Porch - Revision history

V-Federici: /* Inscribed */

2021-04-06T10:14:38Z

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V-Federici: /* Attributed */

2021-02-08T15:52:39Z

Attributed

V-Federici at 13:59, January 21, 2021

2021-01-21T13:59:31Z

M-Westerby: /* History */

2021-01-05T14:52:45Z

History

V-Federici at 20:08, December 10, 2020

2020-12-10T20:08:21Z

V-Federici: /* Attributed */

2020-10-27T17:21:58Z

Attributed

V-Federici: /* Attributed */

2020-10-01T17:54:08Z

Attributed

V-Federici: /* Inscribed */

2020-09-08T15:59:41Z

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M-Westerby: /* Inscribed */

2020-07-02T14:21:36Z

Inscribed

M-Westerby: /* Inscribed */

2020-02-26T22:49:26Z

Inscribed

← Older revision		Revision as of 10:14, April 6, 2021
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	Image:1253.jpg\|[[Alexander Jackson Davis]], Kirri Cottage for Julia Jackson Davis, 1849.		Image:1253.jpg\|[[Alexander Jackson Davis]], Kirri Cottage for Julia Jackson Davis, 1849.
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		+	Image:1543.jpg\|Anonymous, "Langwood" and "Principal Floor," ''Horticulturist,'' Vo. 3, No. 9 (March 1849), pl. opp. 401.

	Image:0951.jpg\|(?) Forbes, “Cottage Villa of Wm. J. Rotch, Esq. New Beford, Mass.,” in [[A. J. Downing]], ed., ''Horticulturist'' 4, no. 5 (November 1849): pl. opp. 201. “Front '''porch'''” is inscribed near the bottom of the plan; “back '''porch'''” is inscribed near the top of the plan.		Image:0951.jpg\|(?) Forbes, “Cottage Villa of Wm. J. Rotch, Esq. New Beford, Mass.,” in [[A. J. Downing]], ed., ''Horticulturist'' 4, no. 5 (November 1849): pl. opp. 201. “Front '''porch'''” is inscribed near the bottom of the plan; “back '''porch'''” is inscribed near the top of the plan.

@@ Line 163: / Line 163: @@
 Image:0021.jpg|Cornelius Tiebout, ''A [[View]] of the present [[Seat]] of His Excel. the Vice President of the United States'', 1790.
-Image:0005.jpg|Amy Cox, attr., ''Box Grove'', c. 1800.
+Image:0005.jpg|Amy Cox, attr., ''Box [[Grove]]'', c. 1800.
 Image:0231.jpg|[[Charles Fraser]], ''A [[Seat]] on the Ashley River'', April 1802.

← Older revision		Revision as of 13:59, January 21, 2021
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	Image:0182.jpg\|Eliza Caroline Burgwin Clitherall, ''The [[Hermitage]]'', c. 1805.		Image:0182.jpg\|Eliza Caroline Burgwin Clitherall, ''The [[Hermitage]]'', c. 1805.
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		+	Image:0320.jpg\|William Russell Birch, “York-Island, with a [[View]] of the [[Seat]]s of M.<sup>r</sup> A. Gracie, M.<sup>r</sup> Church &c.,” in ''The Country [[Seat]]s of the United States of North America'' (1808), pl. 17.

	Image:0358.jpg\|Anonymous, “[[Rustic_style\|Rustic]] Seat,” [[Montgomery Place]], in [[A. J. Downing]], ed., ''Horticulturist'' 2, no. 4 (October 1847): 157, fig. 26.		Image:0358.jpg\|Anonymous, “[[Rustic_style\|Rustic]] Seat,” [[Montgomery Place]], in [[A. J. Downing]], ed., ''Horticulturist'' 2, no. 4 (October 1847): 157, fig. 26.

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 ==History==
-[[File:0320.jpg|thumb|left|Fig. 1, William Russell Birch, “York-Island with a View of the Seats of Mr. A. Gracie, Mr. Church &c.,” 1808, in William Russell Birch and Emily Cooperman, ''The Country Seats of the United States'' (2009), 75, pl. 17.]]
+[[File:0320.jpg|thumb|left|Fig. 1, William Russell Birch, “York-Island, with a '''View''' of the [[Seat]]s of M.<sup>r</sup> A. Gracie, M.<sup>r</sup> Church &c.,” in ''The Country [[Seat]]s of the United States of North America'' (1808), pl. 17.]]
 [[File:0916.jpg|thumb|Fig. 2, Anonymous, “Bracketed [[Veranda]] from the inside,” in [[A. J. Downing]], ''The Architecture of Country Houses'' (1850), 122, fig. 45.]]
 Porch is one of several words (including [[piazza]], [[portico]], and [[veranda]]) used to describe covered [[walk]]s or spaces supported by [[column]]s or piers and attached to, or to part of, a building. This architectural feature spoke to the interrelatedness of architecture and gardens, a relationship that grew out of the romantic interest in landscape characterizing the aesthetics of the 18th and 19th centuries. Two images exemplify the importance of these structures in creating and framing views of the garden and landscape. The first is a drawing of York Island, Long Island, by William Russell Birch (1808), who explained that the [[view]] was taken from the [[piazza]], a place from which one could see “innumerable [[seat]]s, spreading over an extensive country which glittered as the sun arose” [Fig. 1].<ref>William Russell Birch, ''The Country Seats of the United States of North America: With Some Scenes Connected with Them'' (Springland, PA: W. Birch, 1808), [https://www.zotero.org/groups/54737/items/itemKey/BAIMV4GZ view on Zotero].</ref> The second is from [[Andrew Jackson Downing|A. J. Downing's]] book on wooden [[picturesque]] houses, ''The Architecture of Country Houses'' (1850) [Fig. 2]. Both illustrate views from the bracketed [[piazza]], or [[veranda]], as [[A. J. Downing|Downing]] preferred to call it, out to the distant [[prospect]]. Two points are important in the history of these terms: First, these architectural elements served to elide the boundaries of the garden and building by linking interior and exterior space both visually and physically. Second, the associative values of refinement and domesticity, and even national progress, were read into the forms.

