A Project of the Center for Advanced Study in the Visual Arts, National Gallery of Art
History of Early American Landscape Design

Difference between revisions of "Drive"

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==History==
 
==History==
  
[[File:0098_detail1.jpg|thumb|left|Fig. 1, Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain [detail], 1847.]]
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[[File:0098_detail1.jpg|thumb|left|Fig. 1, Miller & Co., Map of the residence & [[park]] grounds, near Bordentown, New Jersey: of the late Joseph Napoleon Bonaparte, ex-king of Spain [detail], 1847.]]
[[File:0332.jpg|thumb|Fig. 2, Alexander Jackson Davis, ''Mount Vernon'', c. 1831]]
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[[File:0332.jpg|thumb|Fig. 2, Alexander Jackson Davis, ''[[Mount Vernon]]'', c. 1831]]
 
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Approaches, roads, [[avenue]]s, and other circulation routes have always been an important component of American landscape design, but the term drive as a designation for a carriage road (as opposed to [[walk]]s and paths for pedestrians and horseback riders) did not come into common usage in America until the second quarter of the 19th century. Even then it appears to have been used only by treatise writers. Although earlier sites, such as [[Monticello]] and [[Mount Vernon]], included similar serpentine ways leading to the house, these routes usually were designated as [[avenue]]s or roads.  
Approaches, roads, [[avenue]]s, and other circulation routes have always been an important component of American landscape design, but the term drive as a designation for a carriage road (as opposed to [[walk]]s and paths for pedestrians and horseback riders) did not come into common usage in America until the second quarter of the nineteenth century. Even then it appears to have been used only by treatise writers. Although earlier sites, such as Monticello and [[Mount Vernon]], included similar serpentine ways leading to the house, these routes usually were designated as [[avenue]]s or roads.  
 
  
 
[[File:1152.jpg|thumb|Fig. 3, Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.]]
 
[[File:1152.jpg|thumb|Fig. 3, Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.]]
 
[[File:1793.jpg|thumb|left|Fig. 4, Thomas S. Sinclair, ''Ashland, The Home of Henry Clay'', 1852]]
 
[[File:1793.jpg|thumb|left|Fig. 4, Thomas S. Sinclair, ''Ashland, The Home of Henry Clay'', 1852]]
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[[A. J. Downing]] distinguished a drive from an approach, placing emphasis on the location of the roadways within an estate. In his lexicon, an approach, whether straight in the manner of the “[[ancient style]]” or serpentine following the “[[modern style]],” led the traveler from the public road to the house. The drive, in contrast, began where the approach terminated and carried the visitor through the estate, as with the several miles of graveled drives that he praised at Beaverwyck, near Albany, or the circuitous drives of Anthony Bleeker’s 1847 plan for Point Breeze [Fig. 1] in Bordentown, New Jersey. Other treatise writers, such as James E. Teschemacher in 1835, used the term “drive” more broadly to include curvilinear drives to the house, those that [[A. J. Downing|Downing]] would have called “approaches.” The majority of descriptions of drives, with their sweeping curves (which allowed one to experience the changing scenery of the landscape), relate to the large estates of America’s wealthiest families. Only by the mid-19th century did the term’s meaning shift, when George Jaques in 1852 applied the term to circulation routes at residential dwellings of modest scale. As such, the meaning began to approximate the contemporary term driveway.
  
[[A. J. Downing]] distinguished a drive from an approach, placing emphasis on the location of the roadways within an estate. In his lexicon, an approach, whether straight in the manner of the “[[ancient style]]” or serpentine following the “[[modern style]],” led the traveler from the public road to the house. The drive, in contrast, began where the approach terminated and carried the visitor through the estate, as with the several miles of graveled drives that he praised at Beaverwyck, near Albany, or the circuitous drives of Anthony Bleeker’s 1847 plan for Point Breeze [Fig. 1] in Bordentown, N.J. Other treatise writers, such as James E. Teschemacher in 1835, used the term “drive” more broadly to include curvilinear drives to the house, those that Downing would have called “approaches.The majority of descriptions of drives, with their sweeping curves (which allowed one to experience the changing scenery of the landscape), relate to the large estates of America’s wealthiest families. Only by the mid-nineteenth century did the term’s meaning shift, when George Jaques in 1852 applied the term to circulation routes at residential dwellings of modest scale. As such, the meaning began to approximate the contemporary term driveway.  
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[[File:0753.jpg|thumb|225px|Fig. 5, John Notman, “Plan of Grounds, Fieldwood, near Princeton,” October 19, 1846.]]
  
[[File:0000.jpg|thumb|Fig. #, ]]
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As the term itself implies, a drive was part of the processional experience of the natural or [[picturesque]] landscape.<ref>Much of Stephen Daniels’s discussion of the relation of Humphry Repton’s landscape design to road transportation in England is relevant to American landscape practice in the second quarter of the 19th century, although Repton himself does not appear to have used the term “drive” to refer to a road. See Daniels, “On the Road with Humphry Repton,” ''Journal of Garden History'' 16, no. 3 (autumn 1996): 170–91, [https://www.zotero.org/groups/54737/items/itemKey/3GKTB645 view on Zotero]. The Oxford English Dictionary also cites 1816 as the first instance that “drive” was applied to a carriage road, especially a private road leading to a house.</ref> It offered the carriage traveler varied scenery, [[view]]s of distant [[prospect]]s, and glimpses of the main house [Figs. 2–4]. Views of the house that became evident as one approached from an oblique angle, [[A. J. Downing|Downing]] noted, were beneficial for “displaying not only the beauty of the architectural façade but also one of the end elevations.” Thus, the [[view]]s gave “a more complete idea of the size, character, or elegance of the building.” Where possible, these modern drives took advantage of the natural scenery, as in [[Andrew Jackson Downing|Downing's]] design for [[Montgomery place|Montgomery Place]] on the Hudson, where he followed his own advice that a road “should ''never curve without some reason'', either real or apparent [his italics].” The intricacy of the circulation routes and their incorporation of [[view]]s are further exemplified in John Notman’s plan of 1846 for Woodlawn in Princeton, New Jersey [Fig. 5].
[[File:1142.jpg|thumb|Fig. #, John Caspar Wild, ''Laurel Hill Cemetery, Philadelphia'', 1838.]]
 
