A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "File:0350.jpg"

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Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), frontispiece. National Gallery of Art, Washington, DC.
 
Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), frontispiece. National Gallery of Art, Washington, DC.
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Also appears as the frontispiece in the 1841 and 1844 editions of the book.

Revision as of 17:42, April 16, 2019


Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture (1849), frontispiece. National Gallery of Art, Washington, DC.

Also appears as the frontispiece in the 1841 and 1844 editions of the book.

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A Project of the Center for Advanced Study in the Visual Arts

National Gallery of Art, Washington