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 Image:0904.jpg|William Struthers, ''Entrance [[Gate]], Lodge & Plan'', 1842.
-Image:1151.jpg|Joseph C. Wells, attr., Design for a Cottage for Henry C. Bowen, c. 1846.
+Image:1151.jpg|Joseph Collins Wells, ''Design for a cottage for Henry C. Bowen, Esq. J. C. Wells Arch<sup>ct</sup>'', ca. 1846.
 Image:1254.jpg|John Notman, “No. 1 Ground Plan, Smithsonian Institute,” December 23, 1846. “Carriage porch” is inscribed below the “hall of entrance”; "porch” is inscribed below the “reception hall” on either side of the plan.

← Older revision		Revision as of 17:21, October 27, 2020
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	Image:1466.jpg\|Anonymous, “Villa of Theodore Lyman, Esq., near Boston,” in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', 4th ed. (1849), 387, fig. 48.		Image:1466.jpg\|Anonymous, “Villa of Theodore Lyman, Esq., near Boston,” in [[A. J. Downing]], ''A Treatise on the Theory and Practice of Landscape Gardening'', 4th ed. (1849), 387, fig. 48.
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		+	Image:1131.jpg\|Edward Hicks, ''Leedom Farm'', 1849.
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	</gallery>		</gallery>

@@ Line 159: / Line 159: @@
 <gallery>
-Image:0021.jpg|Cornelius Tiebout, “A View of the present Seat of His Excel. the Vice President of the United States,” 1790.
+Image:0021.jpg|Cornelius Tiebout, ''A [[View]] of the present [[Seat]] of His Excel. the Vice President of the United States'', 1790.
 Image:0005.jpg|Amy Cox, attr., ''Box Grove'', c. 1800.
-Image:0231.jpg|[[Charles Fraser]], ''A Seat on the Ashley River'', April 1802.
+Image:0231.jpg|[[Charles Fraser]], ''A [[Seat]] on the Ashley River'', April 1802.
-Image:0322.jpg|William Russell Birch, “China Retreat Pennsyl.<sup>a</sup> the Seat of M.<sup>r</sup> Manigault,” 1808, in William Russell Birch and Emily Cooperman, ''The Country Seats of the United States'' (2009), 79, pl. 19.
+Image:0322.jpg|William Russell Birch, “China Retreat Pennsyl.<sup>a</sup> the [[Seat]] of M.<sup>r</sup> Manigault,” 1808, in William Russell Birch and Emily Cooperman, ''The Country [[Seat]]s of the United States'' (2009), 79, pl. 19.
-Image:0164.jpg|Joshua H. Hayward, “A View of the Seat of Theodore Lyman, Esqr., in Waltham, taken on the principles of perspective,” Mathematical Thesis, 1818.
+Image:0164.jpg|Joshua H. Hayward, “A [[View]] of the [[Seat]] of Theodore Lyman, Esqr., in Waltham, taken on the principles of perspective,” Mathematical Thesis, 1818.
 Image:1140.jpg|Hugh Bridport, ''The Pagoda and [[Labyrinth]] Garden'', c. 1828.
-Image:1432.jpg|Milo Osborne, “Deaf and Dumb Asylum,” in Theodore S. Fay, ''Views in New-York and its Environs from Accurate, Characteristic, and [[Picturesque]] Drawings'' (1831).
+Image:1432.jpg|Milo Osborne, “Deaf and Dumb Asylum,” in Theodore S. Fay, ''[[View]]s in New-York and its Environs from Accurate, Characteristic, and [[Picturesque]] Drawings'' (1831).
 Image:0464.jpg|Nicolino Calyo, ''Harlem, the Country House of Dr. Edmondson'', 1834.

@@ Line 135: / Line 135: @@
 Image:1837.jpg|Anonymous, “A Country House in the Pointed Style,” in [[A. J. Downing]], ''The Architecture of Country Houses'' (1850), pl. opp. 304, figs. 133 and 134.
-File:1003.jpg|Anonymous, “Design for a Cottage for a Country Clergyman,” in ''Horticulturist'' 6, no. 7 (July 1851): pl. opp. 297.
+File:1003.jpg|Anonymous, “Design for a Cottage for a Country Clergyman,” in [[A. J. Downing]], ed., ''Horticulturist'' 6, no. 7 (July 1851): pl. opp. 297.
 </gallery>

@@ Line 127: / Line 127: @@
 Image:1253.jpg|[[Alexander Jackson Davis]], Kirri Cottage for Julia Jackson Davis, 1849.
-Image:0951.jpg|(?) Forbes, “Cottage Villa of Wm. J. Rotch, Esq. New Beford, Mass.,” in [[A. J. Downing]], ed., ''Horticulturist'' 4, no. 5 (November 1849): pl. opp. 201. “Front porch” is inscribed near the bottom of the plan; “back porch” is inscribed near the top of the plan.
+Image:0951.jpg|(?) Forbes, “Cottage Villa of Wm. J. Rotch, Esq. New Beford, Mass.,” in [[A. J. Downing]], ed., ''Horticulturist'' 4, no. 5 (November 1849): pl. opp. 201. “Front '''porch'''” is inscribed near the bottom of the plan; “back '''porch'''” is inscribed near the top of the plan.
 Image:0950.jpg|Anonymous, “Design for a Country House,” in [[A. J. Downing]], ed., ''Horticulturist'' 4, no. 6 (December 1849): pl. opp. 249.