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[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.
List of results
- Sketch of the Elms in Front of the Longfellow House + (Pen and ink on paper)
- Benjamin Henry Latrobe, View of Mount Vernon looking towards the South West,1796 + (Watercolor)
- Joseph C. Wells (attr.), Roseland Cottage, c. 1846 + (Watercolor)
- Benjamin Henry Latrobe, View to the North from the Lawn at Mount Vernon, 1796 + (Watercolor)
- Benjamin Henry Latrobe, Sketch of Col'l. John Mayo's house at the Hermitage near Richmond, Virginia, 1797 + (Watercolor)
- Benjamin Henry Latrobe, Greenspring, Home of William Ludwell Lee, James City County, Virginia, n.d. + (Watercolor)
- Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796 + (Watercolor)
- Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 + (Watercolor and gouache on white wove paper,)
- Benjamin Henry Latrobe, Horsdumonde, the House of Colonel Henry Skipwith, Cumberland County, Virginia, June 14, 1796 + (Watercolor on paper)
- Harriet De (?), The Duck Pond, c. 1820 + (Watercolor on wove paper)
- George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 + (aquatint)
- Thomas Kelah Wharton, “Grove of Poplars with a Memorial Bust, David Hosack Estate, Hyde Park, New York” in the Hosack Album, c. 1832 + (black ink (or watercolor) applied with pen and brush and sgraffito on off-white wove paper)
- Baroness Anne-Marguerite-Henriette Hyde de Neuville, Self-Portrait (c. 1761?–1849), c. 1805–10 + (black ink and wash, charcoal, Conté crayon, and graphite on paper mounted on board)
- Joshua Rowley Watson, From the Piazza looking towards the Pavilion 21st May 1817, 1817 + (black ink, brown ink, watercolor, and graphite on handmade cream wove paper)
- Joshua Rowley Watson, The Lower Bridge on Schuylkill at Gray's Ferry 5 [-]ber 1816, 1816 + (black ink, brown ink, watercolor, and graphite on handmade cream wove paper)
- After Edward Beyer, Salt Sulphur Spring, 1857, 1857 + (color lithograph on wove paper)
- Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 + (colored engraving)
- Charles Fraser (1782–1860), by unknown artist + (daguerreotype)
- Anonymous, “Map of Mr. Andrew Parmentier's Horticultural & Botanic Garden, at Brooklyn, Long Island, Two Miles From the City of New York,” c. 1828 + (engraving)
- David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 + (engraving)
- William Bartram, Dionaea muscipula, n.d. + (engraving)
- Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson + (engraving after a drawing attributed to Oscar Alexander Lawson)
- Firm of Joseph Stubbs, Tureen and cover with view of Lemon Hill, c. 1828 + (glazed earthenware with transfer-printed decoration)
- John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 + (graphite and ink)
- James Fuller Queen, Lemon Hill May 17th ’55, May 17 1855 + (graphite drawing on tan paper)
- Unknown, “River [Lake?] Scene with Gazebo [David Hosack Estate?]” in Hosack Album, n.d. + (graphite on off-white wove paper)
- Edward Yeager after J. S. Bowen, Map of Chester County, Pennsylvania [detail], 1847 + (hand colored engraving)
- Edward Yeager after J. S. Bowen, Map of Chester County, Pennsylvania, 1847 + (hand colored engraving)
- Lewis Evans, A Map of Pensilvania, New-Jersey, New-York, and the Three Delaware Counties, 1749 + (hand colored engraving)
- G. & F. Bill (firm), Birds eye view of Mt. Vernon the home of Washington, c. 1859 + (hand-colored lithograph)
- Benjamin Henry Latrobe, House, Richmond, Virginia. Perspective rendering of house and landscape, 1807-08 + (ink and graphite on paper)
- Hans Jacob Ehlers, Map of the Montgomery Place Arboretum, c. 1849 + (ink and pencil on paper)
- Barthélémy Lafon, "Plan de l'Habitation de Feu Jn. Bte. de Marigny Pour servir au partage des héritiers. . . ," September 15, 1806 + (ink and watercolor)
- Robert Mills, Elevation of the Principal Fronts, Washington Monument, Baltimore, 1814 + (ink and watercolor on paper)
- William Bartram, An Aquatic Plant (Brasenia purpurea (Mich) casp.), c. 1800 + (ink drawing)
- Cornelia Jefferson Randolph, attr., A Garden Seat by Mr. Jones, From Chamber's Kew, c. 1820 + (ink on paper)
- Thomas Jefferson, Plan for the City of Washington, March 1791 + (ink on paper)
- Anonymous, Plan of the Labyrinth at Economy, Pa., c. 1826 + (ink on paper drawing)
- Benjamin Henry Latrobe, Garden plan with outbuildings, 1795-99 + (ink, watercolor, wash, and graphite on paper)
- William Keenan, Plan of the City and Neck of Charleston, S.C., September 1844 + (lithograph)
- Louise-Jules-Frédéric Villeneuve and Victor Adam (lithographers), after Jacques Gerard Milbert, published by Henri Gaugain, Lower Falls—Near the Residence of Mrs. Montgomery, 1828–29 + (lithograph)
- Cephas G. Childs after George Lehman, Grays Ferry, 1830 + (lithograph)
- Francis Guy, Mt. Deposit, 1803-05 + (maple and ash painted black with gilt and polychrome decoration)
- Francis Guy, Mt. Deposit [detail], 1803-05 + (maple and ash painted black with gilt and polychrome decoration)
- William Dering, attr., Portrait of George Booth, 1748-50 + (oil on canvas)
- John Archibald Woodside, Lemon Hill, 1807 + (oil on canvas)
- Charles Willson Peale, View of the garden at Belfield, 1816 + (oil on canvas)
- Thomas Birch, Fairmount Water Works, 1821 + (oil on canvas)