Search by property

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

• Charles Willson Peale, View of the garden at Belfield, 1816  + (oil on canvas)
• Thomas Birch, Fairmount Water Works, 1821  + (oil on canvas)
• Thomas Chambers, Mount Auburn Cemetery, mid-19th century  + (oil on canvas)
• Anonymous, The South West Prospect of the Seat of Colonel George Boyd of Portsmouth, New Hampshire, New England, 1774., 1774  + (oil on canvas)
• John Singleton Copley, Paul Revere, 1768  + (oil on canvas)
• Francis Guy, Bolton, view from the South, c. 1805  + (oil on canvas)
• Augustus Weidenbach, Belvedere, c. 1858  + (oil on canvas)
• Rembrandt Peale, Rubens Peale with a Geranium, 1801  + (oil on canvas)
• George Inness, Sunnyside, c. 1850–60  + (oil on canvas)
• Anonymous, Hunting Scene with a Pond, 18th century  + (oil on canvas)
• David Ryder, Arabella Sparrow, 1848  + (oil on canvas)
• Anonymous, The Claremont, c. 1855  + (oil on canvas)
• Anonymous, Family Burying Ground, c. 1840  + (oil on canvas)
• The Gansevoort Limner (possibly Pieter Vanderlyn), Young Lady with a Fan, 1737  + (oil on canvas)
• George Washington Mark, Marion Feasting the British Officer on Sweet Potatoes, 1848  + (oil on canvas)
• Anonymous, The Sargent Family, 1800  + (oil on canvas)
• John Durrand, Thomas Atkinson, n.d.  + (oil on canvas)
• Unknown, Sunnyside from the Hudson, c. 1860  + (oil on canvas)
• Victor de Grailly, Mount Vernon, c. 1840-50  + (oil on canvas)
• William Clarke, Mrs. Levin Winder (Mary Stoughton Sloss), 1793  + (oil on canvas)
• James Earl, William Henry Capers, 1788  + (oil on canvas)
• William E. Winner, Garden Scene Near Philadelphia, c. 1840  + (oil on canvas)
• Thomas Coram, View of Mulberry, House and Street, c. 1800  + (oil on paper)
• Charles Willson Peale, William Bartram, 1808  + (oil on paper on canvas)
• Rubens Peale, Old Museum, 1858–60  + (oil on tin)

• Thomas Cole, View of Monte Video, the Seat of Daniel Wadsworth, Esq., 1828  + (oil on wood)

• Samuel Finley Breese Morse, Portrait of Noah Webster, [1823]  + (oil painting)
• Anonymous, Plan de la Nouvelle Orleans, 1720  + (pen and ink)
• Anonymous, Floor Plan and Façade of Garden Pavilion, Economy, Pa., c. 1830  + (pen and ink drawing)
• Anonymous, Plan of an unidentified garden, 18th century  + (pen and ink on paper)
• Benjamin Henry Latrobe, Sketch Plan of Serpentine Walks at Mount Vernon, July 19, 1796  + (pen and ink on paper)
• Christian Gottlieb Reuter, Der UpLand Gartten, 1759  + (pen and ink on paper)
• A. J. Downing, Plan Showing Proposed Method of Laying Out the Public Grounds at Washington, 1851  + (pen and ink, blue watercolor, and pencil)
• Alexander Jackson Davis, View of water with islands (Hyde Park), n.d.  + (pen and wash)
• Oscar Alexander Lawson, Robert Buist: Nurseryman & Florist, n.d.  + (pen and wash drawing)
• Charles H. Wolf, attr., Pennsylvania Farmstead with Many Fences, c. 1847  + (pen and watercolor on paper)
• Samuel McIntire, South Front of the Green house in the East Building, 1799  + (pen on paper)
• Tucker Factory, Vase with view of Springland, 1828-1836  + (porcelain, brass)
• Anonymous, Deborah Norris Portrait [detail], n.d.  + (print)
• Andrew Ellicott (creator), Samuel Hill (engraver), Plan of the City of Washington in the Territory of Columbia, 1792  + (print)
• Anonymous, The Beehive, 1800-20  + (silk thread, chenille thread, and watercolor on silk in gilded wooden frame with glass)
• Mary Eliza Cushman, Memorial to Lt. Jacob Cushman, c. 1815-20  + (silk with watercolor on satin weave silk ground)
• William and John Halfpenny, A Chinese Double brac'd Paling, 1755  + (test)
• Thomas Kelah Wharton, Washington's Monument, Baltimore, 1833  + (wash drawing)
• Mrs. George Whitney, The Adams Seat in Quincy, 1828  + (wash drawing of woodcut)
• David J. Kennedy, McAran's Garden, 1840  + (watercolor)
• E.B. Walker, The Monument of Rev. J. Harvard, 1828-50  + (watercolor)
• David J. Kennedy, Philadelphia Academy of Natural Sciences, 1817  + (watercolor)
• William Russell Birch, Sweet Briar, c. 1808  + (watercolor and graphite on wove paper)
• Anonymous, The Ample Grove, c. 1810-25  + (watercolor and ink on laid paper)
• Alexander Jackson Davis, Octagonal Garden Structure for Montgomery Place, c. 1850  + (watercolor and ink on paper)