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[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
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James Smillie (artist), Robert Hinshelwood (engraver), "Bay-Side Avenue, Fern Hill," 1847 +
James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland (1855 [1847]) +
James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, ''The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland'' (1855 [1847]) +
James Smillie and John A. Rolph (etcher), "View of the Pilgrim Path, Mount Auburn Cemetery," 1847 +
James Smillie, "Greenwood Cemetery," 1847 +
James Stoddert, A ground plat of the city and port of Annapolis (copy), 1718 [1743] +
James Trenchard after Charles Willson Peale, "An East View of GRAY'S FERRY, near Philadelphia, with the TRIUMPHAL ARCHES, &c. erected for the Reception of General Washington, April 20th. 1789" +
James Trenchard after Charles Willson Peale, "An East View of GRAY'S FERRY, near Philadelphia, with the TRIUMPHAL ARCHES, &c. erected for the Reception of General Washington, April 20th. 1789" +
Jane Colden, A page from her botanical manuscript describing no. 69, “Yellow Lilly with the flowers standing upright” (Lilium philadelphicum), c. 1750s +
Jane Colden, A page from her botanical manuscript describing no. 69, “Yellow Lilly with the flowers standing upright” (''Lilium philadelphicum''), c. 1750s +
Jeromes, Gilbert, Grant and Company, Shelf Clock, 1839-40 +
John Archibald Woodside, Lemon Hill, 1807 +
John Durrand, ''Thomas Atkinson'', n.d. +
John Hawks, "Plan and Elevation of a Prison for the District of Edenton," June 1, 1773 +
John J. Thomas, "Plan of a Garden," 1842 +
John Montrésor, New York and its Environs to Greenwich, 1766 +
John Notman, "Ground Plan of Laurel Hill Cemetery," 1844 +
John Notman, "Plan of Grounds, Fieldwood, near Princeton," Oct. 19, 1846 +
John Singleton Copley, ''Paul Revere'', 1768 +
John Smith Rubens (artist), J.B. Neagle (engraver), ''Washington,'' 1834 +
John Warner Barber, "College of New Jersey, Princeton," 1844 +
John Warner Barber, ''Eastern View of the Public Square or Green in New Haven'', 1840 +
John Warner Barber, “Entrance to Mount Auburn Cemetery,” in Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions (1844) +
John Warner Barber, “Entrance to Mount Auburn Cemetery,” in ''Historical Collections, Being a general collection of interesting facts, traditions, biographical sketches, anecdotes, &c., relating to the history and antiquities of every town in Massachusetts, with geographical descriptions'' (1844) +
![James Smillie (artist), W. W. Rice (engraver), "Monument to Miss Charlotte Canda," in Nehemiah Cleaveland, The Rural Cemeteries of America. / Illustrated in a series of highly finished steel engravings from drawings taken on the spot, of the most picturesque scenery in Greenwood and Mount Auburn cemeteries; With descriptions by Nehemiah Cleaveland (1855 [1847])](/mediawiki/index.php/File:1089.jpg){kind=link}
![James Stoddert, A ground plat of the city and port of Annapolis (copy), 1718 [1743]](/mediawiki/index.php/File:0880.jpg){kind=link}