  
As the term itself implies, a drive was part of the processional experience of the natural or [[picturesque]] landscape. <ref>Much of Stephen Daniels’s discussion of the relation of Humphry Repton’s landscape design to road transportation in England is relevant to American landscape practice in the sec.ond quarter of the nineteenth century, although Repton himself does not appear to have used the term “drive” to refer to a road. See Daniels, “On the Road with Humphry Repton,” ''Journal of Garden History'' 16, no. 3 (autumn 1996): 170–91, [https://www.zotero.org/groups/54737/items/itemKey/3GKTB645 view on Zotero]. The Oxford English Dictionary also cites 1816 as the first instance that “drive” was applied to a carriage road, especially a private road leading to a house.</ref> It offered the carriage traveler varied scenery, [[view]]s of distant [[prospect]]s, and glimpses of the main house [Figs. 2–4]. Views of the house that became evident as one approached from an oblique angle, Downing noted, were beneficial for “displaying not only the beauty of the architectural façade but also one of the end elevations.” Thus, the [[view]]s gave “a more complete idea of the size, character, or elegance of the building.” Where possible, these modern drives took advantage of the natural scenery, as in Downing’s design for Montgomery Place on the Hudson, where he followed his own advice that a road “should ''never curve without some reason'', either real or apparent [his itlaics].” The intricacy of the circulation routes and their incorporation of [[view]]s are further exemplified in John Notman’s plan of 1846 for Woodlawn in Princeton, N.J. [Fig. 5].
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[[File:1142.jpg|thumb|left|Fig. 6, John Caspar Wild, ''Laurel Hill Cemetery, Philadelphia'', 1838.]]
  
[[]]
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The feature of the drive in public space offered a more affordable venue for pedestrians and horseback riders to enjoy the natural and artificially constructed beauty of the [[Schuylkill River]] and Fairmount Waterworks, Gray’s Ferry, and Laurel Hill Cemetery in Philadelphia [Fig. 6]. [[A. J. Downing|Downing's]] plan for Washington, DC, incorporated several miles of drives for carriages (as opposed to walks for pedestrians) to enable visitors to circulate through the national park. In this case, the drive was also a means to an end, allowing visitors to benefit from the didactic purposes of the “sylvan museum.”
  
The feature of the drive in public space offered a more affordable venue for pedestrians and horseback riders to enjoy the natural and artificially constructed beauty of the Schuylkill River and Fairmount Waterworks, Gray’s Ferry, and Laurel Hill Cemetery in Philadelphia [Fig. 6]. Downing’s plan for Washington, D.C., incorporated several miles of drives for carriages (as opposed to walks for pedestrians) to enable visitors to circulate through the national park. In this case, the drive was also a means to an end, allowing visitors to benefit from the didactic purposes of the “sylvan museum.”  
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The attention given in American landscape designs of the 1840s to circulation routes suitable for carriages in both public and residential space may partly reflect the technological innovations in vehicle suspension systems that had developed in England. These improvements and the simultaneous efforts to develop roadways allowed faster travel that, in turn, was instrumental in the growing practice of touring British country estates.<ref>Daniels 1996, 170–73, [https://www.zotero.org/groups/54737/items/itemKey/3GKTB645 view on Zotero].</ref> While touring was not as highly developed in America, landscape designs often incorporated the same aesthetic principles of opening [[view]]s and creating a varied experience for the visitor driving through the landscape.<ref>For an overview of the history of carriage design in America, see Merri McIntyre Ferrell, “A Harmony of Parts: The Aesthetics of Carriages in Nineteenth-Century America,” in ''Nineteenth Century American Carriages: Their Manufacture, Decoration and Use'' (Stony Brook, NY: The Museums at Stony Brook, 1987), 34–65, [https://www.zotero.org/groups/54737/items/itemKey/ZW3XS5VB view on Zotero].</ref> [[Andrew Jackson Downing|Downing]] cautioned that “the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to drive upon them.”  
  
The attention given in American landscape designs of the 1840s to circulation routes suitable for carriages in both public and residential space may partly reflect the technological innovations in vehicle suspension systems that had developed in England. These improvements and the simultaneous efforts to develop roadways allowed faster travel that, in turn, was instrumental in the growing practice of touring British country estates. <ref>Daniels, “On the Road with Humphry Repton,” 170–73, [https://www.zotero.org/groups/54737/items/itemKey/3GKTB645 view on Zotero].</ref> While touring was not as highly developed in America, landscape designs often incorporated the same aesthetic principles of opening [[view]]s and creating a varied experience for the visitor driving through the landscape. <ref>For an overview of the history of carriage design in America, see Merri McIntyre Ferrell, “A Harmony of Parts: The Aesthetics of Carriages in Nineteenth-Century America,” in
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''Elizabeth Kryder-Reid''
''Nineteenth Century American Carriages: Their Manufacture, Deco.ration and Use'' (Stony Brook, N.Y.: The Museums at Stony Brook, 1987), 34–65, [https://www.zotero.org/groups/54737/items/itemKey/ZW3XS5VB view on Zotero].</ref> Downing cautioned that “the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to drive upon them.”
 
