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[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
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List of results
- Samuel Vaughan, Plan of Mount Vernon, 1787 + (Ink, watercolor, laid paper)
- Sketch of the Elms in Front of the Longfellow House + (Pen and ink on paper)
- Benjamin Henry Latrobe, View of Mount Vernon looking towards the South West,1796 + (Watercolor)
- Joseph C. Wells (attr.), Roseland Cottage, c. 1846 + (Watercolor)
- Benjamin Henry Latrobe, View to the North from the Lawn at Mount Vernon, 1796 + (Watercolor)
- Benjamin Henry Latrobe, Sketch of Col'l. John Mayo's house at the Hermitage near Richmond, Virginia, 1797 + (Watercolor)
- Benjamin Henry Latrobe, Greenspring, Home of William Ludwell Lee, James City County, Virginia, n.d. + (Watercolor)
- Benjamin Henry Latrobe, View of Mount Vernon looking to the North, July 17, 1796 + (Watercolor)
- Pavel Petrovich Svinin, A Country Residence, Possibly General Moreau's Country House at Morrisville, Pennsylvania , 1811–ca. 1813 + (Watercolor and gouache on white wove paper,)
- Benjamin Henry Latrobe, Horsdumonde, the House of Colonel Henry Skipwith, Cumberland County, Virginia, June 14, 1796 + (Watercolor on paper)
- Harriet De (?), The Duck Pond, c. 1820 + (Watercolor on wove paper)
- George Cooke (artist), W. J. Bennett (engraver), Richmond, From the Hill Above the Waterworks, 1834 + (aquatint)
- Thomas Kelah Wharton, “Grove of Poplars with a Memorial Bust, David Hosack Estate, Hyde Park, New York” in the Hosack Album, c. 1832 + (black ink (or watercolor) applied with pen and brush and sgraffito on off-white wove paper)
- Baroness Anne-Marguerite-Henriette Hyde de Neuville, Self-Portrait (c. 1761?–1849), c. 1805–10 + (black ink and wash, charcoal, Conté crayon, and graphite on paper mounted on board)
- Joshua Rowley Watson, From the Piazza looking towards the Pavilion 21st May 1817, 1817 + (black ink, brown ink, watercolor, and graphite on handmade cream wove paper)
- Joshua Rowley Watson, The Lower Bridge on Schuylkill at Gray's Ferry 5 [-]ber 1816, 1816 + (black ink, brown ink, watercolor, and graphite on handmade cream wove paper)
- After Edward Beyer, Salt Sulphur Spring, 1857, 1857 + (color lithograph on wove paper)
- Nicholas Garrison, A View of Bethlehem, one of the Brethren's Principal Settlements, in Pennsylvania, North America, 1757 + (colored engraving)
- Charles Fraser (1782–1860), by unknown artist + (daguerreotype)
- Anonymous, “Map of Mr. Andrew Parmentier's Horticultural & Botanic Garden, at Brooklyn, Long Island, Two Miles From the City of New York,” c. 1828 + (engraving)
- David Leonard, A S. W. view of the College in Providence, together with the President's House & Gardens, c. 1795 + (engraving)
- William Bartram, Dionaea muscipula, n.d. + (engraving)
- Oscar Alexander Lawson (artist), Ely (engraver), Rob[er]t Buist, Nurseryman & Florist (calling card), n.d., engraving after a drawing attributed to Oscar Alexander Lawson + (engraving after a drawing attributed to Oscar Alexander Lawson)
- Firm of Joseph Stubbs, Tureen and cover with view of Lemon Hill, c. 1828 + (glazed earthenware with transfer-printed decoration)
- John or William Bartram, "A Draught of John Bartram's House and Garden as it appears from the River", 1758 + (graphite and ink)
- James Fuller Queen, Lemon Hill May 17th ’55, May 17 1855 + (graphite drawing on tan paper)
- Unknown, “River [Lake?] Scene with Gazebo [David Hosack Estate?]” in Hosack Album, n.d. + (graphite on off-white wove paper)
- Edward Yeager after J. S. Bowen, Map of Chester County, Pennsylvania [detail], 1847 + (hand colored engraving)
- Edward Yeager after J. S. Bowen, Map of Chester County, Pennsylvania, 1847 + (hand colored engraving)
- Lewis Evans, A Map of Pensilvania, New-Jersey, New-York, and the Three Delaware Counties, 1749 + (hand colored engraving)
- G. & F. Bill (firm), Birds eye view of Mt. Vernon the home of Washington, c. 1859 + (hand-colored lithograph)
