Eminence - Revision history

V-Federici: /* Inscribed */

2021-04-12T13:38:36Z

Inscribed

V-Federici at 14:44, March 25, 2021

2021-03-25T14:44:49Z

V-Federici: /* Associated */

2021-01-12T09:16:20Z

Associated

V-Federici at 09:15, January 12, 2021

2021-01-12T09:15:24Z

V-Federici: /* Associated */

2021-01-07T14:42:51Z

Associated

V-Federici: /* Usage */

2021-01-07T14:42:02Z

Usage

V-Federici at 10:22, December 3, 2020

2020-12-03T10:22:40Z

V-Federici: /* Attributed */

2020-11-12T09:47:08Z

Attributed

V-Federici: /* Inscribed */

2020-10-26T11:26:19Z

Inscribed

M-Westerby: /* Attributed */

2020-10-14T13:04:18Z

Attributed

← Older revision		Revision as of 13:38, April 12, 2021
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	Image:1810.jpg\|Anonymous, “An octagonal [[Rustic_style\|Rustic]] [[Pavilion]] for an '''eminence''',” one of four “Designs for Rustic Buildings,” ''Horticulturist'' 2, no. 8 (February 1848): pl. opp. 345, fig. 2.		Image:1810.jpg\|Anonymous, “An octagonal [[Rustic_style\|Rustic]] [[Pavilion]] for an '''eminence''',” one of four “Designs for Rustic Buildings,” ''Horticulturist'' 2, no. 8 (February 1848): pl. opp. 345, fig. 2.
		+
		+	Image:2297.jpg\|Matthew Vassar, ''Plan of Springside'', 1851. ". . . the gentle '''eminence''' on our right are the Eden Hills (34)."

	</gallery>		</gallery>

@@ Line 236: / Line 236: @@
 Image:0124.jpg|Jane Shearer, Brick House with [[Terrace/Slope|Terraces]], 1806, in Sotheby’s New York, ''Important American Schoolgirl Embroideries'' (January 2012), 80.<ref>Sotheby’s New York, ''Important American Schoolgirl Embroideries'' (January 2012), [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/I9SQRZDH view on Zotero].</ref>
-Image:0043.jpg|John Archibald Woodside, ''[[Lemon Hill]]'', 1807.
+Image:0043_2.jpg|John Archibald Woodside, ''[[Lemon Hill]]'', 1807.
 Image:2248.jpg|William Russell Birch, ''Sweet Briar'', c. 1808. Corcoran Collection (Museum Purchase through a gift of Philip Alexius de Laszlo), [https://www.nga.gov/collection/art-object-page.184908.html National Gallery of Art, Washington, D.C].

@@ Line 224: / Line 224: @@
 Image:0459.jpg|Jenny Emily Snow, attr., ''Fairmount Park Waterworks'', c. 1850.
-Image:1970.jpg|James Smillie and E.G. Dunnel (engraver), “[[view|VIEW]] FROM MOUNT AUBURN, [[''Mount Auburn Cemetery'']],” in Cornelia W. Walter, ''Mount Auburn Illustrated'' (1847; repr. 1850), opp. 112.
+Image:1970.jpg|James Smillie and E.G. Dunnel (engraver), “[[view|VIEW]] FROM MOUNT AUBURN, ''[[Mount Auburn Cemetery]]'',” in Cornelia W. Walter, ''Mount Auburn Illustrated'' (1847; repr. 1850), opp. 112.
 </gallery>

@@ Line 224: / Line 224: @@
 Image:0459.jpg|Jenny Emily Snow, attr., ''Fairmount Park Waterworks'', c. 1850.
-Image:1970.jpg|James Smillie and E.G. Dunnel (engraver), “[[View]] from Mount Auburn, [[Mount Auburn Cemetery]],” in Cornelia W. Walter, ''Mount Auburn Illustrated'' (1847; repr. 1850), opp. 112.
+Image:1970.jpg|James Smillie and E.G. Dunnel (engraver), “[[view|VIEW]] FROM MOUNT AUBURN, [[''Mount Auburn Cemetery'']],” in Cornelia W. Walter, ''Mount Auburn Illustrated'' (1847; repr. 1850), opp. 112.
 </gallery>

← Older revision		Revision as of 14:42, January 7, 2021
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	Image:1994.jpg\|Thomas Doughty, ''[[View]] of the Fairmount Waterworks, Philadelphia, from the Opposite Side of the [[Schuylkill River]]'', c. 1824-26.		Image:1994.jpg\|Thomas Doughty, ''[[View]] of the Fairmount Waterworks, Philadelphia, from the Opposite Side of the [[Schuylkill River]]'', c. 1824-26.
		+
		+	Image:0937.jpg\|Unknown, "Plan for Planting Grounds in Front of Country Dwelling," in ''Horticultural Register and Gardener's Magazine'', vol. III, (April 1, 1837), 129.