  
-- ''Elizabeth Kryder-Reid''
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<hr>
  
 
==Texts==
 
==Texts==
 
 
===Usage===
 
===Usage===
  
* [[Downing, A. J.]], October 1847, describing Montgomery Place, country home of Mrs. Edward (Louise) Livingston, Dutchess County, N.Y. (quoted in Haley 1988: 45) <ref>Jacquetta M. Haley, ed., ''Pleasure Grounds: Andrew Jackson Downing and Montgomery Place'' (Tarrytown, N.Y.: Sleepy Hollow Press, 1988), [https://www.zotero.org/groups/54737/items/itemKey/SSZXJFSC view on Zotero].</ref>
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*[[Andrew Jackson Downing|Downing, Andrew Jackson]], October 1847, describing [[Montgomery place|Montgomery Place]], country home of Mrs. Edward (Louise) Livingston, Dutchess County, NY (quoted in Haley 1988: 45)<ref>Jacquetta M. Haley, ed., ''Pleasure Grounds: Andrew Jackson Downing and Montgomery Place'' (Tarrytown, NY: Sleepy Hollow Press, 1988), [https://www.zotero.org/groups/54737/items/itemKey/SSZXJFSC view on Zotero].</ref>
  
: “On the south [natural boundary of the estate] is a rich oak wood, in the centre of which is a private '''drive'''.”  
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:“On the south [natural boundary of the estate] is a rich oak wood, in the centre of which is a private '''drive'''.”
  
  
* [[Downing, A. J.]], 1849, describing Montgomery Place, country home of Mrs. Edward (Louise) Livingston, Dutchess County, N.Y. (p. 49) <ref name="Downing 1849">A. J. [Andrew Jackson] Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America'', 4th edn (Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1991), [https://www.zotero.org/groups/54737/items/itemKey/K7BRCDC5 view on Zotero].</ref>
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*[[Andrew Jackson Downing|Downing, Andrew Jackson]], 1849, describing [[Montgomery place|Montgomery Place]], country home of Mrs. Edward (Louise) Livingston, Dutchess County, NY (1849; repr. 1991: 49)<ref name="Downing 1849">A. J. [Andrew Jackson] Downing, ''A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America'', 4th ed. (1849; repr., Washington, DC: Dumbarton Oaks Research Library and Collection, 1991), [https://www.zotero.org/groups/54737/items/itemKey/K7BRCDC5 view on Zotero].</ref>
  
: “A large [[conservatory]], an exotic garden, an arboretum, etc., are among the features of interest in this admirable residence. Including a '''''drive''''' through a fine bit of natural wood, south of the mansion, there are five miles of highly varied and picturesque private roads and [[walk]]s, through the [[pleasure-ground]]s of Montgomery Place.”  
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:“A large [[conservatory]], an exotic garden, an [[arboretum]], etc., are among the features of interest in this admirable residence. Including a '''''drive''''' through a fine bit of natural wood, south of the mansion, there are five miles of highly varied and picturesque private roads and [[walk]]s, through the [[pleasure-ground]]s of [[Montgomery place|Montgomery Place]].”
  
  
[[File:0361.jpg|thumb|Fig. #, Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', (1849), pl. opp. p. 51, fig. 7.]]
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[[File:0361.jpg|thumb|Fig. 7, Anonymous, “Beaverwyck, the [[Seat]] of Wm. P. Van Rensselaer, Esq.,in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), pl. opp. 51, fig. 7.]]
* [[Downing, A. J.]], 1849, describing Beaverwyck, the seat of William P. Van Rensselaer, near Albany, N.Y. (p. 51) <ref name="Downing 1849"></ref>
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*[[Andrew Jackson Downing|Downing, Andrew Jackson]], 1849, describing Beaverwyck, the seat of William P. Van Rensselaer, near Albany, NY (1849; repr. 1991: 51)<ref name="Downing 1849"></ref>
  
: “The whole estate is ten or twelve miles square. . . . The home residence embraces several hundred acres, with a large level [[lawn]], bordered by highly varied surface of hill and dale. . . . The grounds are yet newly laid out, but with much judgement; and ''six or seven miles'' of winding gravelled roads and [[walk]]s have been formed—their boundaries now leading over level [[meadow]]s, and now winding through woody dells. The '''drives''' thus afforded, are almost unrivalled in extent and variety, and give the stranger or guest, an opportunity of seeing the near and distant [[view]]s to the best advantage.” [Fig. 7]  
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:“The whole estate is ten or twelve miles square. . . The home residence embraces several hundred acres, with a large level [[lawn]], bordered by highly varied surface of hill and dale. . . The grounds are yet newly laid out, but with much judgement; and ''six or seven miles'' of winding gravelled roads and [[walk]]s have been formed—their boundaries now leading over level [[meadow]]s, and now winding through woody dells. The '''drives''' thus afforded, are almost unrivalled in extent and variety, and give the stranger or guest, an opportunity of seeing the near and distant [[view]]s to the best advantage.” [Fig. 7]
  
