A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "File:1369.jpg"

[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
File:1369.jpg
 
Line 1: Line 1:
 
+
[[J. C. Loudon]], The imitation of a lake, in ''An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon ... Illustrated with many hundred engravings on wood by Branston'' (1826), p. 1010, fig. 696. The New York Public Library.

Revision as of 22:13, December 15, 2014

J. C. Loudon, The imitation of a lake, in An encyclopædia of gardening; comprising the theory and practice of horticulture, floriculture, arboriculture, and landscape-gardening, including all the latest improvements; a general history of gardening in all countries; and a statistical view of its present state with suggestions for its future progress, in the British Isles. By J.C. Loudon ... Illustrated with many hundred engravings on wood by Branston (1826), p. 1010, fig. 696. The New York Public Library.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current22:11, December 15, 2014Thumbnail for version as of 22:11, December 15, 2014722 × 226 (95 KB)C-tompkins (talk | contribs)

The following 3 pages use this file:

Metadata

Retrieved from "https://heald.nga.gov/mediawiki/index.php?title=File:1369.jpg&oldid=5525"

History of Early American Landscape Design contributors, "File:1369.jpg," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=File:1369.jpg&oldid=5525 (accessed December 22, 2024).

A Project of the Center for Advanced Study in the Visual Arts

National Gallery of Art, Washington