- Charles Fraser, Rice Hope, c. 1803, watercolor on paper. Gibbes Museum of Art/Carolina Art Association, Charleston. + (watercolor on paper)
- Pavel Petrovich Svinin, View of Morrisville, General Moreau’s Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania, 1811–c. 1813 + (watercolor on white laid paper)
- Anonymous, The Convent Garden, c. 1820-50 + (watercolor on wove paper)
- Joshua Rowley Watson, View of the Middle and Upper bridges on the River Schuylkill taken from the Old Waterworks Philadelphia 5th October 1816, 1816 + (watercolor over graphite on handmade cream wove paper)
- John White, Indian Village of Secoton, 1585 + (watercolor over graphite, heightened with white)
- Alexander Jackson Davis, View from Montgomery Place, October 1847 + (watercolor, ink and graphite on paper)
- Alexander Jackson Davis, View N. W. at Blithewood, c. 1841 + (watercolor, ink, graphite on paper)
- Benjamin Henry Latrobe, Elevation of the South front of the President's house, copied from the design as proposed to be altered in 1807, January 1817 + (watercolor, wash, and ink)