  
[[File:0023.jpg|thumb|Fig. #, [[A. J. Downing]], ''Plan Showing Proposed Method of Laying Out the Public Grounds at Washington'', 1851. Manuscript copy by Nathaniel Michler, 1867.]]
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[[File:0023.jpg|thumb|Fig. 8, [[A. J. Downing]], ''Plan Showing Proposed Method of Laying Out the [[Public_garden/Public_ground|Public Grounds]] at Washington'', 1851. Manuscript copy by Nathaniel Michler, 1867.]]
* [[Downing, A. J.]], December, 1851, “State and Prospects of Horticulture” (''Horticulturist'' 6: 540–41) <ref>Andrew Jackson Downing, "The State and Prospects of Horticulture", ''The Horticulturist and Journal of Rural Art and Rural Taste'', 6 (1851), 537–41, [https://www.zotero.org/groups/54737/items/itemKey/XR68IJEG view on Zotero].</ref>
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*[[Andrew Jackson Downing|Downing, Andrew Jackson]], December 1851, “The State and Prospects of Horticulture” (''Horticulturist'' 6: 540–41)<ref>Andrew Jackson Downing, “The State and Prospects of Horticulture,''Horticulturist and Journal of Rural Art and Rural Taste'' 6, no. 12 (December 1851): 537–41, [https://www.zotero.org/groups/54737/items/itemKey/XR68IJEG view on Zotero].</ref>
  
: “The plan [for a [[public ground]] in Washington] embraces four or five miles of carriage-'''drive'''—[[walk]]s for pedestrians—[[pond]]s of water, [[fountain]]s and [[statue]]s—[[picturesque]] groupings of trees and [[shrub]]s, and a complete collection of all the trees that belong to North America. It will, if carried out as it has been undertaken, undoubtedly give a great impetus to the popular taste in [[landscape-gardening]] and the culture of ornamental trees; and as the climate of Washington is one peculiarly adapted to this purpose—this national park may be made a sylvan museum such as it would be difficult to equal in beauty and variety in any part of the world.” [Fig. 8]  
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:“The plan [for a [[public ground]] in Washington] embraces four or five miles of carriage-'''drive'''—[[walk]]s for pedestrians—[[pond]]s of water, [[fountain]]s and [[statue]]s—[[picturesque]] groupings of trees and [[shrub]]s, and a complete collection of all the trees that belong to North America. It will, if carried out as it has been undertaken, undoubtedly give a great impetus to the popular taste in [[landscape-gardening]] and the culture of ornamental trees; and as the climate of Washington is one peculiarly adapted to this purpose—this national park may be made a sylvan museum such as it would be difficult to equal in beauty and variety in any part of the world.” [Fig. 8]
  
  
 
===Citations===
 
===Citations===
  
* [[Loudon, J. C.]], 1826, ''An Encyclopaedia of Gardening'' (p. 1021) <ref>J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening'', 4th edn (London: Longman et al, 1826), [https://www.zotero.org/groups/54737/items/itemKey/KNKTCA4W view on Zotero].</ref>
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*[[J. C. (John Claudius) Loudon|Loudon, J. C. (John Claudius)]], 1826, ''An Encyclopaedia of Gardening'' (1826: 1021)<ref>J. C. (John Claudius) Loudon, ''An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening'', 4th ed. (London: Longman et al., 1826), [https://www.zotero.org/groups/54737/items/itemKey/KNKTCA4W view on Zotero].</ref>
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:“''7267. The riding'', or '''drive''', is a road indicated rather than formed, which passes through the most interesting and distant parts of a residence not seen in detail from the [[walk]]s, and as far into the adjoining lands of wildness or cultivation, as the property of the owner extends. It is also frequently conducted as much farther as the disposition of adjoining proprietors permits, or the general face of the country renders desirable.”
  
: “''7267. The riding'', or '''drive''', is a road indicated rather than formed, which passes through the most interesting and distant parts of a residence not seen in detail from the [[walk]]s, and as far into the adjoining lands of wildness or cultivation, as the property of the owner extends. It is also frequently conducted as much farther as the disposition of adjoining proprietors permits, or the general face of the country renders desirable.”
 
  
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*Teschemacher, James E. (James Englebert), November 1, 1835, “On Horticultural Architecture” (''Horticultural Register'' 1: 411)<ref>James E. Teschemacher, “On Horticultural Architecture,” ''Horticultural Register, and Gardener’s Magazine'' 1 (November 1, 1835): 409–12, [https://www.zotero.org/groups/54737/items/itemKey/ZA92W46U view on Zotero].</ref>
  
* Teschemacher, James E., 1 November 1835, “On Horticultural Architecture” (''Horticultural Register'' 1: 411) <ref>James E. Teschemacher, "On Horticultural Architecture", ''The Horticultural Register and Gardener’s Magazine'', 1 (1835), 157–61, [https://www.zotero.org/groups/54737/items/itemKey/ZA92W46U view on Zotero].</ref>
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:“The approach to the house should be by a broad semi-circular '''drive''' intersecting the [[lawn]]s, and leading by branches to the stables and out buildings, as well as to the flower and [[kitchen garden]]s; this last, if near the house, must be completely concealed, either by [[wall]]s covered with fruit trees, or by [[shrubberies]], and may be preferably laid out in a series of parallelograms.
  
: “The approach to the house should be by a broad semi-circular '''drive''' intersecting the [[lawn]]s, and leading by branches to the stables and out buildings, as well as to the flower and [[kitchen garden]]s; this last, if near the house, must be completely concealed, either by [[wall]]s covered with fruit trees, or by [[shrubberies]], and may be preferably laid out in a series of parallelograms.”
 