- Benjamin Henry Latrobe, House, Richmond, Virginia. Perspective rendering of house and landscape, 1807-08 + (ink and graphite on paper)
- Hans Jacob Ehlers, Map of the Montgomery Place Arboretum, c. 1849 + (ink and pencil on paper)
- Barthélémy Lafon, "Plan de l'Habitation de Feu Jn. Bte. de Marigny Pour servir au partage des héritiers. . . ," September 15, 1806 + (ink and watercolor)
- Robert Mills, Elevation of the Principal Fronts, Washington Monument, Baltimore, 1814 + (ink and watercolor on paper)
- William Bartram, An Aquatic Plant (Brasenia purpurea (Mich) casp.), c. 1800 + (ink drawing)
- Cornelia Jefferson Randolph, attr., A Garden Seat by Mr. Jones, From Chamber's Kew, c. 1820 + (ink on paper)
- Thomas Jefferson, Plan for the City of Washington, March 1791 + (ink on paper)
- Anonymous, Plan of the Labyrinth at Economy, Pa., c. 1826 + (ink on paper drawing)
- Benjamin Henry Latrobe, Garden plan with outbuildings, 1795-99 + (ink, watercolor, wash, and graphite on paper)
- William Keenan, Plan of the City and Neck of Charleston, S.C., September 1844 + (lithograph)
- Louise-Jules-Frédéric Villeneuve and Victor Adam (lithographers), after Jacques Gerard Milbert, published by Henri Gaugain, Lower Falls—Near the Residence of Mrs. Montgomery, 1828–29 + (lithograph)
- Cephas G. Childs after George Lehman, Grays Ferry, 1830 + (lithograph)
- Francis Guy, Mt. Deposit, 1803-05 + (maple and ash painted black with gilt and polychrome decoration)
- Francis Guy, Mt. Deposit [detail], 1803-05 + (maple and ash painted black with gilt and polychrome decoration)
- William Dering, attr., Portrait of George Booth, 1748-50 + (oil on canvas)
- John Archibald Woodside, Lemon Hill, 1807 + (oil on canvas)
- Charles Willson Peale, View of the garden at Belfield, 1816 + (oil on canvas)
- Thomas Birch, Fairmount Water Works, 1821 + (oil on canvas)
- Thomas Chambers, Mount Auburn Cemetery, mid-19th century + (oil on canvas)
- Anonymous, The South West Prospect of the Seat of Colonel George Boyd of Portsmouth, New Hampshire, New England, 1774., 1774 + (oil on canvas)
- John Singleton Copley, Paul Revere, 1768 + (oil on canvas)
- Francis Guy, Bolton, view from the South, c. 1805 + (oil on canvas)
- Augustus Weidenbach, Belvedere, c. 1858 + (oil on canvas)
- Rembrandt Peale, Rubens Peale with a Geranium, 1801 + (oil on canvas)
- George Inness, Sunnyside, c. 1850–60 + (oil on canvas)
- Anonymous, Hunting Scene with a Pond, 18th century + (oil on canvas)
- David Ryder, Arabella Sparrow, 1848 + (oil on canvas)
- Anonymous, The Claremont, c. 1855 + (oil on canvas)
- Anonymous, Family Burying Ground, c. 1840 + (oil on canvas)
- The Gansevoort Limner (possibly Pieter Vanderlyn), Young Lady with a Fan, 1737 + (oil on canvas)
- George Washington Mark, Marion Feasting the British Officer on Sweet Potatoes, 1848 + (oil on canvas)
- Anonymous, The Sargent Family, 1800 + (oil on canvas)
- John Durrand, Thomas Atkinson, n.d. + (oil on canvas)
- Unknown, Sunnyside from the Hudson, c. 1860 + (oil on canvas)
- Victor de Grailly, Mount Vernon, c. 1840-50 + (oil on canvas)
- William Clarke, Mrs. Levin Winder (Mary Stoughton Sloss), 1793 + (oil on canvas)
- James Earl, William Henry Capers, 1788 + (oil on canvas)
- William E. Winner, Garden Scene Near Philadelphia, c. 1840 + (oil on canvas)
- Thomas Coram, View of Mulberry, House and Street, c. 1800 + (oil on paper)
- Charles Willson Peale, William Bartram, 1808 + (oil on paper on canvas)
- Rubens Peale, Old Museum, 1858–60 + (oil on tin)
- Thomas Cole, View of Monte Video, the Seat of Daniel Wadsworth, Esq., 1828 + (oil on wood)
- Samuel Finley Breese Morse, Portrait of Noah Webster, [1823] + (oil painting)
- Anonymous, Plan de la Nouvelle Orleans, 1720 + (pen and ink)
- Anonymous, Floor Plan and Façade of Garden Pavilion, Economy, Pa., c. 1830 + (pen and ink drawing)
- Anonymous, Plan of an unidentified garden, 18th century + (pen and ink on paper)
