A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Pavel Petrovich Svinin, View of Morrisville, General Moreau’s Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania, 1811–c. 1813

[http://www.nga.gov/content/ngaweb/research/casva/research-projects.html A Project of the National Gallery of Art, Center for Advanced Study in the Visual Arts ]
File:2114.jpg /
Revision as of 15:35, August 27, 2021 by A-whitlock (talk | contribs)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

Original file(1,872 × 1,344 pixels, file size: 446 KB, MIME type: image/jpeg)

About this image

Relationships
Place
The Woodlands
People
William Hamilton
Keyword relationships
Information
Creator
Pavel Petrovich Svinin
Date
1811 – c. 1813
Title
View of Morrisville, General Moreau’s Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania
Inscription
Medium
watercolor on white laid paper
Dimensions
5 3/8 x 7 9/16 in. (13.7 x 19.2 cm)
Reference
Date of Publication
Reference Title
Volume
Edition
Page
Figure
Repository
Zotero ID

Download an RDF export

Pavel Petrovich Svinin, View of Morrisville, General Moreau’s Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania, 1811–c. 1813, watercolor on white laid paper, 5 3/8 x 7 9/16 in. (13.7 x 19.2 cm). The Metropolitan Museum of Art. Rogers Fund, 1942.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current15:57, November 16, 2016Thumbnail for version as of 15:57, November 16, 20161,872 × 1,344 (446 KB)Chelsea-Cole (talk | contribs)

The following 3 pages use this file:

Metadata

Retrieved from "https://heald.nga.gov/mediawiki/index.php?title=File:2114.jpg&oldid=41769"

History of Early American Landscape Design contributors, "File:2114.jpg," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=File:2114.jpg&oldid=41769 (accessed October 3, 2022).

A Project of the Center for Advanced Study in the Visual Arts

National Gallery of Art, Washington