  
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*[[Andrew Jackson Downing|Downing, Andrew Jackson]], 1849, ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849; repr., 1991: 337, 341–42)<ref name="Downing 1849"></ref>
  
* [[Downing, A. J.]], 1849, ''A Treatise on the Theory and Practice of Landscape Gardening'' (pp. 337, 341–42) <ref name="Downing 1849"></ref>
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:“There are two guiding principles which have been laid down for the formation of Approach roads. The first, that the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to '''drive''' upon them; and the second, that the road should ''never curve without some reason'', either real or apparent.
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:“The '''''Drive''''' is a variety of road rarely seen among us, yet which may be made a very agreeable feature in some of our country residences, at a small expense. It is intended for exercise more secluded than that upon the public road, and to show the interesting portions of the place from the carriage, or on horseback. Of course it can only be formed upon places of considerable extent; but it enhances the enjoyment of such places very highly, in the estimation of those who are fond of equestrian exercises. It generally commences where the approach terminates, viz. near the house: and from thence, proceeds in the same easy curvilinear manner through various parts of the grounds, farm, or estate. Sometimes it sweeps through the [[pleasure ground]]s, and returns along the very beach of the river, beneath the fine over-hanging foliage of its projecting bank; sometimes it proceeds towards some favorite point of [[view]], or interesting spot on the landscape; or at others it leaves the [[lawn]] and traverses the farm, giving the proprietor an opportunity to examine his crops, or exhibit his agricultural resources to his friends.
  
: “There are two guiding principles which have been laid down for the formation of Approach roads. The first, that the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to '''drive''' upon them; and the second, that the road should ''never curve without some reason'', either real or apparent.
 
: “The '''''Drive''''' is a variety of road rarely seen among us, yet which may be made a very agreeable feature in some of our country residences, at a small expense. It is intended for exercise more secluded than that upon the public road, and to show the interesting portions of the place from the carriage, or on horseback. Of course it can only be formed upon places of considerable extent; but it enhances the enjoyment of such places very highly, in the estimation of those who are fond of equestrian exercises. It generally commences where the approach terminates, viz. near the house: and from thence, proceeds in the same easy curvilinear manner through various parts of the grounds, farm, or estate. Sometimes it sweeps through the [[pleasure ground]]s, and returns along the very beach of the river, beneath the fine over-hanging foliage of its projecting bank; sometimes it proceeds towards some favorite point of [[view]], or interesting spot on the landscape; or at others it leaves the [[lawn]] and traverses the farm, giving the proprietor an opportunity to examine his crops, or exhibit his agricultural resources to his friends.”
 
  
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*Jaques, George, January 1852, “Landscape Gardening in New-England” (''Horticulturist'' 7: 35)<ref>George Jaques, “Landscape Gardening in New-England,” ''Horticulturist and Journal of Rural Art and Rural Taste'' 7, no. 1 (January 1852): 33–36, [https://www.zotero.org/groups/54737/items/itemKey/WMEDJ9XX view on Zotero].</ref>
  
* Jaques, George, January 1852, “Landscape Gardening in New-England” (''Horticulturist'' 7: 35) <ref>George Jaques, "Landscape Gardening in New-England", ''The Horticulturist and Journal of Rural Art and Rural Taste'', 7 (1852), 33–36, [https://www.zotero.org/groups/54737/items/itemKey/WMEDJ9XX view on Zotero].</ref>
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:“A gracefully curved '''drive''' or [[walk]], (from the public street to the buildings,) entering through an irregular group of trees, and forced into its curvature by another little group, will of itself impart to a rural home charms far more pleasing than ten times their cost could infuse into the stiff, old straight-lined primness of the [[ancient style]].
  
: “A gracefully curved '''drive''' or [[walk]], (from the public street to the buildings,) entering through an irregular group of trees, and forced into its curvature by another little group, will of itself impart to a rural home charms far more pleasing than ten times their cost could infuse into the stiff, old straight-lined primness of the [[ancient style]].”
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<hr>
  
 
==Images==
 
==Images==
 
 
===Inscribed===
 
===Inscribed===
  
 
<gallery widths="170px" heights="170px" perrow="7">
 
<gallery widths="170px" heights="170px" perrow="7">
  
File:1372.jpg|[[J. C. Loudon]], Plan of a ferme ornée with wild and irregular hedges, in ''An encyclopædia of gardening'', (1826), p. 1023, fig. 722.
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Image:1372.jpg|[[J. C. Loudon]], Plan of a [[ferme ornée]] with wild and irregular [[hedge]]s, in ''An Encyclopædia of Gardening'' (1826), 1023, fig. 722. "Hedges. . . are bordered on each side by a board green '''drive'''. . .”
  
 
</gallery>
 
</gallery>
Line 89: Line 87:
 
<gallery widths="170px" heights="170px" perrow="7">
 
<gallery widths="170px" heights="170px" perrow="7">
  
File:0938.jpg|James E. Teschemacher, "A green-house constructed at the centre of a cottage," in ''Horticultural Register and Gardener's Magazine'' 1 (May 1, 1835): opp. p. 157.
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Image:0938.jpg|James E. Teschemacher, “The approach to the house should be by a broad semi-circular '''drive'''. . . ” in ''Horticultural Register, and Gardener’s Magazine'' 1 (May 1, 1835): opp. 157.
  
File:0361.jpg|Anonymous, "Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', (1849), pl. opp. p. 51, fig. 7.
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Image:0361.jpg|Anonymous, “Beaverwyck, the [[Seat]] of Wm. P. Van Rensselaer, Esq.,in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), pl. opp. 51, fig. 7.
  