- Benjamin Henry Latrobe, Sketch Plan of Serpentine Walks at Mount Vernon, July 19, 1796 + (pen and ink on paper)
- Christian Gottlieb Reuter, Der UpLand Gartten, 1759 + (pen and ink on paper)
- A. J. Downing, Plan Showing Proposed Method of Laying Out the Public Grounds at Washington, 1851 + (pen and ink, blue watercolor, and pencil)
- Alexander Jackson Davis, View of water with islands (Hyde Park), n.d. + (pen and wash)
- Oscar Alexander Lawson, Robert Buist: Nurseryman & Florist, n.d. + (pen and wash drawing)
- Charles H. Wolf, attr., Pennsylvania Farmstead with Many Fences, c. 1847 + (pen and watercolor on paper)
- Samuel McIntire, South Front of the Green house in the East Building, 1799 + (pen on paper)
- Tucker Factory, Vase with view of Springland, 1828-1836 + (porcelain, brass)
- Anonymous, Deborah Norris Portrait [detail], n.d. + (print)
- Andrew Ellicott (creator), Samuel Hill (engraver), Plan of the City of Washington in the Territory of Columbia, 1792 + (print)
- Anonymous, The Beehive, 1800-20 + (silk thread, chenille thread, and watercolor on silk in gilded wooden frame with glass)
- Mary Eliza Cushman, Memorial to Lt. Jacob Cushman, c. 1815-20 + (silk with watercolor on satin weave silk ground)
- William and John Halfpenny, A Chinese Double brac'd Paling, 1755 + (test)
- Thomas Kelah Wharton, Washington's Monument, Baltimore, 1833 + (wash drawing)
- Mrs. George Whitney, The Adams Seat in Quincy, 1828 + (wash drawing of woodcut)
- David J. Kennedy, McAran's Garden, 1840 + (watercolor)
- E.B. Walker, The Monument of Rev. J. Harvard, 1828-50 + (watercolor)
- David J. Kennedy, Philadelphia Academy of Natural Sciences, 1817 + (watercolor)
- William Russell Birch, Sweet Briar, c. 1808 + (watercolor and graphite on wove paper)
- Anonymous, The Ample Grove, c. 1810-25 + (watercolor and ink on laid paper)
- Alexander Jackson Davis, Octagonal Garden Structure for Montgomery Place, c. 1850 + (watercolor and ink on paper)
- Lewis Miller, Botanic garden at Princeton College, 1847 + (watercolor and ink on paper)
- Lewis Miller, "In beauteous Order Terminate the Scene. . . .," in Orbis Pictus (c. 1849) + (watercolor and ink on paper)
- Anonymous, Memorial to Mary Fairbanks, c. 1815 + (watercolor and ink on wove paper)
- Benjamin Henry Latrobe, Plan of the Capitol grounds, 1815 + (watercolor on paper)
- Alexander Jackson Davis, Garden Arch at Montgomery Place, c. 1850 + (watercolor on paper)
- Anonymous, Two Children in an Arbor of Flowers, 19th century + (watercolor on paper)
- George Harvey, A Morning Rainbow, A Composition on the Grounds of R. Donaldson, Esq., 1840–50 + (watercolor on paper)
- Charles Saunders, The survey of a tract of Land in Cambridge. And a perspective delineation of the Summer house theron [detail], Mathematical Thesis, 1802 + (watercolor on paper)
- Charles Fraser, Ashley Hall, 1803 + (watercolor on paper)
- Charles Fraser, Rice Hope, c. 1803, watercolor on paper. Gibbes Museum of Art/Carolina Art Association, Charleston. + (watercolor on paper)
- Pavel Petrovich Svinin, View of Morrisville, General Moreau’s Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania, 1811–c. 1813 + (watercolor on white laid paper)
- Anonymous, The Convent Garden, c. 1820-50 + (watercolor on wove paper)
- Joshua Rowley Watson, View of the Middle and Upper bridges on the River Schuylkill taken from the Old Waterworks Philadelphia 5th October 1816, 1816 + (watercolor over graphite on handmade cream wove paper)
- John White, Indian Village of Secoton, 1585 + (watercolor over graphite, heightened with white)
- Alexander Jackson Davis, View from Montgomery Place, October 1847 + (watercolor, ink and graphite on paper)
- Alexander Jackson Davis, View N. W. at Blithewood, c. 1841 + (watercolor, ink, graphite on paper)
- Benjamin Henry Latrobe, Elevation of the South front of the President's house, copied from the design as proposed to be altered in 1807, January 1817 + (watercolor, wash, and ink)