Difference between revisions of "Paul Revere"
[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
C-tompkins (talk | contribs) |
|||
| Line 3: | Line 3: | ||
==History== | ==History== | ||
| − | Paul Revere produced some of the most sophisticated engravings of revolutionary era, including political cartoons intended to undermine British rule. <ref> Elizabeth Louise Roark, ''Artists of Colonial America'' (Westport, Ct.: Greenwood Press, 2003), 135-40 [https://www.zotero.org/groups/54737/items/itemKey/APXPF4PM view on Zotero]. </ref> A veteran of the French and Indian War (1754-63), Revere later joined the Sons of Liberty, a militant group formed in response to the passing of the 1765 Stamp Act. <ref> Jayne E. Triber, ''A True Republican: The Life of Paul Revere'' (Boston: University of Massachusetts Press, 2001), 44-67, [https://www.zotero.org/groups/54737/items/itemKey/Q9B6H7HE view on Zotero]. </ref> To mark the Act’s repeal in 1766, Revere designed an “[[obelisk]] of liberty” which he erected on Boston Common. Fashioned of translucent paper on a thin frame and illuminated from within by 280 lamps, the [[obelisk]] was ornately decorated with symbols, allegories, portraits, and inscriptions representing the triumph of American liberty and its heroic defenders. <ref> David Hackett Fischer, ''Liberty and Freedom: A Visual History of America’s Founding Ideas'' (Oxford and New York: Oxford University Press, 2005), 99-101, [https://www.zotero.org/groups/54737/items/itemKey/2XDX4X88 view on Zotero]. </ref> | + | Paul Revere produced some of the most sophisticated engravings of revolutionary era, including political cartoons intended to undermine British rule. <ref> Elizabeth Louise Roark, ''Artists of Colonial America'' (Westport, Ct.: Greenwood Press, 2003), 135-40 [https://www.zotero.org/groups/54737/items/itemKey/APXPF4PM view on Zotero]. </ref> A veteran of the French and Indian War (1754-63), Revere later joined the Sons of Liberty, a militant group formed in response to the passing of the 1765 Stamp Act. <ref> Jayne E. Triber, ''A True Republican: The Life of Paul Revere'' (Boston: University of Massachusetts Press, 2001), 44-67, [https://www.zotero.org/groups/54737/items/itemKey/Q9B6H7HE view on Zotero]. </ref> To mark the Act’s repeal in 1766, Revere designed an “[[obelisk]] of liberty” which he erected on Boston Common. Fashioned of translucent paper on a thin frame and illuminated from within by 280 lamps, the [[obelisk]] was ornately decorated with symbols, allegories, portraits, and inscriptions representing the triumph of American liberty and its heroic defenders. <ref> David Hackett Fischer, ''Liberty and Freedom: A Visual History of America’s Founding Ideas'' (Oxford and New York: Oxford University Press, 2005), 99-101, [https://www.zotero.org/groups/54737/items/itemKey/2XDX4X88 view on Zotero]. </ref> Following its display on [[Boston Common]] the illuminated [[obelisk]] was to be removed to the Liberty Tree, a large elm that had become a site for acts of political dissent. <ref> Arthur M. Schlesinger, "Liberty Tree: A Genealogy," ''The New England Quarterly'', 25 (1952): 437-40, [https://www.zotero.org/groups/54737/items/itemKey/WQT9H9MG view on Zotero]. Before this could be accomplished, however, the [[obelisk]] was destroyed by fireworks launched from its apex in a celebratory pyrotechnical display. <ref> Clarence Brigham, ''Paul Revere’s Engravings'' (Worcester, Mass.: American Antiquarian Society, 1954), 26-29, [https://www.zotero.org/groups/54737/items/itemKey/8QDGHC3A view on Zotero]. For the iconography of Boston illuminations and the use of obelisks in political celebrations, see Peter Bastian, "Celebrating the Empire in the Changing Political World of Boston, 1759-1774." ''Australasian Journal of American Studies'', 16 (1997): 26–44, [https://www.zotero.org/groups/54737/items/itemKey/GZA9VT63 view on Zotero].Revere had already documented the appearance of the obelisk in a large copperplate engraving [Fig. 1]. The engraving (now extremely scarce) depicted the portraits, allegories, and texts that appeared on each of the [[obelisk]]'s four sides. <ref> Elbridge Henry Goss, ''The Life of Colonel Paul Revere'', 8th , 2 vols. (Boston: Howard W. Spurr, 1909), 1: 37-49, [https://www.zotero.org/groups/54737/items/itemKey/VVJJ2UF5 view on Zotero]; Brigham, 1956, 26, 29-31, [https://www.zotero.org/groups/54737/items/itemKey/8QDGHC3A view on Zotero]. </ref> The copper plate was subsequently re-purposed for the design of a Masonic certificate. <ref> Brigham, 1956, 29, [https://www.zotero.org/groups/54737/items/itemKey/8QDGHC3A view on Zotero]. </ref> |
| + | |||
| + | |||