File:1967.jpg|[[A. J. Downing]], "Plan showing proposed method of laying out the public grounds at Washington," 1851.
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Image:1967.jpg|[[A. J. Downing]], ''Plan Showing Proposed Method of Laying Out the [[Public_garden/Public_ground|Public Grounds]] at Washington'', 1851.
 
 
File:0023.jpg|[[A. J. Downing]], ''Plan Showing Proposed Method of Laying Out the Public Grounds at Washington'', 1851. Manuscript copy by Nathaniel Michler, 1867.
 
  
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Image:0023.jpg|[[A. J. Downing]], ''Plan Showing Proposed Method of Laying Out the [[Public_garden/Public_ground|Public Grounds]] at Washington'', 1851. Manuscript copy by Nathaniel Michler, 1867.
 
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<gallery widths="170px" heights="170px" perrow="7">
 
<gallery widths="170px" heights="170px" perrow="7">
  
File:0240.jpg|Andreas Anton Lawatsch, "Prospect of Bethabara," Salem, N.C., c. 1759.
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Image:0240.jpg|Andreas Anton Lawatsch, “[[Prospect]] of Bethabara,Salem, NC, c. 1759. The drive is the tree-lined avenue.
  
File:0048.jpg|John Nancarrow,''Plan of the Seat of John Penn jun’r: Esqr: in Blockley Township and County of Philadelphia'', c. 1785.
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Image:0048.jpg|John Nancarrow, "Plan of the [[Seat]] of John Penn jun’r: Esqr: in Blockley Township and County of Philadelphia", c. 1785. A '''drive''' runs from point "f" to point "b".
  
File:0225.jpg|Charles Fraser, ''Mepkin, No. 1'', May 1805.
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Image:0225.jpg|Charles Fraser, ''Mepkin, No. 1'', May 1805.
  
File:1152.jpg|Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.
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Image:1152.jpg|Anonymous, ''The Lilacs'', Residence of Thomas Kidder [perspective rendering, front], c. 1810.
  
File:1454.jpg|Anonymous, ''The Vale'', 1820–30.
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Image:1454.jpg|Anonymous, ''The Vale'', 1820–30.
  
File:0157.jpg|[[Anne-Marguerite-Henriette Rouillé de Marigny Hyde de Neuville]], ''Washington City'', 1821.
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Image:0157.jpg|[[Anne-Marguerite Hyde de Neuville]], ''Washington City'', 1821.
  
File:2027.jpg|Alexander Jackson Davis, ''Residence of Dr. David Hosack, Hyde Park, New York'', c. 1830.
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Image:2027.jpg|Alexander Jackson Davis, ''Residence of Dr. [[David Hosack]], [[Hyde Park]], New York'', c. 1830.
  
File:0332.jpg|Alexander Jackson Davis, ''Mount Vernon'', c. 1831
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Image:0332.jpg|Alexander Jackson Davis, ''[[Mount Vernon]]'', c. 1831
  
File:0040.jpg|W. H. Bartlett, "Washington from the President's House," in Nathaniel Parker Willis, ''American Scenery'' (1840), vol. 2, pl. 26.
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Image:0040.jpg|W. H. Bartlett, “Washington from the President’s House,in Nathaniel Parker Willis, ''American Scenery'' (1840), vol. 2, pl. 26.
  
File:1142.jpg|John Caspar Wild, ''Laurel Hill Cemetery, Philadelphia'', 1838.
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Image:1142.jpg|John Caspar Wild, ''Laurel Hill Cemetery, Philadelphia'', 1838. A '''drive''' leads to the entrance of the cemetery.
  
File:0955.jpg|Alexander Jackson Davis, ''View N. W. at Blithewood'', c. 1841.
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Image:0753.jpg|John Notman, “Plan of Grounds, Fieldwood, near Princeton,” October 19, 1846.
  
File:0098.jpg|Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey : of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847.  
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Image:0098.jpg|Miller & Co., Map of the residence & [[park]] grounds, near Bordentown, New Jersey: of the late Joseph Napoleon Bonaparte, ex-king of Spain, 1847.  
  
File:0360.jpg|Anonymous, "Kenwood, Residence of J. Rathbone, Esq. near Albany, N.Y.," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', (1849), pl. opp. p. 50, fig. 9.
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Image:0360.jpg|Anonymous, “Kenwood, Residence of J. Rathbone, Esq. near Albany, N.Y.,in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), pl. opp. 50, fig. 9.
  
File:1466.jpg|Anonymous, "Villa of Theodore Lyman, Esq., near Boston," in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', (1849), p. 387, fig. 48.
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Image:1466.jpg|Anonymous, “Villa of Theodore Lyman, Esq., near Boston,in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'' (1849), 387, fig. 48.
  
File:1232.jpg|Orsamus Turner, Life Cycle of a Pioneer Woodsman ("Third Sketch of the Pioneer"), in ''Pioneer History of the Holland Purchase'', (1850), opp. p. 565.
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Image:1232.jpg|Orsamus Turner, Life Cycle of a Pioneer Woodsman (“Third Sketch of the Pioneer”), in ''Pioneer History of the Holland Purchase'' (1850), opp. 565.
  
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Image:1793.jpg|Thomas S. Sinclair, ''Ashland, The Home of Henry Clay'', 1852.
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Image: 2286.jpg|Edward Beyer, ''Blue Sulphur Spring, Greenbrier County, VA'', 1857.
 
