A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "File:0350.jpg"

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{{Image
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|Place=Blithewood
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|People=Alexander Jackson Davis, A. J. Downing
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|Keyword relationships={{Keyword relationship
 +
|Keyword relationship=Associated
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|Keyword=Cascade/Cataract/Waterfall
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}}{{Keyword relationship
 +
|Keyword relationship=Associated
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|Keyword=Lake
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}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Landscape gardening
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Lawn
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Piazza
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Picturesque
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Prospect
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Seat
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Summerhouse
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Vase
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Veranda
 +
}}{{Keyword relationship
 +
|Keyword relationship=Associated
 +
|Keyword=Walk
 +
}}
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|Creator=Alexander Jackson Davis
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|Creation Present=No
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|Creation Date=1849
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|Creation Circa=No
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|Creation Concurrence=Exact
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|Creation Questionable=No
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|Creation HasEndDate=No
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|Creation Present End=No
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|Creation Circa End=No
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|Creation Questionable End=No
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|Title=View in the Grounds at Blithewood
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|Image Title=Alexander Jackson Davis, “View in the Grounds at Blithewood," 1849
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|Showcase main=No
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|Showcase essay=No
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|Publication Present=No
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|Publication Date=1849
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|Publication Circa=No
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|Publication Concurrence=Exact
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|Publication Questionable=No
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|Publication HasEndDate=No
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|Publication Present End=No
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|Publication Circa End=No
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|Publication Questionable End=No
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|Reference Title=A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture
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|Figure=frontispiece
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|Repository=National Gallery of Art, Washington, DC
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|Reference ID=5M4S2D64
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}}
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Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), frontispiece. National Gallery of Art, Washington, DC.
  
 
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Also appears as the frontispiece in the 1841 and 1844 editions of the book.
Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture'' (1849), frontispiece. National Gallery of Art, Washington, DC.
 

Latest revision as of 15:06, July 29, 2021

About this image

Relationships
Place
Blithewood
People
Alexander Jackson Davis, A. J. Downing
Keyword relationships
Associated: Cascade/Cataract/Waterfall
Associated: Lake
Associated: Landscape gardening
Associated: Lawn
Associated: Piazza
Associated: Picturesque
Associated: Prospect
Associated: Seat
Associated: Summerhouse
Associated: Vase
Associated: Veranda
Associated: Walk
Information
Creator
Alexander Jackson Davis
Date
1849
Title
View in the Grounds at Blithewood
Inscription
Medium
Dimensions
Reference
Date of Publication
1849
Reference Title
A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture
Volume
Edition
Page
Figure
frontispiece
Repository
National Gallery of Art, Washington, DC
Zotero ID
5M4S2D64

Download an RDF export

Alexander Jackson Davis, “View in the Grounds at Blithewood,” in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America: With a View to the Improvement of Country Residences. Comprising Historical Notices and General Principles of the Art, Directions for Laying Out Grounds and Arranging Plantations, the Description and Cultivation of Hardy Trees, Decorative Accompaniments to the House and Grounds, the Formation of Pieces of Artificial Water, Flower Gardens, Etc., with Remarks on Rural Architecture (1849), frontispiece. National Gallery of Art, Washington, DC.

Also appears as the frontispiece in the 1841 and 1844 editions of the book.

File history

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Date/TimeThumbnailDimensionsUserComment
current20:40, March 18, 2016Thumbnail for version as of 20:40, March 18, 20161,200 × 769 (357 KB)C-tompkins (talk | contribs)

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History of Early American Landscape Design contributors, "File:0350.jpg," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=File:0350.jpg&oldid=41134 (accessed September 28, 2022).

A Project of the Center for Advanced Study in the Visual Arts

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