| + | During the build-up to war with Britain in the 1770s, Revere regularly contributed propagandistic engravings to the ''Royal American Magazine'', while simultaneously helping to organize an intelligence system to gather and disseminate information about the movement of British troops. <ref> John Bakeless, ''Turncoats, Traitors, and Heroes: Espionage in the American Revolution'' (New York: J. B. Lippincott, 1959), 68-82, [https://www.zotero.org/groups/54737/items/itemKey/HX5ZIIIG view on Zotero]. </ref> In April 1775, he was instrumental in preventing British capture of rebel leaders and weapons supplies in Concord and Lexington, Massachusetts, by sounding an alarm that called area militias into action. After the American Revolution, Revere became a successful businessman, operating a hardware store, a foundry, and the first rolling copper mill in the United States. <ref> Robert Martello, ''Midnight Ride, Industrial Dawn: Paul Revere and the Growth of American Enterprise'' (Baltimore: Johns Hopkins University Press, 2010), 204-323, [https://www.zotero.org/groups/54737/items/itemKey/Z6GSJ7C7 view on Zotero]. </ref> | ||
--''Robyn Asleson'' | --''Robyn Asleson'' | ||
==Texts== | ==Texts== | ||
| + | |||
| + | *Anonymous, May 19, 1776, describing in the ''Boston Gazette'' Boston Common, Boston, Mass. (quoted in Brigham 1954: 21) <ref> Brigham, 1954, 21, [https://www.zotero.org/groups/54737/items/itemKey/8QDGHC3A view on Zotero]. <.ref> | ||
| + | : "[to] be exhibited on the [[Boston Common|Common]], an [[Obelisk]] — A Description of which is engraved by Mr. Paul Revere; and is now selling by Edes & Gill." | ||
| + | |||
==Images== | ==Images== | ||
Revision as of 15:52, March 16, 2015
Paul Revere (December 21, 1734 – May 10, 1818) was a prominent Boston silversmith, engraver, proto-industrialist, and patriot who played a key role in mobilizing the Colonial activism that led to the American Revolution. He is best known for the “midnight ride” during which he alerted the Colonial militia to the approach of British forces on the eve of the battle of Lexington.
History
Paul Revere produced some of the most sophisticated engravings of revolutionary era, including political cartoons intended to undermine British rule. [1] A veteran of the French and Indian War (1754-63), Revere later joined the Sons of Liberty, a militant group formed in response to the passing of the 1765 Stamp Act. [2] To mark the Act’s repeal in 1766, Revere designed an “obelisk of liberty” which he erected on Boston Common. Fashioned of translucent paper on a thin frame and illuminated from within by 280 lamps, the obelisk was ornately decorated with symbols, allegories, portraits, and inscriptions representing the triumph of American liberty and its heroic defenders. [3] Following its display on Boston Common the illuminated obelisk was to be removed to the Liberty Tree, a large elm that had become a site for acts of political dissent. Cite error: Closing </ref> missing for <ref> tag The copper plate was subsequently re-purposed for the design of a Masonic certificate. [4]
During the build-up to war with Britain in the 1770s, Revere regularly contributed propagandistic engravings to the Royal American Magazine, while simultaneously helping to organize an intelligence system to gather and disseminate information about the movement of British troops. [5] In April 1775, he was instrumental in preventing British capture of rebel leaders and weapons supplies in Concord and Lexington, Massachusetts, by sounding an alarm that called area militias into action. After the American Revolution, Revere became a successful businessman, operating a hardware store, a foundry, and the first rolling copper mill in the United States. [6]
--Robyn Asleson
Texts
- Anonymous, May 19, 1776, describing in the Boston Gazette Boston Common, Boston, Mass. (quoted in Brigham 1954: 21) <ref> Brigham, 1954, 21, view on Zotero. <.ref>
- "[to] be exhibited on the Common, an Obelisk — A Description of which is engraved by Mr. Paul Revere; and is now selling by Edes & Gill."
Images
References
Library of Congress Authorities
Dictionary of National Biography
Oxford Art Online
Wikipedia
Illustrated Inventory of Paul Revere's works at the American Antiquarian Society
Notes
- ↑ Elizabeth Louise Roark, Artists of Colonial America (Westport, Ct.: Greenwood Press, 2003), 135-40 view on Zotero.
- ↑ Jayne E. Triber, A True Republican: The Life of Paul Revere (Boston: University of Massachusetts Press, 2001), 44-67, view on Zotero.
- ↑ David Hackett Fischer, Liberty and Freedom: A Visual History of America’s Founding Ideas (Oxford and New York: Oxford University Press, 2005), 99-101, view on Zotero.
- ↑ Brigham, 1956, 29, view on Zotero.
- ↑ John Bakeless, Turncoats, Traitors, and Heroes: Espionage in the American Revolution (New York: J. B. Lippincott, 1959), 68-82, view on Zotero.
- ↑ Robert Martello, Midnight Ride, Industrial Dawn: Paul Revere and the Growth of American Enterprise (Baltimore: Johns Hopkins University Press, 2010), 204-323, view on Zotero.