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==Notes==
 
==Notes==
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[[Category: Keywords]]
 
[[Category: Keywords]]
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[[Category: Drive]]
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[[Category: Circulation]]

Revision as of 14:20, February 17, 2021

See also: Avenue

History

Fig. 1, Miller & Co., Map of the residence & park grounds, near Bordentown, New Jersey: of the late Joseph Napoleon Bonaparte, ex-king of Spain [detail], 1847.
Fig. 2, Alexander Jackson Davis, Mount Vernon, c. 1831

Approaches, roads, avenues, and other circulation routes have always been an important component of American landscape design, but the term drive as a designation for a carriage road (as opposed to walks and paths for pedestrians and horseback riders) did not come into common usage in America until the second quarter of the 19th century. Even then it appears to have been used only by treatise writers. Although earlier sites, such as Monticello and Mount Vernon, included similar serpentine ways leading to the house, these routes usually were designated as avenues or roads.

Fig. 3, Anonymous, The Lilacs, Residence of Thomas Kidder [perspective rendering, front], c. 1810.
Fig. 4, Thomas S. Sinclair, Ashland, The Home of Henry Clay, 1852

A. J. Downing distinguished a drive from an approach, placing emphasis on the location of the roadways within an estate. In his lexicon, an approach, whether straight in the manner of the “ancient style” or serpentine following the “modern style,” led the traveler from the public road to the house. The drive, in contrast, began where the approach terminated and carried the visitor through the estate, as with the several miles of graveled drives that he praised at Beaverwyck, near Albany, or the circuitous drives of Anthony Bleeker’s 1847 plan for Point Breeze [Fig. 1] in Bordentown, New Jersey. Other treatise writers, such as James E. Teschemacher in 1835, used the term “drive” more broadly to include curvilinear drives to the house, those that Downing would have called “approaches.” The majority of descriptions of drives, with their sweeping curves (which allowed one to experience the changing scenery of the landscape), relate to the large estates of America’s wealthiest families. Only by the mid-19th century did the term’s meaning shift, when George Jaques in 1852 applied the term to circulation routes at residential dwellings of modest scale. As such, the meaning began to approximate the contemporary term driveway.

Fig. 5, John Notman, “Plan of Grounds, Fieldwood, near Princeton,” October 19, 1846.

As the term itself implies, a drive was part of the processional experience of the natural or picturesque landscape.[1] It offered the carriage traveler varied scenery, views of distant prospects, and glimpses of the main house [Figs. 2–4]. Views of the house that became evident as one approached from an oblique angle, Downing noted, were beneficial for “displaying not only the beauty of the architectural façade but also one of the end elevations.” Thus, the views gave “a more complete idea of the size, character, or elegance of the building.” Where possible, these modern drives took advantage of the natural scenery, as in Downing's design for Montgomery Place on the Hudson, where he followed his own advice that a road “should never curve without some reason, either real or apparent [his italics].” The intricacy of the circulation routes and their incorporation of views are further exemplified in John Notman’s plan of 1846 for Woodlawn in Princeton, New Jersey [Fig. 5].

Fig. 6, John Caspar Wild, Laurel Hill Cemetery, Philadelphia, 1838.

The feature of the drive in public space offered a more affordable venue for pedestrians and horseback riders to enjoy the natural and artificially constructed beauty of the Schuylkill River and Fairmount Waterworks, Gray’s Ferry, and Laurel Hill Cemetery in Philadelphia [Fig. 6]. Downing's plan for Washington, DC, incorporated several miles of drives for carriages (as opposed to walks for pedestrians) to enable visitors to circulate through the national park. In this case, the drive was also a means to an end, allowing visitors to benefit from the didactic purposes of the “sylvan museum.”

The attention given in American landscape designs of the 1840s to circulation routes suitable for carriages in both public and residential space may partly reflect the technological innovations in vehicle suspension systems that had developed in England. These improvements and the simultaneous efforts to develop roadways allowed faster travel that, in turn, was instrumental in the growing practice of touring British country estates.[2] While touring was not as highly developed in America, landscape designs often incorporated the same aesthetic principles of opening views and creating a varied experience for the visitor driving through the landscape.[3] Downing cautioned that “the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to drive upon them.”

Elizabeth Kryder-Reid


Texts

Usage

“On the south [natural boundary of the estate] is a rich oak wood, in the centre of which is a private drive.”


“A large conservatory, an exotic garden, an arboretum, etc., are among the features of interest in this admirable residence. Including a drive through a fine bit of natural wood, south of the mansion, there are five miles of highly varied and picturesque private roads and walks, through the pleasure-grounds of Montgomery Place.”


Fig. 7, Anonymous, “Beaverwyck, the Seat of Wm. P. Van Rensselaer, Esq.,” in A. J. Downing, A Treatise on the Theory and Practice of Landscape Gardening (1849), pl. opp. 51, fig. 7.
  • Downing, Andrew Jackson, 1849, describing Beaverwyck, the seat of William P. Van Rensselaer, near Albany, NY (1849; repr. 1991: 51)[5]
“The whole estate is ten or twelve miles square. . . The home residence embraces several hundred acres, with a large level lawn, bordered by highly varied surface of hill and dale. . . The grounds are yet newly laid out, but with much judgement; and six or seven miles of winding gravelled roads and walks have been formed—their boundaries now leading over level meadows, and now winding through woody dells. The drives thus afforded, are almost unrivalled in extent and variety, and give the stranger or guest, an opportunity of seeing the near and distant views to the best advantage.” [Fig. 7]