	Image:0540.jpg\|John Caspar Wild, ''Fairmount Waterworks'', 1838.		Image:0540.jpg\|John Caspar Wild, ''Fairmount Waterworks'', 1838.

← Older revision		Revision as of 14:42, January 7, 2021
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	:“The proprietor has a passion for gardening, and his ruling taste seems likely to be a blessing to the city. He employs four gardeners, and toils in his grounds with his own hands. His garden is on a [[terrace]] which overlooks the [[canal]], and the most parklike '''eminences''' form the background of the [[view]]. Between the garden and the hills extend his vineyards, from the produce of which he has succeeded in making twelve kinds of wine, some of which are highly praised by good judges.”		:“The proprietor has a passion for gardening, and his ruling taste seems likely to be a blessing to the city. He employs four gardeners, and toils in his grounds with his own hands. His garden is on a [[terrace]] which overlooks the [[canal]], and the most parklike '''eminences''' form the background of the [[view]]. Between the garden and the hills extend his vineyards, from the produce of which he has succeeded in making twelve kinds of wine, some of which are highly praised by good judges.”
		+
		+
		+	*Anonymous, April 1, 1837, describing Landscape Gardening (''Horticultural Register and Gardener's Magazine'' 3: 130)<ref>Horticultural Register and Gardener's Magazine, edited by Joseph Breck, (April 1, 1837), 130, [https://www.zotero.org/groups/54737/keywords_in_early_american_landscape_design/items/itemKey/S2AHUAIF view on Zotero].</ref>
		+	:"Few are able to devote much ground or much expense in extensive ornamental [[plantation]]; but all may decorate the immediate vicinity of their residencies. The house should be situated at some distance from the road, which distance should be greater or less according as the house is large or small, and it should be on a moderate rise of ground. There should be a spacious open [[lawn]] or grass ground in front, which should be unoccupied by any objects except an occasional small groups of trees. . . If it is situated on an '''eminence''', the back as well as front view may be exhibited to great advantage. . ."

@@ Line 234: / Line 234: @@
 Image:2248.jpg|William Russell Birch, ''Sweet Briar'', c. 1808. Corcoran Collection (Museum Purchase through a gift of Philip Alexius de Laszlo), [https://www.nga.gov/collection/art-object-page.184908.html National Gallery of Art, Washington, D.C].
-Image:0019.jpg|Anonymous, House Lot, Gardens, and Orchard of Bacon’s Castle (after an 1843 survey plan), 1911, in Peter Martin, ''The Pleasure Gardens of Virginia: From Jamestown to Jefferson'' (1991), 10. fig. 5.
+Image:0133.jpg|Rufus Porter, Landscape mural from Howe House, 1838.
 </gallery>

@@ Line 194: / Line 194: @@
 Image:0314.jpg|William Russell Birch, “[[Mount Vernon]], Virginia, the [[Seat]] of the late Genl. G. Washington,” 1808, in William Russell Birch and Emily Cooperman, ''The Country Seats of the United States'' (2009), 55, pl. 7.
-Image:1810.jpg|Anonymous, “An octagonal [[Rustic_style|Rustic]] [[Pavilion]] for an eminence,” one of four “Designs for Rustic Buildings,” ''Horticulturist'' 2, no. 8 (February 1848): pl. opp. 345, fig. 2.
+Image:1810.jpg|Anonymous, “An octagonal [[Rustic_style|Rustic]] [[Pavilion]] for an '''eminence''',” one of four “Designs for Rustic Buildings,” ''Horticulturist'' 2, no. 8 (February 1848): pl. opp. 345, fig. 2.
 </gallery>

@@ Line 228: / Line 228: @@
 Image:0260.jpg|Joseph Steward, ''The Reverend Eleazar Wheelock (1711–1779), 1st President of Dartmouth College (1769–1779)'', 1793–96.
-Image:0124.jpg|Jane Shearer, Brick House with [[Terraces]], 1806, in Sotheby’s New York, ''Important American Schoolgirl Embroideries'' (January 2012), 80.
+Image:0124.jpg|Jane Shearer, Brick House with [[Terrace/Slope|Terraces]], 1806, in Sotheby’s New York, ''Important American Schoolgirl Embroideries'' (January 2012), 80.
 Image:0043.jpg|John Archibald Woodside, ''[[Lemon Hill]]'', 1807.