Fig. 8, A. J. Downing, Plan Showing Proposed Method of Laying Out the Public Grounds at Washington, 1851. Manuscript copy by Nathaniel Michler, 1867.
“The plan [for a public ground in Washington] embraces four or five miles of carriage-drivewalks for pedestrians—ponds of water, fountains and statuespicturesque groupings of trees and shrubs, and a complete collection of all the trees that belong to North America. It will, if carried out as it has been undertaken, undoubtedly give a great impetus to the popular taste in landscape-gardening and the culture of ornamental trees; and as the climate of Washington is one peculiarly adapted to this purpose—this national park may be made a sylvan museum such as it would be difficult to equal in beauty and variety in any part of the world.” [Fig. 8]


Citations

7267. The riding, or drive, is a road indicated rather than formed, which passes through the most interesting and distant parts of a residence not seen in detail from the walks, and as far into the adjoining lands of wildness or cultivation, as the property of the owner extends. It is also frequently conducted as much farther as the disposition of adjoining proprietors permits, or the general face of the country renders desirable.”


  • Teschemacher, James E. (James Englebert), November 1, 1835, “On Horticultural Architecture” (Horticultural Register 1: 411)[8]
“The approach to the house should be by a broad semi-circular drive intersecting the lawns, and leading by branches to the stables and out buildings, as well as to the flower and kitchen gardens; this last, if near the house, must be completely concealed, either by walls covered with fruit trees, or by shrubberies, and may be preferably laid out in a series of parallelograms.”


“There are two guiding principles which have been laid down for the formation of Approach roads. The first, that the curves should never be so great, or lead over surfaces so unequal, as to make it disagreeable to drive upon them; and the second, that the road should never curve without some reason, either real or apparent.
“The Drive is a variety of road rarely seen among us, yet which may be made a very agreeable feature in some of our country residences, at a small expense. It is intended for exercise more secluded than that upon the public road, and to show the interesting portions of the place from the carriage, or on horseback. Of course it can only be formed upon places of considerable extent; but it enhances the enjoyment of such places very highly, in the estimation of those who are fond of equestrian exercises. It generally commences where the approach terminates, viz. near the house: and from thence, proceeds in the same easy curvilinear manner through various parts of the grounds, farm, or estate. Sometimes it sweeps through the pleasure grounds, and returns along the very beach of the river, beneath the fine over-hanging foliage of its projecting bank; sometimes it proceeds towards some favorite point of view, or interesting spot on the landscape; or at others it leaves the lawn and traverses the farm, giving the proprietor an opportunity to examine his crops, or exhibit his agricultural resources to his friends.”


  • Jaques, George, January 1852, “Landscape Gardening in New-England” (Horticulturist 7: 35)[9]
“A gracefully curved drive or walk, (from the public street to the buildings,) entering through an irregular group of trees, and forced into its curvature by another little group, will of itself impart to a rural home charms far more pleasing than ten times their cost could infuse into the stiff, old straight-lined primness of the ancient style.”

Images

Inscribed

Associated

Attributed


Notes

  1. Much of Stephen Daniels’s discussion of the relation of Humphry Repton’s landscape design to road transportation in England is relevant to American landscape practice in the second quarter of the 19th century, although Repton himself does not appear to have used the term “drive” to refer to a road. See Daniels, “On the Road with Humphry Repton,” Journal of Garden History 16, no. 3 (autumn 1996): 170–91, view on Zotero. The Oxford English Dictionary also cites 1816 as the first instance that “drive” was applied to a carriage road, especially a private road leading to a house.
  2. Daniels 1996, 170–73, view on Zotero.
  3. For an overview of the history of carriage design in America, see Merri McIntyre Ferrell, “A Harmony of Parts: The Aesthetics of Carriages in Nineteenth-Century America,” in Nineteenth Century American Carriages: Their Manufacture, Decoration and Use (Stony Brook, NY: The Museums at Stony Brook, 1987), 34–65, view on Zotero.
  4. Jacquetta M. Haley, ed., Pleasure Grounds: Andrew Jackson Downing and Montgomery Place (Tarrytown, NY: Sleepy Hollow Press, 1988), view on Zotero.
  5. 5.0 5.1 5.2 A. J. [Andrew Jackson] Downing, A Treatise on the Theory and Practice of Landscape Gardening, Adapted to North America, 4th ed. (1849; repr., Washington, DC: Dumbarton Oaks Research Library and Collection, 1991), view on Zotero.
  6. Andrew Jackson Downing, “The State and Prospects of Horticulture,” Horticulturist and Journal of Rural Art and Rural Taste 6, no. 12 (December 1851): 537–41, view on Zotero.
  7. J. C. (John Claudius) Loudon, An Encyclopaedia of Gardening; Comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape-Gardening, 4th ed. (London: Longman et al., 1826), view on Zotero.
  8. James E. Teschemacher, “On Horticultural Architecture,” Horticultural Register, and Gardener’s Magazine 1 (November 1, 1835): 409–12, view on Zotero.
  9. George Jaques, “Landscape Gardening in New-England,” Horticulturist and Journal of Rural Art and Rural Taste 7, no. 1 (January 1852): 33–36, view on Zotero.

Retrieved from "https://heald.nga.gov/mediawiki/index.php?title=Drive&oldid=40309"

History of Early American Landscape Design contributors, "Drive," History of Early American Landscape Design, , https://heald.nga.gov/mediawiki/index.php?title=Drive&oldid=40309 (accessed March 28, 2024).

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